187 résultats
1938TN242526Arthur Tooth & Sons London 1938. 1st Edition. SOFTCOVER. 4to in printed stiff card covers unpaginated approx. 16pp on thick paper 34 item catalogu with 4 tipped-in b/w plates __CONDITION : A well preserved clean and tight VERY GOOD copy flat crease to top corner tip of front cover mildly mirrored by leaves and rear cover. A nice copy of a rare survival. . __We always ship in PROTECTIVE CARD PARCELS Arthur Tooth & Sons, London paperback
436346Hardcover. Very Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. La legerete by Raoul Dufy hardcover
12874Dufy Raoul. Dufy Raoul. LA PECHE FISHING. Woodcut c. 1925. From "The Pleasures of Peace." Edition of 220 stamped with the estate stamp "Atelier Raoul Dufy." 12 1/2 x 15 1/2 inches image 19 3/4 x 26 1/4 sheet. In excellent condition. unknown
194824151Paris: Bordas 1948. Original wraps. Fine/Fine. Raoul Dufy. A pristine copy of the 1948 1st edition. #252 of 300 "exemplaires sur Auvergne Teinte numerotes de 1 a 300". Illustrated with an original lithograph and 7 original drawings by the great French painter Raoul Dufy 1877-1953. Quarto crisp and Fine AND in a Fine example of the publisher's unprinted glassine dustjacket. Bordas unknown
85671Couverture rigide. Bon/1925. in-8. Paris 1925 in-8 264pp Reliure pleine toile Très bel exemplaire de l'édition originale sur papier d'édition. Couvertures salies conservées. 77 dessins inédits de Raoul Dufy! unknown
1977mon00031726861977T. hardcover. Very Good. . hardcover
1911182771Paris: Deplanche 1911. One of the most important French illustrated books of the 20th century First edition one of 91 copies on Hollande paper from a total edition of 120 copies only signed by Apollinaire and Dufy as issued; the other 29 copies were on japon. This copy is additionally inscribed on the front free endpaper to a musician and music publisher "a monsieur Georges Vriamont cordialement Raoul Dufy". It is rare in the original binding. Apollinaire conceived the idea for the book after seeing wood engravings of animals made by Picasso in 1906. He turned to Dufy to create these striking full-page woodcuts his first published and most important illustrations. The more common second edition of 1918 reproduced the woodcuts in a smaller and less impressive format. There were a further two copies of this title printed hors commerce destined for dépôt légal with impressions of the cancelled blocks "rayées au couteau" scratched with a knife. Folio. Title page printed in red and black 30 woodcuts and 5 ornaments by Dufy in black. Original limp vellum wrappers edges untrimmed. Housed in a custom marbled blue chemise and slipcase. A few spots of foxing to endpapers offsetting from woodcuts; joints of chemise just starting: a near-fine copy. Castleman A Century of Artists' Books p. 119; The Artist & the Book 1860-1960 91. hardcover
1977009146NY: Metropolitan Museum of Art. Hard cover in publisher's slipcase. Published NY: Metropolitan Museum of Art 1977. Folio 10 1/2" x 13 1/2" unpaginated. Reprint of the 1911 French edition with new English translations and foreword. Cream linen cloth with gilt titles. Pristine fine copy in near fine slipcase with mild sun fade. . Fine. Hard. 1977. Metropolitan Museum of Art unknown
197784863Metropolitan Museum of Art. As New. 1977. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 88 pages 32 b/w illustrations folio. -- with a bonus offer-- . Metropolitan Museum of Art hardcover
1977SKU1036598Metropolitan Museum of Art 1977. paperback. Very Good. 7x5x1. The Metropolitan Museum of Art; New York 1977. Hardcover. Reprint of the 1911 Edition. A Very Good tan cloth binding with gilt lettering on spine binding sturdy and intact small rub marks to board corners bit of sunning to spine slightly cocked interior tidy without Dust wrapper. In a Very Good sturdy no splits moderate sunning to spine and margins some soiled specks to rear Slipcase. A nice clean and unmarked copy. 4toquarto or approx. 10.5 x 13.5 inches unpaginated b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. Please Note: Depending on site actual book for sale may differ physically from picture listed. Additional scans are available for any item please inquire. Metropolitan Museum of Art paperback
1914413911Paris: Société Générale d'Impression 1914. Unbound. Good. Magazine. A near-complete set of all 20 issues published from 28 November 1914 to 1 July 1915. The first issue consists of two leaves lacking an internal bifolium issue no. 3 is lacking the final leaf; else all other issues appear to be complete in stapled wrappers including several with publisher’s printed slips. The front and back covers of most issues are split along the spine folds else overall a good or better set with some scattered foxing to a few covers toning and modest scattered chipping to the edges.<br /> <br /> A rare near-complete set of this satirical-political wartime review founded by Jean Cocteau and Paul Iribe early in their careers in illustration fashion and graphic design. Both men were important exponents of avant-garde art: as a teenager Iribe drew illustrations for the popular caricature journal L’Assiette au Beurre The Butter Plate; and Cocteau who had published his first volume of poems "Aladdin's Lamp" at 19 had already become widely known in Bohemian circles as "The Frivolous Prince." Iribe designed most of the covers and Cocteau contributed both images and text signing his drawings with the pseudonym “Jim†the name of his dog. Other important contributors include Russian painter and theater designer Léon Bakst Fauvist painter Raoul Dufy and Cubist painters Albert Gleizes and André Lhote.<br /> <br /> Established as the wartime sequel to François Bernouard’s Schéhérazade but printed on much poorer paper the set includes fine impressions of the many famous double-page drawings and series of cartoons and sketches including Cocteau’s series titled “Atrocites†comprising frightening figure of fat stupid and sadistic Germans. Also included in issue no. 5 is one of Cocteau’s most celebrated phrases … Entre le “GOUT†et la “VULGARITɆ…: “Between Taste and Vulgarity both unpleasant there remains an élan and a measure: The Tact of Understanding Just How Far To Go Too Far. Le Mot hopes you will follow it on this path of Franceâ€.<br /> <br /> A scarce set of 20 loose issues with two additional covers and the original publisher’s advertisement slips. A detailed list is available. Société Générale d'Impression unknown
19-8414Zurich: Stehli Freres S.A. ca. 1940s. Large format color reproduction print poster 15†x 23â€. Very Good. Printed in Switzerland. Copyright Stehli Freres S.A. Zurich: Stehli Freres S.A., [ca. 1940s?]. unknown
19-8586Zurich: Stehli Freres S.A. ca. 1940s. Large format color reproduction print poster 15†x 23â€. Very Good. Mild rubbing across front. Printed in Switzerland. Copyright Stehli Freres S.A. Zurich: Stehli Freres S.A., [ca. 1940s?]. unknown
191887198Paris: Editions de la Sirène 1918. Fine. "" C'est le crach du Panama qui fit de moi un poète !"" It was the Panama crash that made me a poet! Editions de la Sirène Paris 1918 19 x 23.50 cm broché First edition one of 500 numbered copies on Arches laid paper. Work illustrated with 25 American railroad route maps. Spine skillfully restored discreet crease marks to corners. Superb livre-objet like the Prose du Transsibérien which was composed in the same period the poem is presented folded. The second cover in bright red executed by Raoul Dufy resembles the railway timetables that one slipped into one's pocket: ""Le nom de Cendrars orne une bouée de sauvetage associant l'auctorité d'avant-garde au travail de sauvetage dans une décennie marquée par les catastrophes maritimes du Titanic au Lusitania"" The name of Cendrars adorns a life preserver associating avant-garde authority with rescue work in a decade marked by maritime disasters from the Titanic to the Lusitania Sophie Esch. Rare early autograph inscription signed and dated December 1918 on this text by Blaise Cendrars to Georges Le Cardonnel literary critic who co-wrote with Charles Vellay La Littérature contemporaine a survey conducted among French critics writers and poets. The year following the inscription he would sign a review of J'ai tué in la Minerve française. Editions de la Sirène unknown
192182740Paris: Camille Bloch 1921. Fine. Camille Bloch Paris 1921 11.50 x 14.50 cm broché First edition printed in 575 numbered copies on handmade Arches laid paper. Work illustrated with a vignette by Raoul Dufy on the cover. Spine lightened as is generally the case otherwise handsome copy. Manuscript signature of Jean Paulhan at the foot of the first endpaper. Camille Bloch unknown
51-5767Paris: Au San Pareil 1926. 4to. 23 x 29cm. Orginal wraps glassine and chemise with cloth ties. Repaired. Presentation copy from Dufy to "les amis The."The Artist and the Book 92; Carteret IV p.46; Monod 367; Skira 106. "Dufy again paid tribute to Apollinaire . by illustrating one of his major pieces of prose fiction. Le Poète Assassiné was originally a book of short stories which took its title from its opening novella. Dufy had attended the launch party for the book organized by Paul Dermée and Juan Gris at the Palais d'Orléans in Montparnasse on New Year's Eve 1916. In 1924 the Sans Pareil publishing house reportedly invited Picasso to illustrate a new edition of the story but once again two years later it was Dufy who took on the job . The closeness of the working relationship between Dufy and Apollinaire is reflected thematically in the collector's edition of Apollinaire's Le Poète Assassiné produced in 1926 10 years after initial publication of the work and eight years after the poet's death" Brown pp. 4 and 24. Paris: Au San Pareil, 1926. paperback
1926134245Paris: Au Sans Pareil 1926. A reflection of the close working relationship between Dufy and Apollinaire First Dufy edition number 113 of 380 copies printed on Montgolfier d'Annonay paper from a total edition of 450. "Dufy again paid tribute to Apollinaire. by illustrating one of his major pieces of prose fiction. Le Poète Assassiné was originally a book of short stories which took its title from its opening novella. Dufy had attended the launch party for the book organized by Paul Dermée and Juan Gris at the Palais d'Orléans in Montparnasse on New Year's Eve 1916. In 1924 the Sans Pareil publishing house reportedly invited Picasso to illustrate a new edition of the story but once again two years later it was Dufy who took on the job. The closeness of the working relationship between Dufy and Apollinaire is reflected thematically in the collector's edition of Apollinaire's Le Poète Assassiné produced in 1926 10 years after initial publication of the work and eight years after the poet's death" Brown pp. 4 and 24. Quarto 285 x 224 mm. 18 full-page and 18 smaller lithographs by Raoul Dufy. Later morocco halved diagonally into red and black fields lettered in white on spine and front cover untrimmed. Contemporary bookplate of "J.A. -B.E. Dunbar". Sometime furbished lettering clumsily retouched light wear to extremities spine ends chipped hinges tender occasional faint toning; a very good copy in an interesting binding Apollinaire's name misspelled on the front cover. Artist and the Book in France 92; Carteret IV 46; for a full discussion of Dufy's illustrations see Kathryn Brown ed. The Art Book Tradition in Twentieth-Century Europe Routledge 2013. unknown
1926elala1256Paris: Au Sans Pareil 1926. 1926. 4to. pp. 2 p.l. 147 1 leaf. with half-title. 36 original lithographs by Raoul Dufy incl. 18 plates with tissue guards. A fine untrimmed copy in fine blind & gilt-stamped red morocco binding by Zipélius Brillouin original wrs. bound in. matching slipcase slight wear to slipcase. First Edition Illustrated by Dufy Limited to 450 copies 20 hors commerce this one of 380 on vélin Montgolfier dAnnonay. Issued on the eighth anniversary of Apollinaires death. The Artist & The Book 92. Skira 106. Museum of Modern Art 62. 1st Edition. Hardcover. Very Good. Paris: Au Sans Pareil, 1926. Hardcover
ria9782807617650_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Fondement de la civilisation occidentale le blé est l’une des céréales les pluséchangées au monde. Sa part prépondérante dans l’alimentation humaine lui confèrele statut de denrée stratégique. La Russie en a fait un instr paperback
2807617654.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
192128174Paris: Les Cahiers d'aujourd'hui 1921. Fine. Les Cahiers d'aujourd'hui Paris mars 1921 19 x 25.50 cm broché First edition. Contributions by Lucie Cousturier Léon Werth Emile Vuillermoz Ernest Tisserand Régis Gignoux. Copy enhanced with sketches by André Derain Raoul Dufy Régis Gignoux Aristide Maillol Albert Marquet Luc-Albert Moreau. A small tear and a stain on the front cover some marginal foxing of no consequence on the first two leaves otherwise a handsome copy. Les Cahiers d'aujourd'hui unknown
1961002933Paris: Pierre de Tartas 1961. Book. Fine. Hardcover. 1st Edition. Loose sheets in lithographed wrappers in blue cloth clamshell box with white lettering. Original lithographs by Raoul Dufy. Number V of 20 roman numbered copies reserved for collaborators of the edition with an extra suite of the lithographs. The total edition was limited to 325 copies. This copy and the extra suite are printed on Grand Velin D'Arches. Lithographed wrappers 5 lithographs in color of which 4 double page. 12 black & white lithographs of which 9 double page of which 2 partly with text and 5 in text illustrations. The extra suite in white paper wrappers contains 4 double page color lithographs and 9 black & white lithographs of which 6 double page. All full page lithographs protected by tissue guards. The text by Michel de Saint-Pierre was set by hand in Paganini Romain. 38 x 275 cm. Very fine set in box with lightest wear one corner with repaired split. . Pierre de Tartas Hardcover
194410637Paris: Gallimard 1944. Fine. Gallimard Paris 1944 12 x 19 cm broché First edition one of the numbered copies on châtaignier paper the only deluxe copies with 13 on pur fil. With frontispiece portrait of the author by R. Dufy. Handsome copy retaining publisher's wraparound band. Gallimard unknown
194982796Toulouse: Arts et formes 1949. Fine. Arts et formes Toulouse 1949 12 x 18.50 cm en feuilles sous chemise et étui First edition printed in 450 numbered copies. Very handsome copy. Illustrated work complete with all 205 binding plates plate 79 then 79 bis. Under the direction of Marcel Garrigou with contributions by Raoul Dufy Roger Devauchelle René Kieffer Pierre-Lucien Martin André Dunoyer de Segonzac. Arts et formes unknown
191738923Paris: Camille Bloch 1917. Raoul Dufy. First edition of this collection of poems by Allard based on World War I ILLUSTRATED WITH 30 WOODCUTS BY RAOUL DUFY. 83pp. Edition limited to 251 numbered copies of which this is ONE OF 180 COPIES PRINTED ON FINE BFK Rives wove paper. 12mo. Printed wraps. A tiny bit of wear to wraps else FINE AND BRIGHT with no defects. Rare. <br/><br/> Camille Bloch paperback
