Dufy, RaoulBiblio.com
187 résultats
193033000N.p. Montpellier N.d. C. 1930: R.D. 1930. Original Autographed Letters. Original Autographed Letters. Signed by Author. Dufy Raoul. Autograph letter Signed. n. d. Octavo 1 page on blue paper in French. An excellent letter Dufy mentions that he is expecting Valery and that if it were not for our "grand poète" I wouldn't be so accommodating and would have accepted your invitation. Extend to Picasso my friendship - I hope to see him soon. I'm happy to know he is recovering. A very good letter in fine condition. R.D. unknown
73-2534Paris: 20th Century French Publisher 1930s-1960s. 45x66 cm. Black and white poster. Very Good. Paintings made up of smaller pages taped or glued together on white card.Provenance: Jean-Louis Debauve 1926-2016 aka Henry Jean-Louis DebauvveMagistrat honoraire spécialiste de la poésie romantique et du Symbolisme. historien et critique littéraire. - Membre de la Société polymathique du Morbihan - Docteur en droit Paris 1961 [Paris?: 20th Century French Publisher, 1930s-1960s?] unknown
19932111902153301123TBS Britannica 1993. Soft Cover. Fine. Number of pages: 158 pages Size: A4 TBS Britannica paperback
1953149651953. Dufy Raoul. Letter concerning a photograph of one of his paintings written by the French artist whose work became associated with Fauvism and modern decorative painting in the early twentieth century. Raoul Dufy developed an internationally recognized style characterized by vivid color rhythmic line and scenes of leisure music and coastal life while also producing designs for textiles ceramics book illustration and large decorative murals. The letter records Dufy's response to receiving a photograph of a painting that had previously been outside his possession providing a brief but revealing document of the ways modern artists used photography to record and preserve images of their own work.<br /> <br /> Dufy Raoul. Typed Letter Signed. One page written in French and signed in ink "Raoul Dufy." In the letter Dufy expresses gratitude to the recipient for sending a photographic image of one of his paintings writing: "Cher Monsieur Je vous suis très reconnaissant de l'amabilité que vous avez eue de me faire remettre par un de vos collaborateurs la photographie d'un de mes tableaux qui était entre vos mains. Celle-ci manquait à ma collection et je vous remercie encore de me l'avoir fait tenir. Veuillez croire Cher Monsieur à mes meilleurs sentiments." In this statement Dufy notes that the photograph "manquait à ma collection" indicating that the image filled a gap in his own documentation of his artistic production.<br /> <br /> During the early twentieth century photography became an important tool for artists seeking to document works that had entered private collections or exhibitions beyond their immediate control. For painters such as Dufy whose work circulated widely through galleries collectors and decorative commissions photographic reproductions functioned as records of artistic output and as a means of preserving visual documentation of completed works. The letter therefore illustrates a practical aspect of artistic practice in the modern art world where painters increasingly relied on photographic images to maintain a record of paintings no longer physically accessible to them. Light wear to paper edges; otherwise well preserved. Overall very good condition. unknown
04-1127Paris 1929. Silkscreen pochoir. 67 x 52 cm. Signed and dated 29 XII 1929 in the image. Additional text: Denis Sarthon Orme. Framed and glazed. Paris, 1929. unknown
1985DYTWW10489DEAGOSTINI 1985. Soft Cover. Fine. Number of books£º1 DEAGOSTINI paperback
B169749-1Paris Martine n.d. 251 1pp. Prof. illus. 32 hors texte including 12 original woodcuts by Dufy. 1 loose color insert. Wraps. Glassine d.j. Paris (Martine), n.d. paperback
1988Q-2070300072Editions Gallimard 1988-01-01. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! Editions Gallimard paperback
192244550Paris: Nrf 1922. Fine. Nrf Paris 1922 13.50 x 18.50 cm broché First edition one of 1035 numbered copies on Rives laid paper the only printing with 35 Japan copies. The work is illustrated with a frontispiece portrait of the author by Raoul Dufy engraved by Gorvel. Handsome copy. Nrf unknown
15-8089New York: Perls Gallery 1962. 8vo. 12 pp. Stapled Wrappers Very Good. Illustrations. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1962. unknown
15-8088New York: Perls Gallery 1961. 8vo. 12 pp. Stapled Wrappers Very Good. Illustrations. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1961. unknown
193886746Vence: S. n. 1938. Fine. S. n. Vence 29 Janvier 1938 20.50 x 26.50 cm une page recto verso une enveloppe Autograph letter dated and signed by Raoul Dufy 34 lines in blue ink from his property at Villa Beethoven in Vence. Creases inherent to postal delivery. Envelope included. Date and sender indications in Laboureur's hand in red and blue pencils on the envelope. The painter will not be able to attend the P.G.I. meeting independent painters and engravers and will miss his friend Jean-Emile Laboureur: ""J'ai quitté Paris pour un moment. J'aurais bien aimé aussi vous revoir."" I have left Paris for a moment. I would have very much liked to see you again as well. Moreover he envisions his future only in painting: ""Pour moi personnellement je crois bien que ma carrière de graveur est terminée : tombé dans la litho et la peinture d'histoire comme vous savez je me demande si jamais je pourrai refaire un beau bois au canif car comme graveur je ne sais ou plutôt n'ai su faire que ça et malgré le désir que j'en ai je me demande si jamais j'en aurai le loisir."" For me personally I do believe that my career as an engraver is finished: fallen into litho and history painting as you know I wonder if I will ever be able to make a beautiful penknife woodcut again because as an engraver I don't know or rather have only known how to do that and despite the desire I have for it I wonder if I will ever have the leisure for it. even though he will keep his place within this association bringing together engravers and painters: ""Donc malgré que je n'assiste jamais ou presque aux réunions je crois même que ma cotisation ne soit pas en règle je suis quand même PGI de tout coeur et quand je rentrerai à Paris j'aurai bien du plaisir à vous revoir tous."" So although I never or almost never attend the meetings I even believe that my dues are not up to date I am nevertheless PGI with all my heart and when I return to Paris I will have great pleasure in seeing you all again. S. n. unknown
