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200317360Philadelphia PA: Schwarz Gallery. New. 2003. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Fine -- with a bonus offer-- . Schwarz Gallery paperback
199427482Philadelphia PA: Schwarz Fine Paintings. New. 1994. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- with a bonus offer-- . Schwarz Fine Paintings paperback
75-6244Seattle: A. J. Kollar Fine Paintings 2003. 4to. Stapled Wrap ca. 40 pp. Color Plates. Very good with Creasing and Abrasions. Loosely laid In: Price List Seattle: A. J. Kollar Fine Paintings, 2003 unknown
198416777Philadelphia PA: The Schwarz Gallery. New. 1984. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- with a bonus offer-- . The Schwarz Gallery paperback
199625782Philadelphia PA: Schwarz Fine Paintings. New. 1996. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - -- with a bonus offer-- . Schwarz Fine Paintings paperback
1970019022New York: American Heritage 1970. Original tan cloth. Near Fine in Near Fine Dust Jacket. Nice copy. Collectable. . Near Fine. Hard Bound. First Edition. 1970. American Heritage, (1970). unknown
2092902140600374Masumi shobo N.A. Soft Cover. Fine. The book is in fine condition. Masumi shobo paperback
19645264Pittsburgh and Lake Erie Railroad Company / New York Central System. Very Good with no dust jacket. 1964. Softcover. Brief introduction by Howard Fogg foreword by John Barriger marking the end of his tenure as Company President. Chiefly full-page color reproductions of Fogg's paintings with captions at page bottoms. Textured stiff white wraps stapled. ; Oblong 11" x 8-1/2"; Lightly soiled faintly creased across front cover very little wear unmarked within. . Pittsburgh and Lake Erie Railroad Company / New York Central System paperback
1390552896.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19672111902156000685elementary school 1967. Soft Cover. Fine. The book is in fine condition. elementary school paperback
19631iiiAe0046New York: Hawthorn Books Inc. Publishers 1963. Book. Illus. by Giotto di Bondone Paintings; The Meeting At the Golden Gate Padua Arena Chapel Jacket Illustration Part 1; The Ognissanti Madonna Jacket Illustration Part 2. Very Good. Hardcover. © 1963 by Rizzoli Editore Milan. 12mo or 12° Duodecimo: 6¾" x 7¾" tall. 63 110 Part 1 35 146 Part 2 pp. 2-Part-Set! Both copies solidly and tightly bound with moderate overall wear and use. Copies with clean text on crisp pages. Jackets lightly frayed with some slight tears. Hawthorn Books, Inc., Publishers Hardcover
2090502130400204Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1978D07NS1124Ceolfrith Press Sunderland 1978. 1st Edition. SOFTCOVER. Square Quarto size 4to in stiff card covers 42pp plates in colour and b/w etc __CONDITION : A well preserved FINE very clean and tight copy covers faintly tanned in a faintly tanned and faintly edge-creased but otherwise FINE Dust Jacket. . __We always ship in PROTECTIVE CARD PARCELS Ceolfrith Press, Sunderland paperback
198719034NY: ABRAMS. 1987. Fine in Fine dust jacket. 1987. First Edition; First Printing. Hardcover. 0810912120 . First edition. SIGNED by Ann Beattie on front end paper. Fine in fine dust jacket. ; 9 1/4" X 10 1/4" . NY: ABRAMS. 1987 hardcover
8653218. CHINESE PITH PAINTINGS. ALBUM OF 30 FISH ON 12 SHEETS. Album of 12 sheets of pith approximately 19 x 26 cm each mounted onto pages within covers approx. 24.7 x 34.3 cm covered in brocade with ties. A wonderful mid-19th century example of this realistic genre which uses the three dimensionality afforded by the surface of the inner plant pith of the Tetrapanax papyriferum a ginseng relative that grow to the size of a small tree shaved as here into thin sheets and painted with opaque colors. The fish sparkle and the colors glow the fish accuraely depicted in form and color. Pith by its very nature is extremely fragile and larger sheets such as those employed here even more than usually frangible. Thus the completeness of the sheets with almost no lost pigmeted sections is most unusual. The covers are a bit worn though as usual the paintings show occasional cracking and repair but a worthy example of its kind. unknown
65895China c.1870. 8vo. 20 x 15 cm. Album of contemporary patterned cloth covered boards with 12 leaves of finely coloured illustrations on pith paper each secured with blue silk border. 4 of the images with just minimal cracking. Pith came into use for painting to satisfy the increasing demand for small inexpensive and easily transported souvenirs following the massive growth in the China Trade in the first half of the nineteenth century. Paintings in oils on board and canvas were costly and difficult to carry home. Earlier and more prestigious export water-colours had often been on a larger scale and painted on fine Chinese paper or on paper imported from Europe. The albums of pith paintings and later the little glass-fronted boxes were inexpensive light easy to pack and gave the pictures some protection on the long voyage home. Because many were sold in albums and hence protected from the light they retain their bright colours to this day. Pith comes from the central column of spongy cellular tissue in the stem of a small tree called Tetrapanax Papyrifera native to south-west China. It has had a variety of some going back many centuries. At the imperial court both men and women wore coloured flowers made from pith in their hair. For use in painting it is cut by hand with a knife into thin sheets from short lengths of the spongy tissue. Cutting is highly skilled and the constraints of the process mean that the finished sheets for painting seldom if ever measure more than about 30cms by 20cms. The sheets are dried trimmed and used for painting without any further processing. Because of the nature of pith and its cellular structure the gouache used by the Chinese sat on the surface and produced a bright and even sparkling effect. Very fine detail could be achieved but pith did not lend itself to the flat wash of colour favoured for European watercolours. These albums are difficult to date specifically as they are seldom signed and never actually dated. They are known to have been produced from the 1830s through to the 1870s [China, c.1870] hardcover
65894China c.1870. 8vo. 20 x 15 cm. Album of contemporary patterned cloth covered boards with 12 leaves of finely coloured illustrations on pith paper each secured with blue silk border. Just 2 short cracks generally very good condition. Pith came into use for painting to satisfy the increasing demand for small inexpensive and easily transported souvenirs following the massive growth in the China Trade in the first half of the nineteenth century. Paintings in oils on board and canvas were costly and difficult to carry home. Earlier and more prestigious export water-colours had often been on a larger scale and painted on fine Chinese paper or on paper imported from Europe. The albums of pith paintings and later the little glass-fronted boxes were inexpensive light easy to pack and gave the pictures some protection on the long voyage home. Because many were sold in albums and hence protected from the light they retain their bright colours to this day. Pith comes from the central column of spongy cellular tissue in the stem of a small tree called Tetrapanax Papyrifera native to south-west China. It has had a variety of some going back many centuries. At the imperial court both men and women wore coloured flowers made from pith in their hair. For use in painting it is cut by hand with a knife into thin sheets from short lengths of the spongy tissue. Cutting is highly skilled and the constraints of the process mean that the finished sheets for painting seldom if ever measure more than about 30cms by 20cms. The sheets are dried trimmed and used for painting without any further processing. Because of the nature of pith and its cellular structure the gouache used by the Chinese sat on the surface and produced a bright and even sparkling effect. Very fine detail could be achieved but pith did not lend itself to the flat wash of colour favoured for European watercolours. These albums are difficult to date specifically as they are seldom signed and never actually dated. They are known to have been produced from the 1830s through to the 1870s [China, c.1870] hardcover
431379780473634469. Hardcover. Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Albatross neck : landings by the ancient mariner and romanticism in Aotearoa New Zealand 1770-2022. This book is based on an exhibition by Nigel Brown held in ARTIS Gallery in 2015 in which he painted a set of works around Coleridge's Rime of the Ancient Mariner .The images include direct portraiture of the Romantic poets often taken out of their historical context and depicted in New Zealand landscape 780473634469 hardcover
2001TN250140National Theatre London 2001. 1st Edition. SOFTCOVER. Large landscape 4to. in colour printed stiff glossy card covers unpaginated approx. 16pp on thick glossy art paper 22 full and half page colour plates showing the paintings with introductory text by the artist __CONDITION : A well preserved almost AS NEW unmarked copy minute speck of shelf rub to cover corner tips. A nice copy of this scarce booklet. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS National Theatre, London paperback
0365084328.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
196688552Fallbrook California: Harleyford Publications Limited / Aero Publishers Inc 1966. Later Impression first published in 1956. Quarto 28cm; navy blue cloth-covered boards with titling stamped in gilt on spine; dustjacket; 232pp; black-and-white photographic halftones and colorful illustrations throughout. Light shelf-wear with light rubbing to board edges and trace soil to right edge of textblock; Very Good. Dustwrapper price-clipped with modest shelf-wear and -soil; Very Good. History of aircraft markings with this edition including revisions from suggestions on previous editions. 88552. Harleyford Publications Limited / Aero Publishers, Inc unknown
196680172Letchworth: Harleyford Publications 1966. 6th imp. Nice Copy. lge. octavo. dust jacket 232pp. colour frontis. colour & b/w plates diags. drwgs. colour chips index Nice copy in very good unclipped dust jacket Harleyford Publications unknown
196661389Letchworth: Harleyford Publications 1966. 6th imp. Nice Copy. lge. octavo. dust jacket 232pp. colour frontis. colour & b/w plates diags. drwgs. colour chips index Neat ownership signature o/w nice copy Harleyford Publications unknown
19442091502135500044National Map Publication Association 1944. Soft Cover. Fine. Number of pages: 16 pages National Map Publication Association paperback
0428109845.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
