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1894060182London: Seeley & Co Ltd 1894. First Edition . Hardcover. Very Good Plus. Folio - 11 x 9 Inches Tall. Illustrated. FIRST EDITIONS. LONDON : 1894-1898. Fine Binding. Series: The Portfolio Monographs . 3 works bound together. Hardback. Frontispieceswith tissue-guards to each volume illustrations and full-page engravings all present. Contemporary velum leather spine and corners; gilt decoration and lettered to spine. Boards dark green pebble-grained cloth. Top-edge gilt; others untrimmed as issued. Marbled end-papers. 3 separate issues of 'The Portfolio; bound others with original blue wrappers and advert pages bound in order to the rear. Full-page engravings have some foxing. Bright tight and clean. No owner name or internal markings. An attractive volume. VERY GOOD INDEED. Index to each volume. 104 88 viii 88 pages. Folio; approx 11 x 9 inches. Heavy book; extra postage required 2.5 kilos. Will be well-packed for posting/shipping. London: Seeley & Co Ltd. SCARCE. <br/> <br/> Seeley & Co Ltd hardcover
Bills, Mark; Rica Jones: Early Gainsborough: 'From the Obscurity of a Country Town'. Exhibition: Sudbury, Gainsborough House, 2018. 132 pages, 132 illustrations. Hardback. 29x25cms. This catalogue draws on the artist's early works and historical documentation to trace his young life and career between London and his home town of Sudbury. His practice and evolution as a painter is explored, as well as formative events in his youth, from his marriage to his rise to fame, and even his family's implication in a set of revenge killings. This catalogue draws on the artist's early works and historical documentation to trace his young life and career between London and his home town of Sudbury. His practice and evolution as a painter is explored, as well as formative events in his youth, from his marriage to his rise to fame, and even his family's implication in a set of revenge killings.
Bills, Mark; Rica Jones: Early Gainsborough: 'From the Obscurity of a Country Town'. 2018. Paperback.
2018213889Sudbury Suffolk United Kingdom: Gainsborough's House Society 2018. Softcover. VG. Previous owners name penned inside otherwise clean and unmarked. Quarto. Softcover. Illustrated wraps. 132 pages : illustrations chiefly color facsimiles maps portraits ; 29 cm. Published in conjunction with an exhibition held at Gainsborough's House Sudbury Suffolk England October 20 2018-February 17 2019./ Second impression 2021/ Includes bibliographical references.<br /> 'From the obscurity of a country town' -- The making of Gainsborough's early landscapes -- Two fragment portraits by Thomas Gainsborough -- An assessment of two small pastoral landscapes : Landscape with drover cattle and dog and Landscape with shepherd shepherdess and sheep. Gainsborough's House Society paperback
200547873New Haven, London : Yale University Press, 2005. 216 Seiten : Ill. ; Sprache: Englisch Pp.
200571935Yale University Press. New. 2005. Hardcover. 0300110022 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 236 pp. With 142 ills. 101 col. . 29 x 24 cm. -- with a bonus offer-- . Yale University Press hardcover
2002110843Paul Holberton Publishing, London, 2002. 28 cm ; kart.
Belsey, Hugh: Thomas Gainsborough: A Country Life. London: 2002. 98pp with 50 colour and 15 monochrome illustrations. Hardback. 26.5x23cms. Focusing on Gainsborough's early life and career as a landscape artist before he devoted himself to society portraits. Works discussed here such as 'Mr. and Mrs. Andrews' reveal the basis of his later masterpieces. Focusing on Gainsborough's early life and career as a landscape artist before he devoted himself to society portraits. Works discussed here such as 'Mr. and Mrs. Andrews' reveal the basis of his later masterpieces. Text in English
200284520University of Washington Press; Et Al. New. 2002. Hardcover. 1903470064 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - Corresponds to ISBN: 1903470064. 144 pages. -- with a bonus offer-- . University of Washington Press; Et Al hardcover
200384521University of Washington Press; Et Al. New. 2003. Paperback. 1903470080 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 32 pages 30 color illustrations small 8vo. -- with a bonus offer-- . University of Washington Press; Et Al paperback
2002Q-3791327844Prestel Pub 2002-10-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Prestel Pub hardcover
200255950Paul Holberton Publishing 2002 In-4 relié 28,8 cm sur 25,4. 144 pages. Très bon état d’occasion.
17603, Munich, Prestel, 2002., Bound, blue cardboard, illustrated dust jacket, frontispice in colour, 225 x 265mm., 96pp., 65 colour and 23 b/w illustrations. ISBN 9783791327846.
189937414ABLondon, Heinemann, 1899. Ca. 39 x 30 cm. IX S., 214 Seiten. With sitxty-two photogravues and ten lithographic facsimiles in colour. Orig.-Leinenband.
1904442365BBLondon, William Heinemann, 1904. Gr. 8° 297 Seiten, mit 84 Abb., blauer Original-Leineneinband mit üppiger Goldprägung (blue cloth covered boards). (ordentlicher Zustand, good condition).
50593London: William Heinemann New York: Charles Scribner's Sons MDCCCXCVIII. 1898 . The printing of this volume was commenced on March 1st and completed on September 30th 1898 at the Ballantyne Press London. The paper of the text is of English make; that of the plates French. The copper plates in and out of the text were made by Mr. Walter Colls from photographs with a few exceptions specially taken for the volume. The photogravures were printed by Mr. Charles Preston. The photogravures were printed by Mr. Charles Preston. The lithographs of the sketches and drawings were prepared and printed by Mr. W. Griggs." A very good half leather binding. Folio. 15.50" x 12.00" x 2.75". pp.xi./1p./pp. 214 pages plus XXXVI. large plates; 25 small plates; and 11 Lithographic Facsimiles In Colour. Brown morocco spine and corners over beige cloth covered boards. Spine with 5 raised bands and gilt titles: "Gainsborough & His Place In English Art - Armstrong" . Front board with stylised gilt initials "T G" . Edges lightly rubbed and bumped. Top page edges gilt. Small binder's label to verso of the front board: "J. Sampson 13 Coney St. York.": Marbled endpapers. Clear text and engravings throughout. Plates accompanied by guard sheets with descriptive letterpress. Just light foxing mainly restricted to the margins of some of the plates. A very good book in a very good binding. "Sir Walter Armstrong 7 February 1850 Hawick Roxburghshire � 8 August 1918 London was a British art historian and author. Armstrong was born in 1850 was educated at Harrow and Exeter College Oxford and for some 10 years after 1880 was art critic to several newspapers such as the Pall Mall Gazette the Manchester Guardian and the old Manchester Examiner. He made his mark in the art world and was consulted by students and collectors becoming an authority especially on Dutch 17th-century and English 18th-century painting. Several fine collections of which that of Mr. S. Joseph was one were mainly formed under his advice. In 1892 he succeeded the late Henry Doyle as Director of the National Gallery of Ireland in Dublin which his predecessor had reorganized and developed; and in this post Armstrong remained for over 20 years his services recognized by a knighthood in 1899. During his time in Dublin he wrote many books among which his stately volumes on Sir Joshua Reynolds Gainsborough and Raeburn were the chief that held a position of authority for many years afterwards. Earlier and later he wrote columns on men so various as Peter De Wint Velasquez and Sir Thomas Lawrence and a book of "Notes" on the National Gallery containing many suggestive criticisms. Armstrong was said to be quick at absorbing the essential points of contemporary researchers and in judging them by the aid of a keen eye and a clear brain." - See Wikipedia London: William Heinemann, [ New York: Charles Scribner's Sons ], MDCCCXCVIII. [1898 ] . hardcover
51469London: William Heinemann New York: Charles Scribner's Sons MDCCCXCVIII. 1898 . The printing of this volume was commenced on March 1st and completed on September 30th 1898 at the Ballantyne Press London. The paper of the text is of English make; that of the plates French. The copper plates in and out of the text were made by Mr. Walter Colls from photographs with a few exceptions specially taken for the volume. The photogravures were printed by Mr. Charles Preston. The photogravures were printed by Mr. Charles Preston. The lithographs of the sketches and drawings were prepared and printed by Mr. W. Griggs." A very good two volume set in matching red cloth. Folio. 15.50" x 12.00" x 2.75". Vol. I. : pp.xi./1p./pp. 214 pages plus XXXVI. large plates; 25 small plates; and 11 Lithographic Facsimiles In Colour. Vol. II. ".Plates On India Paper" ; 62 full-page plates on India Paper. Both volmes in red cloth with gilt titles to the front board and spine. titles: "Gainsborough & His Place In English Art - Armstrong" . Edges lightly rubbed and bumped. Top page edges gilt. Clear text and engravings throughout. Plates accompanied by guard sheets with descriptive letterpress. Just light foxing mainly restricted to the margins of some of the plates and endpapers. A scarce and very good set. "Sir Walter Armstrong 7 February 1850 Hawick Roxburghshire � 8 August 1918 London was a British art historian and author. Armstrong was born in 1850 was educated at Harrow and Exeter College Oxford and for some 10 years after 1880 was art critic to several newspapers such as the Pall Mall Gazette the Manchester Guardian and the old Manchester Examiner. He made his mark in the art world and was consulted by students and collectors becoming an authority especially on Dutch 17th-century and English 18th-century painting. Several fine collections of which that of Mr. S. Joseph was one were mainly formed under his advice. In 1892 he succeeded the late Henry Doyle as Director of the National Gallery of Ireland in Dublin which his predecessor had reorganized and developed; and in this post Armstrong remained for over 20 years his services recognized by a knighthood in 1899. During his time in Dublin he wrote many books among which his stately volumes on Sir Joshua Reynolds Gainsborough and Raeburn were the chief that held a position of authority for many years afterwards. Earlier and later he wrote columns on men so various as Peter De Wint Velasquez and Sir Thomas Lawrence and a book of "Notes" on the National Gallery containing many suggestive criticisms. Armstrong was said to be quick at absorbing the essential points of contemporary researchers and in judging them by the aid of a keen eye and a clear brain." - See Wikipedia London: William Heinemann, [ New York: Charles Scribner's Sons ], MDCCCXCVIII. [1898 ] . hardcover
In-folio, tutta tela con fregi oro al piatto, pp. 214 con 62 photogravures e 10 illustrazioni a colori. Con lievi fioriture nel testo (some foxing).
Catalogue of the sale held at 8 King Street, St. James's Square London on Friday June 14, 1929. With five black and white pictures of lots. Spine repaired with brown paper tape. Light foxing to covers. Crease down front cover and text pages. Numerous figures in pencil by a contemporary punter throughout.
First edition, 8vo (205 x 120 mm), [8], 266pp., the 8 preliminary pages were issued with the final number and are often missing, several neat circular library stamps, numbers in ink to verso of title page, endpapers brown from turn-ins, cont. half calf, rubbed, upper cover detached. A complete run of thirty-three weekly numbers, edited and largely written by Thomas Middleton, published October 1792 - May 1793, bound up with an additional half-title, general title, dedication leaf and table of contents. Middleton was Coleridge's protector and mentor at Christ's Hospital and later at Jesus College, Cambridge.
3691Paris, Les Presses Artistiques, 1953, 18 X 24 cm, 68 pp. br. couv ill. 38 repr. n.b. h.t. Préface de Philip Hendy Président du Comité des Beaux-Arts du British Council.
1971122960London: A. Zwemmer Ltd 1971. First Edition. Hardcover. Very Good/Dust Jacket Included. London A. Zwemmer Ltd 1971. Large quarto xx 114 pages with 95 illustrations. Cloth lightly marked on the rear cover; an excellent copy with the lightly sunned dustwrapper. A. Zwemmer Ltd hardcover
131New York and London: Charles Scribner's Sons; William Heinnemann 1904. . Large 8vo navy blue cloth medalion on front cover. First American. Popular Edition. First edition published in 1898 with extra lithographic plates New York and London: Charles Scribner's Sons; William Heinnemann, 1904. hardcover
19881140BB1988. First Edition. London English Heritage 1988. 21cm x 29.5cm. 96 pages. Original paperback softcover. Very good condition with only minor signs of wear. Includes for example: The Earl and Countess Howe: a Biography/ Gainsborough's portraits of Earl and Countess Howe/ Gainsborough's Countess Howe: The Artist's use of Dress/ Gainsborough's Earl Howe: A Note on Naval Dress/ The Development of the Portrait of Countess Howe/ paperback
BAZ6586Exemplaire broché, illustrations en noir et blanc
