3 986 résultats
16201502751507/ 1580-1620. Mit dem Monogramm "AD" und der Jahreszahl "1507". Auf feinem Bütten. Mit winzigem Rändchen um die Plattenkante, teils auf diese geschnitten. 23,6 x 17,7 cm. Papier: 23,7 x 17,8 cm.
1493460007Nuremburg : Anton Koberger 1493. First Edition. Disbound. Physical description; 1 leaf ; 44 cm. From the 23rd folio with publisher's device. Text in double columns; wide margins with contemporary manuscript annotations. Light marginal dust-dulling and foxing with a faint crease to the top. Remains remarkably well-preserved overall. Notes; Commonly known as the Nuremberg chronicle. Subjects; World history. Chronology. Incunabula. Germany. Nuremberg 1493. Nuremburg : Anton Koberger unknown
192395104Leipzig/Berlin, B.G. Teubner 1923. 1923. 4°, XV S., 160 S., 25 Bll. mit 68 s/w Abbildungen und dem Errata-Zettel, Orig.-Leinen.
#[60570]Engraved at the age of 14 as inscribed in the stone in the foreground by Johannes Wierix after Dürer. On the plate on the right the date and the monogram of the German master:'1520 / AD' l Engraving on paper trimmed to platemark; total: 145 x 100 mm; state II/2; Hollstein 989; MH 749; Alvin 628 unknown
BN97425Albrecht Dürer. Das druckgraphische Werk - Band III: Buchillustrationen <br/><br/>Albrecht Dürer. Das druckgraphische Werk - Band III: Buchillustrationen unknown
1525P5215Rome c.1525. Very Good margins trimmed. Notes: Engraved by an Italian printmaker Marcantonio Raimondi after a woodcut by Albrecht Durer from the Life of the Virgin.<br>Marcantonio Raimondi often called simply Marcantonio c.1470/82–c.1534 was an Italian engraver known for being the first important printmaker. Image Size : 292x212 mm 11.50x8.35 Inches Platemark Size : 300x216 mm 11.81x8.50 Inches Paper Size : Coloring: Black & White Medium: Wood Engraving Categories: Old Masters; unknown
1505008110Paris: Jodocus Badius Ascensius Josse Badius 1505. Leaf. Very Good. The leaf is approximately 5.25" x 8". Each woodcut is approximately 85 x 115 mm. The woodcuts have dark crisp impressions. The leaf has some minor marginal toning. It is a very nice example of one of Dürer's earliest woodcut designs. Thirteen editions were published between 1494 and 1521 six authorized and seven pirated. <br /><br />Leaves from these editions are very easily confused and many later printings are often listed as firsts; in all but the very first edition the woodcuts were done by other craftsmen based on Dürer's original designs. <br /><br />This leaf is from the second Latin edition. It contains two woodcuts most leaves only have one featuring Dürer's fools who always wear cowls with ass-ears and a coxcomb of bells a convention Dürer established. <br /><br />The first woodcut "The Teaching of Wisdom" illustrates both wise men and fools reacting to a sermon. The reverse "Stroking a Fallow Stallion" is depiction of a fool being trampled by a horse he feigned to respect which symbolizers the ultimate fate of false flatters. <br /><br />One of the most famous and popular works during the early years of printing <i>The Ship of Fools</i> was a satire on the many then-current ecclesiastical abuses as exemplified by Brant's imaginary character Saint Grobian the patron saint of vulgarity and coarse manners. A substantial part of <i>The Ship of Fools' </i>popularity was no doubt due to its marvelous woodcut illustrations most of which were created by Albrecht Dürer then a young journeyman woodcut designer working in Basel. Art historians note that his work in these woodcuts Dürer's first significant commissioned effort is not as impressive as his later efforts as a master in Nuremberg; e.g. the hatching consists of only simple parallel lines and contours are crude thick and without much variation. Still they are superior to other illustrations in the book designed by an assortment of masters. <br /><br /> Jodocus Badius Ascensius (Josse Badius) books
16142859# AUTEUR: Durer traduicts par Loys Meigret lionnois - de langue latine en françoise # ÉDITEUR: Jean Jeansz - ARNHEM # ANNÉE ÉDITION: 1614 # ENVOI, BEAUX PAPIERS: Vergé # COUVERTURE: Plein Vélin ivoire - titre noir (de la proportio. du corps humain) au dos # DÉTAILS: Petit in folio relié vélin ivoire 2ff.+ 124ff. Manque 27 feuillets dont 34 gravures au simple trait sur 145, cet exemplaire comporte 85 à pleine page dont une dépliante et 26 dans le texte. Célèbre traité d'esthétique à l'usage des peintres et graveurs tentant d'associer aux données instinctives des règles mathématiques. L'ouvrage auquel Durer avait travaillé ne parut qu'après sa mort en 1528,i l fut aussitôt traduit en latin, cette 3eme édition française reproduit la traduction du lyonnais Loys Meigret publiée en 1557 d'après Joachim Camérarius. Reliure Vélin ivoire à petit rabat fin XVIIIème en excellent état. # PHOTOS visibles sur www.latourinfernal.com
197150696Verona, (Officina Bodoni), 1971. Fol. Mit 25 Textholzschnitten von Fritz Kredel nach Albrecht Dürer. 119 S., 1 Bl., OHPgmt. m. goldgepr. Rückentitel u. Deckelvignette, Kopfgoldschnitt u. transparentem OUmschlag in OLwd.-Schuber.
18709999_00361Paris Charles Tanera 1870. Hardcover. . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ . Small folio 37x24 cm. Pp. xxi 75 verso blank 5 verso blank. Plus 10 double-page leaves of plates tipped-in at end with a total of 30 engraved illustrations. Printed on fine laid paper with manufacture's armorial watermark. HARDCOVER bound in handsome contemporary royal blue pebbled calf and matching marbled boards spine with raised band gilt lettering in second compartment gilt fleurons in remainders publishing place and date in gilt at foot of spine marbled endpapers cloth ribbon marker; corners rubbed. In fine condition. Excellent very wide-margined copy. ~ French edition. Extremely rare. Dürer's famous treatise on the fortification of towns villages and castles was published in 1527 as "Etliche Unterricht zur Befestigung der Städte Schlösser und Flecken". Translated from the German by Alexandre Ratheau who contributed an extended introduction which examines Dürer's work in historical perspective. Ratheau is also responsible for the fine illustrations in the book engraved and printed in Paris. "The book goes beyond being an instruction manual on the design of a fortified city. Dürer's plan was functional pragmatic and socially responsible and the purpose of its design was to improve the status and lifestyle of German artisans." - Tessa Morrison: "Albrecht Dürer and the Ideal City" Parergon 2014. See also: Tessa Morrison: "Unbuilt Utopian Cities 1460 to 1900: Reconstructing their Architecture and Political Philosopy." Ashgate 2015. Albrecht Dürer 1471-1528. Alexandre-Felix Ratheau 1822-1882. G-3 <br/> <br/> Paris, Charles Tanera hardcover
198849611Zürich 1988. Anzelewsky Fedja Herausgeber Einleitung und Anmerkungen Nr.96 v. 185 Hlableder-Einband von La Reliure d'Art du Centre in Limoges Expl. O-Halblederschuber tadelloser Zustand Edition Seefeld Quer-4°. Hldr. Kunst unknown
1838008344Monachii Munich : J. B. Dreselly 1838. RARE. No Date circa 1838-39. Very Good edges rubbed boards lightly spotted all edges gilt marbled end papers bookplates of Robert Wayne Stilwell and Brian Douglas Stilwell front paste down. Portrait frontispiece of Durer with pictorial title page 43 leaves each containing the Lord's Prayer in a different language surrounded by decorations by Durer in different colors and one leaf on stiff paper stock in green red and black with a rubricated passage from St. Luke. A RARE and valuable work of decorated lithography. . First Edition. Half Morocco. Very Good/No Jacket As Issued. Folio - over 12" - 15" tall. J. B. Dreselly Hardcover books
1923ABE-1618492291435Kunstverlag Anton Schroll & Co In WIEN 1923 An Albertina Facsimile featuring all the eleven gorgeous facsimile plates all separate within a folder. Also enclosed is an essay from 1923 by Joseph Meder. This appears to be quite rare as most copies were framed individually - this is complete. Hardcover. Near Fine. Kunstverlag Anton Schroll & Co In WIEN hardcover
1922221613Munich: Riehn & Reusch 1922. Limited. hardcover. near fine. With a 28pp foreword and introduction by Georg Leidinger. Illustrated with 58 beautifully printed color plates accented in gilt and protected with tissue. Folio bound in full vellum intentionally aged to simulate a more ancient volume. Munchen: Riehn & Reusch 1922. Limited edition of 150 copies this one without a number. Covers slightly bowed otherwise a fine copy internally spotless.<br/><br/> Contains Durer's imaginative marginal drawings from the Prayer Book of Maximilian I dated 1515 later augmented by Lukas Cranach.<br/><br/> Riehn & Reusch unknown books
1922221613Munich: Riehn & Reusch 1922. Limited. hardcover. near fine. With a 28pp foreword and introduction by Georg Leidinger. Illustrated with 58 beautifully printed color plates accented in gilt and protected with tissue. Folio bound in full vellum intentionally aged to simulate a more ancient volume. Munchen: Riehn & Reusch 1922. Limited edition of 150 copies this one without a number. Covers slightly bowed otherwise a fine copy internally spotless.<br/> <br/> Contains Durer's imaginative marginal drawings from the Prayer Book of Maximilian I dated 1515 later augmented by Lukas Cranach.<br/> <br/> Riehn & Reusch unknown
184233680Paris, Au Bureau de la revue, 1842-1846. 4 vol. in-8 (25 x 16,5 cm) dont 3 sont reliés avec les couvertures conservées, et un broché (tome III). Manque la planche dErnest Meissonier : « Le Fumeur » (qui manque dans la presque totalité des exemplaires). Textes de Albrecht Durer, Théophile Gautier, Arsène Houssaye, Jules Janin, Prosper Mérimée, Gérard de Nerval, Eugène Piot, Victor Schlcher, Jean Van Eyck, Robert Dumesnil, Arsène Houssaye, etc. Bien complet de l'eau-forte d'Eugène Delacroix, "Le Christ au rameau d'olivier" gravée pour Le Cabinet de l'amateur, frontispice du tome 3 (Delteil, 14), complet de l'eau-forte de Chassériau, E. Vattier. Quelques rousseurs inégalement.
18257408Paris Béchet Aîné 1825 In-8 XII + 303 pp + 1 cahier blanc qui commence par quelques notes concernant l'attribution de ces écrits, tranches marbrées, bel état intérieur, petites taches sans gravité sur les plats, mors fendu en queue sur 2 cm et mors légèrement frotté, dos très légèrement passé Plutot assez rare
180254786Versch. Orte, versch. Verlage, 1769-1802. Kl.-8°. Späterer roter HLdr.-Bd. m. reicher Rückenverg. u. goldgepr. Rückentitel.
1918351Berlin/Utrecht, G. Grote/A. Oosthoek, 1918. Folio. Mit je 1 Frontispiz, 79 Abb. auf Taf. (Skizzenbuch) m. Beschriftung auf Schutzbl. in Bd. 1; 1 Farbtaf. u. zahlr. montierte Textabb. in Bd. 2. 6 Bl., 93 S., 2 Bl.; 3 Bl., 309 S. Ganzldr. auf 4 Bünden m. goldgeprägt. Deckel (Monogramm Dürers) u. Rücken. Kopfgoldschnitt, schöne Marmorvorsätze, Innenkantenfileten.
1969179822Berlin: Deutscher Verein für Kunstwissenschaft 1969. Hardcover. VG light rubbing along corners of block and edges of boards. Pages are clean and clear. Three volume set tan cloth boards with silver lettering on front cover and spine Vollume 1; 346 18 pp. Volume 2; 510 80 pp. Volume 3; 481 96 pp. Text in German. Three volumes include: 1. Bd. Autobiographischer Schriften Briefwechsel Dichtungn Beischriften Notizien und Gutachten Zeugnisse zum persönlichen Leben. -- 2. Bd. Die Anfänge der theoretischen Studien das Lehrbuch der Malerei: von der Mass der Menschen der Pferde der Gebäude; von der Perspektive; von Farben; ein Unterricht alle Mass zu Ändern. -- 3.-Bd. Die Lehre von menschlichen Proportion: Entwürfe zur Vermesungsart der Exempeda und zur Bewegungslehre; Reinschriftziklen; der Ästhetische Exkurs Die Unterweisung der Messung Befestigungslehre Verschiedenes. Deutscher Verein für Kunstwissenschaft hardcover books
1968CNBR150Kentfield California: The Allen Press 1968. Limited Edition. Hardcover. Fine. Durer Albrecht. One of 140 copies folio size 34 leaves unnumbered with original prospectus folded in original hand-addresed mailing envelope. The thirty-second limited edition from The Allen Press and the first printed on their 1846 Columbian handpress. Terence circa 195 - 159 B.C. was and has remained a popular playwright "The Brothers" considered to be one of his greatest plays being "not only a delightful and clever comedy but also a fine study of human nature. Proof of the timelessness of Terence's genius lies in the fact that over 400 manuscripts of his plays survive today and many of his plots have been purloined by successive generations of playwrights." This is the first edition of "The Brothers" illustrated by Durer. "Although there were about forty Terence editions previous to 1500 humanist scholars strongly objected to illustrations for the classics. So it was not until 1493 that the first was issued: 150 woodcuts in the edition printed by Johann Treschel at Lyon France. <br/><br/>It is one of the most beautiful illustrated books of the fifteenth-century; but its editor Johann Badius tried to soften the innovation by declaring that the pictures were added to assist the illiterate." The coincidence which made the present edition possible is that "Johann Amerbach of Basel unaware that the Treschel edition was underway began a similar edition by commissioning the young genius Albrecht Durer at age 20 to design 150 illustrative woodcuts one for every scene of the drama. However when the drawings were completed but only a few blocks cut the Lyon edition appeared and the Basel project abandoned." Durer's work survived and is preserved at the Kunstmuseum Basel where Lewis and Dorothy Allen first studied the mostly ink drawings of white-grounded wood blocks work in 1965. The director of the museum generously provided them with permission to reproduce the drawings and provided high resolution photos. George Lewis "photographically eliminated" the considerable erosion worm holes and mildew and metal plates were made of the twenty-seven illustrations for this edition "their first book use."<br/><br/>___DESCRIPTION: Quarter decorative German woven fabric and sienna-brown all-rag Italian paper covered boards with a pictorial title to the upper board teal endpapers fore- and tail-edges uncut pictorial title-page printed in black woodcut heads are printed in brown chapter numbers are printed in blue-green throughout with twenty-seven illustrations based on Durer drawings used here for the first time as book illustrations for a Terence play; hand-set Unciala type the first appearance in an American book all-rag paper made at the Wookey Hole mill in England to the specifications of the press with their watermark folio size 13.25" by 8 7/8" 34 unnumbered leaves limited edition one of 140 copies. With prospectus folded in original hand-addressed mailing envelope in a matching paper slipcase.<br/><br/>___CONDITION: A fine copy; the binding clean and unrubbed the binding tight with solid hinges the interior clean and bright and free of prior owner markings; clean crisp as new. The slipcase also fine strong and sturdy clean overall with the hint of a stray mark or two without wear; the prospectus fine with only original folds its original mailing envelope near fine some light dustiness a hand-written notation on the back "ordered 3/16/68".<br/><br/>___CITATION: The Allen Press Bibliography no.32.<br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Allen Press hardcover books
193914292Paris, éditions de la revue Verve, 1939. In-4 de 134-[44] pages, couverture illustrée couleurs et or par Maillol.
191811296Berlin/Utrecht, Grote/Oosthoek, 1918. 1. Auflage "Folio (40-45 cm). 6 Bll., 93 S., LXXIX Tafeln; 3 Bll., 309 S." OLeinwand mit farb- und goldgeprägter Deckelverzierung und Rückentitel sowie Kopfrotschnitt
008368Zrch. Stocker-Schmid. 1966 - 71. Hardcover. Sehr gut. K unten --- 4 Bde. 4°. OPpbde. mit R.- u. DSch. u. Orig.-Transparent-OU im illustr. OSchuber Faksimile-Ausgabe Bd.1: Underweysung der messung mit dem zirckel un richtscheyt in Linien ebnen unnd gantzen corporen durch Albrecht Dürer zusamen getzoge und zu nutz alle kunstliebhabenden mit zu gehörigen figuren in truck gebracht im jar. 1525 auf Büttenkupferdruckpapier Nr. 815 von 975 Exemplaren. Bd.2: Hjerin sind begriffen vier bücher von menschlicher Proportion durch Albrecht Dürer von Nürnberg erfunden und beschriben zu nutz allen denen so zu diser kunst lieb tragen 1528 auf Büttenkupferdruckpapier Nr. 111 von 500 Exempl. Bd.3: Max Steck: Albrecht Dürer als Kunsttheoretiker. Die geistes- und problemgeschichtliche Stellung seiner Proportionslehre im Kunstraum der Renaissance. Kommentar zur Faksimiledruck nach der Urausgabe von 1528 1969 Bd.4: Etliche underricht zu befestigung der Stett Schloß und flecken. 1527 auf Büttenkupferdruckpapier Nr. 149 von 700 Exemplaren sehr schöne makellose Exemplare Zrch. Stocker-Schmid. 1966 - 71 hardcover
1905168928Strassburg: Heitz 1905. hardcover. very good. 4pp. of text plus 160 plates loose as issued in cloth folio folder. Strassburg: Heitz 1905. Very good.<br/><br/> Studies in physiognomy. The spine is rubbed & the inner paper flaps of the folio are detached but the contents are in fine condition. A collection of reproductions from Albrecht Durer's sketchbook including anatomical studies studies in perspective and proportion geometrical and architectural sketches.<br/><br/> Heitz unknown books