Albrecht DurerBiblio.com
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188729256<p>Published by L. Zehl's Verlag in Leipzig in 1887 Kleine Passion presents a phototypic reproduction of 37 woodcut images originally created by Albrecht Dürer. This edition mirrors the original series in size and sequence reflecting Bartsch numbers 16 through 52. The work includes four leaves of text and is issued in a hardcover portfolio with red and black decorative titling. All contents are loose as issued. The printing method produces strong visual clarity and retains a tactile presentation well-suited for viewing or study. The volume contains widely recognized scenes from the life of Christ arranged in accordance with established cataloging. Condition: Very Good. Binding remains firm portfolio exterior shows minor rubbing and internal sheets retain full legibility with uniform age toning. Format: Quarto 4to single volume. Collation: 4 leaves of text 37 plates. Illustrations: 37 phototype reproductions. Edition: Phototypic facsimile. Item Number SKU: #29256. PHOTOS AVAILABLE UPON REQUEST.</p> L. Zehl’s Verlag hardcover
[S.l., Italia?, s.n.t., XVI sec.], incisione in rame, mm. 117x73, rifilata lasciando un millimetro di margine dalla battuta del rame, su carta cinquecentesca. Reca il monogramma di Albrecht Dürer e la data (1509). Si tratta di una copia in controparte, di ottima fattura, d'una incisione della serie "Die Kupferstichpassion" di Dürer. Applicata su cartoncino moderno, con incollatura parziale, facilmente rimuovibile. Ottime condizioni. Abbiamo rintracciato una incisione analoga a Cremona, al Gabinetto delle Stampe del Museo Civico, anch'essa senza indicazione d'autore.
1928104734Berlin Mai-Juni 1928 1 255x194mm Broché Berlin, Der Sturm, Mai-Juin 1928, 255x194mm, 32p. paginées 201 à 232, 4p. de publicités, sous couverture illustrée de Vlatislav Hofmann. (104734)
197131384Dietikon/Zürich 1971. Faksimile der Erstausgabe von 1527 mit der Uebertragung des Textes in modernes Deutsch und einem kritischen Kommentar von Alvin E. Jaeggli Nr.610/680 Expl.In Schuber. Guter Zustand Faksimile Josef Stocker 2°. Pbd. Kunst unknown
S19A-02681Dover. Used - Very Good. Very Good condition. Art celtic Art Woodcuts A copy that may have a few cosmetic defects. May also contain a few markings such as an owner’s name short gifter’s inscription or light stamp. Dover unknown
[S.l., Italia?, s.n.t., XVI sec.], incisione in rame, mm. 115x74, rifilata lasciando un millimetro di margine dalla battuta del rame, su carta cinquecentesca. Reca il monogramma di Albrecht Dürer e la data (1512). Si tratta di una copia in controparte, di ottima fattura, d'una incisione della serie "Die Kupferstichpassion" di Dürer. Applicata su cartoncino moderno, con incollatura parziale, facilmente rimuovibile. Ottime condizioni. Abbiamo rintracciato una incisione analoga a Cremona, al Gabinetto delle Stampe del Museo Civico, anch'essa senza indicazione d'autore.
[S.l., Italia?, s.n.t., XVI sec.], incisione in rame, mm. 116x73, rifilata lasciando un millimetro di margine dalla battuta del rame, su carta cinquecentesca. Reca il monogramma di Albrecht Dürer e la data (1512). Si tratta di una copia in controparte, di ottima fattura, d'una incisione della serie "Die Kupferstichpassion" di Dürer. Applicata su cartoncino moderno, con incollatura parziale, facilmente rimuovibile. Ottime condizioni.
Bulino, mm. 234x185 rifilata al marg. Inventore Albrecht Durer. Applicata su ulteriore supporto cartaceo. Eseguita in controparte, si conoscono solo pochi esemplari uno dei quali nella Civica Raccolta delle Stampe Achille Bertarelli con monogramma a matita "BP". La nostra riporta sempe a matita "Marcantonio". La presente incisione è accompagnata da una vecchia perizia di O.H. Giglioli datata 8.XII.1926. Piccoli difetti in alto a destra.
13180Gravure sur bois - tirage du XIXème siècle. Epreuve sur vergé fort. épreuve bien contrastée.
13178Ecce homo petites piqures en marges sans gravité. Gravure sur bois - tirage du XIXème siècle. Epreuve sur vergé fort. Epreuve bien contrastée
13173Gravure su bois - tirage du XIXème siècle. Epreuve sur vergé fort. Format 420x300mm à la cuvette. 450x350mm avec marges. Epreuve bien contrastée
13175Le bain des hommes (vers 1496) Gravure su bois - tirage du XIXème siècle. Epreuve sur vergé fort. Format 420x300mm à la cuvette. 450x350mm avec marges.
13176le martyr de Saint Catherine d’Alexandrie (1497-1498) Gravure su bois - tirage du XIXème siècle. Epreuve sur vergé fort. Format 420x300mm à la cuvette. 450x350mm avec marges
13177Les quatre cavaliers de l’apocalypse (1502) épreuve bien contrastée - tirage du XIXème siècle. Epreuve sur vergé fort. Epreuve bien contrastée. Format 420x300mm à la cuvette. 450x350mm avec marges
In 4° grande (31×23 cm); (8), XIII, (3), 102, (2) pp. e 5 c. di tav. Bella legatura coeva i mezza pelle verde foderata al dorso da fine carta verde coeva con titolo, anno e luogo di edizione impressi su fascette rosse al dorso. Qualche insignificante macchiolina di foxing in poche carte e nel complesso esemplare in buone-ottime condizioni di conservazione e ancora in barbe. Le cinque finissime tavole fuori testo, ognuna protetta da velina, sono incise in rame da Luigi Rados e contegono i ritratti di Albrecht Duerer, Marcantonio Raimondi, Luca Jacobsz di Leyda, Jacques Callot e William Woollett e cioè quelli che sono considerati i sommi incisori della scuola tedesca, italiana, fiamminga, francese e inglese di incisione. Tiratura di soli 120 esemplari. L’opera descrive le principali scuole incisorie europee, attraverso la figura dei maestri di ognuna delle scuole e alcuni altri celebri rappresentanti come ad esempi Giovanni Gottardo Muller, Giovanni Federico Clemens, Marco Dente, Giorgio Ghisi, Martino Rota, Stefano della Bella, Francesco Bartolozzi, Raffaello Morghen, Giovanni Van de Velde, Guglielmo de Leeuw, Giona Suyderhoef, Pietro Nolpe, Cornelio Bloemaert, Paolo Rembrandt Van Ryn, Cornelio Visscher, Lauwers, Edelinck, Giovanni Morin, Francesco Poilly, Nicolò Pitau, Antonio Masson, Sebastiano Le Clerc, Girardo Audran, Francesco Spierre, Giovanni Luigi Roullet, Nicolò Dorigny, Pietro Drevet figlio, Giovanni Giacomo Balechou, Carlo Clemente Bervic, Giovanni Smith, Guglielmo Ryland. Guglielmo Woollett, Giovanni Hall, Giovanni Dixon, Giovanni Sherwin, Guglielmo Sharp ed altri. Di ogni autore, oltre ad una biografia, sono illustrate, singolarmente, le incisioni più celebri commentate e descritte minuziosamente. Opera molto rara ed in buone-ottime condizioni di conservazione. Prima edizione. Rif. Bibl.: Cfr. Brunet,III,1470 – Graesse,IV, 4116.
1831182448Bamberg, Kunz, 1827-1831. M. 2 Kpfr.-Taf. u. 1 gef. Faks. 2 Bl., 1090 S. Pp. d. Zt. Einbd. berieben u. bestoßen. Rücken m. Sign. Vord. Vorsatz fehlt. Gebräunt, teils braunfl. Tekt verso Tit. Einige S. eselsohrig.
1964TV253523Eugrammia Press London 1964. 1st Edition. HARDCOVER. Copy Number 461 of 535 sets made 35 were not for sale. Large folio slipcase in black cloth with gilt embossed red buckram panels to a design after Durer housing a large folio facsimile from the British Library copy bound by Zaehnsdorf in 1/4 black morocco over gilt-pictorial turquoise cloth unpaginated approx. 32pp printed on specially made very thick mould-made paper with 15 beautifully printed wood engraved plates. Plus matching sewn booklet the Panovsky introductory text in gilt embossed stiff card covers 8pp. Complete as issued __CONDITION : Both books are AS NEW the slipcase is a little shelf rubbed but otherwise FINE. __NOTE Due to size and/or weight shipping will cost more than the price shown above. Orders made by card will only be completed after you have approved the extra cost. . __We always ship in PROTECTIVE CARD PARCELS Eugrammia Press, London hardcover
19791233041979 Editions Arts et Couleurs, Monte Carlo - 1979 - Trois volumes in-quarto, plein cuir maroquiné bordeaux, décor à froid et dorures sur les plats, dos à quatre nerfs sautés, pièce de titre et décor en doré, tranche de tête dorée, emboitage cartonné avec ourlet de cuir aux ouvertures - Exemplaire numéroté, sur vélin d'Arche filigrané, ex. N°2214, avec son, certificat d'authenticité à l'intérieur du dernier tome - 226 pages + 233 pages + 180 pages - Très belles illustrations en couleurs (miniatures) in-texte, hors-texte et pleine page de Jean Gradassi
1924367850Cambridge: Dunster House 1924. One of 350 copies printed by Bruce Rogers at the Printing House of William Edwin Rudge 1923. Text and illustrations printed within red rules. 39 1 imprint pp. 1 vols. 12mo. Black boards marbled endpapers printed spine label. Label toned. Unopened. Fine. One of 350 copies printed by Bruce Rogers at the Printing House of William Edwin Rudge 1923. Text and illustrations printed within red rules. 39 1 imprint pp. 1 vols. 12mo. The designs were printed by Bruce Rogers from blocks prepared by Emery Walker based on the first edition of Dürer's treatise on geometry Unterweysung 1525 where they appear in book III. The Work of Bruce Rogers 332 Dunster House unknown
1927188208London: W. & G. Foyle Ltd 1927. Hardcover. Good- missing plates 63-66 69 71-73 78 80 87-89 91 99-101 103-104 108-109 118-128 140 141 147-157 183 185 187 190 194-195 198 211-212 216 220 260-262 and 265. Other plates are clean. Heavy wear to boards with taped repairs. Oversized black cloth portfolio with gilt lettering and illustration; 44 pp of text bw plates 1-346. Text is in English. Translated from German by Silvia M. Welsh. Edition limited to 500 copies of this first edition. Includes an introduction by Campbell Dodgson. W. & G. Foyle, Ltd hardcover
9780486210971-2025Dover Publications 1927. Hardcover. New/New. <p><strong>Author:</strong> Albrecht Dürer</p><p><strong>Publisher:</strong> Dover Publications</p><p><strong>Binding:</strong> Hardcover</p><p><strong>ISBN:</strong> 9780486210971</p><p><strong>Release Date:</strong> 1927</p><p><strong>Number Of Pages:</strong> 288</p><p><strong>Details:</strong> Albrecht Dürer was a master in various media but it was in woodcut design that his creative genius reached its highest expression. Here are all of his extant woodcuts a collection of over 300 great works containing all the familiar cuts long treasured by the world's art lovers: the celebrated series on the Life of the Virgin The Apocalypse of John 17 cuts The Great Passion St. Jerome in his Study Samson Fighting the Lion The Fall of Icarus The Six Knots The Men's Bath St. Christopher The Virgin in Glory The Rhinoceros The Last Supper of 1523 illustrations from Dürer's "The Art of Measurement" and from his four books on human proportion and many others including much little-known material. This book is the only available source for many of these works.Although sacred subjects predominate the Holy Family scenes from Christ's life crucifixion etc. the lives of the saints Old Testament episodes many other motifs are treated. There are portraits of prominent men of the ages book illustrations secular and religious coats of arms the celestial and terrestrial globes animals mythological and historical themes etc. The plates are arranged generally in chronological order permitting the reader to view the development of Dürer's art. From out of the gnarled figures and landscapes one can see the emergence of an individualistic style and skill unrivaled in this sphere.An introduction by Campbell Dodgson and a 34-page textual guide to the plates by Dr. Willi Kurth discuss the evidence and controversies surrounding the authenticity of each work citing the opinions of all the important Dürer scholars; they also furnish the reader with the historical background of the cuts and of Dürer's life and times — from the years of apprenticeship in Nuremberg to the last works of 1520–1528.All of the woodcuts are reproduced in excellent detail. This book is indispensable for the professional art historian and critic. To the layman with any aesthetic interests at all it will be a source of stimulation and satisfaction that only great art can provide.</p> Dover Publications hardcover
13179Samson tuant le lion (1497 1498) Gravure sur bois - tirage du XIXème siècle. Epreuve sur vergé . petites rousseurs en marges, papier légèrement jauni.
1922276766München: Riehn & Reusch 1922. 27 (2) Seiten + 58 Tafeln in farbigem Lichtdruck. 2° Pergamenteinband. *Expl. 32/150 der Vorzugausgabe* Vorsaätze minimal stockfleckig, schönes Expl.*.
1882165345Nürnberg, S. Soldan, 1882. XIV S., Text und 60 Blatt mit 65 montierten Tafeln aus Büttenpapier, davon 1 in Farbe und 2 gefaltete, doppelblattgroß, Tafelgröße 51 x 34 cm, Gr.-2°, Groß-Folio OHalbleinenflügelmappe, mit Frakturschrift und 60 Tafeln
1a5305Zeiser Nürnberg um 1860. 2 Bl. 42 in Holz gestochene Tafeln 41 auf Blatt gezogen eine Tafel verso. Halbleinen-Mappe. Imperial-Folio 475 cm x 40 cm Mappe berieben/Rücken fehlt/Titelseite etwas fleckig. - Die Mappe ist in 3 Abteilungen aufgeteilt: Erste Abtheilung: Das große Leiden Christi. 12 Blätter / Zweite Abtheilung: Das Leben der Maria. 20 Blätter / Dritte Abtheilung: Aus der Offenbarung Johannis aus dem Leben der Heiligen etc. 10 Blätter - unknown
