4 313 résultats
02-04241853. Original lithograph. Delteil 2450. Matted. 1853. unknown
RGW19237ALithograph Second State signed on plate with initials published in 'Le Charivari' by Martinet July 25 1856 The 'corbeille' is the railed off area on the floor of the Paris Stock Exchange where the brokers transact their business. unknown
RGW19299ALithograph Second State signed on plate with initials published in 'Le Charivari' by Martinet May 11 1853 tipped onto backing sheet unknown
RGW19288ALithograph Second State signed on plate with initials published in 'Le Charivari' by Martinet small surface flaw affecting publisher's name One of a series of cartoons on the Paris Salon. unknown
05423Paris: Au Bureau du Journal le Charivari 1857. Thirty Amusing Wood-Cut Illustrations by Honoré Daumier<br /> <br /> DAUMIER Honoré. Croquis Variés. Paris: Au Bureau du Journal le Charivari 1857.<br /> <br /> First edition. Small quarto 9 1/2 x 7 1/8 inches; 241 x 181 mm. 16 leaves including vignette title-page all printed on one side only. Thirty amusing wood-cut illustrations. Some foxing throughout as is usual.<br /> <br /> Publisher's pale green printed wrappers with advertisements on rear. Complete with the publisher's glassine wrapper. Apart from the usual foxing a remarkable survival of this very fragile little book.<br /> <br /> First edition of this collection of plates by the famous illustrator writer sculptor. French lithographer and caricaturist Honoré Daumier Marseilles February 26 1808 - Valmondois February 10 1879 famous for his satirical cartoons targeting the political figures of the time. Daumier from a very young age demonstrated a propensity for drawing. In 1825 he was an apprentice of Beliard lithography starting to collaborate then with the humorous newspaper "La Silhouette" demonstrating right from the start all his satirical verve. Among the first tables that he created one caused a stir. In it the caricaturist opposed the glorious Napoleonic tricolor to the restored Bourbon flag. Daumier's political commitment did not stop at paper but he took an active part in the revolutionary uprisings which overthrew the monarchy of Charles X in July 1830. During the uprisings he was also hit by a bullet. In 1835 he began his collaboration with the famous satirical newspaper directed by Charles Philipon and Gabriel Aubert "La Caricature" which gave him fame and visibility but also various problems which also led him to be imprisoned for a too ferocious cartoon towards Louis Philippe I of France formerly Louis-Philippe Duke of Orléans. Dumier in the following years became one of the most famous illustrators of France collaborating with newspapers such as Le Charivari and La Chronique de Paris newspaper founded in 1836 by Balzac who also used the caricaturist for the images of some of his works and illustrating classic works and contemporary novels achieving enormous success. Uncommon in this first edition. Paris: Au Bureau du Journal le Charivari, 1857 unknown
62003Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
62006Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
62004Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
62005Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
05703Paris: Chez Aubert 1833. One of the earliest sustained attempts in European graphic art to render political power <br /> as embodied psychology rather than symbolic caricature"<br /> Orléanist Politicians as Seen by Daumier<br /> <br /> DAUMIER Honoré. Célébrités de la Caricature. Paris: Chez Aubert 1833.<br /> <br /> Folio 4 3/4 x 10 1/2 inches; 374 x 267 mm. <br /> <br /> Two inserted portraits one inserted illustration by Jouas and seventeen of twenty-six superb lithograph plates from the series Célébrités de la Caricature by Honoré Daumier and five hand colored duplicate plates. <br /> All plates mounted on stubs.<br /> <br /> Bound ca. 1900 in three-quarter black morocco over marbled boards smooth spine decoratively stamped and lettered horizontally in gilt 'Portraits en Pied Parlementaires - 1833' marbled endpapers. Some foxing throughout.<br /> <br /> "Célébrités de la Caricature Celebrities from La Caricature is a series of 26 lithographs which appeared in La Caricature and Le Charivari between April 26 1832 and November 9 1833. The first eight prints of the series show the portraits of well known politicians of the time. Underneath taking up almost as much space as the portrait itself an imaginary coat of arms is showing the characteristics of the person. It is in most cases in color although the portrait is in black and white. The last 18 prints show full size portraits without the coat of arms.<br /> <br /> Philipon had first asked Traviès and later Daumier to draw caricatures of Orléanist politicians while he supplied the text as well as the ideas for their respective coats of arms. On April 26 1832 Philipon explained the project which was to be highly successful to the readers of the Charivari. The publication however had to be delayed since Daumier decided to first mould clay models of each politician before drawing the lithograph. These "Célébrités de la Caricature" appeared under DR 43 45 46 48 and 51 starting with Monsieur de Lameth. In March 1833 the Charivari took over from the Caricature and published another three personalities with their coat of arms under DR 144 150 and 173. After that the series continued with portraits and full figure designs however without the allusive arms. This third section contained 18 full size portraits published in the Caricature during 1833. While the former prints were of a vignette like shape Daumier now showed the entire figure of the person concentrating on their overall appearance including the clothing. The sometimes "theatrical" costumes further enhanced the message the artist wanted to convey of the person's human qualities." Daumier Register.<br /> <br /> We have been unable to find any copies of Célébrités de la Caricature at auction over the past 100 years.<br /> OCLC & KVK locate no copies in libraries and institutions worldwide.<br /> <br /> While individual plates from Célébrités de la Caricature are well represented in museum collections BNF British Museum The Met assembled albums - particularly heterogeneous mixed-state compilations such as this - are virtually unknown. The ephemeral nature of satirical journals combined with censorship pressures and the lack of an official "edition" in book form makes survival in this state exceptional.<br /> <br /> The Plates:<br /> <br /> A. Inserted vignette portrait of the Young Daumier anonymous early 1830s.<br /> B. Inserted engraved portrait of Honoré Daumier in advanced age. Salon de 1881 engraving after the portrait by Auguste Boulard<br /> C. Inserted illustration A fine composition by Charles Jouas depicting a gathering of Daumier's most recognizable character types arranged around a sculptural pedestal.<br /> <br /> 1. Mr. Arlépaire. La Caricature 05/06/1833 - Célébrités de la Caricature - plate no. 280. DR #55.<br /> 2. Mr. Baill. La Caricature 12/09/1833 - Célébrités de la Caricature - plate no. 312. DR #69.<br /> 3. Mr. Baill. Color La Caricature 12/09/1833 - Célébrités de la Caricature - plate no. 312. DR #69.<br /> 4. Mr. Barthe. La Caricature 18/07/1833 - Célébrités de la Caricature - plate no. 294. DR #62.<br /> 5. Mr. Benjamin Dudessert. La Caricature 27/06/1833 - Célébrités de la Caricature - plate no. 287. DR #59.<br /> 6. Mr. Cunin Grid. La Caricature 18/07/1833 - Célébrités de la Caricature - plate no. 295. DR #64.<br /> 7. Mr. Cunin Grid. Color La Caricature 18/07/1833 - Célébrités de la Caricature - plate no. 295. DR #64.<br /> 8. Mr. Étien. La Caricature 13/06/1833 - Célébrités de la Caricature - plate no. 283. DR #57.<br /> 9. Mr. Étien. Color La Caricature 13/06/1833 - Célébrités de la Caricature - plate no. 283. DR #57.<br /> 10. Mr. Fulchir. La Caricature 16/05/1833 - Célébrités de la Caricature - plate no. 273. DR #53.<br /> 11. Mr. Guiz. La Caricature 13/12/1833 - Célébrités de la Caricature - plate no. 340. DR #74.<br /> 12. Mr. Keratr. La Caricature 19/09/1833 - Célébrités de la Caricature - plate no. 314. DR #70.<br /> 13. Mr. Joliv. La Caricature 27/12/1833 - Célébrités de la Caricature - plate no. 346. DR #75.<br /> 14. Mr. Odieux. La Caricature 20/06/1833 - Célébrités de la Caricature - plate no. 285. DR #58.<br /> 15. Mr. Pot de Naz. La Caricature 02/05/1833 - Célébrités de la Caricature - plate no. 270. DR #52.<br /> 16. Mr. Prune. La Caricature 27/06/1833 - Célébrités de la Caricature - plate no. 288. DR #60.<br /> 17. Mr. De Rign. La Caricature 21/11/1833 - Célébrités de la Caricature - plate no. 333. DR #72.<br /> 18. Mr. Royer-Col. La Caricature 22/08/1833 - Célébrités de la Caricature - plate no. 306. DR #68.<br /> 19. Mr. Royer-Col. Color La Caricature 22/08/1833 - Célébrités de la Caricature - plate no. 306. DR #68.<br /> 20. Mr. Sébast. La Caricature 13/06/1833 - Célébrités de la Caricature - plate no. 281. DR #56.<br /> 21. Mr. Sébast. Color La Caricature 13/06/1833 - Célébrités de la Caricature - plate no. 281. DR #56.<br /> 22. Mr. Vieux-Niais. La Caricature 30/05/1833 - Célébrités de la Caricature - plate no. 278. DR #54.<br /> <br /> Célébrités de la Caricature<br /> Sobriquets Decoded: Political Meaning & Satirical Intent<br /> <br /> 1. Mr. Arlépaire - Jean-Marie Harlé père<br /> A pun on "harlequin" and "pair" mocking his theatrical opportunism and habit of shifting loyalties to remain politically relevant.<br /> 2. Mr. Baill. - Claude Baillot<br /> Named to suggest banal rigidity "bailler" / dullness Daumier presents him as the embodiment of complacent parliamentary inertia.<br /> 3. Mr. Baill. color - Claude Baillot<br /> The added color underscores his self-importance while changing nothing of his essential mediocrity.<br /> 4. Mr. Barthe - Félix Barthe<br /> Depicted as overstuffed and ponderous reflecting his reputation as a verbose legal mind weighed down by proceduralism.<br /> 5. Mr. Benjamin Dudessert - Benjamin Delessert<br /> A biting phonetic distortion suggesting softness and indulgence aimed at the banker-philanthropist's comfortable liberalism.<br /> 6. Mr. Cunin Grid. - Laurent Cunin-Gridaine<br /> The fractured name mirrors his contorted political positions caught between protectionist industry and Orléanist moderation.<br /> 7. Mr. Cunin Grid. color - Laurent Cunin-Gridaine<br /> Color heightens the comic tension between his ministerial authority and his awkward almost ungainly physical stance.<br /> 8. Mr. Étien. - Charles-Guillaume Étienne<br /> Reduced to a clipped name to mock his pretensions as a moralist playwright turned cautious regime supporter.<br /> 9. Mr. Étien. color - Charles-Guillaume Étienne<br /> The gentle coloring reinforces the irony of his self-image as a man of letters compromised by political conformity.<br /> 10. Mr. Fulchir. - Jean-Claude Fulchiron<br /> The name hints at "fulgurant" without the substance skewering his rhetorical flourish unsupported by action.<br /> 11. Mr. Guiz. - François Guizot<br /> Barely disguised the truncation signals notoriety rather than concealment: Guizot was already a caricature of doctrinaire power.<br /> 12. Mr. Keratr - Auguste-Hilarion comte de Kératry<br /> The harsh consonants echo his aristocratic stiffness and aloof detachment from popular concerns.<br /> 13. Mr. Joliv. - Adolphe Jollivet<br /> Ironically named to suggest cheerfulness while shown hunched and insinuating-satire aimed at political obsequiousness.<br /> 14. Mr. Odieux - Antoine Odier<br /> A direct moral judgment: "odious" to the opposition for his financial conservatism and cold technocratic demeanor.<br /> 15. Mr. Pot de Naz - Baron de Podenas<br /> A coarse pun implying empty bluster and nasal self-importance aimed at a minor figure inflated beyond his merits.<br /> 16. Mr. Prune - Clément Prunelle<br /> A visual joke on "prunelle" pupil of the eye portraying him as watchful tight-lipped and fundamentally small-minded.<br /> 17. Mr. De Rign - Comte de Rigny<br /> The clipped sobriquet suggests aristocratic rigidity reinforcing his image as a dignified but outdated naval minister.<br /> 18. Mr. Royer-Col. - Pierre-Paul Royer-Collard<br /> Rendered monumental and heavy the name truncation underscores his philosophical gravitas turned into intellectual immobility.<br /> 19. Mr. Royer-Col. color - Pierre-Paul Royer-Collard<br /> Color emphasizes bulk and presence reinforcing Daumier's critique of moral authority ossified into mass.<br /> 20. Mr. Sébast. - Horace-François comte Sebastiani<br /> Shown preening and theatrical the nickname highlights his reputation as a military showman turned political courtier.<br /> 21. Mr. Sébast. color - Horace-François comte Sebastiani<br /> The coloring sharpens the contrast between his flamboyant posture and the hollowness of his parliamentary stance.<br /> 22. Mr. Vieux-Niais - Jean-Pons-Guillaume Viennet<br /> One of Daumier's most savage labels-"old fool"-targeting Viennet's reactionary views and cultural conservatism.<br /> <br /> Daumier Register: DR-43 - DR-75 & DR-144 150 & 173. <br /> The missing plates are DR-43; 45; 46; 48; 51; 53; 63; 144; 150 & 173. Paris: Chez Aubert, 1833 unknown
HD-205o.J. Eine imposante Abstimmungszeremonie. Verschiedene Arten, das parlamentarische Zuckerwasser zu trinken. Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Aubert, Pl. de la Bourse., sowie: Imp. Aubert & Cie. Darstellungsgröße 25,4:21,5 cm, Blattgröße 34,3:26 cm. Literatur: Daumier-Register 1957 II (von 2); Delteil 1957 II (von 2), Blatt Nr. 11 der Serie ?PHYSIONOMIES DE L'ASSEMBLÉE.?, erschienen 27.11.1849 in ?LE CHARIVARI?. ? Sur blanc!
1860125744Couverture souple. 22 x 32 cm. Broché. 64 pages. Sans couverture. Rousseurs. Légèrement défraîchi.
127458aafchez Aubert et Cie, 1838, 24x28 cm, image, lihographie originale, signé sur pierre ‘h.D’, texte au verso (Caricature - Original-Lithogr.: Daumier-Karikaturen), 1 feuille sous passepartout, (26x37 cm).
1870260261870 Le Charivari 1870 -trente-neuvième année, mardi 29 mars 1870,Au dessus de l'image, centré : "ACTUALITES" ; et à droite : "53" ; signature en bas de l'image à gauche : "h.D." ; en dessous de l'image, à gauche : "A. de Vresse, r. Rivoli, 55" ; en dessous de l'image à droite : "Lith. Walter Fres r. Paradis Pre 28" ; et en dessous, centré : "- Le cheval de Troie"
18365481AGParis, Aubert, 1836. Lithographie aus "Le charivari", Darst=Bll. 23,1 x 33 (H); Blatt geknickt, Tintenfleck (oben links) alt. Auf Wunsch Digitalaufnahme in jpg-Format erhältlich- photo in jpg-format available. Je nach Versandart können die Portokosten bis zu 2 ? weniger als angegeben betragen.
19863838BBHanau, Dausien, 1986. 1. Aufl. 27 cm. [100], IV S., 50 Ill. (farb.). OLwd. m. O.Umschl. Umschl. leicht berieb. ansonst Buch sehr gut. Zust. 1
1975100704Luzern [u.a.]: Kunstkreis Luzern, 1975. 31,5 cm ; Pp.
1924135637Berlin : B. Harz, 1924. 48 S. : Mit 34 Textill. u. 64 Taf. ; 4 OHalbleinen,mit Goldprägung,Kopfgoldschnitt,
1980258606München, Schirmer Mosel, 1980.
427154Rogner und Bernhard. Hardcover. Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Honoré-Victorin Daumier February 26 1808 – February 10 or 11 1879 was a French painter sculptor and printmaker whose many works offer commentary on the social and political life in France from the Revolution of 1830 to the fall of the Second French Empire in 1870. In good condition Rogner und Bernhard hardcover
196280799[Leipzig]: Insel-Verlag, 1962. 18,5 cm ; Pp.
51-6779Frankfurt: Querschnitt-Verlag A.G. 1923. 4to. 18.5 x 25cm. Original boards. and linen spine.One of 400 numbered copies. Cover by Fernand LeÌger.OCLC Number / Unique Identifier:950242019.Physical Description:XXII 256 p. : ill. ; 257 x 187 cm.Der Querschnitt 1921–31The magazine ‘Der Querschnitt’ was launched by Alfred Flechtheim. It captured the zeitgeist and combined contemporary art literature sport and more. Initially it was published by the Verlag der Galerie Flechtheim and from 1923 by the Querschnitt-Verlag. In 1924 it switched to Propyläen-Verlag. The number of issues varied from year to year. During the first four years a year book was also published in addition. After the April issue 1931 the editor and publisher Hermann von Wedderkop left ‘Der Querschnitt’. The issues that followed had no connection whatsoever with Alfred Flechtheim. Frankfurt: Querschnitt-Verlag A.G., 1923. hardcover
1999ABE-1638352476163600 PAGES-24 CM X 31,5 CM-JAQUETTE ILLUSTREE A RABATS-(200E)
19345826Beau catalogue des peintures, aquarelles et dessins. 1/2 chagrin gris à bandes, dos long, couvertures conservées. Paris Musée de l’Orangerie 1934 1 volume in-8°
8940Bibliothèque nationale, Paris, 1934. In-8, broché, xxv-78 pp. - pl. Avec une préface de Julien Cain. - Introduction, par P.-André Lemoisne - Cinquante ans de noir et blanc, par Jean Laran - Lithographies. - Eau-forte. - Bois. - Sculptures. - Documents. - Bibliographie. - Tables.
