114 résultats
Illustrato da 60 disegni di Gustavo Doré. Seconda edizione.
Volume con copertina rigida in tela e sovracopertina in acetato. All'interno, 229 tavole di Gustave Doré. Volume in ottime condizioni, lievissimi segni di polvere (vedi foto).
Librairie Hachette, Paris; Non datato (presumibilmente inizio '900). Nouvelle édition. Lingua del testo: francese. Dimensioni: 18 x 27,5 cm circa. Rilegatura leggermente allentata in alcuni punti: si è creato un leggero solco (senza distacco) tra una decina di pagine frontali (nello specifico tra pagina 80 - 81; 112 -113; 128 - 129; 144 - 145; 192 - 193; 208 - 209; 224 - 225; 240 - 241; 256 - 257; 272 - 273; 288 - 289), marginali e lievi ingiallimenti su alcune pagine ma, nel complesso, un esemplare abbastanza buono. Privo di scritte, sottolineature o altri segni nel testo. Nessuna Firma d'appartenenza o timbro. Brossura editoriale con piatti in cartone rigido di colore rosso e titoli e decorazioni in oro (sbiadito) sul piatto anteriore e sul dorso. Con numerose vignette in nero nel testo e belle tavole a piena pagina in nero di Gustave Doré. E' presente, incollata sul retro del piatto anteriore, un'etichetta che indica che questo volume fu destinato a premio per meriti scolastici (sull'etichetta, scritta a penna, è indicata la data "24 juillet 1938". Rara edizione ridotta del capolavoro di Cervantes, da collezione.
346 [5]pp.avec illustrations dans le texte + planches hors texte dont 9 en couleurs, exemplaire numéroté; no.1848, 26cm., br.orig., dans la série "L'art et la vie" volume 12, pages non coupées, peu de rousseurs aux tranches, bel état, S79709
72 pages. "A collection of items of historical interest gleaned from old files of early district newspapers and other sources, telling of some of the more important events and people of the early days in the area." - subtitle. Reproductions of archival photos. Average wear. Unmarked. A sound vintage copy. Book
petit in-4° 239 pages, front., abdt ill. in et hors texte N&B/coul. (cert. depl.), rel. demi-chagrin à coins, dos à faux nerfs, titre dore, tête dor.— 1 des 400 ex. rel. numerote. Contient des lithographies en deux tons (reproductions de gravures anciennes) de (e.a.) : DEROY, CHAPUY et ENGELMANN, G. DORE, ATTHALIN et ROTHMULLER. Tres bel exemplaire, superbement conserve. [GD8/8]
A clean, unmarked book with a tight binding. Full blue cloth boards. Previous owner's name inside. Signed and dated by the authors. Twenty four of the best-known fairy tales are presented with historical introductions and illustrations by artists such as Walter Crane, George Cruikshank, Gustave Dore, Kate Greenaway, Arthur Rackham, W.Heath Robinson and Rex Whistler.
<p>s.d (cfr. ICCU) 30 cm, rilegatura coeva in mezza pelle, piatti marmorizzati, titolo e fregi impressi in oro al dorso, p. VIII, 230. Numerose incisioni del Dorè n.t. e f.t., anche a piena pagina. Qualche brunitura e antichi rinforzi ad alcune pagina, ma nel complesso molto ben conservato. </p>
In 8vo, cm. 19x24h; pag. 166 (2), molte illustrazioni nel testo. Legatura in tutta pelle con titoli e fregi dorati al dorso, conservate le brossure editoriali. Perfetto esemplare. Codice inv.1029991
<p>3 volumi, 30 cm, rilegatura editoriale in piena percallina, sovracoperte editoriali illustrate in nero e titolo in rosso, p. XIX, 432; 428; 438. Numerose illustrazioni in nero a piena pagina di Dorè. </p>
Exhibition catalogue for the show at the Barbican Art Gallery with the title of the same name. Book is in excellent condition in black cloth with gilt print at spine, large oblong format. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 191 pages with large prints in color, some b&w throughout. From the preface: "Over the centuries London has been visited by many artists from abroad and this exhibition is an attempt to illustrate how each visitor has in turn found inspiration from the city. The exhibition interprets this 'image' of London, reveals how the city has changed through four hundred years, and explores the idea of the city in the mind of the visitors and their response to it. Wyngaerde was the earlist artist to attempt to represent the city with relative accuracy. He conceived London as a great Gothic city with many towers and spires. Thomas Wyek may have witnessed the Great Fire, and he certainly painted several views of it. After the Fire, London was rapidly rebuilt and expanded. The subsequent completion of the new cathedral and the City's increasing commercial success attracted many traveller-artists. With its bustling market, Covent Garden was a favourite subject of the 18th-century artists such as Van Aken and Angillis. By contrast the serene Thames views of Canaletto and Joli recall Venice, and their interpretation of London as a city of grace and enlightenment seem more in keeping with the neo-classical order that fashioned the second half of the 18th Century. In the 19th Century artists began to depict the darker side of London. Focusing upon scenes of labour, poverty and suffering in an oppressive industrial environment, G?ricault and Dor? portrayed the Babylonian image of London. Nevertheless, Victorian London was also shown as a city of success and wealth. The river scenes of Whistler, and the busy, yet fashionable Street scenes of Bianche, Tissot and De Nittis represent it as essentially a hive of activity, business and busy-ness. Wistler and Monet were also inspired by the atmosphere of London, the foggy and nocturnal views ...
In 8 (22,5x15,5) Legatura in similpelle con fregi al piatto e titolo in oro al dorso; pp. 361; Ottimo
In 8 (22,5x15,5) Legatura in similpelle con fregi al piatto e titolo in oro al dorso; pp. 395; Ottimo
Leg. edit. in-8, tit. oro al piatto e al ds., bella figura al piatto, pp. 857-(3). Questa riproduz. foto-litografica fuori commercio fu offerta agli abbonati della rivista Epoca e riproduce la celebre ediz. trad. da F. Carlesi. le splendide ill.ni del Dorè completano l'opera. Perfetto.
in-4° 62 pages, broche, couverture illustree. Dos recolle mais entier, interieur TB. [VU-6]
This is a very good softcover copy with light wear. Completely clean. This catalog was prepared to accompany the exhibition at the Modernism Gallery in San Francisco from November 16 to December 22, 1984. Essays by Dore Ashton, John Hejduk, Alberto Sartoris and Slutzky. Robert Slutzky (1929- 2005) studied at Yale with Josef Albers and subsequently taught for many years in New York at the Cooper Union School of Art. Illustrated with 15 color plates + a vintage black & white photograph of Slutzky in his studio. 12" high X 9" wide. Scarce. This book will be securely wrapped and shipped with tracking.
pp. 192 +Plus 38 leaves of plates. 8vo. 200mm. Original publisher's full dark green pictorial cloth binding lettered and decorated in silver gilt. Spine decorated and lettered similarly. Gilt bright on cover and slightly rubbed on spine. Boards and spine clean with slight abrasions. Head and base of spine worn. Patterned end papers. Ownership stamp of 'Barralow Bros, Railroad News Agents, Portland, OGN.' Revised edition, Edited by Rev. J.B. McClure. Manuscript ownership on title page. Contents clean. Hardbound. Very good. Dwight Lyman Moody (1837-1899), also known as D. L. Moody, was an American evangelist and publisher connected with the Holiness Movement. He founded the Moody Church, Northfield School, Mount Hermon School, Moody Bible Institute, and Moody Publishers. NW61
In 4°, pp. 599. Legatura modesta in mz tela figurato da composizioni in nero di G. Dorè. Esemplare con evidenti segni del tempo, ma completo delle sue tavole.
In-4° pp. 183 completamente illustrato anche a piena pagina da Dorè. Legatura edit. con socrac. ill. Ottimo stato.
8vo., with frontispiece (original tissue guard present) and very numerous illustrations and maps in the text, free endpapers lightly browned, small neat contemporary signature on front free endpaper; blue cloth, upper board and backstrip cloked and lettered in gilt, a very good, bright, clean copy. First published in 1892.
In-4 (cm. 28.90), brossura illustrata, con alette, pp. 224, con illustrazioni a colori nel testo. Text in English. In buono stato di conservazione (good copy).
Paris, Le Club français du Livre, Collection " romans n° 252", 1960. In-8, cartonnage violet illustré de l'éditeur, bien complet de son rhodoïd, 372 pp dont 37 pp de la préface de 1834. Edition numérotée, bel ex. Avec la préface de Mai 1834. (37 pp).
In-4° pp. 256 con le ill. a p. pag. n.t. leg. edit. con sovrac. ill. Ottimo stato.
Mm 205x295 Edizione di 1000 copie numerate, la nostra è la n. 641. Senza data, ma 1944 - Volume cartonato di 155 con tavole in nero applicate fuori testo. Introduzione e traduzione di Libero De Libero. Volume a cura di Franco Gentilini. Abrasioni al dorso e ordinari segni del tempo, nel complesso ottimo esemplare conservato da rivestimento in pvc. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
