114 résultats
In-8 (cm. 21.80), cartonato editoriale illustrato, pp. XX, 957, (3). In buono stato di conservazione (good copy).
15 x 21, 251 pp., nombreuses illustrations N/B et quelques couleurs, broche, couverture illustree. Tres bon exemplaire. [AR-1][AR-2]
In 8, pp. 90. Intonso. Dedica autogr. dell'aut. al p. ant. Br. ed. Studio geologico della regione dell'Alvernia in Francia, con particolare riferimento alle zone di Mont Dore', Saint-Nectaire e Vichy.
Opera illustrata da G. Doré.
In-8 gr. (mm. 238 x 150), mz. pelle edit., dorso a cordoni con decoraz. e tit. oro, tagli dorati, pp. (2),IV,536, con le belle e numerose illustrazioni del Doré, anche a p. pag. nel t. "La Cote - La Vallé d'Ossau et de Luz - Bagnères et Luchon". Esempl. ben conservato.
In-8 p. (mm. 231 x 150), mz. pelle edit. (piccoli spacchi), dorso a cordoni con decoraz. e titolo oro, tagli dorati, pp.VI,536, con le belle e numerose illustrazioni del Doré, anche a p. pag., nel testo. "La Cote - La Vallé d'Ossau et de Luz - Bagnères et Luchon". Solo qualche rara e lieve fioritura, altrimenti ben conservato.
bross. edit. ill., piccola rottura e lievi tracce d'uso in cop.
in-folio (410x310), pp.(4), 84. Illustrato da 9 tavole a piena pagina di Gustave Doré, incisioni originali in acciaio a piena pagina fuori testo. Stupenda legatura inglese del tempo in pieno marocchino riccamente decorato in oro. Probabile edizione originale del poema di Tennyson, illyustre poeta inglese (1809-1892).. .
Celebre romanzo d'appendice dell'800 francese, molto apprezzato da Baudelaire. Edizione con illustrazioni di Gustav Dorè.
346 [5]pp.avec illustrations dans le texte + planches hors texte dont 9 en couleurs, exemplaire numéroté; no.1848, 26cm., br.orig., dans la série "L'art et la vie" volume 12, pages non coupées, peu de rousseurs aux tranches, bel état, S79709
Prefazione e traduzione di E. Panzacchi. 12 vignette nel testo e 30 tavole staccate.
Exhibition catalogue for the show at the Barbican Art Gallery with the title of the same name. Book is in excellent condition in black cloth with gilt print at spine, large oblong format. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 191 pages with large prints in color, some b&w throughout. From the preface: "Over the centuries London has been visited by many artists from abroad and this exhibition is an attempt to illustrate how each visitor has in turn found inspiration from the city. The exhibition interprets this 'image' of London, reveals how the city has changed through four hundred years, and explores the idea of the city in the mind of the visitors and their response to it. Wyngaerde was the earlist artist to attempt to represent the city with relative accuracy. He conceived London as a great Gothic city with many towers and spires. Thomas Wyek may have witnessed the Great Fire, and he certainly painted several views of it. After the Fire, London was rapidly rebuilt and expanded. The subsequent completion of the new cathedral and the City's increasing commercial success attracted many traveller-artists. With its bustling market, Covent Garden was a favourite subject of the 18th-century artists such as Van Aken and Angillis. By contrast the serene Thames views of Canaletto and Joli recall Venice, and their interpretation of London as a city of grace and enlightenment seem more in keeping with the neo-classical order that fashioned the second half of the 18th Century. In the 19th Century artists began to depict the darker side of London. Focusing upon scenes of labour, poverty and suffering in an oppressive industrial environment, G?ricault and Dor? portrayed the Babylonian image of London. Nevertheless, Victorian London was also shown as a city of success and wealth. The river scenes of Whistler, and the busy, yet fashionable Street scenes of Bianche, Tissot and De Nittis represent it as essentially a hive of activity, business and busy-ness. Wistler and Monet were also inspired by the atmosphere of London, the foggy and nocturnal views ...
This is a very good softcover copy with almost no wear. Completely clean inside and out. The spine is not creased, binding firm. Edited by Theodore Wolff. Contributions by ten writers including Sidney Janis and Dore Ashton among others. Illustrated in color with 198 color plates + black & white drawings, photographs. Chronology. Bibliography. 12" high X 10" wide, 208 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
