Gavarni

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Collectif – GAVARNI, BERTALL.Livre Rare Book

Le Diable à Paris. Paris et les Parisiens. Moeurs et coutumes, caractères et portraits des habitants de Paris, tableau complet de leur vie privée, publique, politique, artistique, littéraire, industrielle, etc. Précédé d'une Histoire de Paris et d'une Géographie de Paris par Théophile Lavallée.

DAUMIER Honore; Gavarni; Alhoy Maurice; Philipon CharlesABAA

MusÃ©e pour rire Le

02253Paris: Chez Aubert 1839. With 150 Hand-Colored Lithographs including Forty-Five by HonorÃ© Daumier and Forty-Two by Gavarni DAUMIER HonorÃ© Gavarni and others illustrators. ALHOY Maurice Louis Huart and Charles Philipon editors. Le MusÃ©e pour rire. Dessins par tous les caricaturistes de Paris; Texte par MM. Maurice Alhoy Louis Huart et Ch. Philipon. Paris: Chez Aubert Editeur des Cent-et-Un Robert-Macaire 1839-1840. First edition. Three quarto volumes bound in one 10 x 7 5/8 in; 251 x 193 mm. 1 half-title 2 title 600 pp. With 150 numbered hand-colored lithographs heightened with gum arabic by HonorÃ© Daumier forty-five Gavarni forty-two FrÃ©dÃ©ric Bouchot twenty-two Victor Adam ten Platier seven Benjamin i.e. Benjamin Roubaud four Bourdet three Pruche three Platel two Grandville two Edme-Jean Pigal two Alophe Menut two Charles Vernier two Charles-Joseph TraviÃ¨s one and others. Bound ca. 1886-1890 by James Screeton of Hull with label to rear pastedown half black pebbled morocco over gray-brown cloth. Elaborately gilt tooled compartments gilt-rolled raised bands. All edges gilt. Some foxing and toning throughout but still a very good copy. "The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had â€˜a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists. Le musÃ©e pour rire represents a more considerable effort on the part of Aubert. To accompany 150 lithographs including forty-five by Daumier among them twenty-seven from Croquis d'expressions and eight from La galerie physionomique and forty-two by Gavarni new commentaries were commissioned on each plate all except two by Alhoy and Huart. Daumier's lithographs were trimmed slightly and their captions were relettered. The designs of the other artists were provided with decorative frames. The whole was then published in three handsome volumes and in copies with expert contemporary coloring like this one Le musÃ©e pour rire is among the freshest and most attractive of romantic illustrated books" Ray The Art of the French Illustrated Book. Le MusÃ©e pour Rire "contained 150 lithographs by Daumier Gavarni Bouchot TraviÃ¨s etc. These are re-impressions some of them in mirror image which had previously already been used for publication in Le Charivari. Most prints of the series â€˜Croquis d'expressions' are contained in the book. The name of the series is missing and the texts were printed in a different type than in the original Charivari version. We do not consider these prints original lithographies but rather prints â€˜after Daumier'". James Screeton was the son of bookbinder William Screeton of Hull. It appears that he was partner of binder William Wardell until opened his own shop in 1886. Ray The Art of the French Illustrated Book 164. Paris: Chez Aubert, 1839 unknown books

David Brass Rare Books, Inc. · États-Unis9 500,00 $US≈ 8 037,95 €

DAUMIER Honore; GAVARNI; BOUCHOT; Philipon CharlesABAA

MusÃ©e pour rire Le

04829Paris: Chez Aubert 1839. With 50 Hand-Colored Lithographs including Nine by HonorÃ© Daumier and Fifteen by Gavarni DAUMIER HonorÃ© Gavarni and others illustrators. ALHOY Maurice Louis Huart and Charles Philipon editors. Le MusÃ©e pour rire. Dessins par tous les caricaturistes de Paris; Texte par MM. Maurice Alhoy Louis Huart et Ch. Philipon. Paris: Chez Aubert Editeur des Cent-et-Un Robert-Macaire 1839 Volume II only of 3. First edition. Quarto 10 3/8 x 8 1/8 inches; 265 x 207 mm. i-ii half-title verso blank iii-iv title verso blank v-vi Table 200 pp. With 50 numbered 51-100 hand-colored lithographs heightened with gum arabic by HonorÃ© Daumier nine Gavarni fifteen FrÃ©dÃ©ric Bouchot seventeen Benjamin i.e. Benjamin Roubaud four Bourdet three Grandville one and Edme-Jean Pigal one. Heavy spotting in places but mainly to text leaves. Plates generally clean. Publisher's silk patterned paper over boards covers decoratively stamped in gilt smooth spine decoratively stamped and titled in gilt. Rebacked with the original spine laid down. With the engraved bookplate of author and collector Jaques Robiquet on front paste-down. A reasonably priced album containing fine hand-colored lithographs of Bouchot Daumier & Gavarni etc. etc. "The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had â€˜a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists. Le musÃ©e pour rire represents a more considerable effort on the part of Aubert. To accompany 150 lithographs including forty-five by Daumier among them twenty-seven from Croquis d'expressions and eight from La galerie physionomique and forty-two by Gavarni new commentaries were commissioned on each plate all except two by Alhoy and Huart. Daumier's lithographs were trimmed slightly and their captions were relettered. The designs of the other artists were provided with decorative frames. The whole was then published in three handsome volumes and in copies with expert contemporary coloring like this one Le musÃ©e pour rire is among the freshest and most attractive of romantic illustrated books" Ray The Art of the French Illustrated Book. Le MusÃ©e pour Rire "contained 150 lithographs by Daumier Gavarni Bouchot TraviÃ¨s etc. These are re-impressions some of them in mirror image which had previously already been used for publication in Le Charivari. Most prints of the series â€˜Croquis d'expressions' are contained in the book. The name of the series is missing and the texts were printed in a different type than in the original Charivari version. We do not consider these prints original lithographies but rather prints â€˜after Daumier'". Ray The Art of the French Illustrated Book 164. Paris: Chez Aubert, 1839 unknown books

David Brass Rare Books, Inc. · États-Unis1 750,00 $US≈ 1 480,68 €

DAUMIER, Honore; GAVARNI, Paul; CUJASBiblio.com

La Galerie Physionomique & Au Boit Aux Lettres & Les Coulisses & Cours de Droit

05538Paris: Chez Aubert 1837. Characteristic Expressions Love Letters and Law Students Twenty-Five Fine Hand Colored Lithographs by Daumier Gavarni and Cujas DAUMIER Honoré. La Galerie Physionomique The Physiognomic Gallery 5 plates 0f 25 1837; GAVARNI Paul. Au Boit Aux Lettres At the mailbox 11 plates of 34 1838; GAVARNI Paul. Les Coulisses Behind the scenes 1 plate of 31 1857; CUJAS. Cours de Droit Law courses 8 plates of 12 1838. Folio 13 1/2 x 10 1/8 inches; 343 x 257 mm. A fascinating collection of twenty-five hand colored lithograph plates by Daumier Gavarni & Cujas all heightened with gum arabic. Contemporary quarter dark green calf over green marbled boards. Smooth spine decoratively tooled in gilt plain endpapers. Extremities rubbed. 1. DAUMIER. La Galerie Physionomique No. 14. La loge grillée - The box grated DR 339 2. CUJAS. Cours de Droit No. 1. La Chaumière et ton coeur - The Cottage and your heart 3. CUJAS. Cours de Droit No. 2. Jus Romanum 4. CUJAS. Cours de Droit No. 4 Homme étonnant!!! Quel chique. 5. CUJAS. Cours de Droit No. 6. L'Etudiant a besoin de quelques distractions - The Student 6. CUJAS. Cours de Droit No. 8. Reflexion philosophique en morale de Mlle Fifine 7. CUJAS. Cours de Droit No. 9. Allons Gustine joue tout droit tu ne manqueras pas de touche. 8. CUJAS. Cours de Droit No. 10. Je ne me trompe pas d'etait bien mon B.! 9. GAVARNI. Les Coulisses No. 6. Le soldat romain Quinze sous par jour. A&H 454 10. CUJAS. Cours de Droit No. 12. Tiens! Ernest!. qu'es tu donc devenu 11. GAVARNI. La Boite Aux Lettres Sans No. Je prends la plume d'une main tremblante. A&H p. 88 12. GAVARNI. La Boite Aux Lettres No. 2. Vous avez le secret de ma vie. A&H 1685 13. GAVARNI. La Boite Aux Lettres No. 3. La lettre qu'on lit. A&H 1686 14. GAVARNI. La Boite Aux Lettres No. 4. J'ai ta lettre cherie a mon Ernest je la presse. A&H 348 15. GAVARNI. La Boite Aux Lettres Sans No. Je soussigné Roi des Batinolles. A&H p. 89 16. GAVARNI. La Boite Aux Lettres Sans No. Chère ange mon amour vous envoie sur l'aile. A&H p. 89 17. DAUMIER. La Galerie Physionomique No. 5. Le bon morceau - A Tidbit DR 330 18. GAVARNI. La Boite Aux Lettres No. 8. Sans No. Viens me prendre ce soir je suis sortie. A&H p. 89 19. GAVARNI. La Boite Aux Lettres No. 9. Sans No. Ma sière epouse je vous. A&H p. 89 20. DAUMIER. La Galerie Physionomique No. 18. Rien!.rien!. Je ne trouve rien - Nothing! nothing at all. DR 343 21. GAVARNI. La Boite Aux Lettres No. 11. Congé en partie double. A&H 1693 22. DAUMIER. La Galerie Physionomique No. 8. La bonne prise - A good pinch of snuff DR 333 23. GAVARNI. La Boite Aux Lettres No. 13. Monsieur malgré que je sois sans experience je n'ai. A&H 1695 24. GAVARNI. La Boite Aux Lettres No. 14. Ah! prenez pitié de l'etat cruel où me laisse mon attachement. A&H 349 25. DAUMIER. La Galerie Physionomique No. 20. Contentement de soi-meme - The man who is satisfied with himself DR 345 Daumier Register DR-330 DR-333 DR-339 DR-343 DR-345; Armelhault & Bocher 348 454 1685 1686 1693 1695 & pp. 88 & 89. Paris: Chez Aubert, 1837 unknown

David Brass Rare Books, Inc. · États-Unis7 500,00 $US≈ 6 345,75 €

DAUMIER, Honore; Gavarni; Alhoy, Maurice; Philipon, CharlesBiblio.com

Musée pour rire Le

05964Paris: Chez Aubert 1839. With 150 Hand-Colored Lithographs including Forty-Five by Honoré Daumier and Forty-Two by Gavarni DAUMIER Honoré Gavarni and others illustrators. ALHOY Maurice Louis Huart and Charles Philipon editors. Le Musée pour rire. Dessins par tous les caricaturistes de Paris; Texte par MM. Maurice Alhoy Louis Huart et Ch. Philipon. Paris: Chez Aubert Editeur des Cent-et-Un Robert-Macaire 1839-1840. Three quarto volumes 10 3/16 x 7 15/16 inches; 259 x 202 mm. 2 half-title 2 title 200 2 "Table" 4 publisher's advertisements; 2 half-title 2 title 200 2 "Table; 2 half-title 2 title 200 2 "Table 4 publisher's advertisements pp. With 150 numbered hand-colored lithographs heightened with gum arabic by Honoré Daumier forty-five Gavarni forty-two Frédéric Bouchot twenty-two Victor Adam ten Platier seven Benjamin i.e. Benjamin Roubaud four Bourdet three Pruche three Platel two Grandville two Edme-Jean Pigal two Alophe Menut two Charles Vernier two Charles-Joseph Traviès one and others. Early twentieth-century half red scored calf ruled in gilt over marbled boards by Adolphe Cuzin stamp-signed in gilt at foot of spine. Smooth spines decoratively tooled and lettered in gilt all edges gilt marbled endpapers. Expert and almost invisible minor restoration to corners and spine extremities. Occasional light foxing and/or browning. A wonderful copy. "The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had 'a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists. Le musée pour rire represents a more considerable effort on the part of Aubert. To accompany 150 lithographs including forty-five by Daumier among them twenty-seven from Croquis d'expressions and eight from La galerie physionomique and forty-two by Gavarni new commentaries were commissioned on each plate all except two by Alhoy and Huart. Daumier's lithographs were trimmed slightly and their captions were relettered. The designs of the other artists were provided with decorative frames. The whole was then published in three handsome volumes and in copies with expert contemporary coloring like this one Le musée pour rire is among the freshest and most attractive of romantic illustrated books" Ray The Art of the French Illustrated Book. Le Musée pour Rire "contained 150 lithographs by Daumier Gavarni Bouchot Traviès etc. These are re-impressions some of them in mirror image which had previously already been used for publication in Le Charivari. Most prints of the series 'Croquis d'expressions' are contained in the book. The name of the series is missing and the texts were printed in a different type than in the original Charivari version. We do not consider these prints original lithographies but rather prints 'after Daumier'" The Daumier Register at http://www.daumier-register.org. Ray The Art of the French Illustrated Book 164. Paris: Chez Aubert, 1839 unknown

David Brass Rare Books, Inc. · États-Unis14 500,00 $US≈ 12 268,45 €

Gavarni

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Les Français peints par eux-mêmes manque le tome I de Paris ensemble de sept volumes Encyclopédie morale du XIXe siècle

Le Diable à Paris Paris et les Parsiensmoeurs et coutumes ,caractères et portraits des habitants de Paris précédé d'une histoire de Paris par Th.Lavalléeillustrations de Gavarni ,Paris comique vignettes de Bertall

Les Français peints par eux-mêmes. Types et portraits humoristiques à la plume et au crayon, moeurs contemporaines par H. de Balzac, Léon Gozlan, Amédée Achard, J.Janin... illustrations de Meissonier, Daubigny, J.J. Grandville, Gavarni, H. Daumier, Charlet, Tony Johannot, Français...

Le Diable à Paris - Paris et les Parisiens- Texte par George Sand- P.J.Stahl (Hetzel) - Léon Gozlan-...Alphonse Karr- Méry-Gérar de Nerval- Arsène Houssaye- Théophile Gautier- Alfred de Musset,etc... Illustrations par Gavarni, Bertall, Andrieux, H.Monnier, Lancelot, Fabriztius,etc..

Le diable à Paris.

Les Français peints par eux-mêmes.

La Grande Ville. Nouveau tableau de Paris comique, critique et philosophique. Par MM. Paul de Kock, Balzac, Dumas, Soulié, Gozlan, Briffault, Ourliac, E. Guinot, H. Monnnier, etc.

La Grande Ville. Nouveau tableau de Paris comique, critique et philosophique. Par MM. Paul de Kock, Balzac, Dumas, Soulié, Gozlan, Briffault, Ourliac, E. Guinot, H. Monnnier, etc.

GAVARNI-oeuvres choisies,précédés d'une notice de J.et E.de GONCOURT et d'un avant propos de P.A.LEMOISNE

Les français peints par eux-mêmes, encyclopédie morale du XIXe siècle. Par les sommités littéraires. Province. Tome second

Les français peints par eux-mêmes, encyclopédie morale du XIXe siècle. Par les sommités littéraires. Province. Tome premier

Robinson Crusoe

Aventures de Robinson Crusoé

MusÃ©e pour rire Le

MusÃ©e pour rire Le

DAUMIER et GAVARNI, les maîtres de la caricature française au dix-neuvième siècle. Richement illustré et documenté ( chromolithographies, lithographies, critical and biographical notes by H. Frantz and O. Uzanne, présentation en français par O. Uzanne).

Vocabulaire des Enfants -- William Lucien Scaife's copy

Physiologie de l'écolier

Le Prisme : Encyclopédie morale du dix-neuvième siècle

La Galerie Physionomique & Au Boit Aux Lettres & Les Coulisses & Cours de Droit

Le Musée pour Rire: Dessins par tous les caricaturistes de Paris

Musée pour rire Le

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