1 228 résultats
184286562à Paris: Chez Hetzel et Paulin 1842. Fine. Chez Hetzel et Paulin à Paris 1842 18 x 27 cm 2 volumes reliés First edition admirably illustrated with 201 hors-texte figures and 120 vignettes by Grandville. Hetzel's publisher's preface most often absent is here present before the prologue. Most copies begin directly with the prologue. 2 frontispieces. Contemporary half-navy shagreen bindings with corners. Spine with false flat raised bands with 4 compartments composed of thick and thin fillets one with fleuron mirror tooling on the raised bands gilt title. In a way not perceptible at first glance there exist small differences between the 2 volumes which were bound by the same binder but not at the same time: thus the typography of the title is noticeably different the compartment with the fleuron has no thick fillet framing. The volumes bear no volume numbering. We know that the 2 volumes did not appear at the same time and that the first volume appeared separately and that a second part a continuation was added afterwards. The binding seems to have followed the publication process. Traces of rubbing. Some pale foxing on well-white paper however foxing on the half-titles and the last page of the table of contents. Handsome copy. This famous publication needs no introduction a satire of contemporary Parisian society of the Second Empire whose enterprise is due to Hetzel who under the pseudonym of Stahl signed several texts and commissioned texts from the most famous pens of the time: Balzac Musset Sand La Bedollière. The last chapter recounts the imprisonment of the different writers whom one can see in locations at the Jardin des plantes where we see Grandville from behind drawing them. One of Grandville's great works of imagination full of verve and fantasy. Chez Hetzel et Paulin hardcover
184279090à Paris: Chez Hetzel et Paulin 1842. Fine. Chez Hetzel et Paulin à Paris 1842 17.70 x 27 cm 2 volumes reliés First edition admirably illustrated with 201 plates and 120 vignettes by Grandville. This first volume correctly has the first third of the work printed on tinted paper while the rest is on white paper a characteristic of the first printing; most copies are from a second printing as the leaves are also white like the rest of the work. Moreover Hetzel's publisher's preface usually absent is present here before the prologue. Most copies begin directly with the prologue. The frontispiece of volume 1 has been placed facing p. 32 the engraved half-title entitled Scène de moeurs serving as frontispiece; this half-title is often absent from most copies. The frontispiece and engraved title of volume 2 as well as an engraved half-title also entitled 2e partie have been preserved without the title page of the second volume which has not been bound in this copy. These 2 half-titles in the first volume Scène de moeurs in the second volume 2e partie are very often absent from copies. Near-contemporary half red shagreen bindings with corners. Spines with raised bands with 3 decorated compartments gilt title and volume number. Separation fillets on boards. Combed edges echoing the pattern of the endpapers. Signs of rubbing. On the upper board of volume 1 a 2 cm area exposing the cardboard. Superb freshness of the paper completely free from foxing. Handsome copy. This famous publication needs no introduction a satire of contemporary Parisian society under the Second Empire an enterprise due to Hetzel who under the pseudonym Stahl signed several texts and commissioned texts from the most famous writers of the time: Balzac Musset Sand La Bedollière. The last chapter recounts the imprisonment of the various writers who can be seen in enclosures at the Jardin des plantes where we see Grandville from behind drawing them. One of Grandville's great works of imagination full of verve and fantasy. Chez Hetzel et Paulin hardcover
184485752Paris: Henri Fournier 1844. Fine. Henri Fournier Paris 1844 19 x 27 cm relié First edition of this work considered Grandville's masterpiece and first printing of the illustrations. Work illustrated with a frontispiece 36 superb hand-colored plates and 146 black woodcuts in the text. Contemporary half-shagreen binding in red spine with raised bands outlined with gilt fillets and decorated with triple gilt compartments ornamented with gilt floral motifs joints cracked at head and foot some rubbing traces on spine marbled paper boards marbled endpapers and pastedowns all edges gilt. Handsome copy virtually free from foxing of this beautiful book that was a precursor to surrealism. This delirious and prodigious production by Grandville and Delord whose name is printed at the bottom of page 292 judged by his contemporaries as already mad was rediscovered by the surrealists. « Published in 1844 by Fournier editions Un autre monde is Grandville's masterpiece. The book has the subtitle Transformations visions incarnations ascensions locomotions explorations pérégrinations excursions stations cosmogonies fantasmagories rêveries folâtreries facéties lubies métamorphoses zoomorphoses lithomorphoses métempsycoses apothéoses et autres choses. With its transformations inventions and fantasmagories the work aims to reflect an era in full transformation. Un autre monde recounts and illustrates the extraordinary voyages of three neo-gods Puff Krackq and Hahblle. . It is indeed a philosophical voyage that Grandville offers us . The reader led to a strange planet imagined by the artist is invited like Gulliver in the land of Laputa to a parodic journey through his philosophical scientific economic and religious ideals his enthusiasms inventions and preoccupations: romanticism mechanization socialism money serialized novels advertising Anglomania philanthropy phrenology etc. » Annie Renonciat La Vie et l'uvre de Grandville Paris ACR-Vilo 1985. Grandville's most sought-after work. Henri Fournier hardcover
184485777Paris: Henri Fournier 1844. Fine. Henri Fournier Paris 1844 19.80 x 27.40 cm relié First edition of this work considered Grandville's masterpiece and first printing of the illustrations. Work illustrated with a frontispiece 36 superb hand-colored plates hors-texte as well as 146 black wood engravings in-text. Printed on strong laid paper the plates on tinted paper. Bound in half red morocco with corners signed at the top of the endpaper L. David. Slightly later binding ca 1860-1870. Jansenist spine with raised bands. Traces of rubbing. Scattered foxing. 2 leaves 174 and 175 awkwardly cut shorter. Handsome copy of this beautiful book precursor to surrealism. This delirious and prodigious production by Grandville and Delord whose name is printed at the bottom of page 292 judged by his contemporaries as already mad was rediscovered by the surrealists. « Published in 1844 by Fournier editions Un autre monde is Grandville's masterpiece. The book has the subtitle Transformations visions incarnations ascensions locomotions explorations pérégrinations excursions stations cosmogonies fantasmagories rêveries folâtreries facéties lubies métamorphoses zoomorphoses lithomorphoses métempsycoses apothéoses et autres choses. With its transformations inventions and fantasmagorias the work aims to reflect an era in full mutation. Un autre monde tells and illustrates the extraordinary voyages of three neo-gods Puff Krackq and Hahblle. . It is indeed a philosophical journey that Grandville proposes to us . The reader led to a strange planet imagined by the artist is invited like Gulliver in the land of Laputa to a parodic journey through his philosophical scientific economic and religious ideals his enthusiasms inventions and preoccupations: romanticism mechanization socialism money the serial novel advertising anglomania philanthropy phrenology etc. » Annie Renonciat La Vie et l'uvre de Grandville Paris ACR-Vilo 1985. Grandville's most sought-after work. Henri Fournier hardcover
183869105Paris: Furne et CieH. Fournier 1838. Fine. Furne et Cie H. Fournier Paris 1838 13 x 21 cm 2 volumes reliés First printing of Grandville's illustration. A frontispiece on flying China paper and 450 wood-engraved vignettes in-text and 5 hors texte the four titles of the four voyages and the literary allegory as frontispiece to the notice. New translation biographical and literary notice on Jonathan Swift by Walter Scott. Contemporary grey glazed calf half-binding in Romantic style. Smooth spine with a long Romantic tool and 2 mirrored tools with fillets. Light traces of rubbing. Some scattered foxing mainly marginal. Handsome copy. ""This complete illustration occupies one of the first ranks in Grandville's work."" Carteret III 578. This very beautiful illustrated Romantic work is extremely rare in fine condition. It is printed on tinted laid paper."" Carteret III 578. Furne et CieH. Fournier unknown
184534805H. Fournier | Paris 1845 | 15.50 x 24.50 cm | relié
187081092Garnier frères | Paris 1870 (S.d) | 17.50 x 28.50 cm | relié
2352Paris, J.-J. Dubochet et Cie, Editeurs, 33 rue de Seine, 1842. In-8 relié de 292 pages au format 15,5 x 4 x 24 cm. Reliure demi chagrin vert foncé, avec plats papier. Page de garde et tranches décorées. Dos rond à 5 nerfs avec titre doré. Plats, coins, nerfs du dos et mors avec petits frottements. Intérieur frais, proche du parfait. Notice sur la Vie et les Ouvrages de Florian par P.-J. Stahl en début d'ouvrage. Fables suivies de Tobie et de Ruth, poèmes tirés de l'écriture sainte, par Florian. Frontispice ( curieusement placé avant la page de titre ), et une centaine de superbes illustrations en noir, in et hors texte, par Grandville. Bel état général. Rare édition originale en premier tirage.
184279090Chez Hetzel et Paulin | à Paris 1842 | 17.70 x 27 cm | 2 volumes reliés
184286562Chez Hetzel et Paulin | à Paris 1842 | 18 x 27 cm | 2 volumes reliés
183885789H. Fournier aîné | Paris 1838 | 14.50 x 22.50 cm | 2 volumes reliés
183869105Furne et Cie H. Fournier | Paris 1838 | 13 x 21 cm | 2 volumes reliés
184979131G. de Gonet | Paris s. d. [1849] | 18 x 27 cm | relié
186972175Garnier frères | Paris 1869 | 18.50 x 25.50 cm | relié
184385456Henri Fournier | Paris 1843 | 16 x 24 cm | relié
184485752Henri Fournier | Paris 1844 | 19 x 27 cm | relié
184485777Henri Fournier | Paris 1844 | 19.80 x 27.40 cm | relié
1842YRG-4382 vol grand in-8, reliure demi cuir à coin, dos lisse, liserets, titres et fleurons dorés, toutes tranches marbrées. Légèrement jauni dans les marges, rousseurs éparses 386 & 390 pp. Frottement aux coiffes, dos et coins. J. Hetzel et Paulin. Paris.
1833251371833 Planche noire n° 293 du journal La Caricature n°141 du 18 juillet 1833,pli vertical central,Lithographie. 220 x 275. Vic. col. 71. bon état,plis en coins
1987Q-0486229912Dover Publications 1987-12-31. paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1832251551832 Planche HT parue dans La Caricature morale, religieuse, littéraire et scénique, volume 4, 9 août 1832 (Planche n°187) Lithographie par Jean-Ignace-Isidore Gerard dit GRANDVILLE, 250 × 305, marges 275 × 355 , petits manques dans les marges,tache en marge. Hauteur: 27cmx Largeur: 35.6cm - Image: Hauteur: 22cm - Titre en bas au centre : « Le pouvoir use les hommes. » ; indications, en ht au centre : « La Caricature (Journal) // N°92 », en ht à dte : « Pl. 187. »Inscription - Dans la lettre : « Lith. de Becquet, rue Childebert N°9. » [imprimeur], « On s’abonne chez Aubert, galerie véro dodat. » [éditeur] ; dans l’image, sur un pavé en bas à gche, signature : « JJ. Grand » [Jean-Jacques Grandville, dessinateur]Inscription - Sur les feuilles de papiers situées sous les figurines à terre, noms lois ou de ministères : « Loi // DU DIVORCE », « TRAVEAU [TRAVAUX] PUBLIC » sous d’Argout, « CHARIVARISE // DE [ ?] », « SCEAUX // JUSTICE » (sous Barthe).Description iconographique:Cf. explication de la pl. p. 734. Complément d’explication p. 758 du numéro 95. Le pouvoir est représenté par la figure de Louis-Philippe, vu de dos, en rémouleur de personnages, figures miniatures de ministres. Celui qu’il est en train de passer à la meule des épaulettes, pièces d’or et décorations, semble être Dupin aîné. Les autres, déjà passés à la meule, gisent à terre : Soult sous le genou gche du roi, d’Argout, qui appuie sa tête sur le corps de Soult, Lobau (avec une seringue à clystère se dressant à côté de lui) et Barthe, situé sous le banc. Les autres personnages à terre sont plus difficilement identifiables (peut-être Montalivet, dont le dos repose sur les jambes de d’Argout ?). Au second plan, des ministres, parmi lesquels on reconnaît Athalin à gche, descendent les marches du Palais Bourbon et transportent des caisses remplies d’autres petites figures (militaires, députés) que le pouvoir pourra passer sous meule. La manivelle permettant le fonctionnement de la meule est actionnée par un personnage souriant, portant un bonnet dont la pointe est pourvue de plumes et de grelots : sans doute s’agit-il de la personnification du journal "La Caricature", sous les traits de Charles Philipon. La pl. dénonce l’avidité avec laquelle sont enclins les ministres à recevoir des distinctions honorifiques, avidité qu’a bien comprise le roi qui se sert de cette faiblesse. La pl. présente les ministres comme de petits pantins sans volonté que le roi manipule sans difficulté en leur promettant des privilèges.baron
1845143121845 P., Fournier, 1845, 1 vol. in-8°, plein chagrin prune éditeur, dos lisse orné du titre, de léditeur et de jeux de fers romantiques dorés, plaque personnalisée représentant un chat et un rat auprès dune fontaine frappée au centre du plat supérieur et répétée au plat inférieur, tous deux encadrés dun triple filet doré, toutes tranches dorées. Dos légèrement insolé, rousseurs éparses dans le corps de l'ouvrage, bel exemplaire.
185139475Paris: Garnier frères 1851. Fine. Garnier frères Paris s. d. circa 1880 16.50 x 25.50 cm relié New edition. Half black morocco binding spine with five raised bands marbled paper boards marbled endpavers and pastedowns original wrappers preserved top edge gilt. Work illustrated with 80 hors-texte plates after Grandville including 1 frontispiece as well as in-text vignettes. Garnier frères hardcover
185139475Garnier frères | Paris s. d. [circa 1880] | 16.50 x 25.50 cm | relié
186789531Paris: Garnier frères 1867. Fine. Garnier frères Paris 1867 17.5 x 27.7 cm Grd. in-8 2 vol. reliés Illustrated edition by Grandville engraved by Geoffroy comprising 29 hand-coloured plates hors-texte in the first volume and in the second 23 hand-coloured plates hors-texte along with 2 black botanical plates illustrating the physiology of plants ""Horticulture des dames"" and ""Culture des fleurs."" For this edition the plates were re-coloured by Maubert with fresher and more vivid tones considered superior to the first edition. Accompanied by 3 pages of sheet music for the romance Le myosotis. Contemporary half blue shagreen bindings. Spines with raised bands decorated with three gilt panels. Some scattered foxing title-page of volume 2 with spotting. A few leaves slightly protruding. Spines somewhat darkened. Signs of rubbing. Tip of one corner lacking. A good copy. Texts by Alphonse Karr Taxile Delord and Count Foelix. One of Grandvilles most celebrated suites renowned for the extravagance and delicacy of his flower-women and arguably the most curious of all botanical books. Garnier frères hardcover