29 262 résultats
1955405965New York: Jens Risom Design 1955. A very good copy with some light soiling to binding light wear at extremities one inner gathering split at gutter not affecting tightness of binding. 4to. 82 pages. Black-and-white photography by Richard Avedon Frank Pinocchio George Barrows and Hans Van Nes. Original brown and white boards. A classic piece of Bauhaus-inspired 1950s design: Scarce contemporary furniture catalogue from the firm of the Danish American designer Jens Risom including some of Richard Avedon's earliest commercial work. Jens Risom was one of the first designers to introduce Scandinavian design in the United States. He teamed with Hans Knoll to launch the Hans Knoll Furniture Company in 1942 and designed 15 of its 20 inaugural pieces. Drafted during the war Risom served under General George S. Patton after which he briefly returned to Knoll. Risom launched his own firm in 1946 and ran ads throughout the 1950s using the slogan "The Answer is Risom" and complimented by Avedon's images. The success of the campaign allowed Risom to enhance its production facilities in 1954 and this catalog was published at the beginning of this expansion. In the late 1950s Avedon grew tired of open air shooting and concentrated his practice in the studio. <br/><br/> Jens Risom Design hardcover books
18972111902160201434Kazuki Yoshida Dainippon Textile Association 1897. Soft Cover. Fine. Volume: 1 Kazuki Yoshida Dainippon Textile Association paperback
197410122New York: Doubleday & Company Inc 1974. Octavo 21.5 x 14.5 cm. 215 pages. FIRST EDITION. The first work in Trillin's classic "Tummy Trilogy" and the first volume of his food writing in book form. Very good in publisher's red over blue cloth; the unclipped dust jacket with a design by Seymour Chwast has some light soiling but is otherwise very good. Signed by the author on the half-title. Doubleday & Company, Inc hardcover
193945407Warsaw: Wydawnictwo Biblioteka Polska 1939. First edition. Hardcover. g to vg. Quarto. xvi 527pp. 3. Dark blue pebbled leather with gilt-stamped illustration on the front cover and spine. Red label with gilt lettering on the spine. Top edge gilt. <br /> <br /> Published shortly before the German invasion this work is a groundbreaking literary report on the state of the ongoing industrial and economic progress of the Second Polish Republic during the inter-war period. The book's author acclaimed Polish journalist Melchior Wańkowicz conducted research and interviews from across the economic and political spectrum from factory workers miners and and teachers to politicians including the president Ignacy Mościcki ministers and captains of industry. The book is profusely illustrated throughout with countless finely-printed full page and in-text b/w photogravure image and photomontage as well as few images in color including a two page spread after p.56. Also included are some charts maps and other illustrations.<br /> <br /> Text in Polish.<br /> <br /> Binding with some rubbing to extremities and some minor chipping along the side edge of the covers. Title page with previous owners ink stamp. Interior with a few minor sporadic pencil markings in the text and a few minor water stains throughout. Image unaffected binding tight. Binding in good interior in very good condition overall. Protected by modern mylar. Scarce. Melchior Wańkowicz 1892 – 1974 was a polish military officer popular writer and journalist. Wydawnictwo Biblioteka Polska hardcover
2004SONG3764368551Brand: Birkh 2004-04-02. 2004. hardcover. Used: Good. 9.75x2.00x9.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: Birkh hardcover
70777o. J. sehr gute Exemplare [9 Warenabbildungen]
1st edition. Original illustrated paper wrappers, 16mo (small) , 63 pages, 17 cm. Includes portrait of the author (tipped in as published) . A rare Yung Vilne publication. The cover makes use of an interesting period modernist font and design; the title page uses a different but striking constructivist layout and font as well. hil'e getseykhnt? , Roz'e Sutskever ; portret? , Bentye Mikt? Om. Rosa Sutzkever was one of the best-known artists of Vilna, and had trained at the Art Academy there (Bogen, 1991) and was part of Yung Vilna. Yung-Vilne (Young Vilna) , was a Yiddish literary group, introduced in the daily Vilner Tog in 1929 with the headline: Young Vilna Marches into Yiddish Literature. It aroused excitement through its miscellanies (Yung-Vilne, 193436) , its contributions to local and international Yiddish journals, and individual books of verse and fiction. Principal members included poets Chaim Grade , Shimshon Kahan, Peretz Miransky, Abraham Sutzkever , Elkhanan Wogler, and Leyzer Wolf , prose writers Shmerke Kaczerginski and Moyshe Levin, and artists Bentsie Mikhtom and Rokhl Sutzkever. Dozens more were associated with the group, whose members were united by generation, place, a shared humanistic orientation, and the encouragement of local intellectuals like Zalman Rejzen and Max Weinreich . A Yung-Vilne evening in the Vilna ghetto, the participation of several members in the partisan underground, and the accomplishments of Grade and Sutzkever as leading postwar Yiddish writers assure that Yung-Vilne will be remembered as one of the great incubators of Jewish creativity in interwar Poland (Lipzin & Cammy, 2007) . OCLC lists 11 copies worldwide (NYBC, HUC, McGill, TAU) . Title penned on spine, paper toning, touch of wear to corner, about Very Good Condition. Rare, important, and attractive (Yid-29-35)
AA.VV. (Mendini, Alessandro: Direzione/direttore responsabile --- Castelli, Valerio: Direzione ricerche design --- Carloni, Paolo - Ciardi, Nives - Donà, Claudia - Morozzi, Cristina - Puppa, Daniela - Rizzi, Patrizia: Hanno collaborato a questo numero) MODO mensile di informazione su design. Anno 1, numero 1, giugno 1977. s.L. (ma Milano) - Milano, R.D.E. Ricerche Design Editrice srl - I.G.I.S. (via Salomone 61) 1977 italian, in quarto pp. 78 I ed. del mensile Anno 1, numero 1, giugno 1977. IV/78/brossura. Illustrazioni in nero, b/n e colori (al primo piatto: Tiger Tateishi: «The Machine», 1972, part.). Stato buono (leggera usura della copertina ai margini - copertina leggermente brunita e polverosa - pagine leggermente brunite).
54917Moscow: IZOGIZ 1932. Octavo 27 × 19 cm. Original embossed cloth over boards; 185 2 pp. The original pictorial dust jacket rather worn and chipped; title toned and with pencil owner note; else very good. A celebratory overview of Western modernist architecture with detailed analysis of the works of architects such as Frank Lloyd Wright Walter Gropius Richard Neutra Laszlo Moholy-Nagy Le Corbusier Bruno Taut and Ernst May among others. The volume is illustrated with numerous photographs of architectural plans as well as finished constructions. The author architectural and art historian David Arkin 1899-1957 published this work at a critical moment when the official Soviet policy was starting to turn away from Western and early modernist examples. A professor at the Moscow Architectural Institute he was accused of "cosmopolitanism" for publishing this work though he managed to avoid deportation. The dust jacket and layout were designed by El Lissitzky. unknown
<p>15x15 cm, brochure editoriale, p. (36). Campagna pubblicitaria Pirelli del 1966. I testi di Arrigo Castellani hanno per tema il viaggio e sono stampati al recto delle pagine in contrasto chiaroscuro con le grafiche geometriche di Pino Tovaglia. Assai raro.</p>
195014633AB1950. Vienna ca. 1950. 31 : 23 cm. Many designs on 97 pages some with mounted textile samples. Desgins for woman clothes coats pants etc. on plate with children's cloth 8 plates in colour with mounted textile samples. A few marked with 'Dior falte' Dior pleat some 'Dior Rock' Dior scirt some marked model summer model Margit etc. one plate with applications in different colours. hardcover
In 8, cm 16 x 22, pp. (14) + (2) con 26 tavole fotografiche fuori testo e disegni riprodotti nel testo. Brossura editoriale incamiciata con qualche punto di brunitura. Rara editoriale originale di questa monografia edita e impaginata da Campo Grafico, prima monografia dedicata al pittore astrattista Soldati. Tre furono i libri editi da questa prestigiosa rivista caposaldo all'arte grafica modernista diretta da Dradi e Rossi. Gli altri due furono dedicati a Lucio Fontana e all'architetto Alberto Sartoris. Di grande interesse per la presenza dei testi di 2 tra i piu' importanti poeti italiani e per il graphic design della brossura che ben circostanziano la presentazione di uno dei primi esempi di pittura astratta in Italia
1963PRZS0315Amsterdam, Internationale Licht Rundschau 1950 - 1963. 4°. Pro Ausgabe ca. 40 Seiten, mit zahlreichen, teilweise farb. Abb., priv. HLnbde. m. goldener Rückentitelprägung, ausgeschied. Bibl.-Expl. mit den üblichen Kennzeichnungen, die originalen Heftumschläge sind mitgebunden.
54107Kyiv: Derzhavne Vydavnytstvo Ukrainy 1928. Octavo 23.8 × 16 cm. Original decorative wrappers on yellow stock printed in black and green; 169 2 pp. Wrappers somewhat worn and soiled; front wrapper creased; light nicks to overlapping wrapper edges; internally about very good. Scarce Ukrainian anthology of foreign short stories and tales in translation with works by authors including Henri Barbusse Jules Romains Paul Morand Pierre Mille Grazia Deledda Stefan Zweig Carl Sternheim Kasimir Edschmid Philip Gibbs Sherwood Anderson and Theodore Dreiser.<br /> <br /> The translators include H. Iar M. Deinar O. Hordon O. Kyrychyns'kyi M. Ivanov O. Burhardt V. Hladko and E. Kariakin M. Lysychenkov and M. Ivchenko. No compiler is credited. Little is known about the designer of the wrapper who appears to have been on the faculty of the Kyiv Art Institute KKhI in the 1920s where he would have worked alongside such noted artists as Kazimir Malevich Vladimir Tatlin Viktor Pal'mov and Mykhailo Boichuk. Initially founded as the Ukrainian Academy of Arts the Institute became known as the Ukrainian Bauhaus in Europe in the 1920s.<br /> <br /> As of December 2023 KVK OCLC only show two non-microform holdings at Harvard and Cleveland Public Library. unknown
Nicola Montanari-34 Incisioni-Volume N.4 Di 99-2002-Urbisaglia-Offagna-Caldarola COPIA DI GRAN PREGIO CON VEDUTE DI CUPRA MARITTIMA, S. GINESIO, TOLENTINO,OSIMO,FABRIANO. LEGATURA IN PELLE A CONCIA NATURALE, PAGINE INTERNE IN CARTA ARTIGIANALE, INCHIOSTRO CHARBONNEL SEPPIA, DORSO A QUATTRO NERVI. 11 INCISIONI E 23 CAPILETTERA INCISI.PP. 46 DI CUI UNA RIPIEGATA.
1996x-0471968579John Wiley & Sons Inc 1996. Hardcover. New. 1st edition. 516 pages. 10.00x7.00x1.50 inches. John Wiley & Sons Inc hardcover
615 pages. "In the preparation of the third edition of this standard textbook for the boot and shoe industry, all the necessary revision has been made to keep it fully up to date. In particular the chapter on Direct Moulded Construction has been considerably modified and includes a new section on Injection moulding. The general arrangement into nine parts has been retained: Shoe Design - its Basis and Development; Pattern Cutting; Clicking; Closing; Bottom Stock; Making; Finishing; Shoe Room; Slipper Manufacture. This new edition is a complete textbook describing for students all the methods in use in the manufacture of boots and shoes and is also an invaluable reference book for foremen, managers and directors in the industry who need to keep abreast of modern techniques." - from dust jacket. Above-average wear. Usual library markings. Back hinge open. A worthy reference copy of this excellent reference. Book
2006046073New York: Thames & Hudson 2006. 1st Edition 1st Printing. Soft cover. Fine/Fine. 227 Pp. White Cloth Spine White Covers Printed In Grey With French Flaps Matching White Dust Jacket And Endpapers Printed In Grey. First American Printing. Fine In Fine Dust Jacket. Signed By Nicolas Ghesquiere On The Title Page. Nicolas Ghesquière 1971- Is A French Fashion Designer Who Has Been The Creative Director Of The House Of Louis Vuitton Lvmh. After Working As An Assistant To Designer Jean-Paul Gaultier From 1990 To 1992 He Went On To Work At Pôles Designing Its Knitwear Line Followed By A Series Of Inauspicious Assignments With Different Companies Including The Italian House Of Callaghan. Ghesquière Eventually Landed A Job Doing The Licensing For Paris Fashion House Balenciaga And Designing For The Asian Market. In 1997 At The Young Age Of 25 Ghesquière Was The Surprise Choice To Head Balenciaga Promoted To Creative Director Of Balenciaga After His Dutch Predecessor Josephus Thimister Was Fired Following A Highly Unsuccessful Show. He Was Put In Charge Of The Brand's Entire Image From Clothing And Accessories To Store Design And Advertising. While Working As The Label's Creative Director Ghesquière Continued To Design Two Italian Collections - Trussardi Then Callaghan - Until 2001. Callaghan's Spring 2001 Ready-To-Wear Show Was The First Ever In New York For The Then 35-Year-Old Fashion House And Also Served As The Us Debut For Ghesquière. At Balenciaga Ghesquière Soon Became Known For His Sense Of Contrast Such As Pairing High-Waisted Skinny Pants With A Voluminous Blouson Or A Tightly Cut Wool Jumpsuit With Billowing Sleeves. His Work Soon Turned Balenciaga Into A Critically Acclaimed Fashion House. His Biggest Commercial Success Was The Lariat Bag With Braided Handles And Dangling Zipper Pulls. The Gucci Group Ppr Bought Balenciaga In 2001. Ghesquière Who Wanted To Stay And Expand Balenciaga Could Only Be Bought Through The House. "It Is A Happy Relationship" Ghesquière Said. "It Has Worked Because They Wanted Me To Explain What I Wanted To Do With Balenciaga Not The Other Way Around." Ghesquière's Collections Have Had A Considerable Commercial Impact Particularly Through His Influence On Other Designers Including His Former Staff Members Julien Dossena Camille Miceli And Natacha Ramsay-Levi. During His 15-Year Tenure At Balenciaga Ghesquière Is Widely Credited With Having Helped Turn The Fashion Label Into One Of The Fastest-Growing And Most Profitable Brands Of Parent Ppr. During That Time He Assembled One Of The Largest Production Teams In Paris With Upwards Of 30 People In The Design Studio And 50 In The Fabrication Ateliers. In November 2012 Ppr Announced His Departure From Balanciaga. On 4 November 2013 Ghesquière Officially Replaced Marc Jacobs At Louis Vuitton As Creative Director For The Women's Collections. On 5 March 2014 Ghesquière Had His First Show Under The Lv Brand. Since Joining Louis Vuiton Ghesquière Has Regularly Showcased His Designs With Shows In Architectural Landmarks Including The Louvre In Paris - It Was The First Time The Museum Had Allowed A Fashion House To Stage A Show There -; Monaco's Palace Square 2014; Bob Hope's House In Palm Springs 2016; The Niterói Contemporary Art Museum In Rio De Janeiro 2016; The Miho Museum Near Kyoto 2017. Fondation Maeght In Saint-Paul De Vence 2018 And The Twa Flight Center 2019. Ghesquière Designed A Series Of Character Skins For The Video Game League Of Legends In 2019. In October 2000 Ghesquière Was Named Avant-Garde Designer Of The Year At The Vh1/Vogue Fashion Awards And A Year Later He Was Named Womenswear Designer Of The Year By The Cfda. In 2006 He Was Among The Time 100 Most Influential People. Ghesquière Was Described As "Fashion's Most Sought-After And Influential Figure" By American Vogue And Was Also Cited As The International Designer Of The Year In 2014 By The British Fashion Awards. <br/> <br/> Thames & Hudson paperback
197024613New York: Holt Rinehart and Winston 1970. hardcover in dust jacket with cardstock envelope containing 29 prints all in an illustrated slipcase as issued. a yellow paper banner stating signed limited edition is likely incomplete and now laid-in. the front free endpaper is signed corita with a heart shape in black pen. the dj has some shallow edge-wear at top of front panel including one small chip. dj flap is price-clipped. slipcase has some rubbing with some minor puckering along the illustration glue-line. in all other regards complete and well preserved. no markings. no bumps. strong binding. the 29 prints are in fine condition. a major work of 1960s-era graphic design. Signed by Artist. First Edition. Hardcover. Near Fine Plus/Very Good. Illus. by Corita Kent . Square 4to. Holt, Rinehart and Winston Hardcover
58062London George Allen 1894 1895. . Eins von 650 handschriftlich num.en Exemplaren nach deren Druck die Platten zerstört wurden. Duncan Campbell Dallas schuf das Dallastype-Facsimile eine Art photographisches Gravurverfahren das Cranes Federzeichnungen täuschend echt wiedergibt. - Im Druckvermerk von Walter Crane 1845-1915 britischer Maler und Illustrator und Duncan Campbell Dallas eigenhändig SIGNIERT. Aus der Zusammenarbeit Campbells mit Walter Crane waren zuvor bereits mit der gleichen Technik reproduzierte Illustrationen Cranes zu Shakespeares "Sturm" und "Zwei Herren aus Verona" hervorgegangen. - Außen fleckig Vorsatzblätter braunfleckig; innen gut und sauber erhalten London, George Allen, 1894 [1895]. unknown
2016154177IDW / Marvel 2016. First Edition. Hard Cover. Fine/Pictorial Boards. Huge book: 15"" w x 22"" h an ode to Jack Kirby creator of Captain America The Fantastic Four The X-Men The Incredible Hulk Ant-Man Iron Man The Silver Surfer and many other Marvel characters. Full page plates throughout of the original b&w pages showing tones of the India ink white-out marks marginalia by the artist printers info written at the edges proposed copy tape marks etc. Unpaginated about 200 pages. As-new condition. All stories penciled by Jack Kirby scripted by Stan Lee. Contains: Journey into mystery #111 #117 #118 Thor #134 135 Thor Annual #2 Thor covers #132 133 134 138 140 with 10 ""splashes"" and 28 assorted pages from either Journey into mystery or Thor series. This is a very large object and will require special shipping to be arranged by seller at time of purchase. Lower spine end has small impact mark on front cover side. IDW / Marvel hardcover
1964KOS03400044The National Museum of modern art 1964. Soft Cover. Fine. KOS03400044 The National Museum of modern art paperback
53918KIMONO DESIGN - MANUSCRIPT. 10 1/2" x 14 1/2" oblong design book bound in single backed sheets on the short side with string not fukuro-toji. With a brushed title label sealed throughout but otherwise anonymous. As often happens with manuscripts the name of the shop which used it as a pattern book has been excised. There are 25 black and white design sketches for elaborate kimono. More of a Kano rather than a Rimpa style. The album probably dates from the first half of the 19th Century. A lovely item which suffers from very bad worming throughout. Though the damage is worse at the extremities of the work holes are shot through the paper and effect the design images as well. Sold with all faults. unknown
53918KIMONO DESIGN - MANUSCRIPT. 10 1/2" x 14 1/2" oblong design book bound in single backed sheets on the short side with string not fukuro-toji. With a brushed title label sealed throughout but otherwise anonymous. As often happens with manuscripts the name of the shop which used it as a pattern book has been excised. There are 25 black and white design sketches for elaborate kimono. More of a Kano rather than a Rimpa style. The album probably dates from the first half of the 19th Century. A lovely item which suffers from very bad worming throughout. Though the damage is worse at the extremities of the work holes are shot through the paper and effect the design images as well. Sold with all faults. unknown books
196619398.11966. Softcover. VG- Slight indention from a paper clip at ffep and title page; Soft bend at bottom right corners; Slight creasing at spine. Color wraps. 100 pp. Profuse bw plates. Accompanied a 1966 exhibition that featured works by Louise Bourgeois Alexander Calder Nicholas de Stael Richard Diebenkorn Jasper Johns Giorgio Morandi Andy Warhol and others; Cover is an original design by Diter Rot who has numbered and initialed this copy #301/1000; Scarce. paperback books
