Simpson, J.L.; Et alMareMagnum
29 268 résultats
166 pages. Features: Over 100 pages of sensational furniture manufacturer ads, most of which are wonderfully illustrated in black and white; A Sales Class That Sells; Profitable Use of Lamps; Building on Individuality; Millions for New Homes; Productive Outdoor Advertising; W.O. Broyles; Beating the Gyp (mail order sharks who exploit the consumer); and much more. Printed upon glossy stock. Above-average external wear and soiling. Front cover loose but present. This rare vintage trade publication offers a superlative snapshot of mid-1920s American furniture design and the retail furniture business. Book
Marini Editore, dicembre 1992. Brossura per il testo, tavole sparse, cofanetto con ordinarie tracce d'uso. Prima edizione. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First edition. Soft cover in good conditions, no inscriptions or markings inside. Worldwide delivery.
This is a very good copy in cream paper-covered boards with a glassine protective jacket with some edgewear. Very clean inside, with some foxing to the endpapers. Text in French. This is volume 2 of the famous 3 volume survey of 13th to 19th century accessories including: beauty utensils and instruments, glasses and lorgnettes, clocks, tableware, combs and hairpieces, etc. Profusely illustrated in black & white photos. Folio size, 13" high X 10" wide, 389 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine hardcover copy in a fine dust jacket with virtually no wear. Completely clean inside and out. This is one of Arwas' best works on modern design. With almost 500 illustrations, more than half in color. Arranged alphabetically like an encyclopedia, from Appert Freres and Argy-Rousseau to Friedrich Zitzmann. Pages of maker marks and facsimile signatures. Bibliography. Glossary. 12" high X 10" wide, 384 pages. A beautiful copy. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine hardcover copy in a fine hardshell case still in the publisher's shrinkwrap with no wear at all. Text in French and English. Illustrated in color and black & white. This is the catalogue raisonne for Jean Royere. 12" high X 10" wide, 312 & 303 pages. A beautiful as new unopened set. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. This monograph covers costume jewelry from Coco Chanel in the 1920's to Yves Saint Laurent in the 1970's to the skilled artisans of today. Stated first edition, first printing. Hundreds of color illustrations and vintage black & white photographs from back in the day. Bibliography. 11" high X 9" wide, 271 pages. Large very heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good hardcover copy in a very good dust jacket with almost no wear. Ghost of previous owner name on first white endpaper otherwise very clean inside and out. This is the first English edition after the original French edition of 1987. One of Raulet's scarcer works, this one survey's the finest jewelry of the 1940's and 1950's. While it focusses mainly on French work it also takes in Italian, and American jewelers. 546 illustrations, 235 in color. Biographical sketches of the designers. Select bibliography. Glossary. 13" high X 10" wide, 332 pages. An essential reference for this period. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1998146766Published by Ertug & Kocabiyik (Istanbul) 1998. 188 pages with 102 colour plates and marbeled endpapers. Original cloth boards with colour photo plate and gilt lettering in an illustratred slipcase. Very good condition. 42x34 cm
2025SKU1711553American Society of Civil Engineers 2025-01-31. paperback. Good. 11x8x1. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking American Society of Civil Engineers paperback
2025SKU1716270American Society of Civil Engineers 2025-01-31. paperback. New. 11x8x1. New Book Ships with Tracking American Society of Civil Engineers paperback
Lasse Brunnström, edIn Pristine condition. unknown
2003101607BBParis, Selbstverlag, 2003. 4°. [20] Bl. mit 17 meist doppelblattgr. Farbtafeln. OHln. mit mont. Orig.-Collage (Mischtechnik, Tusche und farb. Papier, von K. Lagerfeld ?, 20,5 x 14 cm.) in Deckelfenster.
1975ARTE0823Innsbruck, Galerie Taxispalais 1975. 18 x 10,5 cm. 140 nn. Seiten, durchgehend s/w illustriert, ill. OKart., Vortitelbl. mit dezentem Eignerstempel, ansonsten wie neu. Erste (und einzige) Ausgabe. Die Gruppe lieferte seinerzeit - mit Haus-Rucker-Co und Zündapp - den österreichischen Beitrag zur Szene der experimentellen Architektur. Die Fotos stammen von Gert WINKLER, Peter BAUM, Peter LEHNER u.a.
1988BN205949Bandai Publishing 1988. 1988. Jim Henson's The Storyteller / zimuhensonnosuto-ri-tera- <br/><br/>Jim Henson's The Storyteller / zimuhensonnosuto-ri-tera- Jim Henson Mitw.; Souichirou Harada Editorial Director; Masaru Fujiwara Art Director Design; Yukio Nakamura; Masami Ishikawa Associates Editor Bandai Publishing unknown
1967011620NY: Holt Rinehart Winston 1967. 1st Edition. Hardcover. Very Good/Very Good. The New York art scene perfectly captured in b&w pictures featuring artists Lee Bontecou John Chamberlain Jim Dine Marcel Duchamp Jasper Johns Roy Lichtenstein Kenneth Noland Barnett Newman Claes Oldenburg Larry Poons Robert Rauschenberg Jim Rosenquist George Segal Frank Stella Andy Warhol and Tom Wesselman. Spine a wee cocked dustjacket worn at flap folds minor loss corners and head of spine still quite presentable. Holt Rinehart Winston hardcover books
Folio in yellow and white stiff paper wraps illus in black; 303 pages : illustrations (chiefly color) ; 27 cm. A very well realized work, with many color reproductions of artist-designed cloth. Suprisingly scarce. || Contents: Introduction -- The 1940s -- The 1950s -- The 1960s -- Biographies -- Bibliography -- Index. || "The development of textiles as an art form between 1940 and 1976, and the extent of collaboration between artists and textile manufacturers at this time, is unrivalled in modern art history. Raoul Dufy was the first twentieth-century artist to become seriously and successfully involved in producing textile designs. His work influenced and encouraged many other artists and textile companies in Britain, on the Continent and in America. After the war this movement really flowered with the involvement of leading artists of the day: Picasso, Matisse, Moore, Nicholson, Warhol, Steinberg, to name a few. This book is an important and comprehensive survey of this art form in Britain and America. There are approximately 200 color images, many of which have never been seen before, alongside specially commissioned photography. Major artists featured: Pablo Picasso, Salvador Dali, Henri Matisse, Henry Moore, Saul Steinberg, Eduardo Paolozzi, Fernand Leger, Ben Nicholson, Andy Warhol."--Publisher's description. || Textile design -- History -- 20th century. Textile fabrics -- History -- 20th century. Textile designers.
200030379Editions Taschen / Samsonite 2000. Enorme in-8 cartonnage éditeur souple, non paginé, d'environ 500 pages au format 26,5 x 4,5 x 20 cm. Couvertures avec photographies dePhilippe Starck. Dos rond. Plats et intérieur frais. Début du livre consacré aux créations de l'artiste pour la marque " Samsonite ". Le reste de l'ouvrage rassemble une foultitude de photographies des œuvres du designer. Textes de Philippe Starck en anglais, français et allemand. Rare édition originale en superbe état général. Précieux exemplaire enrichi d'une dédicace et d'un petit dessin original de Philippe Starck.
88Tokyo (Japon), K. Ogawa, F.R.P.S., Meiji 29 en caractères japonais, à l'achevé d'imprimer situé au contreplat inférieur [1896], 1 vol. 25,7 x 19,3 cm composé de 7 f. : 1 p. de page de titre, 1 p. de préface, 12 p. de photographies noir & blanc légendées et réhaussées à la main de couleurs. Edition originale de ce recueil d'images pittoresques et soignées donnant à voir le meilleur de la culture traditionnelle japonaise. Sous ce même titre, sont parus plusieurs ouvrages dont les images diffèrent. Ici : Hanami (flower pic-nic) ; Wrestling match ; Cloth dealer's shop ; Summer evening on the shijo river ; A miniature garden of the tea house ; Entertaining a guest ; marriage ceremony ; Orchestra ; The ainus at dinners ; A Matsuri (temple festival) ; The geishas holding a letter ; Mamma. S. Takashima : professor in the higher commercial college. K. Ogawa : imprimeur et éditeur.
19892080202102501175Izena Village 1989. Soft Cover. Fine. The book is in fine condition. Izena Village paperback
191713063ABBerlin., H. Sachs., 1917. 29 : 23cm. 276 (off 296) pages with many, partly coloured , partly mounted plates and illustrations, 6 (off?) coloured plates. Contemporary half cloth. Heft 1- 6.
8834EBo.J. 4°. 30 x 20 cm, 11 cm hoch. Einzeln montierte textile Bordüren und Bänder auf insgesamt 80 Bögen, geheftet in schwarzer Leinenmappe mit blindgeprägtem Buchschmuck. [5 Warenabbildungen]
23283Allermeist Deutschland, 70er und 80er Jahre. 78 weiße Kartonbögen im Format 21 x 29, 5cm, bis auf wenige Ausnahmen beidseitig mit hunderten von Etiketten beklebt.
26 fascicoli suddivisi per annate in 5 cartelle, in 4 cm 22 x 30,5, pp. 8/12 ciascun fascicolo con illustrazioni nel testo e occasionalmente inserti pubblicitari. Raccolta quasi completa del 4o, 5o, 6o, 7o anno di questo bollettino. Mancano i numeri: 9/10 1951; 4/5, 10 1952; 2, 4/5/6 1953. Si aggiungono i numeri: 1, 2 1948; 1/2 1954. Insieme poco comune del notiziario di questa storica associazione che, a partire dal dopoguerra influenzo' il mondo delle arti grafiche dal punto di vista organizzativo, stilistico, didattico. L'associazione fu promotrice di importanti mostre, cicli di conferenze e fondatrice dell'istituto tecnico industriale di arti grafiche G. B. Bodoni. Tra i collaboratori del bollettino troviamo Aldo Novarese, Vincenzo Tiralongo, Luigi Chiappino, L. Corona, Alessandro Butti, Enrico Bona ecc.
Custodia in cartoncino contenente 8 pieghevoli pubblicitari di 6/8 facciate ciascuno (ciascuna facciata misura cm 22 x 22 circa) + manifesto ripiegato (aperto misura cm 66,5 x 66,5 circa) + altro manifesto ripiegato (aperto misura cm 42,5 x 56) con grafica stilizzata e segnalazione dei 3 nuovi oggetti presentati all'Eurodomus 3: la poltrona Melaina di Rodolfo Bonetto, Canopo l'oggetto-bar di Antonia Astori, la sedia Alessia di Giotto Stoppino. I pieghevoli presentano lo sgabello Glauco, la poltrona Maia, le poltroncine Cherea ed Elea di Franco Fraschini; il tavolo Cidonio di Antonia Astori; 5 pieghevoli dal titolo 'Elementi semplici di arredamento dinamico' che presentano soluzioni di arredo varie, 1 listino prezzi.
cm 9 x 24,5 circa, pp. (40) con riproduzioni fotografiche in bianco/nero. Lievi segni di abrasione della carta in qualche punto di una pagina. Brossura editoriale con piccole bruniture al margine superiore del piatto posteriore. Rarissimo catalogo della ditta Figli Amedeo Cassina con ampia documentazione fotografica (sono presenti i numeri di catalogo) con sedie, poltroncine, tavoli e divani con nomi dei designer e descrizioni tecniche. Alla prima pagina si specifica: "Questo catalogo panoramico della collezione Cassina riassume un parte della normale produzione di sedie, poltrone, divani e tavoli, fabbricati in serie e presentati nell'ordine...". Compaiono modelli di: Gianfranco Frattini, Melchiorre Bega, Carlo De Carli, Pier Giacomo Castiglioni, Gio Ponti, Ico Parisi, Ufficio tecnico Cassina, Longoni, Eleonore Peduzzi, Nino Zoncada, WK + Ko, Renato Costa, Mario Gottardi. In appendice un elenco di navi, alberghi e bar arredati con elementi della Ditta. Cassina nasce nel 1927 a Meda. Nel dopoguerra i figli di Amedeo Cassina, Cesare e Umberto, avviano una serie di modifiche che incrementano la rilevanza dell'azienda. "Il 'salto' e' consentito dalla importante domanda dell'industria navale: e' cosi' che Cassina comincia l'espansione ed entra nel mondo degli imbottiti grazie a Gio Ponti e Nino Zoncada che realizzano gli interni della nave Andrea Doria. Il successo di quegli anni consente a Cassina di reinvestire in piu' aree per accelerare ulteriormente la crescita: l'industrializzazione e la modernizzazione dei processi produttivi; l'applicazione della tecnica di schiumatura del poliuretano al mondo dell'arredo, innovazione importantissima che ha rivoluzionato il mondo degli imbottiti; la scelta di lavorare con figure creative esterne, come Ico Parisi, Franco Albini e De Carli, che esprimevano lo stile milanese, e la focalizzazione sull'innovazione dello stile degli arredi - gia' in atto a partire dal 1890 con il pre-modernismo e il modernismo - per portare un nuovo modo di vivere nelle case..." (Giorgino, Mazzu', "BrandTelling", 2018, p. 246). Catalogo non datato ma ascrivibile agli inizi degli anni Sessanta.
