[DESIGN]Biblio.com
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1002995France nineteenth century. Large fragment of an original embroidery design likely for a shawl or tablecloth executed in red watercolor. The stylized parrot snail and lizard are meticulously plotted out by hand stitch by stitch against a background of oak leaves and acorns. This design is plotted on "papier quadrillé" manufactured by the Paris publisher Chavant & Dessaigne. Fleury Chavant was an industrial designer who issued a number of influential pattern books in the 1830s and 1840s. In addition to finished patterns his company offered a range of these printed grid papers with gauges corresponding to every kind of needlework enabling those at home to produce their own designs. A striking survival. Original watercolor executed on two sheets of printed "papier quadrillé" joined together entire piece measuring 15 x 32 inches. Publisher information printed at base of sheets: "8 en 10: à Paris chez CHAVANT & DESSAIGNE Rue Cléry No 19 / No. 23." Several pale pink areas where paint spread; trace of glue along seam; later pencil notes to verso. unknown
86884DESIGN. SAIKOKYU MIRAAKOOTO-KAMI TOPPAN-ZURI OODAMATCHI MIHONCHO NP ND Japan 1960s. 16.3 X 24.5 cm. Leatheroid covers 23 pages of 5.5 x 8 cm designs for matchbox covers done in a "mirrorcoat" process of relief printing. One sample clipped for color matching. The back covers is loosening. Overall a good copy of this very scarce and ephemeral catalogue. unknown
1002576France: no publisher no date early twentieth century. Striking hand-colored sheet of six "images d'Épinal." Inexpensive broadsides like these were hugely popular in France in the nineteenth century: naïve woodcuts brightly colored featuring images of Catholic saints Napoleonic battles and storybook characters. By the turn of the twentieth century lithography had emerged as the primary printing process and the range of subjects had greatly expanded but there was still a market for images printed in the old style a graphic tradition that influenced modernists from Henri Rousseau to Alfred Jarry. This group of six separate images printed from blocks on a sheet of Ingres d'Arches paper may be a publisher's proof. The domestic and religious subjects include a young woman reaching for a flower the devotional image of Christ in the winepress and an angel watching over the city gates. A fine example. Single sheet of six woodblock prints printed recto only and colored en pochoir measuring 14.75 x 19 inches. no publisher unknown
1002574France: no publisher no date early twentieth century. Striking hand-colored sheet of six "images d'Épinal." Inexpensive broadsides like these were hugely popular in France in the nineteenth century: naïve woodcuts brightly colored featuring images of Catholic saints Napoleonic battles and storybook characters. By the turn of the twentieth century lithography had emerged as the primary printing process and the range of subjects had greatly expanded but there was still a market for images printed in the old style a graphic tradition that influenced modernists from Henri Rousseau to Alfred Jarry. This group of six separate images printed from blocks on a sheet of Ingres d'Arches paper may be a publisher's proof. The military and religious subjects include uniformed soldiers on horseback the Madonna and child and Saint Hubert's encounter with Christ in the form of a stag. A bright fine example. Single sheet of six woodblock prints printed recto only and colored en pochoir measuring 14.75 x 19 inches. no publisher unknown
1965122002N.p.: N.p. 1965. A dazzling collection of ten original pressbooks designed by Saul Bass documenting the majority of the famed title and ad designer's work with director Otto Preminger in the 1950s 60s and 70s. <br /> <br /> Several of the pressbooks defy the conventions of pressbook design with custom shapes to represent items in keeping with the films for which they were made: "Advise and Consent" resembles a briefcase "In Harm's Way" is designed as a dossier with a string tie "The Cardinal" as a parcel and "Bunny Lake is Missing" as a newspaper. Other key titles in the collection include "Anatomy of a Murder" "Bonjour Tristesse" "Exodus" and "The Man with the Golden Arm."<br /> <br /> For most of the pressbooks in this collection we have never seen another example. A fascinating example of the advertising work done by the premiere title and ad designer of the twentieth century. <br /> <br /> Various sizes ranging from Very Good to Near Fine condition. <br /> <br /> Complete details available on request. N.p. unknown
1920140553Munich: Dreilander Verlag 1920. Collection of 38 issues of the landmark Weimar-era periodical highlighting fantasy horror and early science fiction stories. Text in German. <br /> <br /> One of the world's first fantasy periodicals alongside the Swedish "Hugin" "Der Orchideengarten" featured a mix of new German stories alongside translations of foreign literature largely French including works by Victor Hugo Guy de Maupassant Voltaire Charles Dickens Edgar Allan Poe Joseph Capek H.G. Wells and many others. The magazine also made forays into the proto-science fiction genre as seen in Vol. 2 No. 4 entitled "Phantastik der Technik." <br /> <br /> A true product of the Weimar era's cultural blossoming the magazine also features stunning illustrations both with its two- and three-color cover art and its woodcut reproductions throughout: sinister yet elegant visions of anthropomorphic flowers religious idols Grim Reapers and gory deaths. "Der Orchideengarten" featured the work of Gustave Dore Otto Linnekogel Karl Ritter Alfred Kubim Carl Rabus Otto Nuckel and many more. <br /> <br /> This archive contains the following largely sequential issues: Vol.1 Nos.1-18 16 and 17 published as a combined issue; Vol.2 Nos.1-6 8 10-16 18-24. <br /> <br /> 9 x 12 inches saddle stapled. Very Good to Near Fine condition. In a custom quarter leather clamshell box. Dreilander Verlag unknown
1958155556Vienna: Verein für Soziale Wohnkultur 1958. Two vintage furniture and home decor booklets produced by Austrian furniture maker Soziale Wohnkultur for subsidized housing in Vienna circa 1958. One booklet illustrated throughout with black-and-white and color photographs the other illustrated with black-and-white photographs only. Text in German. <br /> <br /> In 1952 in the midst of rebuilding the city after WWII the government of Vienna formed a furniture initiative called Soziale Wohnkultur or "Social Living Culture" a project spearheaded by architect Franz Schuster. The project introduced a line of furniture for low-income municipal housing residents that was designed to be attractive and high quality but also inexpensive and practical for small apartments. A number of prominent Austrian designers were commissioned to work on the project and the resulting designs ranged from kitchen bedroom and living furniture to wall shelving and lamps all emblazoned with the "SW" logo. The furniture and fittings produced by the SW are considered to have had a significant influence on mid-century Austrian design and extant furniture from the period is still highly in demand today. <br /> <br /> Booklets 5.75 x 7 inches. One booklet with perfect binding the other saddle stapled. Both booklets with brief curling else about Near Fine. Verein für Soziale Wohnkultur unknown
2005165869Boston Rutland VT Tokyo: Tuttle Publishing 2005. First Edition. Hardcover. First Edition. As New.<br /> <br /> Fine and unread in a Fine dust jacket.<br /> <br /> Oversize volume shipping billed at cost. Tuttle Publishing unknown
1937892151937. DESIGN Azuma Dojin. Koutashirabe AZUMA KOROMO. Unsodo Kyoto & Tokyo Showa 12 1937. A large folding album 34.0 x 24.8 cm 10 pages 15 designs of superbly printed color woodblock images by the "Companions from the East" The margins and facing pages have browning and foxing. This the "spring" volume appears to be one of two volumes published. The covers are detached. Sold with all faults. unknown
1998166005Paris: Norma Editions 1998. First Edition. Hardcover. First Edition. As New in dust jacket.<br /> <br /> Oversize volume shipping billed at cost. Norma Editions unknown
1902891971902. DESIGN Fujii Rindo. SHOKUMON ZUKAN 1-4. Kyoto Yamada Unsodo Meiji 35 1902. Four volumes complete each volume with printed title string-bound Japanese-style fukuro-toji. 24.2 x 16.4 cm. Illustrated throughout with lightly colored woodblock prints of traditional design motifs. The covers are worn some pages split but present. unknown
1933900971933. DESIGN FUJII Tatsukichi 藤井é”å‰ designer. SÔSAKU SENSHOKU ZUANSHÛ　創作染色図案集. A Collection of Designs for Dyework Tokyo & Osaka: Bungado Showa 8 1933. Large portfolio 41 x 31 cm. decorative cloth covered clasped chitsu case with a printed decorative label all enclosed in the publisher's folding cardboard outer box. A 4 page fascicle of preliminaries and a table of contents. With the chitsu design the cover design 3 preliminary page designs and 61 designs on the 50 content fascicles. The designs are primarily in color woodcut printed on both paper and occasionally cloth. A beautiful production here in almost perfect condition. Fujii Tatsukichi 1881-1964 was one of the most important reformers of the traditional arts in Japan. His creativity touched nearly every area: lacquer pottery papermaking dyeing - his influence was enormous. This scarce and lovely portfolio of his original designs helps to illustrate why he was so important. This deluxe production cost 25 yen in 1933 - a princely sum during the depths of the Depression in Japan. Complete. unknown
1903874891903. DESIGN Goto Ryuko. HANA NO NISHIKI #3. Kyoto: Unkindo Meiji 36 1903. A single woodblock-printed sheet approx. 36 X 50 cm. folded into printed covers 25.2 x 17.8 cm. Unkindo a short-lived but brilliant publisher later merged into the Unsodo concern. A bit browned and edgeworn it is number 3 from an unknown number of such single-sheet designs. Very unusual unknown in the literature. unknown
1894886851894. DESIGN HARUNA Shigeharu editor. Kogei Oyo ZUAN ZASSHI 7 issues. No.'s 20-26 Tokyo Meiji 26-27 1893-4. 24.5 x 16.6 cm. Stab-bound wrapper's in woodblock printed paper covers. Haruna Shigeharu 1847-1913 was a pottery painter born into the upper classes in Ishikawa prefecture here using his artistic and design skills to organize and edit this "PRACTICAL ARTS DESIGN MAGAZINE" full of black and white design ideas and articles on such topics as the Columbian Exposition etc. Very unusual periodical here in very good condition inside and out. A short but continuous run. unknown
1938894341938. DESIGN HAPPODO publisher/printer. KOKUGA OGI. Kyoto Happodo N.D. other sources indicate a date of 1938 Very large oblong brocade porfolio 36.5 x 59.0 cm. Contains an undated Happodo colophon and 50 design prints 49 in color and one as a textual calligraphic introduction to the work A source indicates the designs were done by Yamaoka Chinpei. The prints are extraordinarily lavish with sprinkled metal flakes overprinting metallic inks etc. A wonderfultribute to the Neo-Rimpa and Deco sensibilities of the age. The case has been restored the prints are quite clean. unknown
1910891951910. DESIGN Ogino Issui designer. ZUAN HYAKUDAI. 3 Vols. Kyoto Unsodo Meiji 43 1910 An orihon in 3 volumes 27 X 19 cm with woodblock printed covers all in a later fitted clasped cloth chitsu case. Unsodo outdid itself in this early design effort. Dozens of double page horizontal designs which become large prints the paper size being 37.5 x 27 cm as well as circular and fan-shaped and single page designs too. Most in the neo-Rimpa style which Unsodo artists pioneered at the beginning of the last century - bold and lovely. A bit of browning and fading the covers show some wear but overall very good condition a very nice impression of this important set. Complete. One of the very best of the Unsodo design books which is very good indeed. unknown
1904832901904. DESIGN ISOZAKI Kosaburo. KINKAN'EN SHINISHO YOHON NEW SAMPLES OF COLORED MATTING - "KIN KAN EN." Okayama Meiji 37 1904. Cord bound Japanese style title printed on front cover. 34.2 X 22.6 CM. 34 full-page color woodcuts of flat-weave matting designs. The matting is still made today in Okayama from the igusa plant. Very simple and delicate designs. A sample book for the Isozaki line. unknown
1901891941901. DESIGN KOSUGI Sugimura & YOKOI Tokifuyu designers. DAI NIHON BIJUTSU ZUFU 4 vols. Tokyo Yoshikawa Hanshichi Meiji 34 1901. 4 plate volumes orihon folding albums illustrated with 154 pages of color woodcut. 25.1 x 18.5 cm Complete as such BUT not including the 4 text volumes. A lovely compendium of traditional design. Very good colors impression and condition. Volume 4 is split at one fold; its rear cover is detached and its front cover attached with a tissue repair. unknown
1909912721909. DESIGN Kamisaka SEKKA artist. MOMOYOGUSA. Kyoto: Unsodo Meiji 42 1909. Volume one of three. 30.1 X 22.5 cm. Most consider it the finest Japanese design book of all time this exquisite suite of double-page color-printed woodblocks is printed and overprinted using opaque and metallic inks to produce a sumptuous surface. This is an early impression. The condition is internally quite good with almost none of the gutter fading and metallic ink transfer common to this work. One of the better printings we have seen. Complete as issued with all 20 prints from volume one included. Has the original printed title label The mica patterning from the front cover is gone. unknown
1909908701909. DESIGN Kamisaka SEKKA artist. MOMOYOGUSA. Kyoto: Unsodo Meiji 42-43 1909-10. 3 volumes. 30.1 X 22.5 cm. Most consider it the finest Japanese design book of all time this exquisite suite of 60 double-page color-printed woodblocks is printed and overprinted using opaque and metallic inks to produce a sumptuous surface. This is an early impression with woodgrain showing in a few prints. The condition is internally superb with almost none of the gutter fading and metallic ink transfer common to this work. One of the finest printings we have seen. Volume one has been meticulously restored. Some paper fill-in and other work has been so successfully accomplished as to be unnoticeable. Some paper overlay is chipped away on the front covers of volumes one and three though they retain the original printed titles and the paper overlay on the back of one volume is restores/replaced. A complete copy of this cornerstone of any Japanese design collection. unknown
1906879181906. DESIGN Kamisaka SEKKA. NIHON JOSO 7 vols. Kyoto Unsodo Meiji 39 1906. 26.3 x 18.7 cm. String-bound Japanese style fukuro-toji printed paper title labels. An interesting visual history of women's fashion in traditional Japan. The bw woodblock prints were supervised by the master himself Kamisaka Sekka. A good impression some cover soiling in very good condition overall. Complete. unknown
1936892161936. DESIGN Kano Shuho artist. Ukiyoe Monyo KOSODE HYAKUSEN. Kyoto Happodo Showa 11 1936. 36.7 x 27.2 cm. Though this copy has no colophon or textual material it consists of 48 of the 50 woodblock printed sheets each with two designs so 96 of 100 designs. Each design is identified by the original ukiyo-e artist's name. The printings are fine the condition good overall. With the original title page all in a clasped chitsu case. Sold with all faults. unknown
1934912441934. DESIGN Kamisaka SEKKA. UTA-E Kyoto & Tokyo: Unsodo Showa 9 1934. 1 volume 31 x 22 cm cloth ribbon bound covers paper label. 25 color full page images after designs by Sekka. As Sekka's last work it crowns his remarkable career with a lovely evocation of Koetsu's Saga-bon. For more on this important work see Hillier's description on p.976 of the second volume of his ART OF THE JAPANESE BOOK. The condition is a bit better than average with relatively little of the offsetting from the prints to the poems that is usual in this book. Slight foxing and slight edgewear. The printing is very good the colors lovely. It is a good copy overall but the back cover has an ownership note in Japanese upon it. Without the original publishers clasped case but otherwise complete. Priced accordingly. One volume:. unknown
1932894051932. DESIGN Iida Shiko. HOEN-CHO. Kyoto: Maria Gabo Showa 7 1932 Oblong orihon folding album in the original publisher's chitsu clasped case. 28.3 x 39.0 cm. There are 23 ornately printed circular designs with metallic inks etc. Maria Gabo was not prolific but what they printed was always done with first rate craftsmanship. unknown
1902845761902. DESIGN Matsuoka Tokikata; Honma Hyakuri. Kojitsu Sosho SHOKUMON ZUE. 7 vols. originally privately published by Hyakuri apparently from 1815-25 as a completion of work begun by Tokikata in the late 18th very early 19th century. This is the reprint of this classic work done as part of the "Kojitsu Sosho" Classic Library series published by Yoshikawa Hanshichi et al in Meiji 34 35 19012 Very slightly smaller than the original volumes each about 18.2 x 24.9 cm string-bound Japanese-style fukuro toji with printed paper title labels - all bindings match. Hundreds of beautiful color textile designs reproduced in color woodcut. Nobleman Ladies Ceremonial dress Brocades Imperial costumes all are covered. Retains most of the appeal of the original edition. Slight external wear lovely inside. unknown
