4 641 résultats
Dybdahl, Lars edIn Pristine Condition. unknown
Mundt, Barbara, Ines HettIn Pristine Condition. unknown
2090502113716874Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1387259865.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19562090202120410322Kagaku Kyozaisha 1956. Soft Cover. Fine. Number of books: 1 Kagaku Kyozaisha paperback
18512111902160201412Kawauchiya Shinjiro 1851. Soft Cover. Fine. Number of books: 5 Kawauchiya Shinjiro paperback
33806491-nnew. unknown
32712452like new. unknown
20002090202118107791Mountain and Keikokusha Mountain and Keikokusha 2000. Soft Cover. Fine. The book is in fine condition. Mountain and Keikokusha (Mountain and Keikokusha) paperback
18369453like new. unknown
1930218784Japan: 天明堂. Tenmeidō. Circa 1930. Collection of ten brightly coloured tall oblong colour advertisement printed cards probably for displaying in a shop or shop windows 38.5 x 10.5cm accompanied by thirty-one colour printed labels 9.3 x 16cm. All in very good unused condition. A lovely example of commercial design from the pre-WWII period. These colourful shop signs and labels advertise a nerve pain relief liniment called Itamitōru. The Japanese name literally means “Taking pains out” combining the Chinese character for itami pain with the katakana spelling of tōru to take out conveying both the product’s purpose and suggesting an impression of a Western-imported remedy. <br>The label features an eye-catching graphic design including illustrations of an arm and a leg. It is printed in both Japanese and English and claims that the liniment contains chemicals produced by Swiss Basel & Co. Ltd. The product was promoted as a remedy for a wide range of ailments including rheumatism nerve pain stiff shoulders headaches toothache and insect bites. . 天明堂. [Tenmeidō]. unknown
19586632Chicago: American-Marietta Company 1958. First edition. 11x7" 16pp. Printed in several pastel colors with illustrations two pages of mounted samples and 4 brad-bound sample palettes each roughly 20 pages 4x2" and with technical info on versos laid in mounted pockets as issued. Spiral bound in printed card wrappers with samples mounted to front cover under glassine protector. Some waviness to pages hints of smudging and wear. Near fine. <br /> <br /> A beautiful piece of mid-century advertising from the American-Marietta Corporation of Chicago. The book is written as a manual for architects showing how the company's paints complete with technical information are best used in different lighting environments. American-Marietta was active from 1940-1961. <br /> <br /> OCLC cites 7 holdings for this booklet. American-Marietta Company unknown
192988435New York: Harper & Brothers Publishers 1929. First Edition. First Printing. Octavo 19.5cm; navy blue and red paper-covered boards and black cloth backstrip with titles stamped in gilt on spine; decorative endpapers; orange topstain; dustjacket; viii23-3262pp. Spine ends gently nudged topstain slightly dulled else a fresh very Near Fine copy. In the original dustjacket designed by Aaron Douglas; unclipped priced $2.50 gently spine-sunned and lightly edgeworn with a few tiny tears a tiny split at rear flap fold and some mild dust-soil; still a bright Near Fine copy. <br /> <br /> McKay's second novel an accurate social perspective of Black life in southern France drawn directly from McKay's experience living in Marseilles. "Lincoln Agrippa known to his drifter cohorts on the 1920s Marseilles waterfront as "Banjo" passes his days panhandeling and dreaming of starting his own little band. At night Banjo Malty Ginger Dengel Bugsy Taloufa Goosey and even Jake of Home to Harlem prowl the rough waterfront bistros drinking looking for women playing music fighting loving and talking - about their homes in Senegal the West Indies or the American South; about Garvey's Back-to-Africa Movement; about being Black. When Ray a writer joins the group it triggers his rediscovery of his African roots and his feeling that at last he belongs to a race "weighted tested and poised in the universal scheme" from the HarperCollins reissue. PERRY 377; GLOSTER p.165-166. 88435. Harper & Brothers Publishers unknown
197062907Detroit: People Against Racism 1970. First Edition. Original illustrated poster with text and photographic portrait of Hampton offset printed in black and dark green on white stock measuring 44.5cm x 57cm 17.5" x 22.5". Light wear and a few thin strips of toning to extremities two old folds smoothed out with a few tiny edge tears and some toning to upper half on verso; unbacked; Very Good.<br /> <br /> Attractive copy of this poster issued in the months following the death of Fred Hampton Chairman of the Black Panther Party's Illinois chapter and Deputy Chairman of the national BPP. Given his position and his involvement with both the NAACP and SNCC Hampton's profile was rising rapidly at the national level; he was assassinated on December 4 1969 while sleeping in his apartment during a raid by a tactical unit of the Cook County IL State Attorney's Office in conjunction with the Chicago Police Department and the FBI. This poster issued by the Detroit-based People Against Racism includes a petition along the right edge calling for the creation of an investigating commission to determine responsibility for the murders with spaces for names and signatures and a plea for funds. OCLC notes 4 holdings Yale Northwestern U.Kansas Wisconsin Historical and we find 2 others at OMCA and the Hoover Institution. People Against Racism unknown
88176n.p. n.d. Spiral-bound softcover. Oblong Octavo 20cm x 28cm; pictorial card wrappers; 238pp; black-and-white photographic halftone illustrations throughout. Light shelf-wear and -soil with light peeling to corners; Very Good. <br /> <br /> Directory developed with American Craftsman Council the volunteer assistance of craftsmen and Frankel the previous Trustee for American Crafts Council 1957-1978. Sections include metal clay textile wood and architecture with photographs of the work created by craftsmen of Arizona California Hawaii Nevada New Mexico and Utah. 88176. unknown
1964154557N.p.: N.p. 1964. Vintage oversize design illustration for an embroidered uniform patch worn by Burger Chef employees circa 1964. Sample patch affixed to the top left corner. <br /> <br /> The first Burger Chef restaurant was opened by Frank and Donald Thomas in Indianapolis in 1957. The chain quickly spread across the United States with 335 locations across the country in 1964. The restaurant gained popularity in the early 1970s for the Funburger and the Funmeal which included packaging decorated with stories about the company mascot Burger Chef his sidekick Jeff and their illustrated friends-predating the McDonald's Happy Meal by a number of years. <br /> <br /> Patch measuring 4 x 5 inches affixed to poster measuring 27.5 x 31 inches. About Near Fine with light age-toning and pinholes to the corners. <br /> <br /> Tennyson pp. 68-69 80. N.p. unknown
1969D21056New York: Arno 1969. Reprint Edition. Near Fine/Near Fine. Nice copy of this reissue from 1969 after the original museum of modern art edition in 1934. Illustrated with black and white photos throughout. <br/><br/> Arno unknown
200726339New Haven:: Yale University Press 2007. First Paperback Printing. A Fine copy of this paperback edition in a Fine dye-cut jacket. In artworks that combined minimalist conceptual and performative practices Matta-Clark gave primary importance to the individual and considerations of everyday life. This comprehensive book incorporates important new information from the Matta-Clark archive presenting a compelling reappraisal of the unique beauty and radical nature of Matta-Clark’s punnings plans performances and interventions evident in the many media in which he worked: sculptural objects most notably from building cuts drawings films photographs and documentary material. he son of Chilean Surrealist painter Roberto Matta and godson of Marcel Duchamp Matta-Clark trained as an architect. He is renowned for his poignant use of urban landscapes creating many site-specific works often outside of a museum or gallery context in New York and abroad. In this handsome book distinguished scholars of contemporary art provide new insights into Matta-Clark’s work: the reception of his art during his lifetime; the impact of his socially engaged lifestyle; the production of his films; his photography in particular his collages that have not been thoroughly explored; the creation and conservation of his building cut Splitting; and much more. Yale University Press, paperback
158941Detroit MI: General Motors 1980. Substantial archive of over 750 General Motors GM design assembly and advertising photographs 23 contact sheets of vehicles and parts photographs and 100 print advertising proofs and mockups from the Chevrolet Motor Division of General Motors dating from 1973 through 1980. Nearly all the materials in the archive are overlaid with Campbell Ewald Advertising Agency watermarks or bear GM Photographic stamps on the bottom margins or versos. Materials also frequently note catalog numbers and dates in manuscript pencil and ink.<br /> <br /> Detailed inventory and additional images available upon request. Please contact us directly.<br /> <br /> A vast and insightful archive of distinctly 1970s GM automotive design and marketing. The photographic prints in the archive include approximately 550 photographs and design renderings of vehicles parts and accessories as well as emblems and logos with material relating to the Bel Air Camaro Caprice Chevelle Chevette Citation Impala Malibu Monte Carlo Monza Nova and Vega models. Of particular note are 100 proofs and mockups for print advertisements for various Chevrolet vehicles markedly reflecting the era's fuel crisis and imposing international compact car market.<br /> <br /> Photographs largely 11 x 8.5 inches with some photographs 10 x 8 inches. Advertising proofs and mockups are all on standard letter-size paper. Near Fine overall with some light edgewear and light creasing at the corners. General Motors unknown
156601N.p.: N.p. 1980. Archive of 133 vernacular photographs from an custom automotive upholstery shop the "Auto Seat Cover Co." located in Harrisburg Pennsylvania housed in acrylic photo sleeves in a photo album circa 1961-1983.<br /> <br /> The majority of the photographs in the archive appear to date from the 1970s capturing before and after photographs and ornate custom automotive upholstery in acrylic cloth and leather. Archive also includes six photographs of the company's trade show booth circa late 1960s four photographs of the interior of the business circa early to mid 1960s as well as five photographs of the flooding of the business likely the Harrisburg flood of 1972 and three photographs of a home upholstery job circa early 1970s.<br /> <br /> 3.5 x 2.5 inches to 4.5 x 3.25 inches the majority approximately 3.5 x 3.5 inches. Very Good plus to Near Fine overall. <br /> <br /> Photo Album 12.75 x 8.5 inches. Near Fine. N.p. unknown
194862417Detroit MI: Fisher Body Craftsman’s Guild 1948. 4to. 16 pp. With numerous diagrams photos illustrations. Printed softcovers blue lettering & Fisher Body logo front cover minor age toning shelfwear couple minor closed tears still VG- copy from the library of Gene Sherman 1944-2007 famed southern California auto designer and builder renowned metal fabricator automobile restoration specialist worked at the Briggs Cunningham Automobile Museum until it closed and later opened a studio in Huntington Beach CA. First edition of this post-World War II promotional brochure appealing to aspiring automobile designers and model builders to join the auto industry during the Fisher Body Craftsman’s Guild Competitions. Sherman was already a noted metal fabricator and body builder whose speed shop and auto restoration shop trained many young aspiring designers and builders in the Southern California automotive and hot rod industry. Fisher Body Craftsman’s Guild, paperback
19641643<p>8-1/4" x 13-1/4" 23.5 x 33.5 cm. Broadside printed with an illustration of three boldly colored racing cars on a black background. Faint crease to right edge slight smudge to illustration.</p><p>Small promotional poster for the 1964 European Touring Car Championship designed in the distinct Eastern European style of the period. The event is notable among racing enthusiasts for being the place where Ken Tyrrell discovered the legendary Belgian driver Jacky Ickx who went on to win the 24 Hours of Le Mans six times and Formula One championships eight times.</p> Magyar Autoklub
195755856Dearborn MI: Ford Motor Company 1957. 4to. 43 5 pp. Colour photos and colour designs throughout. Colour-printed softcovers gilt white red & black NF copy. First edition of this rare catalogue touting the design and concept work of George Walker and his team at Ford in 1957. After the departure of Bill Schmidt Walker was promoted to Vice President and director of the styling office overseeing the development of the popular Ford Thunderbird the design changes for the Lincoln Continental the unbuilt Ford X-2000 Concept Car and even a drawing of a version of the Ford Nucleon which was intended to eventually feature a miniaturized nuclear reactor to power the vehicle. This catalogue shows the building of the concept car clay model how the upholstery and interior are developed fabrication and more. Walker 1896-1993 studied with famed industrial designer Harley Earl a fashion designer and art director in Cleveland before being brought into Ford following World War II. Ford Motor Company, paperback
1944187991944. Pencil and watercolor on drafting paper. Lower right corner of page has been skillfully replaced. Does not affect images. Handsome proposed design for a post-war Cadillac.<br/> <br/> The license plate reads "GM 1944" raising interesting questions since as everyone knows virtually no new cars were produced during the high armament production years of World War II and certainly not pretty new dark pink ones. The car portrayed here does however anticipate very much the look of early fifties' vehicles if not necessarily Cadillacs. And bright colors certainly would catch on in a way they had not before the war. Note the 1930's Cadillac emblem on the front grille which was changed when auto production actually re-commenced. unknown
187861970. Watercolor and pastel on illustration board. Signed "William A. Moore" Intriguing concpetual drawing for an unusual pickup truck<br/> <br/> Three views of a rather dazzling vision of a pickup truck and though the "Dodge Sportflite" was never produced the idea of making more luxurious and innovative pickup trucks has definitely caught fire since the time of this handsome drawing. This design brings the driver over the engine as in many heavier trucks giving the driver greater command of the road especially for town and city driving. The styling of the cab and cargo bed is anything but mundane with lines vents a black ribbon around the cab and two large additional brake lights that add a notes of elegance and creativity to the overall effect. "In 1956 William Moore won the General Motors Fisher Body Craftsmen' Guild National Exhibition for his car design. In 1968 he accepted a position as Head of Design for Lear in Reno Nevada. William Moore's art has been placed in.the Smithsonian and the Favell Museum of Art and Artifacts." The Museum of Automotive Art and Design website.<br/> <br/> The Museum of Automotive Art and Design website artist biographies # 129. unknown
