10 867 résultats
118788Fribourg, Imprimerie Saint-Paul 1977, 365x260mm, en feuille sous chemise et emboitage toilés. Les estampes ont été tirées par René-Agass Baumgartner sur ses presses à Fribourg. Les cuivres ont été barrés après le tirage. La mise en page et la maquette sont de Jean-Christophe Aeby. L’emboîtage a été réalisé par Roger Auderset à Fribourg. Un des 62 exemplaires sur papier vélin d’Arches teinté des Papeteries Arjomari-Prioux, numéroté n.° 21 / 60, signés par l’auteur et l’artiste en bas du justificatif de tirage. Très bel exemplaire.
177930020ABZürich, Orell, Gessner Fuesslin, 1779. Folio. 152 S, (31) Bl. Mit 1 gest. Titelblatt, 29 Kupfertafeln und 14 Tabellen (davon 2 gef.). Halblederband der Zeit.
179531016AB2 Bände. Berlin, bei Friedr. Vieweg, dem Ältern, 1795–1796. 8°. (1) Bl., 244 S., (2) Bl.; (1) Bl., 283 S. Pappbände mit Rückenschild.
1829597DG(Zürich, Keller, 1829). Aquatinta auf Papier. Bildgrösse: 10,5 x 38,7 cm. Blattgrösse: 13 x 40,5 cm.
1932LD5812Lyon: Association Lyonnaise des Cinquante "La Belle Cordiere" 1932. Limited Edition. Hardcover. Fine. Printed wraps in glassine dust jacket; 4to; pp. 86 unbound loose gatherings as issued and uncut with illustrations throughout. Number 37 from a limited edition of 50 for members this one printed for M. Rozendaal total limitation of 90. Fine in chemise and lightly scuffed slipcase. <br/><br/> Association Lyonnaise des Cinquante "La Belle Cordiere" hardcover books
1848005411London: Hering & Remington 1848. Near Fine. 1 hand-colored lithograph 400 x 475 mm. image is 276 x 318 mm.; mat is 19.5 x 20 inches. The lithograph was created by Edmund Walker 1813 or 1814-1882 of Day & Son after James Rattray's drawing. James Rattray 1818-1854 was a lieutenant in the British Bengal Army during the first Anglo-Afghan War 1839-1842. The sketches he produced were published in 30 plates in Scenery Inhabitants & Costumes of Afghaunistan 1847-48. This is plate no. 2 a portrait of Dost Mohammed who had been deposed as Emir of Afghanistan. In January 1841 when Rattray was granted an audience with him in Peshawar Dost Mohammed was a prisoner on his way to exile in Calcutta. Rattray wrote that since Dost Mohammed had been "a ruler just and merciful and attentive to affairs of state" the people of Peshawur thought that he had been unjustly treated by the British. Green dealer's label on back of mat from Harold T. Storey London. Very scarce. In Near Fine Condition: lithograph is clean and bright; minor soiling to mat. Hering & Remington unknown
1848005410London: Hering & Remington 1848. Near Fine. 1 hand-colored lithograph 429 x 533 mm. image is 275 x 375 mm.; mat is 19.5 x 23 inches. The lithograph was created by Edmund Walker 1813 or 1814-1882 of Day & Son after James Rattray's drawing. James Rattray 1818-1854 was a lieutenant in the British Bengal Army during the first Anglo-Afghan War 1839-1842. The sketches he produced were published in 30 plates in Scenery Inhabitants & Costumes of Afghaunistan 1847-48. This is plate no. 22 in regard to which Rattray wrote: "I sketched this Uzbeg at the Fort of Lughmaunee Cohistaun." The ambassador represented Mir Wali prince of the frontier town of Kulum near Kunduz. In September 1840 the British were negotiating with Wali to transfer his allegiance to Shah Shuja. Green dealer's label on back of mat from Harold T. Storey London. Very scarce. In Near Fine Condition: lithograph is clean and bright; minor soiling to mat. Hering & Remington unknown
1924136209München. Bremer Presse 1924. 384 n. n. Seiten. Breitrandiger Druck auf Zanders Büttenpapier mit Wasserzeichen. Original-Karton-Einband mit Rückenschild im Originalschuber. (Einband vor allem am Rücken gebräunt. Schuber mit Gebrauchsspuren. Ansonsten gutes u. sauberes Exemplar). 36x23 cm
20070042492007 Aux Pujols, Philippe Parage «l'Atelier de la Guinguette », 2007. Huit planches in-folio (502 X 330 mm) sous portefeuille papier, à l'intérieur duquel est contrecollé le feuillet de justification du tirage ; étui papier rouge avec le monogramme imprimé de l'artiste.
19792092902141000212Bijutsu shubbansha 1979. Soft Cover. Fine. Size: B4 Bijutsu shubbansha paperback
200920012401Risbury Herfordshire: Printed Privately by the Whittington Press 2009. Limited Edition. Leather bound. Fine. Weisseborn Hellmuth. One of 15 deluxe copies quarto size 47 pp. with signature and chop of Masatsugu Ohtake with an extra suite of plates. Two friends a world apart with a mutual interest in and appreciation for the poetry of Edward Thomas have left us the great gift of this utterly charming work.<br/><br/>Philip Edward Thomas 1878-1917 was already an accomplished novelist and essayist when he turned to poetry. In 1915 at the age of 37 he enlisted in the British Army to fight in "The Great War" and was tragically killed in battle two years later during the Battle of Arras. <br/><br/>His youngest daughter Myfanwy receiving a letter in 1984 from a Mr. Masatsugu Ohtake who was an admirer of Thomas's work responded and the two began a correspondence that would last for almost 20 years as her last letter is dated November 28 2003. <br/><br/>Published privately by the Whittington Press who is renowned for their superb printing and binding; this one of fifteen deluxe copies bound in full Nigerian goatskin by The Fine Book Bindery with endpapers marbled by Christopher Rowlatt printed on Kozo hand-made paper for Masatsugu Ohtake by Patrick Randle with engravings by Hellmuth Weissenborn with errata slip loosely laid in at p. 26 with a signature and chop at the colophon which one presumes is that of Masatsugu Ohtake. <br/><br/>The twenty wood-engravings by Hellmuth Weissenborn 1898-1982 perfectly complement Myfanwy's description of the lovely English countryside around her which she frequently described to Ohtake; presented in the book in yellow and green and as monochrome in the extra suite of 20 loose plates.<br/><br/>___DESCRIPTION: Bound in full gold Nigerian goatskin with gilt lettering on the spine fore- and bottom edges uncut endpapers hand-marbled the twenty in-text wood-engravings throughout errata slip of delicate yellow hand-made paper loosely laid in at p. 26; hand-set Caslon printed on Kozo hand-made paper at Whittington Press for Masatsugu Ohtake small quarto size 10 1/8" by 6 1/4" pagination: i-x 1-34 colophon 35 blank 36 acknowledgement of editor 37; this one of the 15 deluxe copies total edition of 50 with an additional 50 copies also bound in full goatskin for the Whittington Press the chop and signature in Japanese on the colophon page. Accompanying the book is the extra suite of plates in black upon white heavy paper which measures 7 1/8" by 5 1/8" the engravings measure approximately 1.5" by 1.75" some smaller varying in size the plates enclosed within a wallet of brown laid paper with four flaps. The book and suite of plates presented in a slipcase of sturdy white cardboard covered in brown laid paper. <br/><br/>___CONDITION: Volume fine the leather binding clean and smooth straight corners without rubbing a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; perhaps a hint of sunning to the spine else fine. The extra suite of prints and their wallet also fine; clean and utterly without wear. The slipcase near fine strong and sturdy clean with a few small sections of the brown paper lightly abraded. Altogether a glorious publication in every way. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Printed Privately [by the Whittington Press] unknown books
1963679Sans lieu [Vésenaz], Pierre Cailler, 1963. In-4 (16,7x25,9) de 125 pages, broché sous emboîtage.
1890628CGZürich, Hofer & Burger, o.J. (um 1890). Lithographie gez. von H. Schmid. Blattformat: 17,5 x 189 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
2084466 planches; format à l'italienne (38 cm x 27 cm), 67 pages, 450 pièces environ.Reluire plein chagrin estampé,
Acquaforte, acquatinta e puntaseccaoriginale a colori Firma e numerazione a matita. Impressa nella stamperia della Pergola di Piergiorgio Spallacci, Pesaro. Timbro a secco dell'editore. Esemplare IX/X. Cm 120x81 (Foglio cm 150x98). . . Ottimo (Fine). . . .
1825Augsbourg, s.d., Se vend a Augsbourg au Negoce commun de l’Academie Imperiale des Arts Liberaux avec Privilege de Sa Majesté Imperiale et avec Defense ni d’en faire ni d’en vendre les Copies.
1826Augsbourg, s.d., [Quebec]. Vuë de la Haute Ville a Quebeck. Vuë de la haute Ville a Quebec avec la Place pour aller a Cavalier du Moulin.Texte en allemand et en français.
HD-147o.J. Lithographie, auf cremefarbenem Velin, mit den Adressen: Au bureau, chez Aubert, pass. Véro-Dodat., sowie: Lith: Delaunois,r. du Bouloy,19. Darstellungsgröße 32,3:24,6 cm, Blattgröße 34,1:25,7 cm. Literatur: Daumier-Register 91 II, (von II); Delteil 86 II; erschienen am 11.09.18 16.10.1834 in ?LA CARICATURE?., Nr. 206, Blattnummer 431. - Selten! - Sur blanc!
HD-151o.J. Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Au bureau,chez Aubert, pass. Véro-Dodat., sowie: Lith. Delaunois,rue du Bouloy,19. Darstellungsgröße 21,4:24,1 cm, Blattgröße 27,3:35,4 cm. Mit geglätteter vertikaler Mittelfalte. Literatur: Daumier-Register 83; Delteil 83, Blatt 416 der Serie ?ACTUALITÉS?. Erschienen am 28.08.1834 in ?LA CARICATURE?, Nr. 199. ? Sur blanc.
1711703550Dresden und Leipzig, J.Ch. Zimmermann, 1711. Gr.-4°. 9 nnr. Bl., 1332 Spalten, 52 nnr. Blätter. Kupferfrontispiz. Pergament der Zeit auf 5 Bünden. Handschriftlicher Rückentitel. Einband gering fleckig. Rückentitel etwas verblaßt. Pergament am Vordergelenk beschädigt. Titelblatt rückseitig gestempelt und gebräunt und schwacher Abklatsch dieser Bräunung auch auf dem folgenden Blatt. Geringer Wasserschaden am unteren Rand der letzten Blätter. Sonst innen sauber und ohne nennenswerte Altersspuren.
18564554DBSt. Gallen, J. B. Isenring, 1856. 32 S., (10) S. Mit 10 Tafeln von Johann Baptist Isenring. Orig.-Pappband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4554DB|4554DB_2|4554DB_3 [3 Warenabbildungen]
18274084ABBern, Bourgdorfer, 1827. 8°. X, 267 S. Mit 4 Kupferstichen und 1 gest. Titel nach G. Lory. Illustr. Pappband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4084A
186726901Melbourne: Hamel & Ferguson 1867. Print. Plate II from Eugene von Guérard's Australian Landscapes 1866-68.<br /> <br /> Gold was discovered in Beechworth Victoria in 1852 and shortly thereafter along the Ovens River. In the same year Austrian-born von Guerard arrived in Victoria Australia determined to try his luck on the goldfields. Like many he failed as a miner but he did produce numerous studies of goldfields life including this image depicting men working on a sluice. <br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20" on paper 19 1/2 x 26". Archivally cleaned and backed some minor marginal splits repaired. Color tastefully enhanced. Libraries Australia ID 7744587. Hamel & Ferguson unknown
19443114833Near Fine with no dust jacket. 1944. Second Edition; Second Printing. Hardcover. Second printing. Though not called for SIGNED by Anais Nin on front end-paper. Close to fine in pictorial boards in supplied chipped un-printed acetate protective cover. Neat book shop sticker at base of rear pastedown. 86pp. One of 800 copies. Nicely preserved copy. ; 4 3/4" x 8 1/2"; 86 pages . hardcover
1828007773London: Republished by the New Proprietor J. Dowding 1828. Hardcover. Very Good. An Improved Edition." 90 p. added engraved title page and 24 leaves of color plates; 38 cm. Dark green library buckram with gilt-stamped spine title and call number. Plates state: "Aquatinted by R. Havell. Published June 1 1815 by R. Havell." No date of publication. The first edition appeared in 1815; this "improved" edition was published in the 1820s. Stamped "Brooklyn Public Library" on upper and lower page edges and back fixed endpaper; performated library stamp on added endgraved title page and title page; library number stamped at lower edge of title page. Official withdrawn stamp of the Brooklyn Public Library on back free endpaper. Former owner inscription on added engraved title page: Charles John Kean Limerick 185. Charles John Kean 1811-1868 was an Irish actor and the son of actor Edmund Kean. He acquired this volume in the 1850s when he was acting and managing the Princess Theatre in London where it most likely influenced costume design. A heavy book; for international shipping it will have to be sent by priority international. In Very Good Condition: engraved title page and title page are starting to separate at tail; old repair along upper edge of engraved title page; old repairs of a few closed tears from edges of text; light finger soiling in margins; plates are clean and bright. Republished by the New Proprietor, J. Dowding hardcover
