4 698 résultats
146830N.p.: N.p. Unknown. Treatment script for an unproduced film. <br /> <br /> A jazz cornet player finally finds love but when his wife dies giving birth to their first child the musician's life is changed forever.<br /> <br /> Set in New Orleans New Jersey New York and Chicago. <br /> <br /> Blue untitled wrappers. Title page present with credit for screenwriter Herbert Baker. 29 leaves with last page of text numbered 28. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with light offsetting on the front wrapper bound with a single gold brad. N.p. unknown
1980153806N.p.: N.p. 1980. Draft script for an unproduced film. Single annotation in manuscript ink on the front wrapper noting copy No. 19. <br /> <br /> A quirky woman copes with her arranged marriage to a wealthy Middle Eastern eunuch while enjoying a romance with a young man at a ski resort. <br /> <br /> Red untitled wrappers. Title page present undated with credits for screenwriter Herbert Burkholz. 156 leaves with last page of text numbered 154. Xerographic duplication rectos only. Pages and wrapper Near Fine with a red Velo binding. N.p. unknown
1940129749N.p.: N.p. 1940. Draft script for an unproduced film. <br /> <br /> The daughter of a wealthy New York City businessman struggles over her position in life when she can't seem to choose between a wealthy British suitor and a middle class New York City police detective. She attempts to strike out on her own and work for her own money but the men in her life secretly protect her. Although it disturbs her when she finds out she's been watched over she eventually forgives them both and then must choose one to marry of course. <br /> <br /> Though similar in title to the 1944 King Vidor film "An American Romance" also written by Herbert Dalmas this script bears little to no resemblance in plot to that film and we must assume that this was an earlier less effective screenplay of Dalmas'. <br /> <br /> Pale yellow wrappers with credits for screenwriter Dalmas. 177 leaves carbon typescript. Pages Very Good plus wrapper Very Good plus bound with three gold brads. N.p. unknown
1985146957N.p.: N.p. 1985. Draft script for an unproduced film. <br /> <br /> Based on the life of Ernest Hemingway's younger brother Leicester the father of screenwriter Hilary Hemingway. <br /> <br /> Set in Florida.<br /> <br /> Beige titled wrappers. Title page present dated February 1985 with credits for screenwriter Hilary Hemingway. 122 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads. N.p. unknown
1970141470N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> While surrounded by people who question his Christianity an American living in India must search for his daughter after she runs off with a dangerous gang.<br /> <br /> Set in India. <br /> <br /> Gray titled wrappers. Title page present with credits for screenwriter Horatius Haeberle. 116 leaves with last page of text numbered 116. Xerographically duplicated rectos only. Pages Near Fine wrapper Near Fine perfect-bound. N.p. unknown
1982141263N.p.: N.p. 1982. Revised Draft script for an unproduced film. Laid in are two letters to agent Walter Kohner dated December 29 1982 and January 24 1983 respectively-the first introducing the script and the second from an agency reader critiquing the script. <br /> <br /> The brother of a horse breeder is in a successful country western band. When one of the bandmates begins running drugs the band's private jet gets bombed with the brothers being the lead suspects in the subsequent investigation. They work to clear their names and find the true criminals. <br /> <br /> Set in Atlanta. <br /> <br /> Green untitled wrappers. Title page present noted as Revised with credit for screenwriter Howard B. Kreitsek. 124 leaves with last page of text numbered 123. Xerographically duplicated rectos only. Pages Near Fine wrapper Near Fine with a spiral binding. N.p. unknown
1977141225New York: Tricorn Productions 1977. Draft script for an unproduced film. <br /> <br /> A professor of sexology travels around interviewing people for his studies treading a dangerous line between seeking information and knowing too much. <br /> <br /> Set in London. <br /> <br /> Black titled wrappers with credit for screenwriter H.S. Kleinman. Title page present dated January 6 1977 with credit for screenwriter H.S. Kleinman. 85 leaves with last page of text numbered 84. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Tricorn Productions unknown
1968141636N.p.: Aspen 1968. Final Draft script for an unproduced film. <br /> <br /> A man is unwillingly drawn into a debate around morality and death as he is questioned by the police following his best friend's suicide. <br /> <br /> Dark green wrappers with British-style die-cut window. Title page present dated July 23 1968 noted as FINAL DRAFT with credits for screenwriter Ian McLellan Hunter. 124 leaves with last page of text numbered 122. Mechanical duplication with white and blue revision pages throughout dated variously between June 17 1968 and July 23 1968. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Aspen unknown
1976141725Hollywood: Paramount Pictures 1976. First German Edition. Text in German. <br /> <br /> A companion book for the 1976 film illustrated with photographs.<br /> <br /> Near Fine in silver titled wrappers. Paramount Pictures unknown
1941164506Universal City: Universal Studios 1941. Vintage publicity photograph from the 1941 film showing actress Irene Dunne in a lace-embellished dress and net fascinator. Printed mimeo snipe and provenance stamp on the verso.<br /> <br /> A small-town singer falls in love with a city playboy on a train to New York only for him to ignore her as soon as the train pulls into the station. Days later after gaining a job as a nightclub singer she is propositioned by the playboy's brother. <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> 8 x 10 inches. Near Fine. Universal Studios unknown
1979140031Burbank CA: Warner Brothers 1979. Eight vintage full-color lobby cards from the 1979 film. <br /> <br /> Interesting sequel that picks up where "The Poseidon Adventure" 1972 leaves off with the ship floating capsized and a band of pirates reaping havoc. <br /> <br /> 11 x 14 inches. Corner bumps and short creases else Near Fine. Warner Brothers unknown
1973140783N.p.: N.p. 1973. Draft script for an unproduced film. <br /> <br /> Paul is a little person dealing with life the only way he knows how. He is typecast in Hollywood and frequently plays a ventriloquist's dummy and stared at when he is just trying to go about his day. He has great luck with women but not so much in forging close relationships. His only friends are other freaks and he hopes to hit it big at the horse races and on the stock market. <br /> <br /> Set in Hollywood. <br /> <br /> Title page present with credits for screenwriter J. Michael Nicholson. 134 leaves with last page of text numbered 118. Mechanical duplication with blue revision pages throughout dated variously between January 3 1973 and November 21 1973. Pages Near Fine bound in a standard three ringed binder with an affixed title label on the front board. N.p. unknown
1957149852Universal City CA: Universal Pictures 1957. Continuity and Dialogue script for the 1957 film. <br /> <br /> A wealthy cruel rancher owns the majority of a small western town's assets. Some of his employees brutally murder a young Mexican migrant laborer stirring major controversy when the newly elected sheriff goes to great lengths to bring them to justice. <br /> <br /> Set in the fictional town of Spurline shot on location in Thousand Oaks California. <br /> <br /> White titled self-wrappers noted as Continuity and Dialogue on the front wrapper production No. 1845 dated November 12 1957 with credits for director Jack Arnold. Approximately 95 leaves with last page of text numbered 10. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine with some toning at the top edge bound with two gold brads along the top edge.<br /> <br /> Pitts 2550. Selby US. Spicer US. Spicer UK. Grant US. Universal Pictures unknown
1956146620Universal City: Universal International Pictures 1956. Eight vintage studio still photographs from the 1956 film. <br /> <br /> Based upon the 1956 novel "Back Trail" by Lewis B. Patten gunman Alec Longmire Calhoun nearly loses his life in gunfight and decides to walk the straight and narrow by becoming deputy to honest sheriff Jade Murphy Dean Jagger currently dealing with disputes between small farmers and the local cattle baron. Longmire also finds he has feelings for the sheriff's daughter Caroline Martha Hyer.<br /> <br /> 8 x 10 inches. Near Fine one with small pinholes in corners and near center pin holes with some scratching.<br /> <br /> Pitts 3337. Universal International Pictures unknown
1957149863Universal City CA: Universal Pictures 1957. Continuity and Dialogue for the 1957 film. <br /> <br /> One of the seedier and we mean that in a complimentary way late noirs with a tawdry quality that transcended its big studio trappings "The Tattered Dress" spins a dark tale about a corrupt sheriff in a small Nevada town Carson whose principal concerns are the maintenance and upkeep of all illegal activity. Lawyer Chandler and wife Crain stumble into Carson's territory and conflict ensues. <br /> <br /> Set in California shot on location in Palm Springs California. <br /> <br /> White titled self-wrappers noted as Continuity and Dialogue on the front wrapper production No. 1840 dated January 18 1957 with credits for director Jack Arnold. Approximately 120 leaves with last page of text numbered 12. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads along the top edge. <br /> <br /> Selby US. Spicer US. Grant US. Silver and Ward Classic Noir. Universal Pictures unknown
1966150731Los Angeles: Paramount Pictures 1966. Complete set of eight vintage color studio still photographs from the 1966 film. <br /> <br /> Based on Jack Finney's 1959 novel. A group of adventurers pull up a World War II submarine and plan to use it to rob the RMS Queen Mary a large cruise liner. <br /> <br /> Set in the Bahamas. <br /> <br /> 10 x 8 inches. One with light wear and pinholes to the corners else Near Fine. Paramount Pictures unknown
147006N.p.: N.p. Unknown. Draft script for an unproduced television film. With a single manuscript pencil deletion to page I-7. <br /> <br /> An American Indian man arrives at the White House claiming the land is rightfully his and demanding recompense for the years of missed rent. Screenwriter Jack Lewis was best known for "The Amazing Transparent Man" 1960 and for his prolific work in Western films such as "Outlaw Gold" 1950 "Whistling Hills" 1951 and "Black Eagle of Santa Fe" 1965.<br /> <br /> Set in Washington DC.<br /> <br /> Yellow untitled front wrapper lacking rear wrapper. Title page present with credits for screenwriter Jack Lewis. 31 leaves with last page of text numbered I-29. Mimeograph duplication rectos only. Pages Very Good plus wrapper Good bound with a paper clip. N.p. unknown
1960141953N.p.: N.p. 1960. Draft script for an unproduced television movie. <br /> <br /> A drama set during the Mexican Revolution. Jack Lewis was a screenwriter actor and stuntman who is known for his war films and Westerns in particular "A Yank in Viet-Nam" 1964 and "Billy the Kid Versus Dracula" 1966. <br /> <br /> Set in Mexico. <br /> <br /> White titled self wrappers with credits for screenwriter Jack Lewis. Title page integral with front wrapper. 89 leaves with last page of text numbered 86. Mimeograph duplication rectos only. Pages Near Fine unbound housed in a manila folder. N.p. unknown
1960141008N.p.: N.p. 1960. Treatment script for an unproduced film. Signature of reader Ilse Lahn of the Paul Kohner Agency on the title page in manuscript ink. <br /> <br /> Three men rob a bank and almost get away with it until a young ventriloquist intervenes allowing the lawmen to capture the crooks. <br /> <br /> Lacking wrappers. Title page present with credit for screenwriter Jack Lewis. Six leaves with last page of text numbered five. Mimeograph duplication rectos only. Pages Very Good plus bound with a staple. N.p. unknown
1980140855N.p.: N.p. 1980. Original Treatment script for an unproduced film. <br /> <br /> Detective Doom is investigating a gang war when he discovers a large cache of grenades belonging to one of the gangsters.<br /> <br /> Tan untitled wrappers. Eight leaves with last page of text numbered seven. Carbon typescript on onionskin stock. Pages Near Fine wrapper Near Fine bound with two gold brads. Housed in a manila envelope. N.p. unknown
140882New York: Jay Garon - Brooke. Draft script for an unproduced film. <br /> <br /> The US Marine Corps decides that it needs to add attack helicopters to its arsenal of weapons and trains a hotshot jet pilot right before the breakout of the Korean War. After falling in love with the commander's daughter he is packed off to war where he consistently disobeys order to leave his helicopter and engage the enemy on the ground much to the chagrin of his commanding officer. <br /> <br /> Set in Korea. <br /> <br /> Brown titled wrappers with credits for screenwriter Jack Lewis. Title page present with credits for screenwriter Jack Lewis. 105 leaves with last page of text numbered 104. Mimeograph duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Jay Garon - Brooke unknown
1954141026N.p.: N.p. 1954. Draft script for an unproduced film. With a letter rejecting the script laid in. <br /> <br /> During Reconstruction a newspaperman comes to Texas where he encounters a slew of carpetbaggers who are exploiting the locals running the town and murdering at will. The newspaperman and his southern friend decide to start a newspaper in order to expose the corrupt system.<br /> <br /> Set in Jefferson Texas. <br /> <br /> Tan titled wrappers with credits for screenwriter Jack Lewis and author John Clark. 104 leaves with last page of text numbered 104. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine with a silver prong binding. N.p. unknown
1972141017N.p.: N.p. 1972. Treatment script for an unproduced film. Laid in is a letter rejecting the script for production. <br /> <br /> A new school for native children has been built on the reservation but no parents want to send their children distrusting the white establishment. An old scout seeks out a chief who is an old friend to convince him to send his children to the school.<br /> <br /> Lacking wrappers. Title page present noted as outline with credit for screenwriter Jack Lewis. Seven leaves with last page of text numbered five. Mimeograph duplication rectos only. Pages Near Fine bound with a single staple. Housed in a manila envelope. N.p. unknown
1960141070N.p.: N.p. 1960. Draft script for an unproduced film. <br /> <br /> An American working for the Spanish Foreign Legion in Morocco has to get a supply caravan across the desert. A woman begs to come along in order to find news of her husband a captain known by the American to be dead already. She stows away on the caravan and when they are ambushed by snipers the American is forced to rely on the woman for help. <br /> <br /> Set in Morocco. <br /> <br /> Light blue titled wrappers. Title page present with credit for screenwriter Jack Lewis. 129 leaves with last page of text numbered 126. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine with a silver prong binding. N.p. unknown
1970140865N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> An American working for the Spanish Foreign Legion in Morocco has to get a supply caravan across the desert. A woman begs to come along in order to find news of her husband a captain known by the American to be dead already. She stows away on the caravan and when they are ambushed and pinned down by snipers the American is forced to rely on the woman for help. <br /> <br /> Set in Morocco. <br /> <br /> Red untitled wrappers. Title page present with credit for screenwriter Jack Lewis. 129 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown