Ed Brennan (screenwriter)Biblio.com
4 698 résultats
1969146948N.p.: N.p. 1969. Revised Draft script for an unproduced Western film. With a single annotation in manuscript pencil on the front wrapper. Laid in with the script is a xerographically duplicated letter from Cinerama executive vice president Joseph M. Sugar to producer Mark Anthony noting the actors slated to appear in the film and confirming financing.<br /> <br /> Two criminals are pursued by a former lawman across Texas although their own working relationship rapidly deteriorates as they travel.<br /> <br /> Set in Texas. <br /> <br /> Light green titled wrappers. Title page present with credits for screenwriter ED BRENNAN. 103 leaves with last page of text numbered 102-109. Mimeograph duplication rectos only with pink and blue revision pages dated variously from 3/17/69 to 3/25/69. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1969161817Hollywood: Canyon Distributing 1969. Vintage studio still photograph from the 1969 film. Provenance stamp on the verso. <br /> <br /> A psychedelic mondo "documentary" on the sexual underground of Hollywood in the late 1960s. <br /> <br /> 8 x 10 inches.Very Good plus with a chip to the margin of the top left corner just touching the image and light edgewear. Canyon Distributing unknown
1946148260Los Angeles: Twentieth Century-Fox 1946. Three vintage photographs from the 1946 film two studio still photographs and one on the set photograph of Tyrone Power and actor Hassan Khayyam who had a small uncredited role in the film. Photograph of Power and Khayyam has annotations on recto in manuscript marker.<br /> <br /> Based on the 1944 novel by W. Somerset Maugham. <br /> <br /> A former pilot of World War I is traumatized by his experience in the war. He eventually travels to France to clear his head and loses his high-class fiance in the process. Ten years later he returns and she finds him stopping at nothing to win him back despite already being married to another man. <br /> <br /> Winner of one Academy Award for Best Supporting Actress and nominated for an additional three including Best Actor and Best Picture. <br /> <br /> Set in America and France shot on location in Denver Colorado. <br /> <br /> 8 x 10 inches. Very Good plus one light vertical crease to left and creasing to corner margins. Twentieth Century-Fox unknown
1970141344Los Angeles: John F. Dugan 1970. Draft script for an unproduced film. <br /> <br /> An artist seeks employment at the local dog pound at the insistence of his wife. He makes an inquiry with a local government official and suddenly becomes embroiled in a scandalous affair involving a loose bull and several cows. <br /> <br /> Set in Paris. <br /> <br /> White titled wrappers with credit for screenwriter Edmund Morris. Title page present with credit for Morris. 154 leaves with last page of text numbered 151. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. John F. Dugan unknown
1967146864N.p.: N.p. 1967. Treatment script for the 1967 film seen here under its French title "Peau d'Espion." With a few small annotations in manuscript ink throughout. Incomplete as issued. Text in English.<br /> <br /> Based on screenwriter Jacques Robert's 1967 novel "Peau d'Espion" wherein an playboy writer becomes involved in a communist plot. <br /> <br /> Housed in a titled manila folder. Title page present with credits for director Edouard Molinaro and screenwriter Jacques Robert. 12 leaves with last page of text numbered 11. Typescript on onionskin stock rectos only. Pages Very Good plus lightly creased bound with a staple and a paperclip at the top left corner. N.p. unknown
1965132638Hollywood: National Screen Service / Paramount Pictures 1965. Collection of 6 vintage British front-of-house cards from the 1965 UK release of the 1964 US film. <br /> <br /> Another steamy drama based on a Harold Robbins novel 1962 about the murder of one man's ex-wife's new lover at the hand of his teenage daughter with obvious parallels between this film and the actual murder of Johnny Stompanato Lana Turner's ex-lover and victim of stabbing by her daughter Cheryl Crane. <br /> <br /> 8 x 10 inches. Faint creases overall else Near Fine. National Screen Service / Paramount Pictures unknown
1972150703Los Angeles: Cinerama Releasing 1972. Six vintage studio still photographs from the 1972 film. Three stamped production No. 72-327 on the bottom right corner of the recto. <br /> <br /> An Austrian aristocrat and war hero secretly murders his wives when he tires of them and hides their bodies in his castle vault. <br /> <br /> Shot on location in Budapest Hungary and Rome Italy. <br /> <br /> 10 x 8 inches. Near Fine. Cinerama Releasing unknown
1965144993Universal City: Universal Pictures 1965. Two vintage studio still photographs from the set of the 1965 neo-noir one of director Edward Dmytryk and actors Gregory Peck and Walter Matthau and the other of Dmytryk Peck and Robert H. Harris. Mimeo snipe on verso of both photographs.<br /> <br /> Based on the 1952 novel "Fallen Angel" by Howard Fast. <br /> <br /> David Stillwell Gregory Peck is an accountant who comes to realize he has no memory as he is pursued by a number of unknown people trying to kill him bringing him to question his own identity. <br /> <br /> Shot on location in New York City. <br /> <br /> 10 x 8 inches. Very Good plus to Near Fine one with faint creasing. <br /> <br /> Grant Worldwide. Spicer US. Universal Pictures unknown
1970144010Beverly Hills CA: N.p. 1970. Draft script for an unproduced film. Paper clipped on the front wrapper is a typed note initialed by Edwin Blum in blue manuscript ink. <br /> <br /> Two women repeatedly arrange to be the beneficiaries on the life insurance policies of numerous dead men. In the course of their activities a romance is struck up with an insurance executive. <br /> <br /> Beige titled wrappers with credits for screenwriter Edwin Blum. Title page present with credits for screenwriter Edwin Blum. 119 leaves with last page of text numbered 120. Xerographically reproduced. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown
1978141418Burbank CA: Marcia Nasatir 1978. Draft script for an unproduced film. With a single annotation in manuscript ink on page five. <br /> <br /> A Swedish woman living in New York pursues a relationship with a mover after he attempts to steal her television set. <br /> <br /> Set in New York. <br /> <br /> Yellow titled wrappers with credit for screenwriter Elaine Mueller. Title page present dated December 1978 with credit for screenwriter Elaine Mueller. 116 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Marcia Nasatir unknown
2000146395N.p.: N.p. 2000. Draft script for an unproduced film.<br /> <br /> A group of kids from Anaheim come of age in the counterculture of the swinging sixties leaving behind the gang violence of their hometown in favor of becoming drug-smuggling hippies. <br /> <br /> Set in California.<br /> <br /> White lacking wrappers. Title page present with credits for screenwriter Elias Cecil. 134 leaves with last page of text numbered 133. Typescript rectos only. Pages Very Good plus bound with three gold brads. N.p. unknown
1970141057N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> An ambitious young man heads to Hollywood to make his fortune. There he falls in love with a prostitute and begins hustling in order to get her off the streets.<br /> <br /> Blue titled wrappers. Title page present with credits for screenwriter Ellis St. Joseph. 118 leaves with last page of text numbered 116. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a black Velo binding. N.p. unknown
1970141201N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> Screenwriter Ellis St. Joseph was best known for the films "Flesh and Fantasy" 1943 "The Barbarian and the Geisha" 1958 and "Joan of Paris" 1942. <br /> <br /> An actress sleeps with anyone who can help her career along but starts to find herself less and less desirable as she grows older. She begins a relationship with a man who decides to help her by becoming a sex worker largely servicing homosexual men. <br /> <br /> Silver titled wrappers. Title page present with credit for screenwriter Ellis St. Joseph. 137 leaves with last page of text numbered 135. Xerographic duplication rectos only. Pages Near Fine wrapper about Near Fine bound internally with three gold brads. N.p. unknown
141676Pretoria South Africa: Emil Nofal Films N.D. Treatment script for an unproduced television series. <br /> <br /> A half-hour television series focusing on the unique cultures of Africa and how different groups interact with each other especially in the modern age. Written for South African television by Nofal an acclaimed South African director producer and screenwriter. <br /> <br /> Set in South Africa. <br /> <br /> White titled wrappers with credits for screenwriter Emil Nofal. 5 leaves with last leaf of text numbered 5. Mechanical duplication. Pages Very Good plus wrapper Very Good plus perfect-bound. Emil Nofal Films unknown
1970141943N.p.: N.p. 1970. Draft script for an unproduced film. Text in French. <br /> <br /> Green untitled wrappers. Title page present with credit for screenwriter Eric Ferro. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two silver binder clips. <br /> <br /> Pagination available upon request. N.p. unknown
1982142224Ottawa: Canadian Broadcast Corporation 1982. Treatment script for an unproduced film. <br /> <br /> W.O. Mitchell one of Canada's best-loved writers originally wrote the play "Back to Beulah" which was produced as a television film in 1974 and for the stage in 1976. In 1978 the play won the Chalmers Award. It is the story of three patients moved out of the mental hospital and into a halfway house. This treatment was for an intended American adaptation retitled as "Listen to Me" and released in 1982 but since remains unmade. <br /> <br /> Clear untitled wrappers. Title page present dated September 29 1982 with credits for screenwriter and playwright W.O. Mitchell and screenwriter Eric Till. Ten leaves. Xerographically reproduced. Pages Near Fine wrapper Very Good plus unbound. Canadian Broadcast Corporation unknown
1970141411N.p.: N.p. 1970. Treatment script for an unproduced film. <br /> <br /> A successful doctor suffers a mental breakdown due to her survivor's guilt after being the only member of her family to survive the Holocaust. She becomes obsessed with a man four years older than her whom she met previously in a refugee camp in France. <br /> <br /> Set in New York. <br /> <br /> Red untitled wrappers. Title page present with credit for screenwriter Ethel Tyne. 28 leaves with last leaf of text numbered 27. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. N.p. unknown
1970140743N.p.: N.p. 1970. Treatment script for an unproduced television series. <br /> <br /> Beans is the chauffeur secret agent Jedediah Norris a beautiful young woman who is in graduate school and adopted from Vietnam during the war by her father a black man named Tom Callahan. She is also a gourmet chef and is in desperate love with her boss but he only seems to notice her when she goofs. All the while she is an aspiring television star hoping to work in show business one day. <br /> <br /> Set in San Francisco. <br /> <br /> Yellow untitled wrappers. Title page present with credits for screenwriter Ezra Bowen. 26 leaves with last page of text numbered 25. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1972150813Beverly Hills CA: United Artists 1972. Vintage reference photograph of Federico Fellini on the set of the 1972 film. <br /> <br /> A semi-autobiographical impressionistic portrait of Rome featuring two contrasting sections one based on Fellini's first journey to the city as a young man under Mussolini the other featuring scenes of contemporary city life. <br /> <br /> Set and shot on location in Rome. <br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> Criterion Collection 848. Eureka! 86. Rosenbaum 1000. Vogel Film as a Subversive Art. United Artists unknown
1940129720N.p.: N.p. 1940. Treatment script for an unproduced film. <br /> <br /> Two brothers with a patchy relationship both end up becoming competent jockeys and one who had previously slighted the other throws the important race so the other can win. <br /> <br /> Self wrappers with integral title page present showing credits for screenwriter Pinkham. 9 leaves original typescript. Pages Very Good plus bound with three gold brads. N.p. unknown
1957168227Beverly Hills CA: United Artists 1957. Vintage studio still photograph from the 1957 film.<br /> <br /> A major in the US Air Force is asked to join a team working on an experimental Boeing B-47 Stratojet bomber although the first experiments with human test subjects prove dangerous. Based on a 1955 episode of the "Climax" anthology television series directed by John Frankenheimer and starring Charlton Heston. <br /> <br /> 10 x 8 inches. Lightly toned on the margins else Near Fine. United Artists unknown
1931135170Los Angeles: Fox Film Corporation 1931. Post-production Screen Continuity script for the 1931 film. Based on the 1908 play "Father and the Boys" by George Ade. <br /> <br /> A comedy of errors in which a wealthy meatpacking company owner in Chicago has two sons both who treat their father's company as a means to their own extravagant ends. When he turns the tables evading his work responsibilities and traveling around with a French singer they fear that the singer is out to blackmail him. <br /> <br /> Pale blue studio wrappers dated April 27 1931 noting footage of 7000 feet. Mimeograph duplication. Very Good plus condition. Fox Film Corporation unknown
146547N.p.: N.p. Unknown. Draft script for an unproduced film. With a few small manuscript ink annotations to the title page. <br /> <br /> After a dissatisfying experience with a prostitute a man begins to have a number of hallucinatory experiences while sitting in a bar.<br /> <br /> Blue untitled card wrappers. Title page present with credits for screenwriter Frank Flannery. 110 leaves with last page of text numbered 109. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with light dampstaining on the front wrapper bound with a silver clasp. N.p. unknown
1965167883N.p.: N.p. 1965. Three vintage single-photo assemblages of publicity and reference images from the 1965 British film musical. <br /> <br /> A musical comedy about a love triangle between a pub owner's daughter a popular model and an aspiring Australian singer. The film debut of Suzy Kendall. <br /> <br /> Shot on location in London.<br /> <br /> 8 x 10 inches. Stapled at the top left corner. Good only with dampstaining on the bottom corners. N.p. unknown
1966146399Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1966. Draft script for an unproduced film. With a single small manuscript ink annotation to page 123 changing "who" to "whom." Not to be confused with the 1943 1948 1999 or 2020 produced films with the same title.<br /> <br /> Based on Richard Martin Stern's 1963 mystery thriller by Fred Coe who was also initially slated to direct. A private investigator moves back to his hometown to bury his late father but finds himself quickly entangled in a criminal case involving the sexual assault of a local woman. Screenwriter Fred Coe was best known for directing "A Thousand Clowns" 1965 which was nominated for an Academy Award for Best Picture.<br /> <br /> Blue titled wrappers rubber-stamped copy No. 48 dated October 1 1966 and dated as copied October 17 1966 with credits for screenwriter Fred Coe and novelist Richard Martin Stern. Title page integral with the front wrapper as issued. 194 leaves with last page of text numbered 192. Mimeograph duplication rectos only with white revision pages throughout dated 10-13-66. Pages Very Good wrapper Very Good with light toning to the extremities and tearing at the rear wrapper's binding bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
