8 853 résultats
1997140287Hong Kong: Cosmopolitan Film Productions 1997. Vintage Hong Kong poster for the 1997 film. <br/><br/>A Honk Kong disaster thriller directed by Johnnie To and starring Ching Wan Lau Alex Fong and Carman Lee. <br/><br/>20 x 30 inches. Near Fine with light wrinkling. Cosmopolitan Film Productions unknown books
1949151716Los Angeles: Vanguard Films 1949. Post-production Dialogue Cutting Continuity script for the 1948 film dated February 1949 and noting five reels. <br/><br/>Based on the 1940 novella by Robert Nathan. Painstakingly developed by Selznick International and then released under the auspices of Vanguard Pictures to whom Selznick International was sold"Portrait of Jennie" is a romantic fantasy so strange and concept-driven that it has always eluded mass popularity. Joseph Cotten portrays a struggling artist who becomes enamored with a little girl named Jennie who inexplicably begins to grow to womanhood over a period of weeks. Winner of an Academy Award nominated for Best Cinematography.<br/><br/>Set in and shot on location in New York and Boston.<br/><br/>Salmon titled wrappers noted as Dialogue Cutting Continuity on the front wrapper dated February 1949. Title page integral with first page. 89 leaves with last page of text numbered REEL 5 PAGE 12. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound at top with two metal brads. Vanguard Films unknown books
1948143474Los Angeles: Vanguard Films 1948. Post-production Spotting List and Synopsis 1948 film all printed on standard Selznick Releasing Organization printed forms. Noted as having been "prepared by Sidney G. Samuels."<br/><br/>"Portrait of Jennie" was painstakingly developed by Selznick International and then released under the auspices of Vanguard Pictures to whom Selznick International was sold"Portrait of Jennie" is a romantic fantasy so strange and concept-driven that it has always eluded mass popularity. Joseph Cotten portrays a struggling artist who becomes enamored with a little girl named Jennie who inexplicably begins to grow to womanhood over a period of weeks. <br/><br/>Tall self-wrappers. Mimeograph duplication. 96 leaves pages and wrapper Very Good or better. Bound with two brads at the top edge. Vanguard Films unknown books
1948151712Los Angeles: The Selznick Studio 1948. Three page post-production Synopsis for the 1948 film from Selznick Studio Director of Publicity Paul MacNamara including cast listing and "Suggested Picture Layouts."<br/><br/>Based on the 1940 novella by Robert Nathan. "Portrait of Jennie" was painstakingly developed by Selznick International and then released under the auspices of Vanguard Pictures to whom Selznick International was sold"Portrait of Jennie" is a romantic fantasy so strange and concept-driven that it has always eluded mass popularity. Joseph Cotten portrays a struggling artist who becomes enamored with a little girl named Jennie who inexplicably begins to grow to womanhood over a period of weeks. Winner of an Academy Award nominated for Best Cinematography.<br/><br/>Set in and shot on location in New York and Boston.<br/><br/>Self-wrappers integral with title page noted as Synopsis. Three leaves with last page of text numbered 3. Mimeograph duplication rectos only. Pages Near Fine bound with single staple in upper left corner. The Selznick Studio unknown books
1949151714Los Angeles: David O Selznick Studios 1949. Post-production Trailer Dialogue Cutting Continuity script for the 1948 film dated Jan. 11 1949. <br/><br/>Based on the 1940 novella by Robert Nathan. Painstakingly developed by Selznick International and then released under the auspices of Vanguard Pictures to whom Selznick International was sold"Portrait of Jennie" is a romantic fantasy so strange and concept-driven that it has always eluded mass popularity. Joseph Cotten portrays a struggling artist who becomes enamored with a little girl named Jennie who inexplicably begins to grow to womanhood over a period of weeks. Winner of an Academy Award nominated for Best Cinematography.<br/><br/>Set in and shot on location in New York and Boston.<br/><br/>Light blue titled wrappers noted as TRAILER Dialogue Cutting Continuity on the front wrapper dated Jan. 11 1949. Title page integral with first page. Five leaves with last page of text numbered REEL 1 PAGE 5. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine saddle-stapled with two staples at top edge. David O Selznick Studios unknown books
1977128138Beverly Hills CA: American International Pictures AIP 1977. Original Pressbook for the 1977 film. Low-budget but big names with early performances from Carradine and Griffith and essential 1970s richness with a soundtrack by Electric Light Orchestra. <br/><br/>16 pages saddle-stapled 8.5 x 14 inches. Black-and-white interior color exterior. Near Fine. American International Pictures [AIP] unknown books
1964145411Burbank CA: Warner Brothers 1964. Vintage photograph from set of the 1964 film. Mimeo snipe on the verso. <br/><br/>Based on Thomas Heggen's 1946 novel titled "Mister Roberts" that was later adapted for Broadway in 1948 and in 1955 for the screen using the same name by director Joshua Logan. This film is Logan's sequel to the 1955 film. <br/><br/>Shot on location in Mexico and California. <br/><br/>8 x 10 inches. Near Fine. Warner Brothers unknown books
1971150773Beverly Hills CA: Metro-Goldwyn-Mayer MGM / EMI 1971. Vintage studio still photograph from the 1971 musical film showing actresses Georgina Hale Sally Bryant Antonia Ellis and Caryl Little.<br/><br/>Based on the 1953 West End musical by Sandy Wilson about a mousy stage manager forced to take the lead in a low-budget musical revue after the lead actress breaks her leg. While Wilson's original is a straightforward pastiche of 1920s musicals director Ken Russell's adaptation is a full-blown parody of 1930s musical films particularly Busby Berkeley with heavy metatextual elements as the more lavish numbers take place in the imagination of a Hollywood producer watching the show. <br/><br/>10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] / EMI unknown books
2016140131Taiwan: International Film Company 2016. French mini poster printed in Chinese French and English for the 2016 re-release of the 1971 Taiwanese film. The film received a Criterion Collection release in the same year.Nominated for a Palme d'Or at the Cannes Film Festival. <br/><br/>Originally released in two parts and later condensed into a single epic King Hu's visually striking film brings an unusual perspective to the wuxia genre. Told from the perspective of Ku an unambitious painter and non-martial artist who is motivated to action when a young fugitive becomes his lover. <br/><br/>15 x 23 inches. Near fine. <br/><br/>Criterion Collection 825. International Film Company unknown books
1952151711Los Angeles: The Selznick Company 1952. Post-production eight page Music Cue Sheet script for the 1952 film with single page "Correction Report" preceding.<br/><br/>Jennifer Jones offers a virtual reprise of her sultry performance in King Vidor's 1946 "Duel in the Sun" as the titular heroine of this film. Born into a poor-white-trash Southern family Ruby intends to improve her lot by marrying into wealth. Her casual beau Boake Tackman Charlton Heston considers Ruby unfit for marriage but prosperous businessman Jim Gentry Karl Malden is eager and willing to make her his wife. Jim Gentry dies in an accident and the consensus of opinion is that he was killed by the covetous Ruby. For some reason this turns Boake on and he renews his torrid romance with the widow Gentry. Ruby's crazed brother Jewel James Anderson puts an end to this affair with a shotgun provoking a violent response from Ruby and a "Lady or the Tiger"-esque ending. <br/><br/>Self-titled wrapper integral with title page noted as Music Cue Sheet with credits for director King Vidor composer Heinz Roemheld and music supervisor Dave Chudnow. Eight leaves preceded by single page "Correction Report." Mimeograph duplication rectos only. Pages Near Fine bound with a single staple to top left corner.<br/><br/>Godard Histoires du Cinema. The Selznick Company unknown books
1962143471Los Angeles: Twentieth Century-Fox 1962. Post-production Continuity and Dialogue script for the 1962 re-release in 16mm of the 1952 film. <br/><br/>Continuity produced independently by director King Vidor and Joseph Bernhard under their moniker Bernhard/Vidor Productions subsequently sold to and released by Twentieth Century-Fox in the US. <br/><br/>Jennifer Jones offers a virtual reprise of her sultry performance in "Duel in the Sun" as the titular heroine of this film. Born into a poor-white-trash Southern family Ruby intends to improve her lot by marrying into wealth. Her casual beau Boake Tackman Charlton Heston considers Ruby unfit for marriage but prosperous businessman Jim Gentry Karl Malden is eager and willing to make her his wife. Jim Gentry dies in an accident and the consensus of opinion is that he was killed by the covetous Ruby. For some reason this turns Boake on and he renews his torrid romance with the widow Gentry. Ruby's crazed brother Jewel James Anderson puts an end to this affair with a shotgun provoking a violent response from Ruby and a "Lady or the Tiger"-esque ending. <br/><br/>Tall self titled wrappers dated November 28th 1952 Re-run 29-3-1962 noting 10 reels. Mimeograph duplication. Bound with two silver brads at the top edge. Very Good plus. Twentieth Century-Fox unknown books
1947151729Los Angeles: Selznick International 1947. Post-production Censorship Cuts script for the 1946 film dated July 31 1947 with text printed vertically.<br/><br/>Based on Niven Busch's 1944 novel of the same name. Lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939 and held in high regard by some of today's finest filmmakers. Nominated for two Academy Awards. <br/><br/>Set in Texas shot on location in Arizona and California. <br/><br/>Gray titled wrappers noted as Censorship Cuts on the front wrapper. Title page integral with first page dated July 31 1947 noted as Censorship Cuts. Four leaves with last page of text numbered 4. Mimeograph duplication rectos only. Pages Near Fine wrapper near Fine bound internally with three gold brads.<br/><br/>Clover Men Women and Chainsaws. Godard Histoires du Cinema. Rosenbaum 1000. Scorcese A Personal Journey Through American Movies. Silver and Ward US. Selznick International unknown books
1946151732Los Angeles: Vanguard Films 1946. Post-production Dialogue Continuity script for the 1946 film with annotation in holograph blue and graphite pencil on front wrapper of check mark and "chgs April 28/47."<br/><br/>Based on Niven Busch's 1944 novel of the same name. Lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939 and held in high regard by some of today's finest filmmakers. Nominated for two Academy Awards. <br/><br/>Set in Texas shot on location in Arizona and California. <br/><br/>Yellow titled wrappers noted as DIALOGUE CONTINUITY on the front wrapper rubber-stamped copy No. 94 dated November 18 1946. Distribution page present with receipt intact. Title page integral with firsts page noted as DIALOGUE CONTINUITY. 64 leaves with last page of text numbered REEL EIGHT-A PAGE TWO. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads.<br/><br/>Clover Men Women and Chainsaws. Godard Histoires du Cinema. Rosenbaum 1000. Scorcese A Personal Journey Through American Movies. Silver and Ward US. Vanguard Films unknown books
1947151730Los Angeles: Selznick International 1947. Post-production Trailer #2 Dialogue Cutting Continuity script for the 1946 film.<br/><br/>Based on Niven Busch's 1944 novel of the same name. Lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939 and held in high regard by some of today's finest filmmakers. Nominated for two Academy Awards. <br/><br/>Set in Texas shot on location in Arizona and California. <br/><br/>Gray titled wrappers noted as TRAILER #3 DIALOGUE CUTTING CONTINUITY on the front wrapper dated May 29 1947. Two leaves with last page of text numbered REEL 1 PAGE 2. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine saddle-stapled with three staples.<br/><br/>Clover Men Women and Chainsaws. Godard Histoires du Cinema. Rosenbaum 1000. Scorcese A Personal Journey Through American Movies. Silver and Ward US. Selznick International unknown books
1947151728Los Angeles: Selznick International 1947. Post-production Trailer #3 Dialogue Cutting Continuity script for the 1946 film.<br/><br/>Based on Niven Busch's 1944 novel of the same name. Lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939 and held in high regard by some of today's finest filmmakers. Nominated for two Academy Awards. <br/><br/>Set in Texas shot on location in Arizona and California. <br/><br/>Gray titled wrappers noted as TRAILER #3 DIALOGUE CUTTING CONTINUITY on the front wrapper dated May 29 1947. Three leaves with last page of text numbered REEL 1 PAGE 4. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine saddle-stapled with three staples.<br/><br/>Clover Men Women and Chainsaws. Godard Histoires du Cinema. Rosenbaum 1000. Scorcese A Personal Journey Through American Movies. Silver and Ward US. Selznick International unknown books
1946151733Los Angeles: Vanguard Films 1946. Promotional folder for the 1946 film on heavy buff cardstock with large "Duel in the Sun" black and red logo on face of folder and "Duel in the Sun Pictures and Stories" printed on upper tab.<br/><br/>Based on Niven Busch's 1944 novel of the same name. Lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939 and held in high regard by some of today's finest filmmakers. Nominated for two Academy Awards. <br/><br/>Set in Texas shot on location in Arizona and California. <br/><br/>11.75 x 9.5 inches. Near Fine<br/><br/>Clover Men Women and Chainsaws. Godard Histoires du Cinema. Rosenbaum 1000. Scorcese A Personal Journey Through American Movies. Silver and Ward US. Vanguard Films unknown books
1965147879Los Angeles: Paramount Pictures 1965. Two vintage studio still photographs from the 1965 film. <br/><br/>Based on the 1957 novel by screenwriter Frank Gruber.<br/><br/>Gun-for-hire Tom Rosser Dana Andrews is almost killed by gunslinger Lee Ring Lyle Bettger who inadvertently kills Rosser's wife. A few years later Rosser arrives in a town in need of his services is run by Riley Condor Bruce Cabot the man who paid the killer of Rosser's wife.<br/><br/>8 x 10 inches. One Very Good plus with a small closed tear in bottom margin. One Very Good with several pinholes throughout.<br/><br/>Complete collation details available on request. Paramount Pictures unknown books
1950148049Culver City CA: RKO Radio Pictures 1950. Vintage studio still photograph from the 1950 film. <br/><br/>Out of work cowboys Kansas Jones Tim Holt and Chito Rafferty Richard Martin are hired to work at Dust Willis' Jacqueline White ranch and to help save her brother Harry Robert Clarke whose in debt to the vicious Clint Burrows Reed Hadley. <br/><br/>Shot on location at the Jack Garner Ranch in San Bernardino California and the RKO Encino Ranch in Los Angeles California.<br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. RKO Radio Pictures unknown books
1939151708Beverly Hills CA: Selznick International Pictures 1939. Post-production Dialogue Continuity script for he 1939 film dated "September 22 1939" on front wrapper. <br/><br/>A richly produced American remake of the 1936 Swedish film by Gustav Molander with Ingrid Bergman-new to the American studios at that time-recreating her role. A famed concert violinist Leslie Howard who is married with children falls in love with a young pianist Bergman and begins an affair with her. Nominated for two Academy Awards: Best Cinematography and Best Musical Score. <br/><br/>Goldenrod titled wrappers noted as DIALOGUE CONTINUITY on the front wrapper dated September 22 1939. Title page integral with first page. 30 leaves with last page of text numbered REEL FOUR-B PAGE ONE. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Selznick International Pictures unknown books
1972132204London: National Screen Service / Hemdale Film Distributors 1972. Collection of 5 vintage black-and-white still photographs from the 1972 UK film. <br/><br/>Based on Antonia Barber's novel "The Ghosts" about a family who is hired as caretakers for a haunted mansion. Laurence Naismith's last film credit as "Mr. Blunden."<br/><br/>8 x 10 inches. About Near Fine. National Screen Service / Hemdale Film Distributors unknown books
1953147929Los Angeles: Twentieth Century-Fox 1953. Vintage studio still photograph of George Jessel in front of a photograph of performer Eva Tanguay from the opening sequence of the 1953 film. <br/><br/>Producer Jessel playing himself holds a story writing conference where debates surrounding the life of vaudeville star Eva Tanguay Mitzi Gaynor the subject of the upcoming film give way to conflicting stories told by her former partner Eddie McCoy David Wayne and piano player Charles Bennett Oscar Levant. <br/><br/>8 x 10 inches. Near Fine with light creasing at corners. <br/><br/>Complete collation details available on request.<br/><br/>Hirschhorn The Hollywood Musical. Twentieth Century-Fox unknown books
1946151695N.p.: Vanguard Films 1946. Draft script for an unproduced film by novelist and screenwriter Marian Cockrell.<br/><br/>A romantic comedy set in the small town of Kenwood Missouri. Cockrell is best known as screenwriter for Andre De Toth's 1945 film noir "Dark Waters" and also for her television work for noted shows such as "Alfred Hitchcock Presents" and "Batman."<br/><br/>Blue titled wrappers with rubber-stamped copy number dated December 14 1946 with credit for screenwriter Marian Cockrell. Distribution page present with receipt intact. Title page present dated December 14 1946 with credit for screenwriter Cockrell. 184 leaves mimeograph duplication. Pages Near Fine wrapper Near Fine bound with three black brads. Vanguard Films unknown books
1955148077Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1955. Vintage double weight photograph from the 1955 film a headshot of John Hodiak who played D.A. John J. Armstrong. Mimeo shipe and "Silver Screen Archives" stamp on the verso.<br/><br/>Based on screenwriter Don Mankiewicz's 1955 novel.<br/><br/>Young Mexican boy Angel Chavez Rafael Campos is accused of murdering a Caucasian girl. David Blake Glenn Ford is a law professor who finds field work at Barney Castle's Arthur Kennedy a small law firm. Castle takes Chavez's case only for Blake to realize Castle's a communist and only took the case to exploit the boy for his own political machinations. <br/><br/>Nominated for an Academy Award for Best Supporting Actor. <br/><br/>Set in California and New York shot on location in California. <br/><br/>8 x 10 inches. Very Good plus very slightly faded and with a few tiny stains to the verso.<br/><br/>Complete collation details available on request.<br/><br/>Grant US. Metro-Goldwyn-Mayer [MGM] unknown books
1981147573N.p.: Brooksfilms 1981. Two vintage color double weight studio still photographs of Gregory Hines and one vintage black and white studio still photograph of Mel Brooks and Gregory Hines from the 1981 film. <br/><br/>An ambitious sprawling historical farce made by Mel Brooks in the heat of his success as a film director. In the film Brooks plays Moses Tomas de Torquemada King Louis XVI and Jacques "Jacques le garcon de pisse." Part I begins of course with the Dawn of Man and covers The Old Testament The Roman Empire The Spanish Inquisition and The French Revolution ending with a "preview" of Part II never made in keeping with Sir Walter Raleigh who was beheaded before he could write his Part II. The preview includes Hitler on Ice a Viking funeral and "Jews in Space."<br/><br/>Gregory Hines screen debut as Ethiopian slave Josephus.<br/><br/>8 x 10 inches. Near Fine. <br/><br/><br/><br/>Rosenbaum 1000. Brooksfilms unknown books
1964129477Beverly Hills CA: United Artists 1964. Original Pressbook for the 1964 documentary film. From the director of "Willy Wonka and the Chocolate Factory" a memorial to president John F. Kennedy and a look at the events surrounding his assassination. <br/><br/>8 pages saddle-stapled with one ad supplement 11 x 17 inches. Black-and-white throughout. A horizontal fold at the middle else Near Fine. United Artists unknown books