8 854 résultats
1933138407Germany: Kinematrade 1933. Vintage US poster for the 1932 German communist propaganda film "Kuhle Wampe oder Wem gehort die Welt" The subtitle is seen here under the English translation "Whither Germany." Circa 1933 as identified by the name of the Philadelphia theatre on the poster. <br/><br/>The last and arguably most important communist film of the Weimar era "Kuhle Wampe oder" is according to screenwriter Brecht a "Collective Presentation" that tells the tale of a family in early 1930s Berlin. After the son is prolongedly unemployed he commits suicide and the family is forced to relocate to a shantytown known as "Kuhle Wampe" or "Empty Stomach." Created under severely limited material conditions with filming constantly being broken up by the Weimar government's paramilitary SA agency the film attempts to depict archetypes of the times including an intellectual clash on a subway between members of the bourgeoisie and the proletariat. <br/><br/>Banned first by the failing Weimar Republic and subsequently by the Nazi Reich the film was believed to have been lost until it reappeared over 20 years later in East Germany in 1958. This poster likely originates from screenings held in November 1933 by an unknown pro-communist organization in Philadelphia at the short lived left-leaning Philkino theater. A US screening of this film dating before the film's disappearance and only just after the very beginnings of Hitler's rise to power makes this poster not only very scarce but one of significant historical value. <br/><br/>The poster touting "Kuhle Wampe" as "The Film Hitler Burned" features an image of a man with a hammer and sickle attacking two snakes that form the Nazi swastika and touts the involvement of members of the "Labor Sports Union" in the film. <br/><br/>9.5 x 13 inches letterpress on pale faded pink stock. Very Good condition with a couple of tiny chips at the extremities and moderate creasing. Kinematrade unknown books
160757N.p.: N.p. 1978. Revised Draft script for the 1979 short film. Copy belonging to uncredited actor Charles Hutchins with his name and role "The Court Clerk" in manuscript ink on the title page and his annotations in manuscript ink indicating scenes on three pages. <br /> <br /> The first film adaptation of the 1944 novel by Lillian Smith about a Black painter in 1940s Georgia whose attempt to register to vote culminates in his murder by a lynch mob. Nominated for an Academy Award for Best Short Film.<br /> <br /> Set in Georgia.<br /> <br /> Self wrappers. Title page present dated Feb. 20 1978 noted as Revised Draft with credits for screenwriter Stephen B. Katz director Seth Pinsker and novelist Lillian Smith. 36 leaves with last page of text numbered 33. Xerographic duplication rectos only. Pages Very Good plus lightly edgeworn partially bound at the top left corner with three staples. N.p. unknown
163355Beverly Hills CA: Chartoff-Winkler Productions 1973. Revised Draft script for the 1974 film. Noted as copy No. 118 in manuscript ink on the title page.<br /> <br /> Loosely based on Fyodor Dostoevsky's 1866 novel. A successful Harvard-educated literature professor finds himself in deep debt as his gambling addiction begins to spiral out of control. The first American film made by Czech-British filmmaker Karel Reisz. <br /> <br /> Set and shot on location in Las Vegas Tucson and New York.<br /> <br /> Mustard titled Studio Duplicating Service wrappers. Title page present dated July 26 1973 noted as Revised with credits for director Karel Reisz and screenwriter James Toback. 123 leaves with last page of text numbered 122. Mimeograph duplication rectos only. Pages about Near Fine wrapper Very Good moderately soiled and edgeworn bound with two gold screw brads.<br /> <br /> Grant US. Imprint 49. Chartoff-Winkler Productions unknown
1961156281Stockholm: Svensk Filmindustri 1961. Collection of 22 vintage double weight oversize reference photographs from the 1961 Swedish film. Stamps of DLS-Film Holland on the versos and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. <br /> <br /> The first entry in Ingmar Bergman's legendary and highly personal "Faith" trilogy winner of the Academy Award for Best Foreign Film. A young woman is released from a mental institution and moves to an island where her family resides to recover. But she finds little solace and no support from her father her husband or her brother. A landmark film in that it is not so much an examination into mental illness as a glimpse into a private world seen through a mind that has departed day to day concerns. <br /> <br /> 9.25 x 11.75 inches. About Very Good plus with pinholes at the corners and light edgewear. <br /> <br /> Criterion Collection 209. Ebert III. Svensk Filmindustri unknown
150990N.p.: N.p. 1970. Collection of nine vintage reference photographs from the 1970 film including eight borderless and one with narrow margins and wide bottom margin. Two bear provenance stamps on the verso and one bears the stamp of photographer Andre Marinie.<br /> <br /> Three in the collection are on the set photographs featuring director Jacques Demy.<br /> <br /> Based on the 1695 French fairytale in verse by Charles Perrault and loosely based on Jean Cocteau's 1946 "Beauty and the Beast." <br /> <br /> Shot on location in Chambord Ecuille Gmabais Manche and Oise France. <br /> <br /> Photographs range in size from 7 x 5 inches to 10.5 x 7 inches. Generally about Near Fine. <br /> <br /> Criterion Collection 718. N.p. unknown
167972N.p.: N.p. 1990. Draft script for the 1991 film seen here under the working title "ROMENEWYORKPARISL.A.HELSINKI." Annotations in manuscript pencil on the title page noting times in the cities in which the film is set.<br /> <br /> An anthology of five stories about taxicab drivers in five different cities who experience a variety of humorous romantic and unusual situations as they encounter patrons on their nighttime shifts.<br /> <br /> Set and shot on location in Helsinki Paris Rome New York and Los Angeles.<br /> <br /> Mylar front wrapper black rear wrapper. Title page present dated 1990 noted as copy No. 32 in manuscript ink with credit for screenwriter Jim Jarmusch. 89 leaves with last page of text numbered 87 and dated September 17 1990. Xerographic duplication rectos only. Pages about Near Fine wrapper Very Good plus with a black Velo binding. N.p. unknown
1935146988Culver City CA: RKO Radio Pictures 1935. Two vintage oversize double weight photographs from the 1935 film. <br/><br/>The second of two films based on Liam O'Flaherty's 1925 novel the first being Arthur Robison's 1929 British feature about a former Republic Army member during the Irish War of Independence who turns in one of his comrades to the British in order to use the bounty money to book passage to America for himself and his girlfriend who has been forced into prostitution. <br/><br/>Winner of four Academy Awards including Best Adapted Screenplay Best Director and Best Actor for Victor McLaglen nominated for two others including Best Picture. Screenwriter Dudley Nichols became the first person to decline an Academy Award when his refused his Oscar due to an ongoing dispute between the Screen Writers Guild and the Academy though he would eventually claim it three years later. <br/><br/>11 x 14 inches with irregular margins. Near Fine. <br/><br/>National Film Registry. RKO Radio Pictures unknown books
153226Paris: Alpha France 1975. Archive of material relating to the production and release of the 1974 US adult film a period costume drama. <br /> <br /> From the US production of the film: 72 vernacular color snapshots each with a small label adhered to the corner with the film's French title and 18 snapshot-size contact photographs.<br /> <br /> From the French release of the film: three double weight glossy French lobby cards three copies of a black and white French program one color French program and one moyenne film poster for the French release with the French title "Soumise et perverse Cecilie".<br /> <br /> Vernacular color snapshots and contact photographs are essentially the keybook photos for the film numerically annotated in manuscript marker and wax pencil respectively one photograph with cropping annotation on recto in manuscript yellow wax pencil. <br /> <br /> French lobby cards with "Soumise et perverse Cecilie" stickers to upper corners. Black and white flyers with credits and synopsis on verso and color flyer with black and white photographs and synopsis on verso.<br /> <br /> An extravagant pornographic period costume piece by noted "prestige pornography" director Lee Frost here under the pseudonym F.C. Perl Franklin C. Perl wherein the beautiful 17 year old London girl Cecily Angela Carnon is sold into sexual servitude to a perverse and sadistic countess in France to pay off her deceased father's gambling debts.<br /> <br /> Frost a favorite of Quentin Tarantino was well known for his high-concept grindhouse films such as the notorious roughie "Climax of Blue Power" made the same year as this film 1974 "The Thing with Two Heads" 1972 "Chrome and Hot Leather" 1971 "Chain Gang Women" 1971 and "The Black Gestapo" 1975 and was the screenwriter for one of the great road movies "Race with the Devil" 1975.<br /> <br /> Set in Renaissance France. <br /> <br /> 72 Vernacular color snapshots 4 x 5 inches. Near Fine.<br /> <br /> 18 contact sheet photographs 4 x 4.75 inches. Near Fine.<br /> <br /> Three French lobby cards 11.75 x 9.5 inches. Very Good plus with light creasing to far corners and two with pinholes at corners.<br /> <br /> Three black and white flyers 8.25 x 10.5 inches. Some very light soiling to outer borders one with a horizontal crease and a single line annotation in red manuscript marker on verso else Near Fine.<br /> <br /> Color flyer 9 x 12 inches. Very Good with creasing at extremities.<br /> <br /> Poster 22.5 x 30 inches folded as issued. Near Fine. Alpha France unknown
150817The Hague: Allarts 1988. Draft script for the 1988 film. <br /> <br /> Director Peter Greenaway's most successful and also most controversial film following a gangster's wife as she begins a doomed affair with a patron of her husband's high-class French restaurant aided by the genteel head cook. The film garnered attention at the time of its release for its stylish but graphic violence decadent cinematography which was as with many films in Greenaway's oeuvre inspired by Flemish Baroque painting and explicit sexuality.<br /> <br /> Set in the UK.<br /> <br /> Red titled wrappers with credits for director Peter Greenaway on the front wrapper. Title page present dated 1988 with credits for director Peter Greenaway. 160 leaves with last page of text numbered 148. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with perfect binding. Allarts unknown
1988150817The Hague: Allarts 1988. Draft script for the 1988 film. <br/><br/>Director Peter Greenaway's most successful and also most controversial film following an abusive gangster's sophisticated wife as she begins a doomed affair with a patron of her husband's high-class French restaurant aided by the genteel head cook. The film garnered attention at the time of its release for its stylish but graphic violence decadent cinematography which was as with many films in Greenaway's oeuvre inspired by Flemish Baroque painting and explicit depictions and notions of sexuality.<br/><br/>Set in the UK.<br/><br/>Red titled wrappers with credits for director Peter Greenaway on the front wrapper. Title page present dated 1988 with credits for director Peter Greenaway. 160 leaves with last page of text numbered 148. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with perfect binding. Allarts unknown books
2006151123N.p.: Cherry Road Films 2006. Archive of material from the 2006 film belonging to uncredited visual effects artist John Follmer including a Draft screenplay a Revised Draft screenplay 2 sets of xerographically reproduced storyboards and a 15-page xerographically reproduced shooting schedule. <br/><br/>In post-apocalypse Los Angeles an action film actor with amnesia becomes involved with a former porn star developing her own political pundit television show and a psychic police officer who holds the key to a twisted time-traveling conspiracy. <br/><br/>Set and shot on location in Los Angeles Malibu Manhattan Beach Venice and Hermosa Beach California. <br/><br/>Draft screenplay:<br/><br/>White Cherry Road Films wrappers. Title page present dated September 1 2004 with credits for director Richard Kelly. 124 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound internally with two gold brads.<br/><br/>Revised Draft screenplay:<br/><br/>Self wrappers. Title page present dated August 10 2005 noted as Blue Revision with credits for director Richard Kelly. 95 leaves with last page of text numbered 93. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a small tear to the top of the binding bound with two gold brads.<br/><br/>Shooting schedule storyboards and contents generally Near Fine. Cherry Road Films unknown books
1948167637Culver City CA: RKO Radio Pictures 1948. Treatment script for the key 1948 film noir. In Jaffe Agency wrappers stamped "FILE COPY" and "JAFFE AGENCY" at the top right corner of the front wrapper.<br /> <br /> Robert Altman's first screenwriting credit he would not direct his first feature film for another 20 years and Richard Fleischer's first directorial effort a tight noir second feature. Altman is credited here alongside another first-time screenwriter George W. George who would go on to be a prolific screenwriter with credits for such films as "The Woman on Pier 13" 1949 and "Big House USA" 1955. <br /> <br /> Set in Los Angeles and an early example of a noir film with a large amount of location shooting throughout the Los Angeles area. <br /> <br /> Tan agency wrappers "The Jaffe Agency" printed at the bottom of the front wrapper and with their diamond TJA logo at the center Title page present with credits for screenwriters Altman and George. 55 leaves with last page of text numbered 54. Mimeograph duplication. Pages about Near Fine with a small chip at the bottom right corner of the title page wrapper Very Good plus internally bound with three gold brads. RKO Radio Pictures unknown
1972131876Rome: C C. Champion 1972. Draft script for the 1972 film. Bound at the rear are an additional 11 pages that include a complete Cast List and Unit List. Filmed on location in Italy as "Che" the film also saw later release in the US as "Diary of Forbidden Dreams."<br/><br/>A lesser known film in the director's oeuvre a comedic and highly sexualized homage to Alice in Wonderland starring Sydne Rome as an American hitchhiker who stumbles upon an increasingly bizarre and decadent party at an Italian villa. <br/><br/>Blue wrappers as originally used. Title page present noted as copy No. 4 in pink holograph ink with credits for screenwriters Brach and Polanski. 122 leaves mechanical duplication. Pages Near Fine wrapper Very Good bound internally with two gold brads. C C. Champion unknown books
161161Los Angeles: New World Pictures 1987. Revised Second Draft script for the 1989 film. Copy belonging to cinematographer Francis Kenny with his name in manuscript ink on the title page and his ink and pencil annotations on several pages noting deletions and occasional additions. <br /> <br /> A dark satire of the popular John Hughes teen comedies of the early 1980s today considered a classic coming-of-age film. The debuts of both director Michael Lehmann and screenwriter Daniel Waters. <br /> <br /> Set in Sherwood Ohio and shot on location in Los Angeles California. <br /> <br /> White untitled New World Pictures production wrappers. Title page present dated November 17 1987 noted as REVISED SECOND DRAFT with credit for screenwriter Daniel Waters. 110 leaves with last page of text numbered 109. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. New World Pictures unknown
160601Burbank CA: Warner Brothers 1971. Revised Final script for the 1972 film. <br /> <br /> An engaged mild-mannered musicologist is in San Francisco at a convention competing for a research grant when he meets an exceedingly unusual woman who immediately decides she's fallen head-over-heels in love with him. A wildly successful screwball sendup the highest grossing film ever directed by Peter Bogdanovich. <br /> <br /> Set and shot on location in San Francisco. <br /> <br /> Goldenrod titled wrappers noted as REV. FINAL on the front wrapper rubber-stamped production No. 152 dated August 1 1971. Distribution page present with receipt intact. Title page present dated 8/1/71 noted as Revised with credits for screenwriter Buck Henry and story credits for David Newman Robert Benton and Peter Bogdanovich. Mimeograph duplication on blue stock rectos only. 156 leaves with last page of text numbered 154. Pages Near Fine wrapper Very Good bound internally with two gold brads. Warner Brothers unknown
1963150213Rome: Titanus 1963. Vintage oversize borderless double weight photograph of director Luchino Visconti with actors Burt Lancaster and Serge Regiani on the set of the 1963 film. Layout annotations in manuscript pencil and the stamp of photographer G. B. Poletto on the verso.<br /> <br /> Based on the 1958 novel by Giuseppe Tomasi di Lampedusa. Visconti's classic spacious homage to the quiet death of the Sicilian aristocracy of the mid-nineteenth century one of the great films of Italian cinema. Winner of the Palme d'Or.<br /> <br /> Shot on location in Rome Lazio and Sicily Italy. <br /> <br /> 9.5 x 11.75 inches. Very Good plus with some creasing and tiny bruise on right side. <br /> <br /> BFI 1087. Criterion Collection 235. Ebert II. Godard Histoires de cinema. Rosenbaum 1000. Schrader 22. Titanus unknown
2011167669Burbank CA: DMP Productions 2011. Vintage reference bible for the 2011 family film with 18 sets represented. <br /> <br /> The seventh Muppets feature film in which Kermit and two human friends attempt to reunite the Muppets who have been disbanded for years in order to save the Muppet Theater from destruction. Intended to revive the franchise after years of inactivity following Disney's acquisition of the Muppets in 2004. Winner of the Academy Award for Best Original Song for Bret McKenzie's "Man or Muppet." <br /> <br /> Set in Los Angeles Paris Reno and the fictional city of Smalltown and shot on location in Los Angeles Reno and Zürich. <br /> <br /> Housed in a generic white three-ring binder with board inserts noting the film's title and the names email addresses and phone numbers of leadman Lou Mugavero decorator Tracey Doyle and assistant decorator Leighanne Haddock. Binder and contents about Fine. DMP Productions unknown
152444N.p.: N.p. 1994. Collection of 17 vintage reference photographs taken on the set of the 1995 film by photographer Shade Rupe. Variously featured are director Abel Ferrara actress Lili Taylor cinematographer Ken Kelsch screenwriter Nicholas St. John and other cast and crew members all photographed over the course of a single evening near Manhattan's Puck Building Lafayette Street an alley off Jersey Street NYU and Keith Haring's Pop Shop on Lafayette Street. <br /> <br /> Struck in 2020 from Rupe's original negatives these being the only existing prints. Full provenance available with letter from Rupe stating "no other prints have ever or will ever be struck." Stamp on verso of each photo crediting Rupe as photographer.<br /> <br /> A conceptual black-and-white reimagining of the vampire movie about a philosophy graduate student who is forced to reconsider the nature of evil and humanity after succumbing to a vampire and developing an addiction to human blood.<br /> <br /> Set and shot on location in Manhattan.<br /> <br /> 12 x 9 inches. Fine.<br /> <br /> Arrow 1769. Spicer US Neo-Noir. N.p. unknown
1990143465Tokyo: Shochiku Films 1990. Draft script for the 1991 film dated May 28 1990 about a year before its release. <br/><br/>A tale of three generations in a postwar Japanese family and their responses to the atomic bombing of Japan. When the film played at the Tokyo Film Festival critics of Japanese militarism said Kurosawa had ignored the historical facts leading up to the bomb. Kurosawa's response was simple: he wanted his film to say that war was between governments not people. Richard Gere plays one of the family's Asian-American cousins a decision falling somewhere between stunt casting and commentary. <br/><br/>Set in Nagasaki and shot on location there. <br/><br/>Blue titled wrappers dated 5.28.1990. Title page present. 166 leaves with last page of text numbered 150. Mechanical duplication. Pages Near Fine wrapper Near Fine. <br/><br/>Rosenbaum 1000. Shochiku Films unknown books
1971WRCLIT82971Los Angeles: Paramount Pictures / APJAC Productions 1971. 1120 leaves. Quarto. Mechanically reproduced typescript printed on rectos only of white salmon and green stock. Bradbound in printed studio wrappers. Ink name on upper wrapper a few notes on title and scattered in text; very good. A "revised shooting script" of Allen's own film adaptation of his 1969 play. Charles Grodin had written at least one draft of an earlier adaptation for the same production company. This copy includes dated revises on colored stock spanning 20 - 27 September. The film was released in May 1972 was directed by Herbert Ross and starred Allen Diane Keaton Tony Roberts Jerry Lacy Viva Joy Bang et al. This copy bears the ink name "Jerry Lacy" on the upper wrapper he played Bogart in the film and contact info for Joy Bang and other annotations in the same hand. Actual pre-production scripts by Allen or for films based on his sourceworks tend to be rather uncommon their circulation being largely confined to those actually involved directly in production. Paramount Pictures / APJAC Productions unknown books
166735Burbank CA: Warner Brothers 1993. Revised Draft script for the 1993 neo-noir film. Laid in is a map with directions to a location shooting. <br /> <br /> One of most successful action films of the 1990s and a peak for actor Harrison Ford. Based on the 1963-1963 ABC television series created by Roy Huggins which itself was loosely inspired by the 1954 trial of Sam Sheppard. Harrison Ford stars as Dr. Richard Kimble who after being framed for the murder of his wife and sentenced to death escapes from custody and sets out to find the real killer and clear his name all while being hunted by the police and a team of US Marshals led by Deputy Samuel Gerard played by Tommy Lee Jones. Winner of an Academy Award for Best Supporting Actor for Jones. <br /> <br /> Set in and shot on location in North Carolina and Chicago Illinois. <br /> <br /> Front wrapper integral with title page dated January 25 1993 noted as REVISED DRAFT with credits for screenwriter Jeb Stuart. 141 leaves with last page of text numbered 135. Mimeograph duplication rectos only with pink revision pages throughout dated 02/02/93. Pages Near Fine bound with two gold brads.<br /> <br /> Grant US. Penzler 101. Warner Brothers unknown
1965141952Moore Park Australia: Embassy Pictures 1965. Final Draft script for the 1965 film. Copy belonging to actor Hank Jones who played the role of Chuck with his name to the front wrapper in black ink. With 19 pages of deleted scenes laid in. <br/><br/>Loosely based on the 1904 H.G. Wells novel "The Food of the Gods and How It Came to Earth." Another of director Bert I. Gordon's "big" films in which some element or character grows to monstrous size only this time he had the novel idea to combine the sci-fi trope with a teenage beach film with "Village of the Giants" as the laughably campy result. A group of teenagers including Beau Bridges accidentally stumbles upon a way to grow themselves to unusually large size and terrorizes a small town until a young Ron Howard the nerdy "Genius" character figures out how to turn them small again. <br/><br/>Set in the small fictional town of Hainesville California shot on location in Los Angeles. <br/><br/>White titled front self wrapper and blue rear wrapper noted as FINAL DRAFT on the front wrapper dated April 13 1965 with credits for screenwriter Alan Caillou and story writer Bert I. Gordon. Title page integral with the front wrapper as issued. 130 leaves with last page of text numbered 135. Mechanical duplication with blue revision pages throughout dated 4-19-65 and 4-27-65. Pages Near Fine wrapper Very Good plus bound with three gold brads. Embassy Pictures unknown books
161658Miami: Porky's Productions Astral 1980. Draft script for the 1981 film. Single photocopied manuscript annotation on the title page noting "Received 10/9/80" and a single annotation in manuscript ink on the same page noting copy No. 3.<br /> <br /> One of the highest grossing films of 1980 and the film that kickstarted the teen sex comedies of the 1980s about a group of high school students who decide to try to lose their virginities at the titular Porky's strip club while running afoul of the local sheriff.<br /> <br /> Set in the Florida Everglades in 1954 shot on location in Miami Hollywood and Fort Lauderdale Florida and in Santa Monica California. <br /> <br /> Orange faux leather titled wrappers. Title page present stamped Porky's Productions with credit for writer-director Bob Clark. 121 leaves with last page of text numbered 120. Xerographically reproduced rectos only. Pages Near Fine wrapper about Near Fine bound with two silver screw brads. <br /> <br /> Arrow 933. Porky's Productions (Astral) unknown
138357First Draft script for the 1972 film. A very early version written by Charles Grodin who would go uncredited on the final film. <br/><br/>A comedy that is pretty difficult to overestimate: even though it was not directed by Woody Allen it was the template for the many great films he would subsequently write and direct in the 1970s in terms of shooting style timing romantic themes and the actors involved the irrepressible trio of Allen Keaton and Roberts. Allen had already directed two films at this point "Take the Money and Run" and "Bananas" but this film is significant in that it predicted the more substantive romantic comedies that would later place him among the most important filmmakers of his era notably "Annie Hall" 1977 and "Manhattan" 1979. <br/><br/>Goldenrod titled wrappers noted as first draft screenplay on the front wrappernoted as FIRST DRAFT SCREENPLAY at the bottom right and with a credit for Twentieth Century-Fox at the top center and the logo for APJAC Productions at the bottom center. Title page present with credits for screenwriter Charles Grodin and playwright Woody Allen. 109 leaves eye rest green stock with last page of text numbered 108. Pages Fine mechanical duplication wrapper Very Good overall with three short diagonal tears at the center and some loss on the rear wrapper at the lower brad. Bound with two gold brads. unknown books
167968N.p.: N.p. 2005. Draft script for the 2005 film. Copy belonging to an unidentified crew member with their annotations in manuscript ink and pencil throughout denoting props and indicating potential script revisions and post-it tags on page fore-edges.<br /> <br /> Christopher Nolan's markedly darker edgier reboot of the "Batman" cinema franchise charting Bruce Wayne's transformation into the caped crusader. Followed by "The Dark Knight" 2008 and "The Dark Knight Rises" 2012. <br /> <br /> Set in Gotham City and Bhutan shot on location in Iceland the United Kingdom and Chicago. <br /> <br /> Self wrappers. Title page present undated with credit for screenwriter David Goyer. 150 leaves with last page of text numbered 149. Xerographic duplication rectos only. Pages Very Good plus lightly dampstained on several leaves bound with two gold brads. N.p. unknown
