4 698 résultats
1980163765Burbank CA: The Ladd Company 1980. Collection of 32 vintage color slides from the 1981 film as well as one vintage studio still photograph showing actress Kathleen Turner. Three slides with annotations in manuscript ink on their cardboard sleeves. <br /> <br /> A young woman manipulates her lover a small-town lawyer into killing her wealthy husband. A watershed neo-noir update to the classic femme fatale of the 1940s and 1950s.<br /> <br /> Set and shot on location in Florida. <br /> <br /> Photograph 10 x 8 inches. Near Fine.<br /> <br /> Slides 2 x 2 inches. Near Fine. <br /> <br /> Ebert I. Grant US. Penzler 101. Silver and Ward Neo-Noir. Spicer US Neo-Noir. The Ladd Company unknown
1973160085Beverly Hills CA: Crown International Pictures / Saber Productions 1973. Draft script for the 1974 film seen here under the working title "Policewoman." Annotations in manuscript ink on every page checking scene numbers. Included with the script is a pressbook and 15 vintage reference photographs from the film.<br /> <br /> An exploitation film about a policewoman who infiltrates an all-women criminal gang.<br /> <br /> Shot on location in Los Angeles and the Channel Islands California. <br /> <br /> Screenplay:<br /> <br /> Brown wrappers with titles and illustration in gilt. Title page present dated August 1973 with credits for director-screenwriter Lee Frost and screenwriter Wes Bishop. 120 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages about Fine wrapper Near Fine bound internally with three gold brads.<br /> <br /> Pressbook: <br /> <br /> 11 x 17 inches. Eight pages side-stapled. Near Fine. <br /> <br /> Photographs 15: <br /> <br /> 8 x 10 inches. Fine. Crown International Pictures / Saber Productions unknown
1953150345N.p.: N.p. 1953. Vintage oversize borderless reference photograph of actor Anthony Perkins barefoot on the set of "The Rainmaker" circa 1953. The original penciled notations on the verso indicate that Perkins was on the set to visit Wendell Corey. With the stamps of still photographer Bill Avery and editor Bud Fraker on the verso. <br /> <br /> Shot early in his career before Perkins played his best-known role as Norman Bates in Alfred Hitchcock's 1960 film "Psycho." <br /> <br /> Bill Avery worked as a photographer at Columbia Pictures in the early 20th century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others.<br /> <br /> Shot partially on location in Kanab Utah. <br /> <br /> 8.5 x 13.5 inches. Near Fine. N.p. unknown
1975159089N.p.: United International Pictures 1975. Vintage one sheet poster for the US release of the 1974 film. The poster which features an image of Bruce Lee and declares "Bruce Lee / Is He Alive or Dead / What Really Happened Where How Why / The Life and Times of the King Dragon" did not in fact feature Lee nor was the film about Lee.<br /> <br /> Set during WWII two Japanese pardoned war criminals are given an undercover assignment at a lumberyard in occupied China.<br /> <br /> 27 x 41 inches. Folded as issued. Very Good plus with starting at the center folds and light chipping and small closed tears at the margins. United International Pictures unknown
1984167521Burbank CA: Pressman Productions 1984. First Draft script for the 1985 UK/US film circa 1984 with manuscript pencil annotations on the cast of characters page noting the actor's names adjacent to their characters. <br /> <br /> Based on the 1978 play by screenwriter David Hare. Spanning nearly 20 years in the life of Englishwoman Susan Traherne played by Meryl Streep the film follows her from her life-changing experiences as a French Resistance fighter during World War II to her life in post-war England which she finds inadequate and trivial her alienation often leading her to act with disregard for those around her. Nominated for two BAFTA Awards.<br /> <br /> Of note screenwriter Hare divided the script found here into eight segments of which there is a note on the first leaf that this was not for the viewing audience but for clarity in reading for the cast and crew. The eight segments are: "The War" "Europe On The Move" "Austerity" "Plenty" "Suez" "Iran" "The Crisis" and "Liberation."<br /> <br /> Set in and shot on location in London Brusels Belgium France and Tunisia. <br /> <br /> Front wrapper integral with first introductory note leaf. Title page present noted as FIRST DRAFT with credits for screenwriter David Hare. 112 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Pressman Productions unknown
1955151466N.p.: N.p. 1955. Four vintage borderless reference photographs from the 1955 Italian film. With the stamp of still photographer G.B. Poletto on the verso and one with a printed mimeo snipe specific to the film's French release affixed to the verso.<br /> <br /> A trio of small-time ruthless con artists undergo crises of conscience after facing the condemnation of their families. Director Federico Fellini's followup to "La strada" 1954. <br /> <br /> Set in the countryside. <br /> <br /> 9.5 x 7.25 inches. Near Fine. <br /> <br /> Eureka Masters of Cinema 66. Godard Histoires du cinema. Grant US. N.p. unknown
1970162502New Orleans LA: Howco Productions 1970. Draft script for the 1970 sexploitation film seen here under the working title "His Wife's Habit." Laid in with the script is a five-page shooting schedule. <br /> <br /> A promiscuous married woman finds herself unable to resist sleeping with every man she meets leading to a savage attack by a motel parking attendant and his crony. <br /> <br /> Shot on location in New Orleans.<br /> <br /> Black generic card wrappers. Title page present with credits for screenwriters Joy N. Houck Jr. Albert J. Salzer and Robert A. Weaver. 98 leaves with last page of text numbered 97. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good moderately faded on the edges bound internally with three silver brads. Howco Productions unknown
1970170874Rome: Warner Brothers 1970. Vintage Italian 4-Fogli poster for the 1969 film designed by Italian poster artist Manfredo Acerbo.<br /> <br /> Based on director and screenwriter Gordon Parks' semi-autobiographical 1963 novel. The first major studio production directed by an African American and one of few dramas of the period to focus exclusively on Black life in America depicting the life of a teenager in late 1920s Kansas who grows up quickly as he experiences events related to racial and economic injustice in his community. <br /> <br /> Set and shot on location in Kansas. <br /> <br /> 55 x 78 inches. Printed in two panels and folded as issued. Near Fine with modest toning and starting to some of the folds. Warner Brothers unknown
1976163599N.p.: N.p. 1976. Draft script for the 1976 film musical. Approximately 23 revision pages bound in at the rear of the script. <br /> <br /> Loosely based on the story of all-Black girl group the Supremes a rags-to-riches story about a trio of singing sisters from Harlem. The breakthrough performance of actress Irene Cara who would go on to appear in a number of films most prominently "Fame" 1980. <br /> <br /> Self wrappers. Missing title page presumably as issued. 101 leaves with last page of text numbered 101. Xerographic duplication rectos only with goldenrod yellow pink and blue revision pages bound in at the rear of the script dated variously between 5/7/75 and 6/19/75. Pages Near Fine bound with two gold brads. N.p. unknown
1948152133N.p.: Brecher Productions 1948. Final Shooting script for the 1949 film. Copy belonging to uncredited editor Walter Thompson with his name in manuscript pencil on the front wrapper and his manuscript pencil annotations throughout. <br /> <br /> The daughter of a factory worker causes an uproar in her family when she announces her engagement to her father's boss' son. Notable for having been written by but not starring Groucho Marx.<br /> <br /> Set in California.<br /> <br /> Red titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper dated August 24 1948. Title page present undated with credits for director-screenwriter Irving Brecher. 140 leaves with last page of text numbered 137. Mimeograph duplication rectos only with pink and blue revision pages throughout dated variously between 9/3/48 and 10/7/48. Pages Near Fine wrapper Very Good plus bound with two gold brads. Brecher Productions unknown
1967159622N.p.: N.p. 1967. Four vintage borderless color reference photographs from the 1967 film. <br /> <br /> A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. <br /> <br /> Set in Paris.<br /> <br /> Approximately 10.5 x 8.5 inches. Light wear at the corners else Near Fine. N.p. unknown
1972153098Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Draft script for the 1972 film belonging to uncredited crew member J.T. Woods with their name in manuscript pencil on top of front wrapper and with annotations in manuscript marker of layout diagrams on recto and verso of front wrapper and with names and a phone number in manuscript ink on verso of back wrapper . <br /> <br /> A recently paroled carjacker is lured back into a world of crime when his dying best friend tells him about a hidden stash of embezzled money. The first screenplay from screenwriter W.D. Richter known in later years for "Big Trouble in Little China" and his adaptation of "Invasion of the Body Snatchers" and for directing the cult classic "The Adventures of Buckaroo Banzai."<br /> <br /> Shot on location in Pismo Beach California. <br /> <br /> Goldenrod titled wrappers rubber-stamped copy No. 39 dated July 12 1972 with credits for producer Jack Sher director Howard Zieff and screenwriter W.D. Richter. 118 leaves with last page of text numbered 110. Mimeograph duplication rectos only with blue green and gray revision pages throughout dated variously between 6-21-72 and 7-12-72. Pages Near Fine wrapper Very Good with tape binding at spine chipping and splitting and some soiling on back wrapper bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
2000163461Encino CA: American Gun Productions 2000. Archive including Draft script and production documents for the 2002 film. Script supervisor's working copy with annotations in manuscript pencil throughout and housed in a three-ring binder with numerous production documents including shooting schedules call sheets maps time cards and contact sheets. <br /> <br /> A World War II veteran goes on the road to solve the mystery of his daughter's death with his only clue being the serial number of the gun used to kill her. Actor James Coburn's last film. <br /> <br /> Shot on location in New York City in Rutland and Fair Haven Vermont in Fort Lauderdale Florida in Los Angeles and Santa Clarita California and in Las Vegas Nevada.<br /> <br /> Script housed in a generic black three-ring binder. Title page present dated 10/20/00 with credit for screenwriter Alan Jacobs. 142 leaves with last page of text numbered 96. Xerographic duplication rectos only with pink and blue revision pages throughout dated variously between November 14 and 25 2000. Pages Very Good plus. American Gun Productions unknown
1964153077N.p.: N.p. 1964. Two vintage borderless reference photographs from the 1964 French film both showing director Jean-Luc Godard sitting with a camera in the open trunk of a convertible. <br /> <br /> Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema later described by director Jean-Luc Godard as "'Alice in Wonderland' meets Franz Kafka." <br /> <br /> Shot on location in Paris. <br /> <br /> 9.5 x 7.25 inches with wide bottom margins. Near Fine.<br /> <br /> BFI 549. Criterion Collection 174. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Spicer France. N.p. unknown
1985119986N.p.: N.p. 1985. Draft script for the 1986 comedy film. <br /> <br /> The headmaster of a British school is trying to get to a conference for school headmasters where he is meant to give a speech. He runs into a number of obstacles that delay him resulting in one of the most hilarious stressful movies ever made.<br /> <br /> Set in England shot on location in West Midlands Shropshire Worcestershire and Yorkshire England. <br /> <br /> Blue untitled wrappers with a die-cut title window in the British style. Title page present with manuscript ink annotation noting copy No. 160 dated March 1985 with credits for screenwriter Michael Frayn. 164 leaves with last page of text numbered 161. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus wit some curling at the corners internally bound with two silver brads. N.p. unknown
1963152260London: Twentieth Century-Fox 1963. Archive of production material from the 1965 British film including a Revised Draft screenplay three original character design illustrations and a hand drawn storyboard. <br /> <br /> A British newspaper offers a substantial prize to the winner of a cross-channel air race bringing aviators from around the world to compete for the chance at victory and grabbing the attentions of various women. A number of authentic airplanes from the 1900s were used during production including a 1910 Deperdussin Monoplane and a 1912 Blackburn Monoplane.<br /> <br /> Set and shot on location in England including at Book Airfield in Buckinghamshire. <br /> <br /> Fuchsia titled wrappers. Title page present dated December 1963 noted as REVISED SCRIPT with credits for director-screenwriter Ken Annakin and screenwriter Jack Davies. 181 leaves with last page of text numbered 174. Multilith duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Very Good plus lightly faded on the front wrapper bound internally with two silver brads.<br /> <br /> Storyboard and design illustrations varying sizes Near Fine overall housed in a manila folder. Twentieth Century-Fox unknown
1928167295Los Angeles: Metro-Goldwyn-Mayer MGM 1928. Vintage reference photograph from the 1928 silent film showing the infamous "office set" with dozens of identical desks in a largely windowless room. Provenance label mimeo snipe and annotations in manuscript ink on the verso. <br /> <br /> A bleak populist film heavily influenced by German cinema and nominated for several awards at the very first Academy Awards ceremony including Best Director for King Vidor.<br /> <br /> Shot on location throughout New York and in Los Angeles. <br /> <br /> 10 x 7.25 inches. Very Good moderately edgeworn with old cello tape at the corners and center bottom edge. <br /> <br /> National Film Registry. Godard Histoires du cinema. Rosenbaum 1000. Schrader 44. Scorsese A Personal Journey Through American Movies. Metro-Goldwyn-Mayer [MGM] unknown
1995151599N.p.: N.p. 1995. Final Shooting script for the 1995 film. Copy belonging to noted crime writer Mickey Spillane who appeared in a cameo in the film as a personal favor to director Max Allan Collins. With Spillane's name in manuscript ink on the front wrapper and annotations highlighting lines to pages 56-59.<br /> <br /> A woman's increasingly psychotic obsession with her young daughter culminates in a string of gruesome murders. Collins' debut film following a lengthy career as a mystery novelist and comic writer. Followed by a sequel "Mommy 2: Mommy's Day" in 1997. <br /> <br /> Shot on location in Muscatine Iowa. <br /> <br /> White titled wrappers. Title page integral with front wrapper noted as FINAL SHOOTING SCRIPT on the front wrapper with credits for director Max Allan Collins. 79 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1962150683N.p.: N.p. 1962. Two vintage borderless reference photographs from the 1962 film one of Michelangelo Antonioni with Alain Delon and Monica Vitti and one of Antonioni and crew shooting a scene in Rome from scaffolding built in the water. One with French "L'Eclipse" stamp and provenance stamp of film historian "Maurice Bessy" on verso one with "P.I.P." and "Copyright" stamps on verso.<br /> <br /> A woman's newfound relationship with a power-hungry stockbroker gradually erodes as she becomes dissatisfied with his shallow interests. The final film in Antonioni's modernity trilogy all starring Vitti preceded by "L'avventura" 1960 and "La notte" 1961. Awarded the Jury Special Prize and nominated for the Palme d'Or at the 1961 Cannes Film Festival.<br /> <br /> Shot on location in Rome and Verona Italy. <br /> <br /> 6.75 x 9.25 inches and 9.5 x 7 inches. Very Good plus with light creasing and edgewear. <br /> <br /> Criterion Collection 278. Rosenbaum 1000. Scorsese My Voyage to Italy. Vogel Film as a Subversive Art. N.p. unknown
1971163784Universal City: Universal Pictures 1971. Five vintage borderless reference photographs from the 1971 film including one showing a camera crew setting up a scene on the set. One with a printed mimeo snipe affixed to the verso and all five with annotations in manuscript ink and pencil and provenance stamps and labels on the versos. <br /> <br /> Milo Forman's first film made in the US. A suburban couple return home one evening to find their teenage daughter has run away. While out looking for their daughter they come across other parents whose children are missing and form a self-help group only to discover they feel happier and freer with the children gone. <br /> <br /> Set and shot on location in New York City. <br /> <br /> Four 7.5 x 9.5 inches one 10 x 8 inches. Very Good plus. Universal Pictures unknown
1979157906London: Morison Film Group 1979. Third draft for the 1981 UK horror film. Second generation duplication made internally by the filmmakers during production and in original wrappers. Vintage as issued.<br /> <br /> Two terrorists accidentally unleash a deathly venomous snake into the home where they have trapped a number of hostages. <br /> <br /> Set in London and shot on location in London and Hertfordshire England. <br /> <br /> Grey titled wrappers. Title page present dated July 31 1979 noted as third draft with credits for Robert Carrington and Alan Scholefield. 118 leaves with last page of text numbered 117. Xerox duplication rectos only. Pages Very Good plus with faint soil on page edges and a faint tide mark along the fore-edge of the title page wrapper Near Fine bound with two silver brads.<br /> <br /> Blue Underground 7070. Morison Film Group unknown
1991167974N.p.: N.p. 1991. Draft script for the 1993 American-German-Dutch film. Single numeric annotation in manuscript pencil on the title page. Text in English.<br /> <br /> A struggling jazz musician provides music lessons to make ends meet although his students are ambivalent at best while maintaining a romance with a bartender at a local Irish bar. One of two feature films directed by Sara Driver known for producing the first two films of her longtime partner director Jim Jarmusch. <br /> <br /> Shot on location in Hamburg.<br /> <br /> Mylar front wrapper black rear wrapper. Title page present dated 1991 with credits for screenwriter Ray Dobbins and story writer Sara Driver. 91 leaves with last page of text numbered 90. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a black Velo binding. N.p. unknown
1959140805Neuilly-sur-Seine France: Argos Films 1959. Collection of eight vintage borderless reference photographs from the 1959 film. Four photographs with the stamp of production company Argos Films seven with a sticker noting they are from the collection of film historian collector and founder of the Tele Cine Documentation TCD cinema photo library Daniel Bouteiller one with both a sticker and stamp from the collection of film historian Maurice Bessy and all with manuscript annotations on the versos. <br /> <br /> A series of conversations about memory history and forgetfulness between a departing French actress and the married Japanese architect with whom she had a brief affair the film was a major catalyst for the Rive Gauche film movement. Screenwriter Marguerite Duras was nominated for an Academy Award and Alain Resnais received a Palme d'Or nomination at Cannes. <br /> <br /> 7 x 5 inches. Generally Near Fine. <br /> <br /> Criterion Collection 196. Rosenbaum 1000. Vogel Film as Subversive Art. Argos Films unknown
1964150493Universal City: Universal Pictures 1964. Vintage studio still photograph from the set of the 1964 film showing director Alfred Hitchcock and a camera crew capturing a shot of actress Tippi Hedren at a desk in the publishing company office. With a printed mimeo snipe affixed to the verso along with the stamp of Culver Pictures and a stamp noting No. 75147.<br /> <br /> Based on Winston Graham's 1961 novel which follows a wealthy businessman's unwanted often cruel attempts to help a troubled young woman come to terms with her dark past. The production faced several setbacks in its development most relating to Hitchcock's insistence on including a rape scene present in the novel and the subsequent troubles in casting the lead role given the emotional complexity demanded for the character. <br /> <br /> Set and shot on location in California Pennsylvania New Jersey Virginia and Maryland. <br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> Godard Histoires du cinema. Grant US. Spicer US. Universal Pictures unknown
1956142890N.p.: N.p. 1956. Draft script for a 1956 student film. Front wrapper title in decorative manuscript black ink presumably by the screenwriter. Based on the 1890 story by Ambrose Bierce. 22 pages of storyboards corresponding with the script that follows all bound together. Decorative cast and crew invite to premiere and wrap party laid in. <br /> <br /> The second filmed version of Bierce's short story the first one titled "The Bridge" was made by Charles Vidor in 1929 virtually unknown preceding both the well known 1959 version filmed for the fifth season of Rod Serling's "The Twilight Zone" and the French version made in 1962 by Robert Enrico. <br /> <br /> According to the 1956-57 Film Review of Student Productions presented by Department of Cinema and Delta Kappa Alpha at the University of Southern California USC the film was part of the Productions of the Graduate Workshop in the fall of 1956. Laid in is an invitation to premiere screening held at CineManor where USC's California National Honorary Cinema Fraternity Delta Kappa Alpha hosted screenings and social events. Douglas W. Gallez served as President of the Alpha USC Chapter at the time. Not in IMDB. <br /> <br /> Presumably shot in Southern California. Set in Civil War era Alabama. <br /> <br /> Pale untitled wrapper with credits for screenwriter. Title page present with credits for story writer Ambrose Bierce and screenwriter Douglas W. Gallez. 45 leaves with last page of text numbered 22. Mimeograph both storyboards and script. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
