4 025 résultats
1979139657Vienna: Werner Herzog Filmproduktion 1979. Vintage borderless reference still from the 1979 German film showing director Werner Herzog and actor Bruno Ganz along with some extras on the set between takes. <br/><br/>Herzog's highly interpretive remake of F.W. Murnau's 1922 silent classic "Nosferatu" and the second of five films Herzog made with actor Klaus Kinski. <br/><br/>9.25 x 7 inches. Fine. Werner Herzog Filmproduktion unknown books
2007145581Universal City: Dreamworks 2007. Draft rainbow revision script for the 2008 film. Copy belonging to Second Unit Clearance Coordinator Ashley Kravitz her name in holograph pencil on an included one line schedule. Included are eight revision pages differing from those in script two different one line schedules and other ephemera relating to production. <br/><br/>One of the best comedies of the 2000s about a group of narcissistic actors filming a Vietnam War movie unaware that they are in real danger from a drug gang they think are extras in the film. Robert Downey Jr. was nominated for a Best Supporting Actor Oscar for his role as Oscar seeking method actor Kirk Lazarus which along with his franchise-starting turn in "Iron Man" the same year resurrected his career. <br/><br/>Title page present dated 11/04/2007 noted as 2nd Buff Revision with credits for screenwriters Etan Cohen Ben Stiller and Justin Theroux and revisions by Stiller and Theroux. 158 leaves with last page of text numbered 123. Xerographic duplication rectos only rainbow revision with pages dated variously between 7/03/2007 and 11/04/2007. Pages Fine no wrappers housed in a generic white ring binder with printed label. Dreamworks unknown books
1938151432New York: Filmarte 1938. Vintage program for the US premiere of the 1937 French film which opened at the Filmarte Theatre in New York on September 12 1938. <br/><br/>A disparate group of French soldiers plan an escape from their German captors during World War I. Widely regarded as a masterpiece of French cinema a poignant look at nationalism class differences and prejudice. <br/><br/>5.5 x 8.75 inches. One leaf bi-fold. Near Fine. <br/><br/>Criterion Collection 1. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Filmarte unknown books
1963146913N.p.: Estree Distributors 1963. Vintage borderless photograph of Sarah Miles and Joseph Losey on the set of the 1963 film. Crop annotations in holograph marker on recto crop annotations in holograph pencil and "Theo Cowan LTD" and "Paris-Presse" stamps and 1 1/4" mimeo snipe on the verso. <br/><br/>The first of Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter a dark squeamish parable that tells a servant-becomes-master tale but goes beyond what could have been a mediocre finish and journeys into the psyche and personal problems of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema.<br/><br/>Set in and shot on location in London. <br/><br/>7.5 x 9.75 inches. Very Good plus some faint creasing. Estree Distributors unknown books
1959150777N.p.: N.p. 1959. Vintage borderless reference photograph of Roberto Rossellini and Vittorio De Sica on the set of the 1959 film. Italian "Tele Foto" stamp on verso. <br/><br/>Based on the semi-autobiographical 1950 Italian novel "Il generale Della Rovere" by Indro Montanelli. Petty con man Victorio Bardone De Sica is arrested by the Gestapo and coerced into impersonating a dead Resistance leader to extract information from his fellow inmates and identify another Resistance leader.<br/><br/>Nominated for an Academy Award for Best Screenplay. Winner of the Golden Lion at the Venice Film Festival.<br/><br/>Set in Genoa Italy shot on location in Rome Italy. <br/><br/>9.5 x 7 inches. Very small crease in lower left corner else Near Fine. <br/><br/>Criterion Collection 463. N.p. unknown books
1952149482Tokyo: Toho 1952. Collection of four vintage oversize borderless reference photographs and one vintage reference photograph from the 1952 Japanese film. One with a stamp noting the name of actor Takashi Shimura to the bottom right corner of the verso. <br/><br/>A mid-level government bureaucrat discovers he has terminal cancer and decides to try to find meaning in life before his death. The first collaboration between director Akira Kurosawa and screenwriter Hideo Oguni beginning a decade-long involvement which would produce among many others "Seven Samurai" 1954 "Throne of Blood" 1957 and "The Hidden Fortress" 1958.<br/><br/>Set and shot on location in Tokyo. <br/><br/>Four photographs 10 x 8 inches one photograph 6.5 x 5 inches. Very Good plus one photograph with light foxing on the verso. <br/><br/>BFI 591. Criterion Collection 221. Ebert I. Rosenbaum 1000. Toho unknown books
1971133462Burbank CA: Warner Brothers 1971. Final script for the 1973 film. Copy belonging to producer Tony Bill with his signature in black holograph ink at the top right corner: "Tony Bill director/producer." Included is a typed letter of provenance signed by Bill. <br/><br/>The second pairing between Jane Fonda and Donald Sutherland in which the two are members of a group of misfits seeking to fix up an amphibious plane in order to escape a society they find constricting. <br/><br/>From Wikipedia: Fonda Sutherland and Boyle were active in anti-war activities when the film was made and as a result it did not receive wide release or much publicity. It remains memorable however for its oddball characters anti-establishment message and 1970s sensibilities. "Steelyard Blues" found a warm reception among college students and non-conformists. With a soundtrack by musicians Mike Bloomfield Paul Butterfield Nick Gravenites Maria Muldaur and others. Shot on location throughout California. <br/><br/>Yellow titled wrappers noted as FINAL on the front wrapper dated April 26 1971 with credits for screenwriter Ward. Title page present dated April 26 1971 with credits for screenwriter Ward and producers Bill and Phillips. 103 leaves photocopy. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Warner Brothers unknown books
1963149554Universal City: Universal Pictures 1963. Vintage borderless reference photograph from the 1963 film showing director Alfred Hitchcock and screenwriter Evan Hunter walking along the pier which would be used later in the film for Melanie Daniel's Tippi Hedren visit to the Brenner farm with what appears to be Hedren herself visible to the far left in a fur coat at the end of the pier. With holograph ink annotations on the verso.<br/><br/>Hitchcock's last great film a grim psychological study made all the more terrifying by the lack of motivation assigned to its violence. <br/><br/>Shot in various locations throughout California including Bodega Bay Bloomfield Valley Ford the Venice Canals and Union Square in San Francisco. <br/><br/>10 x 8 inches. Near Fine.<br/><br/>National Film Registry. Godard Histoires du cinema. Universal Pictures unknown books
1930146907N.p.: Gloria Productions 1930. Vintage double weight photograph from the 1930 film. Stamps on the verso reading: "Gloria Swanson in 'What a Widow' Directed by Allan Dwan United Artists Picture" and "United Artists Corporation."<br/><br/>A young woman inherits a fortune from her late elderly husband and is pursued by several high society suitors. Gloria Swanson's first picture originally filmed with sound and the final film produced by her Gloria Productions studio. <br/><br/>Now considered a lost film its trailer is preserved at the Library of Congress and soundtrack is preserved at the UCLA Film and Television Archive.<br/><br/>Set in Paris. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Gloria Productions unknown books
1986152349N.p.: Crimson 1986. Collection of four vintage photographs from the 1986 film including two of director Andrei Tarkovsky and cinematographer Sven Nykvist on the set. One with a printed label affixed to the verso and three with the stamps of Israel Film Archive. <br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>As World War III looms a former philosopher decides to sacrifice everything he cherishes to God to prevent nuclear war from decimating humanity. Tarkovsky's final film before his death from lung cancer in 1986. <br/><br/>Shot on location in Sweden.<br/><br/>Three 7 x 5 inches one 10 x 8 inches. Three with wide margins. One with stamp ink residue on the recto else Near Fine. <br/><br/>Complete collation details available upon request. Crimson unknown books
1986150140N.p.: Crimson 1986. Vintage borderless matte-finish reference photograph of director Andrei Tarkovsky adjusting a miniature house with its life-size equivalent in the background on the set of the 1986 film. With a German agency stamp on the verso. <br/><br/>As World War III looms a former philosopher decides to sacrifice everything he cherishes to God to prevent nuclear war from decimating humanity. Tarkovsky's final film before his death from lung cancer in 1986. <br/><br/>Shot on location in Sweden.<br/><br/>7 x 10.5 inches. Near Fine. Crimson unknown books
1939140631Hollywood: Paramount Pictures 1939. Draft script for the 1939 film. <br/><br/>A musical drama that follows the romantic and professional arc of two performers. Louise Hall abandons her humble beginnings to become a singer in New York City where she meets and falls in love with John Ramsey the star of Victor Herbert's operas. Ramsey takes her under his wing introducing her to New York's musical society. Their relationship is tested however when Louise's career begins to eclipse her husband's. Nominated for three Academy Awards including Best Cinematography. <br/><br/>Shot on location in California. <br/><br/>Titled white self wrappers dated July 11 1939 and July 14 1939. Title page present with credits for the entire cast. 147 leaves with last page of text numbered 146. Mimeograph duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Two small chips to the top margin of the front wrapper. Paramount Pictures unknown books
1980146511Berlin: CCC-Film CCC-Filmkunst 1980. Draft script for the 1983 German film directed by Andrzej Wajda. With a few small holograph pencil annotations mostly regarding a character's name change and changes to pagination. Laid in with the script is a handwritten letter discussing films with KO-Productions. Text in German. <br/><br/>Based on the 1980 novel. In 1983 a middle-aged man returns to his hometown village with his teenage son in an attempt to discover the details of his mother's affair with a Polish prisoner of war during World War II. <br/><br/>Set in Brombach shot on location in Baden-Wurttemberg and Berlin. <br/><br/>Yellow titled wrappers. Title page present dated Januar 1980 with credits for screenwriters Rolf Hochhuth and Werner Jorg Luddecke. 216 leaves with last page of text numbered 210. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus lightly soiled with perfect binding. CCC-Film [CCC-Filmkunst] unknown books
1965146897N.p.: N.p. 1965. Final Draft script for the 1965 film. With a "With Compliments" card from Seven Arts Productions laid in with the script along with a set of three stapled revision pages on pink stock.<br/><br/>In order to provide a father figure for her infant son a recently widowed woman attempts to choose between two marital prospects-the grumpy child psychologist for whom she works or her hippie next-door neighbor.<br/><br/>Set in Greenwich Village NY.<br/><br/>Blue untitled wrappers with a die-cut title window in the British style. Title page present noted as Final Draft with credits for screenwriter William Peter Blatty. 124 leaves with last page of text numbered 122. Mimeographed rectos only with pink revision pages laid in dated 21.1.65. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1954131088Universal City CA: Universal Pictures 1954. Final Draft script for the 1954 film. The fifth of seven films in the popular "Francis the Talking Mules series all made in the 1950s. Copy belonging to technical advisor Major Lane Carlson with his name in holograph blue ink on a label affixed to the front wrapper and his annotations throughout. Carlson acted as a consultant on the military aspects of the film as the film involves Francis joining the Army going to the Pentagon etc. <br/><br/>Salmon titled wrappers noted as Final Screenplay on the front wrapper dated February 9 1954. 157 leaves mimeograph duplication with blue pink and yellow revision pages throughout dated variously between 2-17-54 and 4-5-54. Pages and wrapper Very Good plus in a three ring binder used during production. Universal Pictures unknown books
1948149569Los Angeles: Paramount Pictures 1948. Vintage studio still photograph from the 1948 film showing director Billy Wilder demonstrating how to embrace actress Marlene Dietrich with actor John Lund looking on in the background. With a printed mimeo snipe affixed to the verso along with several holograph annotations regarding layout. <br/><br/>An Iowa congresswoman enlists a US army captain to assist her in an investigation of a former Nazi entertainer. Unbeknownst to the congresswoman however the captain and the entertainer are engaged in an affair leading the captain to seduce the congresswoman in an attempt to hide his conflicting motives. Nominated for two Academy Awards.<br/><br/>Shot on location in Berlin. <br/><br/>8 x 10 inches. Very Good plus lightly toned with light creases to the corners.<br/><br/>Selby US. Selby UK. Paramount Pictures unknown books
1984140554Culver City CA: Columbia Pictures 1984. Draft script for the 1984 film. With a few annotations in holograph ink throughout. <br/><br/>Rob Salinger Moore works as a television reporter and his wife Micki Reinking is a lawyer who is having difficulty getting pregnant to the chagrin of Rob. While working Rob meets a cellist Maude Irving who he begins dating without mentioning his wife. She soon becomes pregnant as well as his current wife and he ends up marrying Maude as well. To hide his bigamy he uses work as an excuse to spend days with one woman and nights with another. The women eventually find out about each other as they go into labor at the same time and are at the same hospital on the same floor. <br/><br/>Self wrappers. Title page integral with front wrapper is present dated March 7 1984 with a credit for screenwriter Jonathan Reynolds. 127 leaves with last page of text numbered 122. Later generation photocopy with revision pages throughout dated variously between March 6 1984 and March 22 1984. Pages Very Good plus wrapper missing bound with two gold brads. Columbia Pictures unknown books
1978138139N.p.: Self published 1978. Draft script for an unproduced film titled "Dracula" written and originally to have been directed by Ken Russell. Based on Bram Stoker's 1897 classic novel of vampire vengeance. Copy belonging to editor Rik Friday who worked with Russell in post-production on "Altered States" 1980. <br/><br/>Blue wrappers with paper spine label. Title page present dated July 21 1978 with a credit for screenwriter Russell and novelist Stoker. Last leaf of text numbered 95. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Self published unknown books
1980138685N.p.: Self published 1980. Early Draft script agency copy for the 1981 film "Blow Out" here under the working title "Personal Effects." <br/><br/>A noirish De Palma highspot with influences from Antonioni's "Blow-Up" and Francis Ford Coppola's "The Conversation." A fine role for John Travolta who would experience a slight career dip and bounce back hard with Quentin Tarantino's "Pulp Fiction." Considered by many to be the finest of the director's films of the 1980s a paranoid thriller that is visually arresting from start to finish as well as what Criterion calls .".a devilish reflection on moviemaking." A favorite of the fickle Pauline Kael and the answer to your child's question "Daddy did John Travolta ever make a good film"<br/><br/>Untitled blue wrappers. Title page present dated 1980 with a credit for De Palma. 107 leaves with last page of text numbered 102. Xerographic duplication with photocopied punch holes. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>Criterion Collection 502. Grant p. 80. Spicer p. 425. Self published unknown books
1967152312N.p.: N.p. 1967. Vintage black and white reference photograph from the set of the 1967 film showing actress Brigitte Bardot in the bath between takes with director Serge Bourguignon to her right. With cropping annotations in pencil on the verso along with a provenance stamp. <br/><br/>A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. <br/><br/>Shot on location in London and Paris. <br/><br/>8 x 10 with wide side margins. Near Fine. N.p. unknown books
1964147146Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Draft script for the 1965 film with the name of cinematographer "Paul Vogel" followed by what appears to be "81" in holograph pencil on the first revision page page 55. Laid in is a 17 page shooting schedule dated 4-22-64 with two brief annotations in holograph pencil "arroflex zoom" and "camera car."<br/><br/>Based on the 1960 novel by Max Evans about two aging cowhands who make a big bet that no rodeo cowboy can rider their supposedly unbreakable horse. <br/><br/>Set in and shot on location in Arizona. <br/><br/>Goldenrod titled wrappers rubber-stamped copy No. 81 dated March 25 1964 with credits for producer Richard E. Lyons and screenwriter Burt Kennedy. Title page integral with first page. 112 leaves with last page of text numbered 112. Mimeographed rectos only with blue revision pages throughout and one gray revision page dated 4-7-64. Pages Near Fine wrapper Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1930150164Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1930. Vintage reference photograph from the 1930 pre-Code musical film showing actors Kay Johnson and Reginald Denny. With a mimeo snipe on the verso. <br/><br/>Determined to trick her unfaithful husband a demure young woman attends a masked ball in a revealing vampish disguise in order to teach him a lesson.<br/><br/>8 x 10 inches. Very Good plus lightly and evenly toned overall. Metro-Goldwyn-Mayer [MGM] unknown books
1963146893N.p.: N.p. 1963. Draft script for the 1964 British film noir. With a few holograph ink annotations to the front wrapper and throughout mostly noting deletions. <br/><br/>The daughter of a recently deceased psychoanalyst enlists one of her father's former patients an American newscaster in helping her discover the cause of his mysterious death.<br/><br/>Blue untitled wrappers with a die-cut title window in the British style. Title page present dated MAY 1963 with credits for screenwriter ROBERT L. JOSEPH. 152 leaves with last page of text numbered 149. Mimeographed on eye-rest green stock rectos only. Pages Near Fine wrapper Very Good plus lightly toned to the front wrapper bound internally with two silver brads.<br/><br/>Grant UK. Spicer UK. N.p. unknown books
1976146929N.p.: 5 Continents 1976. Vintage oversize borderless studio still photographs from the 1976 film.<br/><br/>Bizarre 1970s softcore sci-fi film about disembodied aliens from the dying planet Spermula who take the form of Earth women to collect semen to save their planet. featuring Udo Kier <br/><br/>9.5 x 12 inches. Very Good plus pinholes at the corners else clean and bright. 5 Continents unknown books
1987139456Los Angeles: TNT / Agamemnon Films / British Lion Film Corporation 1987. British Draft script for the 1988 television film originally airing on December 21 1988 on TNT the first made-for-television movie produced for the fledging network. Brief annotations in holograph ink throughout. <br/><br/>Based on the 1960 Broadway play by Robert Bolt about Sir Thomas More's devotion to the Catholic Church during the English Reformation. Previously filmed in a 1966 Academy Award winning theatrical release directed by Fred Zimmerman and starring Paul Scofield Wendy Hiller and Leo McKern. <br/><br/>Tan blank wrappers with die-cut title window. Title page present dated November 16 1987 with a credit for screenwriter Bolt. 180 leaves with last page of text numbered 177. Xerographically reproduced. Pages and wrapper Near Fine bound internally with a silver prong brad. TNT / Agamemnon Films / British Lion Film Corporation unknown books
