4 025 résultats
1977149717N.p.: N.p. 1977. Vintage borderless reference photograph from the 1977 Canadian film showing actress Marilyn Chambers. <br/><br/>David Cronenberg's fourth feature continuing his meditation on horrific transformations of the human body. The film follows a woman who after being injured in a motorcycle accident and undergoing experimental surgery develops an orifice under one of her armpits. The orifice hides a phallic stinger that she uses to feed on people's blood. Her victims become rabid zombies whose bite spreads the disease leading to a murderous citywide pandemic. <br/><br/>Set and shot on location in Toronto.<br/><br/>9.5 x 7 inches. Near Fine. N.p. unknown books
2000149207N.p.: N.p. 2000. Draft script for the 2002 film printed on all red leaves with annotations in holograph pencil on three pages referring to location and sound effects e.g. "gas hissing". <br/><br/>Loosely inspired by Terence Young's 1967 film "Wait Until Dark" starring Audrey Hepburn Alan Arkin Richard Crenna and Efrem Zimbalist Jr.<br/><br/>Recently divorced Meg Altman Jodi Foster and her diabetic daughter Sara Kristen Stewart spending their first night in a newly-purchased brownstone awaken to find three burglars Forest Whitaker Dwight Yoakam and Jared Leto have broken in and seek refuge in the house's panic room where a floor safe containing three million in bonds reside which the burglars are seeking.<br/><br/>Set in the Upper West Side New York City. <br/><br/>Red titled wrappers dated June 22 2000 with credits for screenwriter David Koepp. 121 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with rough tear on last leaf integral with back wrapper bound with two gold brads.<br/><br/>Grant US. N.p. unknown books
1962150467Culver City CA: Columbia Pictures 1962. Vintage keybook reference photograph of Alec Guinness Sam Spiegel Jack Hawkins and David Lean on the set of the 1962 film. <br/><br/>Based on the 1926 autobiography "Seven Pillars of Wisdom" by T.E. Lawrence.<br/><br/>An incomparable film. Opening in 1935 with the death of Lawrence Peter O'Toole in a motorcycle accident at the age of 46 we then follow in flashback Lawrence as a young intelligence officer in 1916 Cairo assigned to investigate the progress of the Arab revolt against the Turks. <br/><br/>Winner of seven Academy Awards including Best Picture.<br/><br/>Shot on location in England Saudi Arabia Spain and Morocco. <br/><br/>11 x 8 inches. Near Fine.<br/><br/>Complete collation details available on request.<br/><br/>National Film Registry. Ebert I. Columbia Pictures unknown books
1962148579Culver City CA: Columbia Pictures 1962. Vintage oversize borderless double weight photograph from the 1962 film shot on location in the Moroccan desert. Mimeo snipe on the verso. <br/><br/>Based on the 1926 autobiography "Seven Pillars of Wisdom" by T.E. Lawrence.<br/><br/>An incomparable film. Opening in 1935 with the death of Lawrence Peter O'Toole in a motorcycle accident at the age of 46 we then follow in flashback Lawrence as a young intelligence officer in 1916 Cairo assigned to investigate the progress of the Arab revolt against the Turks. <br/><br/>Winner of seven Academy Awards including Best Picture. Selected for the National Film Registry in 1991. <br/><br/>Shot on location in England Saudi Arabia Spain and Morocco. <br/><br/>8 x 10 inches. Very Good plus light curling edgewear and creasing at corners but no loss or tears. <br/><br/>Complete collation details available on request.<br/><br/>Ebert I. Columbia Pictures unknown books
1990138817New York: Cinehaus / Ed Pressman Productions 1990. Draft script for the 1991 film. The third film to be written and directed by Mamet. Script belonging to actor Paul Butler a Mamet regular who plays Commissioner Walker in the film. Laid in is an unrelated legal agreement addressed to Butler regarding his involvement in the 1986 television series "Crime Story."<br/><br/>Nominated for the Palme d'Or. Set in a nameless American city shot in Baltimore. <br/><br/>White self wrappers integral with title page dated JULY 1990 with a credit for screenwriter Mamet and with mention of Ed Pressman Productions and Cinehaus Inc. Xerographically reproduced. 146 pages last leaf numbered 145. Pages Very Good plus wrapper Very Good only with some edgewear bound with three gold brads. <br/><br/>Criterion Collection 486. Grant US Neo-Noir. Silver and Ward US Neo-Noir. Spicer US Neo-Noir. Cinehaus / Ed Pressman Productions unknown books
1980147426N.p.: N.p. 1980. Draft script for the 1982 film. Title page contains "#40" written in holograph pencil on the upper right likely a copy number as well as several pages with annotations again in holograph pencil commenting circling and striking scenes action and dialogue. <br/><br/>From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br/><br/>A year before Peter Billingsley would become the familiar face of Ralphie Parker in Bob Clark's 1983 "A Christmas Story" he was Billy a child coping with his parent's recent divorce flying to California with his mom Sally Catherine Hicks to meet her high school sweetheart Mike Paul Le Mat for a vacation in Death Valley. It isn't long before Billy comes across a killer's crime scene leading the killer to them and it is up to little Billy to outsmart him.<br/><br/>Set in Death Valley California and New York shot on location in California Arizona and New York. <br/><br/>Gray untitled wrappers. Title page present dated October 28 1980 with credits for screenwriter Richard Rothstein. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1972140001Los Angeles: Twentieth Century-Fox 1972. Draft script for the 1974 heist film. Art Director Al Brenner's working copy with his name in holograph ink on the front wrapper and his annotations throughout and on the rear wrapper. <br/><br/>Based on the 1972 novel by Donald Westlake. One of the more creative caper comedies from the rich vein of crime films made in the 1970s wherein a bank temporarily being housed in a mobile home begins to look appealing to a crew of ex-cons. Very much a sister film to the 1972 adaptation of Westlake's "The Hot Rock." <br/><br/>Yellow titled wrappers rubber-stamped No. 40 showing the film's title and "Landers/Roberts Productions on the front wrapper. Title page present dated August 27 1973 with a credit for screenwriter Wendell Mayes. 115 pages principal pages on white stock with pink revision pages throughout all dated 9/6/73. Pages and wrapper Very Good or better bound with two gold brads. <br/><br/>Lee p. 116. Twentieth Century-Fox unknown books
1954151344Culver City CA: Columbia Pictures 1954. Vintage press kit for the 1954 film containing one full-color illustrated promotional pamphlet three black-and-white photographs of cast and crew members holding Academy Awards and one page of promotional reading material introducing the photographs. <br/><br/>Based on screenwriter Budd Schulberg's 1955 novel "Waterfront." A dockworker and would-be prizefighter witnesses a murder at the hands of the local mob boss' men and is forced to stand up to his corrupt union leaders. <br/><br/>Nominated for twelve Academy Awards winning eight including Best Picture Best Director and Best Screenplay.<br/><br/>Shot on location in Hoboken New Jersey and New York City.<br/><br/>Photographs and promotional material Near Fine.<br/><br/>National Film Registry. Criterion Collection 647. Ebert I. Grant US. Scorsese A Personal Journey through American Movies. Selby US. Spicer US. Columbia Pictures unknown books
1954150531Culver City CA: Columbia Pictures 1954. Vintage reference photograph of Marlon Brando and Elia Kazan on the set of the 1954 film. <br/><br/>Budd Schulberg based his 1955 novel "Waterfront" on the screenplay. <br/><br/>Terry Malloy Brando who dreams of being a prize fighter while tending his pigeons and running errands for the corrupt boss of the local union Johnny Lee J. Cobb witnesses a murder at the hands of Johnny's men. When he meets the victim's sister Edie Eva Marie Saint he confesses he feels culpable for the murder and Edie introduces him to Father Barry Karl Malden who tries to persuade him to implicate the dock racketeers.<br/><br/>Winner of eight Academy Awards including Best Picture Best Director Best Screenplay Best Cinematography Best Actor and Best Supporting Actress nominated for another four. <br/><br/>Shot on location in Hoboken New Jersey and New York City.<br/><br/>8 x 10 inches. Very Good plus with light edgewear and three very small closed tears in margins repaired by two small pieces of cello tape.<br/><br/>Complete collation details available on request.<br/><br/>National Film Registry. Criterion Collection 647. Ebert I. Grant US. Scorsese A Personal Journey through American Movies. Selby US. Spicer US. Columbia Pictures unknown books
1965148894N.p.: N.p. 1965. Four vintage borderless photographs from the 1965 film. Two studio still photographs of Ursula Andress on production designer Piero Poletto's striking minimalist set and two compilation fashion photographs of Andress in costume bookending Costume Designer Giulio Coltellacci's concept drawings. Two photographs with "La Decima Victima" stamp on verso.<br/><br/>An international cult classic based on the 1953 short story "Seventh Victim" by Robert Sheckley. Sheckley wrote the novelization of the film in 1956 and two sequels "Victim Prime" and "Victim" in 1987 and 1988 respectively.<br/><br/>The worldwide officially sanctioned "Big Hunt" is the world's most popular television show giving those inclined to violence and those in search of celebrity a chance to act as "hunter" and "victim." The games top two assassins Caroline Meredith Andress and Macello Poletti Marcello Mastrianni who may be in love are pitted against each another.<br/><br/>A descendant of Richard Connell's "The Most Dangerous Game" 1924 and the first of the televised death game films such as "The Gladiators" 1969 "Death Race 2000" 1975 "The Running Man" 1987 and "The Hunger Games" 2012.<br/><br/>Shot on location in New York Rome Geneva and Vatican City. <br/><br/>2 - 9.5 x 7.25 inches 2- 8 x 10 inches. Light edgewear else Near Fine. N.p. unknown books
1972141353Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Draft script for the 1974 film here seen under the working title "Deadly Honeymoon." A single holograph notation to the first page. <br/><br/>Based on the 1967 novel Deadly Honeymoon by Lawrence Block about a newlywed husband who seeks bloody revenge on a pair of killers after they beat him unconscious and assault his bride. <br/><br/>Set in New Orleans shot on location there. <br/><br/>Blue titled wrappers rubber-stamped copy No. 163 and production No. 7475 dated March 27 1972 with credits for screenwriter S. Lee Pogostin. 105 leaves with last page of text numbered 105. Mechanical duplication with revision pages throughout dated March 31 1972. Pages Near Fine wrapper Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1970141083Paris: Les Films du Losange 1970. Vintage pressbook for the 1970 film. Director Eric Rohmer's first color film in which mountainous backdrops and varying tones play a significant visual role. In a notedly minimal narrative a newly married diplomat becomes infatuated with a lovely young acquaintance specifically with the girl's knee. His desire to touch her knee becomes the driving force behind the film. <br/><br/>Two pages 9.5 x 12.5 inches. Near Fine with pin holes to the corners. <br/><br/>Criterion Collection 347. Les Films du Losange unknown books
1929149242N.p.: N.p. 1929. Dialogue Draft script for the 1929 film. With holograph pencil annotations to the front wrapper and throughout.<br/><br/>Based on H.C. McNeile's 1920 novel "Bulldog Drummond." A former army captain bored with civilian life aids a young woman whose uncle has been wrongly committed to a psychiatric institution. The third Bulldog Drummond film to be released following the silent films "Bulldog Drummond" 1923 and "Bulldog Drummond's Third Round." Actor Ronald Colman's first sound film.<br/><br/>Set in London.<br/><br/>Blue untitled wrappers. 59 leaves with last page of text numbered 56. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads. N.p. unknown books
1959151523Paris: les Films du Carrosse 1959. Vintage borderless reference photograph with bottom margin of Francois Truffaut and Guy Decomble on the set of the 1959 film. "Les Quatre Cents Coups" and "Telerama" stamps on verso. <br/><br/>Truffaut's auspicious debut winner of Best Director at Cannes nominated for the Palme d'Or and also nominated for a Best Original Screenplay Oscar the following year. <br/><br/>Set in and shot on location in Paris France. <br/><br/>6.75 x 5 inches. Near Fine. <br/><br/>Criterion Collection 5. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. les Films du Carrosse unknown books
1962140140Los Angeles: Twentieth Century-Fox 1962. Revised Final script for the 1963 film. Laid in are 14 pages of replicas later generation photocopies with photocopied holes. <br/><br/>Based on the play "A Loss of Roses" by William Inge Lila Green Woodward dreams of being an actress and joins a band of traveling entertainers until her boyfriend abandons her near her Kansas hometown. She is taken in by an old friend whose son falls in love with her. Her boyfriend returns and she performs a striptease for money whereas the young boy falls out of love with her. Originally designed for Pat Boone and Marilyn Monroe Boone turned down the role on moral grounds and Monroe died before filming. Nominated for one Academy Award. <br/><br/>Set in Kansas. <br/><br/>Red titled wrappers noted as Revised Final on the front wrapper rubber-stamped copy No. 853 and production No. 4082 dated May 11 1962. Title page present dated May 11 1962 noted as Revised Final with credits for screenwriter Meade Roberts and playwright William Inge. 145 leaves with last page of text numbered 127. Mechanical duplication with blue revision pages throughout dated variously between May 16 1962 and July 27 1962. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Twentieth Century-Fox unknown books
1960130773Los Angeles: Columbia Broadcasting System CBS 1960. Draft script for Season Four episode Eleven of the anthology drama show "Playhouse 90" which aired on February 24 1960. Actor Van Heflin's working copy with his holograph name on the first page and holograph annotations throughout. Also included are two rehearsal schedules for the production. <br/><br/>"Playhouse 90" ran from 1956 to 1960 on CBS presenting 90 television movies rather than the standard 60 minute format of most dramas. The program won nine Emmy Awards during it's run including one for Best Drama in its final 1960 season. <br/><br/>Script is as issued with pages un-punched and without wrappers. Title page present dated 2-6-60 with credits for screenwriter Rose and director Schaffner. 122 leaves mimeograph duplication with pink and white revision pages throughout dated variously between 2-9-60 and 2-10-60. Pages Fine unbound. <br/><br/>Rehearsal Schedules: 2 leaves each one on pink stock and a Call Sheet with annotations. Fine. Columbia Broadcasting System [CBS] unknown books
1957130776Los Angeles: Columbia Broadcasting System CBS 1957. Draft script for the 1959 television episode. Actor Van Heflin's working copy with his name on the first leaf and his holograph annotations througout. <br/><br/>An episode of CBS's legendary "Playhouse 90" series an original script by Rod Serling which aired on May 28 1959. Starring Luther Adler Charles Bronson and Luther Adler along with many other men and apparently no women. A dramatic study of pro- and anti-labor movements considered at the time to be Serling's answer to his study of capitalism from the previous year "Patterns."<br/><br/>Script is as issued with self wrappers and unpunched. 108 leaves mimeograph duplication with pink blue and yellow revision pages throughout dated variously between 9-4-57 and 9-14-57. Pages Near Fine unbound. Columbia Broadcasting System [CBS] unknown books
1968146889N.p.: Continental 1968. Collection of eight vintage studio still photographs from the 1968 film. <br/><br/>One of the earliest scariest and most influential zombie films shot in black-and-white featuring an African-American lead actor and shot on location throughout Pennsylvania including the basement of the Latent Image company in Pittsburgh. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>Lentz US. Continental unknown books
1976146803N.p.: The Corman Company 1976. Draft script for the 1976 film. <br/><br/>A Vietnam vet is hired to deal with a group of rowdy oil workers causing trouble in a small town and decides to occupy the town with his mercenary buddies in order to provide a solution. A low budget action film shot in just 30 days after producer Gene Corman came up with the title and nothing else. <br/><br/>White titled wrappers. Title page present with credits for screenwriter George Armitage. 117 leaves with last page of text numbered 114. Mimeographed rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. The Corman Company unknown books
1962139565Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1962. Revised Draft script for the 1963 film. Copy belonging to uncredited cast or crew member "Brokaw" with that name in holograph pencil on the front wrapper and marginal annotations throughout in holograph ink. Shooting schedules bound in. Included is a vintage production photograph of Kirk Douglas from the film. <br/><br/>Based on Vahe Katcha's 1957 novel "L'hamecon." During the Korean War a group of American soldiers capture an enemy pilot and orders are to execute the prisoner. Sgt. P.J. Briscoe Douglas orders his men to kill the prisoner but their reluctance forms a wedge in their allegiance. <br/><br/>Shot on location in the Catalina Harbor. <br/><br/>Goldenrod titled wrappers noted as COMPLETE on the front wrapper rubber-stamped copy No. 63 dated May 1 1962 with a credit for screenwriter Denker. Title page integral with front wrapper. 165 leaves with last page of text numbered "133-137" followed by 24 leaves bound upside down. Mimeograph duplication with white pink yellow gray green and blue revision pages throughout dated variously between 4/19/62 and 5/11/62. Pages Near Fine wrapper Very Good plus bound with three gold brads. <br/><br/>Davenport p. 171. Metro-Goldwyn-Mayer [MGM] unknown books
1965140922France: Athos Films / Chaumiane / Filmstudio 1965. Collection of five vintage borderless reference photographs from the 1965 film. Four with holograph pencil annotations on the verso crediting photographer Georges Pierre one with the stamp of Cinemagence on the verso. <br/><br/>Godard transplants fictional detective Lemmy Caution played by Eddie Constantine as he was in several French films based on the character created by pulp novelist Peter Cheyney into a dystopian future where he is on a mission to kill the machine intelligence that rules over a fascist state where emotion is outlawed. <br/><br/>7.25 x 5 inches. Near Fine. <br/><br/>Criterion Collection 25. Godard Histoires du cinema. Grant US. Rosenbaum 1000. Athos Films / Chaumiane / Filmstudio unknown books
1964137549N.p.: N.p. 1964. Draft script for an unproduced fictional film set on a kibbutz in Israel by documentary filmmaker Herbert Kline. Accompanying the script is a typed letter signed by Kline dated "May II 1964" discussing casting of the film plans for script rewrites including the removal of some "overt political statements" that aided in getting Israeli financing and his hope that the success of this film would "lead to a series of modest budget" films shot in Israel. <br/><br/>Blue titled wrappers. Title page present with credits for screenwriter Kline. 136 leaves with last page of text numbered 135. Mechanical duplication. Pages Near Fine wrapper lightly soiled else Near Fine bound with tape. <br/><br/>Letter: 8.5 x 11 inches recto only folded horizontally. Very Good with a jagged tear to one edge and some light creasing. N.p. unknown books
1955142718Hollywood: DuMont Television Network 1955. Draft script for Season One episode 25 of the 1954-1955 television series originally broadcast on March 8 1955 on the DuMont Television Network. Script belonging to Lyn Thomas who played Val in the episode with her holograph name in ink on the front wrapper and her lines circled in holograph ink throughout shooting schedule laid in. <br/><br/>Circus drama involving a brother and sister aerial act and their new partner. "Studio 57" also known as "Heinz Studio 57" was an American anthology series broadcast on the now-defunct DuMont Television Network from September 1954 to July 1955 and in syndication from 1955 to 1958. <br/><br/>Notably "It's a Small World" the pilot episode for the iconic series "Leave It to Beaver" was broadcast on the show on April 23 1957. <br/><br/>White titled self wrappers production No. 1324 with credits for screenwriter James Gunn and story by Nancy Moore. Title page integral with front wrapper. 38 leaves with last page of text numbered 36. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with single staple. DuMont Television Network unknown books
1997139690Stockholm: Sveriges Television SVT 1997. Three vintage color still photographs showing Ingmar Bergman on the set of his 1997 Swedish television movie which also screened at the 1998 Cannes Film Festival as part of the Un Certain Regard section. <br/><br/>Two patients at a mental hospital attempt to make and market a film. <br/><br/>8.75 x 5.75 inches. Fine. Sveriges Television [SVT] unknown books
1971130202Culver City CA: Columbia Pictures 1971. Estimating script for the 1972 film. <br/><br/>Actor Jackie Cooper's directorial debut a humorous set of stories that follow multiple women. One of the first major Hollywood films on the Women's Liberation movement it contains depictions of militant women's rights groups mass political demonstrations and women who shirk traditional familial structures though due to its humor the film is often critically considered to have touched on the movement in a largely shallow manner. <br/><br/>Set in Denver and shot there on location. <br/><br/>Pale pink titled wrappers. Title page present dated July 9 1971 noted as ESTIMATING SCRIPT with credits for screenwriter Slade. 112 leaves mimeograph duplication on eye-rest green stock. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Columbia Pictures unknown books
