Luis Bunuel (director); Jean-Claude Carriere (screenwriter); Mary Ellen Mark (photographer)Biblio.com
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1971133100Paris: Greenwich Film Productions 1971. Original double weight wide margin photograph of Luis Buñuel and screenwriter Jean-Claude Carriere by Mary Ellen Mark taken outdoors during the shooting of Buñuel's "The Discreet Charm of the Bourgeoisie." Notated on the verso as having been taken in 1971 with a separate rubber stamp showing a date of 1980 presumably when the photograph was struck. <br /> <br /> Carriere was Buñuel's most significant screenwriting collaborator authoring or co-authoring many of Buñuel's greatest films including "Diary of a Chambermaid" 1964 "Belle de Jour" 1967 "The Milky Way" 1969 "The Discreet Charm of the Bourgeoisie" 1972 "The Phantom of Liberty" 1974 and "That Obscure Object of Desire" 1977. <br /> <br /> Print 8 x 10 inches image 5 x 7 inches wide margin. Fine. In a custom museum-quality frame archivally mounted with UV glass. <br /> <br /> Criterion Collection 102. Schrader 33. Greenwich Film Productions unknown
1959138791Mexico: Producciones Barbachano Ponce 1959. Three vintage photographs from the set of the 1959 film. All likely shot on the same day and on a set in a rural location. Buñuel appears in each photo wearing a pith helmet in the first with cinematographer Gabriel Figueroa the second with lead actor Francisco Rabal and the third eating lunch alone on a makeshift table. <br/><br/>Each photo with the Paris address stamp for Telecine as well as annotations and penciled press markings on the verso. <br/><br/>All photos 5 x 7 inches. Near Fine. <br/><br/>Rosenbaum 1000. Producciones Barbachano Ponce unknown books
1990160931Los Angeles: NOMA Productions 1990. Final Draft script for the 1991 film here under the working title "Angel of Death." Copy belonging to actor Aldo Ray with his name in manuscript ink on the front wrapper and annotations on eleven pages in the script relating to his character Tony.<br /> <br /> A remake of the Robert Johnson meeting the devil at the crossroads tale in the wake of hair metal wherein a loser enlists the help of a voodoo priestess in selling his soul to the devil for rock star immortality. Featuring Traci Lords in one of her first post-adult film roles.<br /> <br /> Set and shot on location in Los Angeles California. <br /> <br /> Titled yellow wrappers noted as FINAL DRAFT on the front wrapper with credits for screenwriters Mark Freed Dave Tedder and Andrew Cross. 91 leaves with last page of text numbered 91. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads.<br /> <br /> Carlson Destroy All Movies. McPadden Heavy Metal Movies. Olive Films. NOMA Productions unknown
1986162438Los Angeles: Paramount Pictures 1986. Fourth Draft script for the 1987 film. Included with the script is a small promotional sign for the film featuring an illustration of a swimsuit-clad woman lounging at the beach. <br /> <br /> A high school gym teacher finds himself saddled with the task of teaching remedial English for summer school in order to get tenure. <br /> <br /> Shot on location in San Pedro Los Angeles and Santa Monica. <br /> <br /> Red Paramount titled wrappers. Title page present dated July 14 1986 noted as FOURTH DRAFT with credit for screenwriter Jeff Franklin. 119 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Sign measures 14 x 6 inches. Very Good plus lightly edgeworn and soiled. <br /> <br /> McPadden Teen Movie Hell. Paramount Pictures unknown
1969156231Los Angeles: Twentieth Century-Fox 1969. Final Draft script for the 1970 film. Laid in with the script is a production memo dated November 5 1969 paper-clipped to two blue revision pages that correspond to the revision pages bound into the script. <br /> <br /> Based on Howard Sackler's 1968 Pulitzer Prize Tony Award and New York Drama Critics' Circle Award-winning play a fictionalized account of the life of boxing champion Jack Johnson. James Earl Jones in his first starring role and Jane Alexander in her first film credit were both nominated for Oscars reprising their lead roles from the Broadway production. <br /> <br /> Shot on location in London Arizona and Barcelona. <br /> <br /> Blue titled wrappers noted as FINAL on the front wrapper noted as production No. 196 dated September 26 1969. Title page present dated September 26 1969 noted as FINAL with credits for screenwriter Howard Sackler. 152 leaves with last page of text numbered 151. Xerographic duplication on eye-rest green stock rectos only with two blue revision pages dated 11/5/69. Pages Fine wrapper Near Fine bound internally with three gold brads. Twentieth Century-Fox unknown
1973142115London: Brut Productions / NBC 1973. Draft script for the 1973 film. Included are 4 vintage double weight black-and-white reference photographs of Glenda Jackson from the film. <br /> <br /> Brut Productions was a short-lived film production company formed by cosmetics brand Fabergé when sales of its perfume Xanadu skyrocketed following its appearance in a mock advertisement in Jack Haley Jr.'s "The Love Machine" 1971.<br /> <br /> A divorced British woman meets a married American man who serially cheats on his wife. They begin having an affair with each other that becomes more and more strained as things get more serious between the two of them. Glenda Jackson won the Academy Award for Best Actress for her role. <br /> <br /> Set in London and Andalucia Spain shot on location in London and Andalucia Spain. . <br /> <br /> Green untitled wrappers with a die-cut window in the British style with manuscript ink annotation of the letter E on top right corner. Title page present with credits for screenwriters Melvin Frank and Jack Rose and director Melvin Frank. 139 leaves with last page of text numbered 137. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two silver brads. Photos with layout annotations on the versos and two with "Films in London" rubber stamps on the versos else Near Fine overall. Brut Productions / NBC unknown
1970153124London: Genesis 1970. Draft script for the 1971 film seen here under the working title "Buff." <br /> <br /> A recently blinded woman visits her aunt and uncle's country mansion to recuperate and is stalked by a mysterious killer. <br /> <br /> Shot on location in Berkshire England. <br /> <br /> Black untitled wrappers with a die-cut title window in the British style. Title page present undated with credits for screenwriter Brian Clemens noted as copy No. 8 in manuscript ink annotation to the top right corner. 96 leaves with last page of text numbered 95. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Genesis unknown
1974152021France: Les Films du Jeudi 1974. Two vintage oversize borderless double weight color reference photographs of Jane Birkin from the 1974 film. <br /> <br /> A liquor salesman Jean Carmet makes up stories to obscure his pathetic life in order to succeed at both business and with women until he meets Jane Birkin. <br /> <br /> 12 x 9.5 inches. Light wear at the extremities else Near Fine. Les Films du Jeudi unknown
1974152021France: Les Films du Jeudi 1974. Two vintage oversize borderless double weight color reference photographs of Jane Birkin from the 1974 film. <br/><br/>A liquor salesman Jean Carmet makes up stories to obscure his pathetic life in order to succeed at both business and with women until he meets Jane Birkin. <br/><br/>12 x 9.5 inches. Light wear at the extremities else Near Fine. Les Films du Jeudi unknown books
1971160452London: Michael Klinger 1971. Draft script for the 1972 film here under the working title "Scandal."<br /> <br /> Following the success of the stone-cold 1971 neo-noir classic "Get Carter" director-screenwriter Mike Hodges and actor Michael Caine re-teamed for a lighter but no less moody take on the noir genre. Caine stars as Mickey King author of sleazy pulp paperbacks who is hired as a ghost writer for a mysterious celebrity's autobiography. When the celebrity is revealed to be retired tough guy actor Preston Gilbert played by an outrageous Mikey Rooney the bodies begin piling up with King wondering if he's the intended target. Starring noir stalwart Lizabeth Scott in her final film appearance.<br /> <br /> Set and shot on location in Malta. <br /> <br /> Blue untitled wrappers with a die-cut window in the British fashion. Title page present with credits for screenwriter Michael Hodges. 111 leaves with last page of text numbered 109. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. Michael Klinger unknown
1968152820Hollywood: Paramount Pictures 1968. Revised Final Draft script for the 1970 film. <br/><br/>Based on Joseph Heller's searing 1961 antiwar novel about a US Air Force bombardier seeking an escape from the endless senseless brutality of World War II. Director Mike Nichol's third feature film released the same year as Robert Altman's "MASH." <br/><br/>Set in the Mediterranean shot on location in Sonora Mexico and Rome. <br/><br/>Teal untitled Paramount Pictures wrappers with a die-cut title window in the British style stamped copy No. 221 on the front wrapper. Title page present dated July 29 1968 noted as FINAL REVISED DRAFT with credits for screenwriter Buck Henry. 187 leaves with last page of text numbered 186. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Paramount Pictures unknown books
1961143198Tokyo: Toho Company 1961. Second Final Draft script for the 1961 Japanese film. <br/><br/>Holograph ink notation on rear wrapper and holograph ink and rubber-stamped name Takahishi Toshihiro not credited in the final film on the top and bottom page edges with the same initials in Arabic lettering "T.T." near the spine. Holograph annotations on preliminary page 4 noting the entire proposed cast lining up pretty closely with the final cast and a note in holograph ink on the rear wrapper about an unrelated play titled Minamioka. <br/><br/>A psychological drama that a love triangle unraveling a family in the process. <br/><br/>Set in Japan. <br/><br/>White titled wrappers noted as 2 on the front wrapper dated 1961. Title page present. 78 leaves with last page of text numbered "e-30." Mechanical duplication. Pages Near Fine wrapper Very Good with some foxing due to age. Toho Company unknown books
1959166066London: Beaconsfield Films 1959. Draft script for the 1959 British film copy belonging to Art Director George Provis with manuscript pencil annotations in Provis' hand on six pages. Laid in are over 50 pages of notes prop requirements and original set drawings as well as a three-page Unit List three carbon-typescript copy pages listing props and a 1959 typed letter signed to Provis from J. Crichton Slagg of Anglo-Scottish Pictures Limited regarding matte painting for the film. <br /> <br /> Provenance available upon request.<br /> <br /> George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films.<br /> <br /> Based on the 1944 play "Pick-Up Girl" by Elsa Shelley. A New York juvenile court judge Thomas MItchell hears a case of a 15 year-old girl Pauline Hehn caught with a 47 year-old man and reveals in flashback the girl's neglectful parents and her life's downward-spiral which lead to prostitution and abortion. A rather troubling time capsule of victim blaming and the social and sexual politics of the 1950s wherein the casualty of pedophelia is on trial with nary a accusation leveled at of the perpetrator of the crime. More so disturbing as the film was directed and co-written by a woman Muriel Box and based on a play by a woman Elsa Shelley.<br /> <br /> Tall maroon untitled wrappers with a die-cut window in the British style. Title page present with credits for playwright Elsa Shelley. 99 leaves with last page of text numbered 98. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three flat metal brads.<br /> <br /> Script and laid-in materials Near Fine overall. Beaconsfield Films unknown
1960143202Tokyo: Toho Company 1960. Draft script for the 1960 Japanese film. Holograph ink and stamp on the outer page edges. Production designer's script with holograph underlining on numerous pages regarding objects needed for a given scene swimsuits sun cream summer kimonos Persian cat etc. Other annotations in the same hand fill in the names of actors who have been chosen to play the parts of various characters whose names are printed. <br/><br/>The double directed feature intentionally creates a juxtaposition between each director's lens and the credits give no indication of how the two collaborated also intentional. According to Audie Bock author of "Japanese Film Directors" Naruse filmed all of the older generation scenes and the Japanese restaurant scenes while Kawashima did the younger generation and the geisha house scenes comparatively the 'comic relief'. <br/><br/>A family love triangle sees a mother and daughter in competition and parallels the conflicting nature of new and older generations in modern society. <br/><br/>Set in Japan. <br/><br/>White titled wrappers noted as 1 on the front wrapper dated 1960. Title page present. 88 leaves with last page of text numbered g-25. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with two staples wrapped in paper on spine. Toho Company unknown books
1967148841Universal City: Universal Pictures 1967. Collection of ten vintage photographs including eight borderless reference photographs one borderless promotional photograph of Paul Jones and Jean Shrimpton and one promotional studio still photographof the same from the 1967 film. Nine of these with a mimeo snipe on verso one with additional "David Lasceller" stamp on verso. <br /> <br /> Peter Watkin's outrageous and paranoiac dystopian satire of the world's most famous and beloved pop star who is controlled by a totalitarian British government.<br /> <br /> Patti Smith covered one of the film's songs "Set Me Free" as "Privilege Set Me Free" on her 1978 album "Easter."<br /> <br /> Set in a near-future England shot on location in London and Birmingham England. <br /> <br /> 8 x 10 inches. Light edge and corner wear else Near Fine. <br /> <br /> BFI Flipside 7. Universal Pictures unknown
1970135317Beverly Hills CA: Twentieth Century-Fox 1970. Draft script for the 1972 film. An early example of the film's script still slated to be a Twentieth Century-Fox production with their imprint on the front wrapper. <br/><br/>The fourth Roth novel after "Goodbye Columbus" in 1972 to be adapted to the screen and the sole directorial effort for noted screenwriter Ernest Lehman "North by Northwest" "The Sweet Smell of Success" "Sabrina" "West Side Story" The Sound of Music" and "Who's Afraid of Virginia Woolf". <br/><br/>Alexander Portnoy Benjamin sees a therapist and goes on one long tirade after another about his family his childhood his sexual fantasies and desires his problems with women and his obsession with his own Judaism. <br/><br/>Set in New York. <br/><br/>Blue titled wrappers. Title page present dated August 3 1970 with credits for screenwriter Lehman and novelist Roth. 150 leaves with last page of text numbered 149. Mechanical duplication on eye-rest green stock. Pages and wrapper Near Fine bound internally with three gold brads. Twentieth Century-Fox unknown books
1964143227Paris: Les Films Ariane 1964. Collection of 343 vintage black-and-white photographs from the set of the 1964 film "That Man from Rio" here under the original French title "L'homme de Rio." Most are rubber-stamped on the versos indicating film studio Les Films Ariane still photographer Trigo Brazilian magazine "O Cruzeiro " and French film title several with annotations in manuscript ink also on the verso several with Trigo's name in manuscript ink. Over 100 smaller photos bear white borders and credit for photographer Voinquel. Also included is an issue of French magazine "Telérama" Sunday August 18 1963 No. 709 featuring cover and editorial on Belmondo and the film an original Somarco accordion folder dated 1963 and original mailing envelope addressed to Maryse Martres Ariane Films Champs-Élysées from Télé-photo Paris. Martres Martin was a prolific French actress who was later involved in press relations at Cinedis a notable film agency in operation since the Silent Film era. <br /> <br /> Airman Adrien Dufourquet Belmondo is in Paris on shore leave eager to see his Agnes Dorléac. When he finally sees her only briefly before she's kidnapped and held for ransom by a treasure-hungry family friend. A James Bond spoof in the wake of Belmondo's swashbuckling success "Cartouche" 1962 opposite Claudia Cardinale with puzzle solving murder in Brasilia art thieves and a pursuit to find sacred Amazon treasure. Nominated for an Academy Award for Best Writing Story and Screenplay: Written Directly for the Screen 1965 and winner of a New York Film Critics Circle Award for Best Foreign Language Film 1964. <br /> <br /> Members of the cast and crew are featured throughout the collection including director de Brocca who earlier worked under directors Claude Chabrol and François Truffaut Belmondo cameramen and an extensive look at the scenery of Brazil and Paris. Boats racing Belmondo dangling from a speeding car and languid down times as cast and crew break for naps in the shade photographer Trigo's often provocative angles capture the director in dimly lit noirish scenarios and a glimpse of the action-packed thrill-ride of shooting a Bond spoof with elements of MacGuyver. Coincidentally photographer Voinquel's direct approach shows stills from a more casual standpoint not without generous documentation of the crew behind the camera. <br /> <br /> Photographs 7 x 9.25 inches and 3.5 x 5 inches some varying slightly overall. Mailing envelope and folder each 10 x 12.5 inches. Photos Very Good Plus overall moderate curling several with bruises or insect wear at the edges several with moderate dampstains. Envelope and folder Good with short tears and similar dampstains. Magazine Very Good wavy brief toning. Les Films Ariane unknown
1962143832Paris: Filmsonor 1962. Collection of 67 original single weight borderless film stills for the 1962 French-Italian film here under the original French title "Cartouche." Action sequences men in military regalia and romantically charged images of Belmondo and Cardinale with most representing Belmondo either charming people or dueling with swords. Housed in original brown envelope noted as "CARTOUCHE" on the flap. Numerical annotations in holograph pencil on the versos. Also included are a few leaves of French press material on stationery from the film's distributor Cinedis. <br/><br/>A riveting Peplum sword-and-sandal swashbuckler set in 1700s France where a gang member named Cartouche Belmondo forms his own band of knaves deciding his former gang to be too unethical. He steals from the rich to give to the poor enlists in the army to escape capture and meets Venus Cardinale a gypsy prisoner who joins his new gang. Venus' love proves fatal and Cartouche rolls her into a lake in a stolen carriage vowing revenge knowing it will likely lead him to the gallows. <br/><br/>Belmondo and Cardinale's interaction is palpable but they would star in only two other films together Mauro Balognini's "La viaccia" 1961 and José Giovanni's "Scoumoune" 1972. <br/><br/>Photos 6.75 x 9 inches. Very Good plus overall with light curling a few short creases and a few slightly discolored. Press material corner-stapled and paper-clipped Very Good plus overall. <br/><br/>Complete collation upon request. Filmsonor unknown books
1940148508Los Angeles: Paramount Pictures 1940. Vintage borderless photograph of Preston Sturges and Muriel Angelus on the set of the 1940 film. Mimeo snipe and "Paramount Photo by G.E. Richardson" stamp on verso. <br/><br/>Sturges had become a very successful Hollywood screenwriter by the late 1930s and with his screenplay for "The Biography of a Bum" wanted so much to direct the film that he offered to do the job for free. With very few exceptions notably Charlie Chaplin the notion of an established studio writer directing a film was nearly unheard of in Hollywood where writers were typically not even allowed on the set. Only the irresistible cheapness of Sturges' offer made it possible for the film to get made. <br/><br/>Over the six year period during which the script remained unproduced the title changed to "The Vagrant" then "Down with McGinty" then finally just prior to production to "The Great McGinty." It was not only a success but won Sturges an Oscar for Best Screenplay. More importantly he was allowed to continue as a writer-director with a magnificent career that included one classic after another including "Sullivan's Travels" "The Lady Eve" "Unfaithfully Yours" "The Palm Beach Story" and "Hail the Conquering Hero."<br/><br/>8 x 10 inches. Light edgewear and faint creasing else Near Fine. Paramount Pictures unknown books
1939146098N.p.: N.p. 1939. Draft script for an unproduced film by Rafael Sabatini. A fine leatherbound copy with gilt lettering and decorated endpapers.<br/><br/>One of prolific screenwriter Rafael Sabatini's final projects. A romanticized swashbuckling account of the adventures and loves of Italian explorer Christopher Columbus here re-imagined as the Spanish "Cristobal Colon" from Castile. Delays in the production of the film led Sabatini to turn his early screenplay into a novel first published by Hutchinson in 1941. Although interest was again raised in a Columbus film in the late 1940s-leading to the British "Christopher Columbus" 1949 starring Fredric March-Sabatini's script was ultimately rewritten for the film.<br/><br/>Set in Spain.<br/><br/>Red titled wrappers with credits for screenwriter Rafael Sabatini. Title page integral with the front wrapper as issued. 259 leaves with last page of text numbered 256. Carbon typescript rectos only. Pages Near Fine wrapper Near Fine with wear at the extremities. N.p. unknown books
1969147024Burbank CA: Warner Brothers / Seven Arts 1969. Six vintage temporary tattoos issued as a promotional item for the 1969 film by the beloved but short-lived film studio Warner Brothers-Seven Arts. With both the original envelope housing the tattoos and a Warner Brothers-Seven Arts mailing envelope addressed to film critic photographer and poet Michael S. Dworkin.<br /> <br /> The decals shown in reverse here for the sake of readability are inspired by the designs for the tattoos sported by actor Rod Steiger in the film with the promotional copy inviting the recipient to "be your own illustrated man." The only example we have encountered unsurprising given the temporary nature of the item. <br /> <br /> Based on three short stories from Bradbury's acclaimed collection "The Veldt" "The Long Rain" and "The Last Night of the World." <br /> <br /> Tattoos variously sized between 4.25 x 5.75 and 8.75 x 4 inches. All but one of the tissue guards are still fully attached. Bright and Near Fine. <br /> <br /> Promotional envelope 5.25 x 10 inches. Chip to the envelope flap and some bruising from having been opened else Near Fine. Warner Brothers / Seven Arts unknown
1969147024Burbank CA: Warner Brothers / Seven Arts 1969. Six vintage temporary tattoos issued as a promotional item for the 1969 film. With the both the original envelope housing the tattoos and a Warner Brothers mailing envelope addressed to film critic photographer and poet Michael S. Dworkin.<br/> <br/>The decals are inspired by the designs for the tattoo makeup worn up Rod Steiger in the film with the promotional copy inviting the recipient to "be your own illustrated man." The only example we have encountered unsurprising given the temporary nature of the item. <br/><br/>Based on three short stories from Bradbury's acclaimed collection "The Veldt" "The Long Rain" and "The Last Night of the World." <br/><br/>Tattoos variously sized between 4.25 x 5.75 and 8.75 x 4 inches. All but one tissue guard attached. Bright and Near Fine. <br/><br/>Promotional envelope 5.25 x 10 inches. Chip to the flap and bruising from wear it was opened else Near Fine. Warner Brothers / Seven Arts unknown books
1970137241London: Amicus Productions 1970. Draft script for the 1971 film. SIGNED by screenwriter Robert Bloch on the title page in 1982. Brief annotations throughout in holograph ink and pencil. <br/><br/>An anthology horror film featuring four different stories including vampires witchcraft wax ladies and eerie stranglers. In one story a writer is haunted by the psychopathic central character of his latest novel; in another two friends are haunted by a wax figure that eerily resembles a woman they once knew; in the third story a widower is neglectful and abusive to his daughter; and in the final story an actor starring in a vampire film buys a cloak from a mysterious shopkeeper and finds that the cloak gives him vampiric powers. Ingrid Pitt has a supporting role as do Joss Ackland Jonathan Lynn and Joanna Lumley. <br/><br/>Bloch wrote for several Amicus Productions film including "The Skull" 1965 "The Psychopath" 1966 "The Deadly Bees" 1966 and "Asylum" 1972. <br/><br/>Shot on location in England. <br/><br/>Blue titled wrappers. Title page present undated with a credit for screenwriter Bloch. 128 leaves with last page of text numbered 127. Mimeograph duplication. Pages and wrapper Near Fine bound internally with a silver prong brad. <br/><br/>Muir 1970s. Amicus Productions unknown books
1967139540Culver City CA: Columbia Pictures 1967. Vintage oversize double weight color still photograph from the 1967 film based on the 1964 play by Murray Schisgal. Although not indicated shot and struck by the film's still photographer Bob Willoughby with an agency stamp on the verso. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>13 x 19.25 inches mounted on board. About Near Fine with some soiling near the top edge and light edgewear overall. Columbia Pictures unknown books
1975146241Hollywood: Turman-Foster 1975. First Draft script for an unproduced film. <br/><br/>Based on noted African American writer and academic Cecil Brown's 1969 debut novel. An cynical silver-tongued black man from the rural south makes a living through scamming and stealing which he considers informal reparation for the injustices he has faced. Fed up with the quality of life in the US he decides to leave for Sweden where he spends his days with other black expatriates and his nights with beautiful Swedish women. <br/><br/>Set in New York and Stockholm Sweden. <br/><br/>Blue titled wrappers. Title page present dated March 21 1975 noted as FIRST DRAFT with credits for screenwriter Roland Cutler and novelist Cecil Brown. 120 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Turman-Foster unknown books
