8 853 résultats
1957166733N.p.: N.p. 1957. Final script for the 1962 film. Early draft preceding the film's release by five years credited to screenwriter Robert Rossen. Rossen was ultimately uncredited in the film but was involved in this early stage of the script's development. <br /> <br /> Based on Louis O. Coxe and Robert H. Chapman's 1949 play which was based in turn on Herman Melville's 1924 novella. A seaman's innocence and natural beauty wins him the affection of the entire crew except the abusive master-at-arms who eventually wrongly accuses the seaman of conspiracy to mutiny. The feature film debut of Terence Stamp who was nominated for a Best Supporting Actor Academy Award for his performance.<br /> <br /> Yellow titled wrappers noted as FINAL SCREENPLAY and dated October 15 1957 with credit for screenwriter Robert Rossen. 122 leaves with last page of text numbered 122. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1975166618N.p.: N.p. 1975. Revised Second Draft script for the 1976 film here under the working title "Invitation to Death." Copy belonging to actor Nick Dimitri with manuscript pencil and ink annotations throughout amending dialog and underlining his character "Steve." Bound in following the script are two pages of extensive handwritten notes in pencil elaborating on the actions and motivations of the character "Steve" in specific scenes likely written by screenwriter and director Howard Avedis. Laid in is a 24 page schedule with manuscript pencil annotations underlining the character "Steve" throughout with the manuscript marker annotation of Dimitri's name along the top edge of the first leaf.<br /> <br /> Connie Stevens stars as a sexy and horny federal narcotics agent who goes undercover to investigate heroin smuggler Cesare Danova. Director and screenwriter Howard Avedis' exploitation take on William Fiedkin's 1971 classic "The French Connection" with a female cop in the lead including an outrageous chase scene involving Ms. Stevens in a dunebuggy. A cult classic.<br /> <br /> Set in and shot on location in Seattle King County and Kirkland Washington and Portland Oregon. <br /> <br /> Burgundy untitled wrappers. Title page present dated June 6 1975 noted as Second Draft Revised with credits for screenwriter Hikmet Avedis. 98 leaves with last page of text numbered 111. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three silver brads. N.p. unknown
1971147252N.p.: N.p. 1971. Draft script for the 1971 film. With what we assume to be translator Alan Blair's handwritten ink annotations throughout the script mostly in English but occasionally in Swedish noting many substantive revisions and deletions. Text in English. <br/><br/>Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Elliott Gould working alongside Bergman regulars Max von Sydow and Bibi Andersson. A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. <br/><br/>Set and shot on location in Sweden and England.<br/><br/>Blue untitled wrappers. Title page present with credits for director Ingmar Bergman and English translator Alan Blair. 57 leaves with last page of text numbered 56. Xerographic duplication rectos only. Pages Very Good wrapper Very Good plus with a black comb binding. N.p. unknown books
1964148813New York: Janus Films 1964. Collection of thirteen vintage studio still photographs from the US release of the 1963 Swedish film. Three with mimeo snipe and "R.R. Stuart Collection" stamp on the verso.<br/><br/>The third entry in Ingmar Bergman's trilogy of faith and redemption preceded by "Through A Glass Darkly" 1961 and "Winter Light"1963. <br/><br/>A stark and enigmatic allegory fueled by subtle performances from Ingrid Thulin and Gunnel Lindblom. <br/><br/>Ester Thulin a translator and intellectual suffering from a terminal disease is traveling home with her younger resentful sister Anna Linblom and Anna's son Johan Jorgen Lindstrom when they stop in the town of Timoka in a fictional European county on the brink of war with an unknown dialect. After they check into a nearly empty hotel with the exception of a group of Spanish dwarves in a traveling show Anna leaves and has an affair with a waiter as Johan wanders the hallways.<br/><br/>Regarded as one of the most sexually provocative films of its day. <br/><br/>8 x 10 inches. Three with faint even fading one with pinholes to corners one with a small closed tear in top margin else Near Fine. <br/> <br/>Complete collation details available on request.<br/><br/>Criterion Collection 211. Ebert III. Janus Films unknown books
1942116171N.p.: N.p. 1942. Revised Final Script for the 1942 film. Two blue revision pages dated 8/8/42 paper clipped to the rear wrapper of the script. <br /> <br /> One the greatest Technicolor musicals produced by Fox in the 1940s employing Harry James and his orchestra at their peak and pulling out all the stops on the musical numbers. Featuring Carmen Miranda's version of "Chattanooga Choo-Choo" and the debut of the classic song "I Had the Craziest Dream."<br /> <br /> Red titled wrappers noted as Revised Final on the front wrapper rubber-stamped copy No. 47 and production No. 763 dated June 11 1942. Distribution page present with receipt intact. Title page present dated June 11 1942 noted as Revised Final. 131 leaves with last page of text numbered 129. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 6/13/42 and 7/20/42. Pages Near Fine wrapper Very Good bound internally with two gold brads. N.p. unknown
1965146364New York: Challenger Productions 1965. Ribbon copy typescript of a Preliminary Treatment script for an unproduced film. The manuscript does not name the author however we can reasonably presume this is Robert Newman's known treatment for Isak Dinesen's "Seven Gothic Tales" under the title "The Gothic Tales" which we have offered once in the past with that copy having a stated credit for Newman and also 53 pages; and also "Challenger Productions" as stated on title page as well as documented in Boston University's Robert Newman Collection. Contains several proofreading annotations in holograph ink throughout.<br/><br/>Based on the 1934 collection of short stories "Seven Gothic Tales" by Danish author Karen Blixen working under her more commonly recognized pseudonym Isak Dinesen Newman's screenplay is a series of vignettes taking place in 19th century Europe told from the perspective of the author.<br/><br/>Dinesen is also the author of the 1937 memoir "Out of Africa" which was made into Sydney Pollack's Academy Award winning 1985 film of the same name as well as the short story "Babette's Feast" from her 1958 collection "Anecdotes of Destiny" made into Gabriel Axel's Academy Award winning 1987 film of the same name.<br/><br/>In the late 1960s Orson Welles had the intention of creating an anthology of films adapted from Dinesen's stories. Only one was completed Welles' 1968 "The Immortal Story" starring Jeanne Moreau based on the short story of the same name from the 1958 collection "Anecdotes of Destiny." In the early 1980s Welles attempted to film "The Dreamers" based on the short story of the same name from "Seven Gothic Tales" and "Echoes" from the 1957 collection "Last Tales" but only completed a few scenes and abandoned the project after a lack of financing.<br/><br/>In 1982 Italian director Emidio Greco directed "Ehrengard" based upon Dinesen's novel of the same name but was not released until 2002 due to financial complications.<br/><br/>Set in Europe. <br/><br/>Blue untitled wrappers. Title page present dated JU 2 6195 presumably 1965 noted as Preliminary Treatment with credits for novelist Dinesen. 55 leaves with last page of text numbered 53. Ribbon copy typescript rectos only. Pages Near Fine wrapper Very Good Plus bound with two gold brads. Challenger Productions unknown books
1968143480Tokyo: Toei Animation 1968. Vintage post-production script for the animated 1968 Japanese film "Horus: Prince of the Sun" also known under the title "The Little Norse Prince." This listing also includes a pamphlet of character designs for the film. <br /> <br /> A milestone in the history of Japanese animation heralded as the first animated feature to successfully disrupt the Walt Disney paradigm and seen as one of the first to intentionally address an adult audience. Isao Takahata's directorial debut and the first major film of famed Studio Ghibli director Hayao Miyazaki who worked on scene design and key animation for the film. Ostensibly a film about young boy living in ancient Scandinavia who must help instill a community to fight against a great oppressor it carried a strong pro-union and pro-Socialist subtext as Takahata and Miyazaki were staunch union organizers. Studio Toei executives in part in retaliation released the film into theaters for only ten days and it would be some years before the feature would be appreciated fully. <br /> <br /> Off white wrappers perfect-bound with black titles. Title page present. 164 leaves with last page of text numbered 61. Xerographic duplication with pink orange green and yellow revision pages. Pages lightly toned else Fine wrapper Near Fine. Toei Animation unknown
1964158398N.p.: Southern Cross Productions 1964. Draft script for an unproduced film. Specially bound copy likely belonging to screenwriter Ivan Reiner with annotations in manuscript pencil throughout 31 leaves.<br /> <br /> Reiner was a producer and screenwriter best known for the low budget sci-fi "Gamma One" film series with director Antonio Margheriti as well as the films "The Wild Wild Planet" 1966 "The War of the Planets" 1966 "War Between the Planets" 1966 and "Snow Devils" 1967.<br /> <br /> As the United Democracies Space Command UDSCO begins their New Years Eve celebrations unusual light patterns are observed on Delta 2 and Delta 2's captain Captain Jacques Dubois is nowhere to be found.<br /> <br /> Bound in red cloth-covered boards with gilt rule and title on spine. Title page present dated 1964 with credits for screenwriter Ivan Reiner. 120 leaves with last page of text numbered 118. Spirit duplication rectos only. Pages Near Fine wrapper Near Fine binding Very Good plus. Southern Cross Productions unknown
1957137255Universal City CA: Universal Pictures 1957. Collection of four striking vintage photographs from the 1957 US film. The stills demonstrate the practical effects and extraordinary sets constructed in order to make the picture-at a time when the special effects needed to visualize the world of a man reduced to being only a few inches were essentially nonexistent. <br/><br/>A landmark science fiction film adapted by Richard Matheson from his own 1956 novel about a man who begins shrinking after being exposed to a strange mist. <br/><br/>8 x 10 inches. Fine condition with scene descriptions tipped on to the verso of eight of the nine stills. <br/><br/>National Film Registry. <br/><br/>Complete collation details available on request. Universal Pictures unknown books
1971160751N.p.: Cinema Center Films 1971. Second Draft script for the 1973 film. An early draft dated February 22 1971 two years before the film's release and a year before the film went into production.<br /> <br /> Novelized by screenwriter Steve Shagan in 1972 immediately prior to the film's release. Jack Lemmon stars as a garment industry executive who is faced with tough moral decisions amidst a failing business and a mid-life crisis. Winner of the Academy Award for Best Actor for Jack Lemmon nominated for two others including Best Screenplay.<br /> <br /> Set and shot on location in Los Angeles. <br /> <br /> Green titled wrappers noted as Second Draft on the front wrapper production No. 8010 dated February 22 1971 with credits for screenwriter Steve Shagan. Title page present dated February 22 1971 noted as Second Draft with credits for screenwriter Steve Shagan. 156 leaves with last page of text numbered 143. Mimeograph duplication rectos only with white revision pages throughout dated 2/22/71 and 2/25/71. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Cinema Center Films unknown
1969140527Burbank CA: National Broadcasting Company NBC 1969. Three scripts from the seminal police procedural television program from its colorful pop culture-infused revival made between 1967-1970 starring Jack Webb and Henry Morgan along with a relentless cast of hippies druggies bad parents priests and a host of substantially less hip efficient and often troubled men and women of the Los Angeles Police Department. The collection includes:<br/><br/>"Burglary Auto: Courtroom": Revised Draft script for Season Four episode nine which originally aired on November 20 1969. With a holograph ink notation on the front wrapper referring to LAPD Sergeant Dan Cooke who was the department's liaison to the show. Friday and Gannon testify in court about a search of suspect's car but their key witness is missing. <br/><br/>Pink self wrappers with title page integral to the front wrapper noted as production number 30208 dated September 9 and September 12 1969 with credits for screenwriter Barrett and LAPD technical advisor Lt. Charles W. Walters. 41 leaves with last page of text numbered 39. Mechanical duplication on pink stock with revision pages throughout dated 9/12/69. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>"Narco: Pill Maker": Revised Draft script for Season Four episode 18 which originally aired on February 19 1970. Here under the slightly more formal working title "Narcotics: Pill Maker."<br/><br/>Pink self wrappers with title page integral to the front wrapper noted as production No. 30237 dated November 26 and December 5 1969 with credits for screenwriter Harris and LAPD technical advisor Sgt. Ronald Garrahan. 43 leaves with last page of text numbered 41. Mechanical duplication on pink stock. Pages Near Fine wrapper Very Good plus bound with one gold brad. <br/><br/>"Forgery: The Ranger": Revised Draft script for Season Four episode 21 which originally aired on March 12 1970. With a holograph ink notation on the front wrapper referring to LAPD Sergeant Dan Cooke who was the department's liaison to the show. A routine traffic stop reveals a forest ranger in possession of checks and credit cards not in his name and Friday and Gannon begin to suspect him of being a con man. <br/><br/>Blue self wrappers with title page integral to the front wrapper noted as production No. 30239 dated December 29 1969 and Janary 5 and 6 1970 with credits for screenwriter Dan Page and LAPD technical advisor Sgt. Robert L. Cameron. 42 leaves with last page of text numbered 34. Mechanical duplication on pink stock with blue revision pages bound in front dated 1/6/70. Pages Very Good plus wrapper Very Good plus bound with one silver brad. National Broadcasting Company [NBC] unknown books
1960140402France / Italy: Filmsonor 1960. Collection of 16 vintage borderless single weight still photographs from the 1960 French film noir. A remarkable collection including still photographs from the film candid shots and shots from the set. On-set images include director Jacques Becker with his camera and with the actors actors Marc Michel and Michel Constantin and other members of the cast and crew. Notations in manuscript pencil on the versos of nearly the photos.<br /> <br /> Based on Jose Giovanni's 1957 first novel "Le Trou" The Break. True story of the 1947 Le Sante Prison break with one of the real escapees Keraudy playing his own character in the film. <br /> <br /> Four photos 7 x 9.5 inches twelve photos 5 x 7 inches. Very Good plus to Near Fine. <br /> <br /> Buss French Film Noir. Criterion Collection 129. Godard Histoires du Cinema. Grant France. Hayden and Schneider 1001. Selby France. Spicer France. Filmsonor unknown
1978137031New York: Interstar 1978. Revised Shooting script for the 1980 film. <br/><br/>Vigilante crime drama focuses on a Vietnam vet who wreaks revenge on the streets of New York for his friend who was mugged and subsequently crippled. In the vein of "Death Wish" 1974 but with more flame-throwing more whores and junkies and more exterminating. A cult classic. <br/><br/>Shot on location in New York and Ventura County California. <br/><br/>Red Studio Duplicating wrappers with a credit for screenwriter Glickenhaus on the front wrapper. Title page present dated 8/9/79 noted as SHOOTING SCRIPT with a credit for screenwriter Glickenhaus. 173 leaves with last page of text numbered 170. Mechanical duplication with blue revision pages throughout dated variously between 8/24/79 and 8/27/79. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>Arrow 554. Hardy The Gangster Film. Interstar unknown books
1979137104Los Angeles: Columbia Broadcasting System CBS 1979. Two Draft scripts for the 1981 film. One is a Second Draft script dated December 1979 the other is an Agency script in generic Agency wrappers undated. <br /> <br /> Directed by Bob Rafelson and based on the 1939 novel by James M. Cain "Postman" was one of the gems of early 1980 cinema along with "The Verdict" and neo-noir and brought David Mamet to the attention of the filmmaking world leading to his working not only as a screenwriter but an important director. Mamet's grim update of Cain's classic hard-boiled novel was largely panned on release but is today held in high regard and is considered a major influence on the genre. <br /> <br /> Shot on location in Santa Barbara California. <br /> <br /> 1979 script:<br /> <br /> Red titled wrappers. Title page present dated December 1979 noted as SECOND DRAFT with credits for screenwriter Mamet and novelist Cain. 123 leaves with last page of text numbered 121. Xerographically reproduced. Pages and wrapper Near Fine bound with two gold brads. <br /> <br /> Undated script:<br /> <br /> Black titled pictorial wrappers. Title page present undated with credits for screenwriter Mamet and novelist Cain. 118 leaves with last page of text numbered 117. Xerographically reproduced. Pages Near Fine wrapper Very Good plus perfect-bound. <br /> <br /> Silver Classic Noir. Spicer US. Columbia Broadcasting System [CBS] unknown
1979137104Los Angeles: Columbia Broadcasting System CBS 1979. Two Draft scripts for the 1981 film. One is a First Draft script dated December 1979 the other is an Agency script in promotional titled wrappers undated. <br/><br/>Directed by Bob Rafelson and based on the 1939 novel by James M. Cain "Postman" was one of the gems of early 1980 cinema along with "The Verdict" and neo-noir and brought David Mamet to the attention of the filmmaking world leading to his working not only as a screenwriter but an important director. Mamet's grim update of Cain's classic hard-boiled novel was somewhat panned on release but is today held in high regard and is considered a major influence on the genre. <br/><br/>Shot on location in Santa Barbara California. <br/><br/>Script one:<br/>Red titled wrappers. Title page present dated December 1979 noted as SECOND DRAFT with credits for screenwriter Mamet and novelist Cain. 123 leaves with last page of text numbered 121. Xerographically reproduced. Pages and wrapper Near Fine bound with two gold brads. <br/><br/>Script two:<br/>Black titled wrappers. Title page present undated with credits for screenwriter Mamet and novelist Cain. 118 leaves with last page of text numbered 117. Xerographically reproduced. Pages Near Fine wrapper Very Good plus perfect bound. <br/><br/>Silver Classic Noir. Spicer US. Columbia Broadcasting System [CBS] unknown books
1967168996Paris: Magnum 1967. Vintage borderless double weight reference photograph of Jane Fonda from the 1968 film with a "David Hurn-magnum" photographer's stamp on the verso.<br /> <br /> Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. <br /> <br /> Set in outer space and shot in Rome. <br /> <br /> 10.5 x 8.25 inches. Near Fine. <br /> <br /> Vogel Film as a Subversive Art. Magnum unknown
1960140390France: Cinedis 1960. Archive of 207 vintage borderless single weight still photographs and contact sheets from the 1960 French film. Numerical annotations on the verso of nearly all photos in manuscript pencil several cropped contact sheets mounted on larger sheets. Housed in a vintage French Kodak brand photo paper box with most contact sheets in a two-ring binder similar to keybook photos. Also included is a press folder from the Cinedis agency in Paris with star biographies film credits and scenario on Cinedis parchment. <br /> <br /> Seen in the images is starring actor and screenwriter Buissieres including a large portrait actress Carrel several seductive in nature with shots of director Faurez and the film crew in action and images of composer Georges Van Parys and singer Colette Renard famous for her "Irma La Douce" musical roles presumably working on the film soundtrack. Several images in the contact sheets show scenes from the film taking place in an automobile repair shop directed scenes from high on a crane and candid photos of the starring performers. A few of the contact sheets bear credits for the Laboratoire Tele-Photo film title client Cinedis and photographer. ` <br /> <br /> Little known gangster drama about a woman and her child caught in the downward spiral of prostitution. <br /> <br /> Photos vary in size from 3 x 4.5 inches to 9.25 x 11.75 inches with most being smaller. Very Good plus overall photos with moderate curling and photo box Very Good plus. Cinedis unknown
1965140015Paris: Athos Films 1965. Vintage French moyenne poster for the 1965 film. <br/><br/>The influence of "Alphaville" as the first crime film to be set in a sci-fi context cannot be underestimated and even the film's legitimate proteges such as "Blade Runner" don't quite capture its strange sexuality. <br/><br/>Shot on location in Paris. <br/><br/>23 x 30 inches folded. Light holograph pencil notation to the verso else Near Fine. <br/><br/>Criterion Collection 25. Godard Histoires du cinema. Grant US. Rosenbaum 1000. Athos Films unknown books
1960153973London: Contemporary Films 1960. Eight vintage double weight studio still photographs from the 1960s UK re-release of the 1934 French film. Manuscript ink annotations identifying scenes on the versos. <br /> <br /> From the archive of film historian and author Joel Finler. <br /> <br /> A classic of French cinema Jean Vigo's only theatrical feature a film that in the minds of many including Francois Truffaut predicted and even helped define the French New Wave that would come 20 years later. <br /> <br /> Shot on location in Paris Yvelines and Seine-Maritime France. <br /> <br /> 10 x 8 inches. Four Near Fine four Very Good plus with faint dampstains to the bottom edges.<br /> <br /> Ebert I. Rosenbaum 1000. Contemporary Films unknown
1933139665Paris: Franfilmdis / Argui-Film 1933. Vintage double weight borderless reference photograph for the landmark 1933 silent film by Jean Vigo. With the stamp of photographer Mars Marstrich on the verso. <br /> <br /> Although he only made four films before his death from tuberculosis at the age 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with Truffaut in particular paying homage to the anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in "The 400 Blows." <br /> <br /> 8.75 x 6.5 inches. A few tiny pinholes at the right edge else Near Fine. <br /> <br /> Criterion Collection 578. Godard Histoires du cinema. Rosenbaum 1000. Franfilmdis / Argui-Film unknown
1956146325Hollywood: Allied Artists Productions 1956. Draft script for the 1957 film noir here under the working title "Night Target." A strike through the printed title and "Footsteps in the Night" and "1956" written in holograph ink on the wrapper with the name of an uncredited crew member written in holograph pencil on upper right of wrapper.<br/><br/>The final of five Los Angeles-set police thrillers starring Bill Elliott as a L.A.sheriff's department detective following "Dial Red O" 1955 "Sudden Danger" 1955 "Calling Homicide" 1956 and "Chain of Evidence" 1957. <br/><br/>Two detectives investigate the strangulation death of well-liked card player. A gambling addicted neighbor is suspected but something doesn't quite add up. "Wild" Bill Elliott's final film retiring from acting in 1957.<br/><br/>Green titled wrappers. Distribution page present with receipt removed. Title page integral to the distribution page present with receipt removed dated March 14 1956 with credits for screenwriter Albert Band. 95 leaves with last page of text numbered 94. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads.<br/><br/>Spicer US. Lyons p. 91. Grant US. Selby US. Allied Artists Productions unknown books
1964167663N.p.: N.p. 1964. Five vintage borderless reference photographs from the 1964 French film including two showing director Jean-Luc Godard with a camera on the set. One with a French release stamp on the verso and all with annotations in manuscript ink and pencil on the same. <br /> <br /> Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema later described by Godard as "'Alice in Wonderland' meets Franz Kafka." <br /> <br /> Shot on location in Paris. <br /> <br /> Photographs range in size from 9.5 x 7 inches to 7 x 5 inches. Generally Near Fine. <br /> <br /> Grant France. Spicer France. BFI 549. Criterion Collection 174. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown
1956152432N.p.: N.p. 1956. Vintage oversize borderless reference photograph from the 1956 French film noir showing actor Roger Duchesne surrounded by Gallic toughs. With manuscript ink annotations on the verso. <br /> <br /> Faced with an unlucky streak and debts to pay a former bank robber turned gambler plans a heist of the Deauville casino during Grand Prix weekend. A key French New Wave antecedent and core French film noir.<br /> <br /> Set and shot on location in the Montmartre district in Paris and Calvados France.<br /> <br /> 9.5 x 12 inches with a small bottom margin. Near Fine with some light edgewear.<br /> <br /> Criterion Collection 150. Grant France. Ebert II. Lee The Heist Film. Selby France. N.p. unknown
1978147119Burbank CA: Edgar J. Scherick and Associates 1978. Second Draft script for the 1978 television film. <br /> <br /> One of director John Carpenter's earliest efforts as a screenwriter released the same year as "Halloween" and the television movie "Someone's Watching Me." Originally aired on NBC on September 27 1978. While written as a vehicle for Suzanne Somers some actors that would soon eclipse her can be found in the supporting cast including Timothy Hutton Rosanna Arquette and Michael Biehn. <br /> <br /> A glamorous aging rock star takes a vacation to Zuma Beach where she unwittingly seduces the teenage beachgoers and gradually becomes involved in their lives. <br /> <br /> Set and shot on location in California.<br /> <br /> Red titled wrappers. Title page present dated May 31 1978 noted as SECOND DRAFT with credits for screenwriter William Schwartz. 116 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Near Fine lightly soiled on the first leaf wrapper Very Good plus bound with two gold brads. Edgar J. Scherick and Associates unknown
1970159071Culver City CA: Faces Music / Columbia Pictures 1970. Original oversize program for the 1970 film. Photo illustrated throughout in black and white and color. <br /> <br /> Three men are confronted with middle age suburban malaise and their impending mortality after the sudden death of friend. They spend a weekend binge drinking and wandering around New York then spontaneously head to London where one of them decides to stay not returning to his family. <br /> <br /> 10.5 x 13.5 inches. Saddle stapled with printed acetate wrapper. Near Fine. Faces Music / Columbia Pictures unknown
