4 698 résultats
1963150212N.p.: N.p. 1963. Vintage borderless photograph of Luchino Visconti Burt Lancaster and crew on the set of the 1963 film. Coat of Arms with Leopard and "Le Guepard" stamps on the verso. <br /> <br /> Based on the 1958 novel by Giuseppe Tomasi di Lampedusa.<br /> <br /> Visconti's classic spacious homage to the quiet death of the Sicilian aristocracy of the mid-nineteenth century one of the great films of Italian cinema. Perhaps the apex of Ms. Cardinale's career and one of a handful of examples of Burt Lancaster's willingness to take on literate complex roles. <br /> <br /> Nominated for an Academy Award. Winner of the Palme d'Or.<br /> <br /> Shot on location in Rome Lazio and Sicily Italy. <br /> <br /> 7 x 9.25 inches. Near Fine. <br /> <br /> BFI 1087. Criterion Collection 235. Ebert II. Godard Histoires de cinema. Rosenbaum 1000. Schrader 22. N.p. unknown
1964151653N.p.: N.p. 1964. Vintage borderless reference photograph from the set of the 1964 film showing director Luis Buñuel in conversation with actors Jeanne Moreau and Jean Ozenne.<br /> <br /> Based on Octave Mirbeau's 1900 novel which follows a chambermaid in 1930s France whose Parisian beauty and sophistication at turns alienate and arouse the bourgeoisie members of the country house where she has recently found employment. <br /> <br /> Shot on location in Seine-Maritime Saint-Maurice and Essonne France.<br /> <br /> 7.25 x 9.5 inches. Near Fine. <br /> <br /> Criterion Collection 117. N.p. unknown
1969164260N.p.: N.p. 1969. Three vintage borderless reference photographs taken on the set of the 1969 film two showing director Luis Buñuel fencing the third showing Buñuel standing with actor Paul Frankeur. Stamp of photographer Michel Ciment on the versos along with layout annotations in manuscript ink and pencil. <br /> <br /> A surrealist adventure about two French vagrants traveling along the Way of St. James a pilgrimage route from northern Europe to Santiago de Compostela in Galicia Spain. Buñuel would later name the film as the first part of a trilogy about "the search for truth" followed by "The Discreet Charm of the Bourgeoisie" 1972 and "The Phantom of Liberty" 1974. <br /> <br /> 9.5 x 7 inches. Near Fine. N.p. unknown
1945159854N.p.: N.p. 1945. Vintage borderless reference photograph from the 1945 film showing director Marcel Carné on the set. French annotations in manuscript pencil on the verso along with a Photofest label and a printed mimeo snipe affixed to the bottom edge. <br /> <br /> An influential classic of French cinema following a courtesan in nineteenth century Paris who finds her attentions torn between four possible suitors-a mime an actor a thief and an aristocrat.<br /> <br /> Set and shot on location in France. <br /> <br /> 7.25 x 9.5 inches. Very Good plus. <br /> <br /> Criterion Collection 141. Ebert II. Rosenbaum 1000. N.p. unknown
1932149934N.p.: N.p. 1932. Vintage oversize double weight reference photograph from the 1932 film showing the fish stand in the Marseille harbor. With a manuscript pencil annotation on the verso noting the number 8. <br /> <br /> A young fishmonger's daughter discovers she's pregnant with little chance of marriage to the father who has departed overseas for a sailor's life. The second film in director Marc Allegret's delicate lyrical Marseillaise trilogy preceded by "Marius" 1931 and followed by "Cesar" 1936. <br /> <br /> Set and shot on location in Marseille. <br /> <br /> 9 x 11.25 inches. Very Good plus slightly wavy at the bottom edge with some soil on the bottom half of the recto only.<br /> <br /> Criterion Collection 883. Godard Histoires du cinema. N.p. unknown
1969150219N.p.: N.p. 1969. Vintage borderless reference photograph of Marguerite Duras on the set of the 1969 film. Credits printed on verso. <br /> <br /> Marguerite Duras' directorial debut based on her radical 1969 novel about two couples exploring the destructive potential of their desires their identities dissipating and merging at an isolated seaside resort where no other guests are seen only heard playing tennis surrounded by a dense forest. <br /> <br /> 5 x 7 inches. Near Fine. N.p. unknown
1980162363N.p.: N.p. 1980. Three vintage borderless color reference photographs from the 1980 adult film. <br /> <br /> An orphaned heiress enjoys a series of erotic encounters with men and women none of whom can satisfy her insatiable drive for sex. <br /> <br /> Shot on location in London.<br /> <br /> 10 x 8 inches. Very Good plus with pinholes at the corners. N.p. unknown
1950169550Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1950. Vintage publicity photograph from the 1950 film noir showing Sterling Hayden and Jean Hagen embracing while Marilyn Monroe looks on with envy. MGM stamp and annotations in manuscript ink on the verso. <br /> <br /> Based on the 1949 novel by W.R. Burnett and hugely influential as one of the earliest films in the heist film sub-genre. Nominated for four Academy Awards including Best Director and Best Adapted Screenplay. <br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> Grant US. Silver and Ward Classic Noir. Selby US Masterworks. Penzler 101. Spicer US. Criterion Collection 847. National Film Registry. Metro-Goldwyn-Mayer [MGM] unknown
1947163341Los Angeles: Paramount Pictures 1947. Vintage publicity photograph from the 1948 film showing actress Marlene Dietrich. Mimeo snipe on the verso. <br /> <br /> An Iowa congresswoman enlists an American army captain to assist her in an investigation of a former Nazi entertainer in postwar Berlin. Unbeknownst to the congresswoman however the captain and the entertainer are engaged in an affair leading the captain to seduce the congresswoman in an attempt to hide his conflicting motives. Nominated for two Academy Awards.<br /> <br /> Shot on location in Berlin. <br /> <br /> 8 x 10 inches. About Near Fine.<br /> <br /> Selby US. Selby UK. Paramount Pictures unknown
1930166084N.p.: N.p. 1930. Vintage publicity portrait photograph of Marlene Dietrich from the 1930 film. Annotations in manuscript pencil on the verso.<br /> <br /> Based on Benny Vigny's 1927 novel "Amy Jolly die Frau aus Marrakesch" an autobiographical story based on his own experiences in Marrakesh while serving in the French Foreign Legion. The film is today best remembered for a scene in which Dietrich performs in a man's tailcoat and kisses another woman. Nominated for four Academy Awards including Best Actress for Dietrich.<br /> <br /> Set in Mogador.<br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> National Film Registry. N.p. unknown
1942157691N.p.: N.p. 1942. Vintage reference photograph from the 1942 film showing director Mitchell Leisen talking to actors Marlene Dietrich and Fred MacMurray between takes. Provenance stamp on the verso. <br /> <br /> An eccentric unmarried actress who longs for motherhood finds an abandoned baby and enlists a divorced pediatrician's help in raising the child. <br /> <br /> Set in New York.<br /> <br /> 10 x 8 inches. Very Good plus with paper tape reinforcements on the corner versos. N.p. unknown
1961143258Hollywood: Paramount Pictures / Pennebaker Productions 1961. Four vintage oversize double weight matte finish photographs from the 1961 film. <br /> <br /> Based on the 1956 novel "The Authentic Death of Hendry Jones" by Charles Neider. Marlon Brando's only directorial effort after his production company fired original screenwriter Sam Peckinpah and director Stanley Kubrick and he rewrote the script first with Calder Willingham then with Guy Tropser. Nominated for an Academy Award. <br /> <br /> Photographs roughly 13.5 x 9 inches one with a wide bottom margin to 13.5 x 10.5 inches. Near Fine. <br /> <br /> Criterion Collection 884. Paramount Pictures / Pennebaker Productions unknown
1959151144London: J. Arthur Rank 1959. Treatment script for an unproduced film circa 1959. Not to be confused with the 1972 BBC mini-series based on the same literary source.<br /> <br /> Based on Mary McMinnies' 1958 novel which follows the adventures of a pleasantly immoral young woman who has recently been relocated with her English Foreign Service husband to a Communist-run eastern European country. <br /> <br /> Gray titled wrappers noted as Treatment on the front wrapper dated 18-3-59. Title page present with credits for screenwriter JOHN MORTIMER and novel credits to Mary MacMinnies sic. 48 leaves with last page of text numbered 46. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with a gold prong. J. Arthur Rank unknown
1952155081Paris: Columbia Pictures 1952. Collection of 20 vintage borderless reference photographs from the 1952 film. One photograph with the stamp of Columbia Pictures on the verso. <br /> <br /> Based on three short stories by Guy de Maupassant: "Le Masque" 1889 "La Maison Tellier" 1881 and "Le Modele" 1883. An exploration of pleasure and its repercussions.<br /> <br /> Set and shot on location in Paris and Calvados France.<br /> <br /> 9.75 x 7.25 inches. Very Good plus with light edgewear and creasing at the corners. <br /> <br /> Criterion Collection 444. Columbia Pictures unknown
1974163967N.p.: N.p. 1974. Collection of 13 vintage oversize borderless color reference photographs from the 1974 French erotic film. Typed labels affixed to the recto corners noting the film's French title and an over-18 rating. <br /> <br /> A taxi driver falls for a seductive passenger and follows her to an erotic club where he enjoys a series of sexual encounters with various women. <br /> <br /> Director Max Pécas worked as a screenwriter director and producer through the late twentieth century and while he is today best remembered for directing "La main noire" 1968 and "Felicia" 1975 much of his filmography has been recently restored and released by the curated label Cult Epics in the US and 88 Films in the UK resulting in a wave of renewed interest.<br /> <br /> 9.25 x 12 inches. Near Fine.<br /> <br /> 88 Films. Pitts pp. 189-190. N.p. unknown
1974166113N.p.: N.p. 1974. Five vintage transparencies from the 1974 film.<br /> <br /> Mel Brooks' slapstick homage to the Western in which an escaped African-American railroad construction worker becomes the sheriff in an all-white town and must protect it from politicians and railroad tycoons looking to raze it. A satire on the racism and misogyny inherent in Hollywood's depiction of the American West among many other targets. Nominated for three Academy Awards.<br /> <br /> Set in the fictional frontier town of Rock Ridge shot on location in California. <br /> <br /> 5 x 4 inches. Near Fine.<br /> <br /> National Film Registry. N.p. unknown
1954150809N.p.: N.p. 1954. Treatment script for the 1955 film. Bound in after the outline are several sets of character descriptions and continuity notes. <br /> <br /> Santa Fe's first female doctor Greer Garson wants to introduce modern medical technology to the town but encounters resistance both from the local hospital which is run by a Catholic priest Walter Hampden and from the town's only other doctor Dana Andrews. <br /> <br /> Set in Boston Massachusetts and Santa Fe New Mexico shot on location in Tucson the Sonoran Desert and the Sierrita Mountains Arizona.<br /> <br /> Green titled wrappers with credits for director Mervyn LeRoy. Title page present dated 4/13/54 noted as Story Outline with credits for director Mervyn LeRoy and screenwriter Frank Butler. 193 leaves with last page of text numbered 81. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br /> <br /> Pitts 4148. N.p. unknown
1992167496Los Angeles: Twentieth Century-Fox 1992. Revised Draft script for the 1993 film. <br /> <br /> Based on the 1992 novel by Michael Crichton. Sean Connery and Wesley Snipes star as two LAPD detectives called in to assist in an investigation of the murder of a call girl in a boardroom of a large Japanese company and act as a liason between the Japanese executives and the investigating officer played by Harvey Keitel.<br /> <br /> Set in and shot on location in Los Angeles. <br /> <br /> Yellow titled wrappers dated April 21 1992. Title page present dated April 21 1992 noted as REVISED with credits for screenwriter Philip Kaufman and author Michael Crichton. 132 leaves with last page of text numbered 131. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1974149391Paris: Viaduc Productions 1974. Vintage oversize borderless reference photograph from the 1974 film showing actress Jane Birkin in a plaid miniskirt but no top freezing in an unheated Paris apartment. With manuscript annotations regarding layout on the verso along with a mimeo snipe a provenance stamp and a stamp dated 4 OCT 1973.<br /> <br /> A dark comedy following a shy bank employee who falls under the sway of a cynical misogynistic novelist.<br /> <br /> Set and shot on location in Paris. <br /> <br /> 8 x 11.75 inches. Very Good plus overall. Viaduc Productions unknown
1948160687London: The Rank Organization 1948. Five vintage reference photographs from the 1948 British film showing the film's famous and impressionistic "ballet sequence." Three with printed mimeo snipes affixed to the versos and all five with stamps of The Rank Organisation on the versos. <br /> <br /> Loosely based on the 1845 fairy tale by Hans Christian Andersen following an up-and-coming prima ballerina whose personal life is strained by her ballet master's obsessive demand that she devote herself entirely to her career. Michael Powell's tenth collaboration with his longtime partner Emeric Pressburger a critical success and worthy successor to their 1947 Technicolor classic "Black Narcissus."<br /> <br /> Nominated for five Academy Awards winning two. <br /> <br /> 9.5 x 8 inches. Near Fine to Very Good plus some with light toning. <br /> <br /> Criterion Collection 44. Ebert III. Rosenbaum 1000. Schrader 41. The Rank Organization unknown
1966150834N.p.: N.p. 1966. Vintage borderless double weight photograph of Michelangelo Antonioni on the set of the 1966 film with provenance stamp of film scholar and author "J. P. Berthome" on verso.<br /> <br /> Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar.<br /> <br /> Michelangelo Antonioni's first English-language film marking the beginning of the final phase of his work co-produced by companies in Italy the United States and the United Kingdom and featuring an international cast. The director's brash use of color set design non-standard editing techniques and typical emphasis of atmosphere over plot would carry over into the two major films that followed "Zabriskie Point" 1970 and "The Passenger" 1975. <br /> <br /> In his 2009 essay on the film Danny Lyon notes "It is apt that through his established style Antonioni made a movie that is perhaps closest to communicating the myth of the swinging Sixties scene but also the confusion of the time. . Britain's new and very chaotic cultural revolution was perhaps most effectively captured by an Italian."<br /> <br /> Winner of the Palme d'Or. Nominated for two Academy Awards for Best Director and Best Screenplay.<br /> <br /> 10 x 8 inches. Light edgewear and creasing in far corners else Near Fine. <br /> <br /> Criterion Collection 865. Ebert I. Grant UK/Italy. N.p. unknown
1965150399N.p.: N.p. 1965. Vintage borderless photograph of director Michelangelo Antonioni filming a scene with actress Soraya on the set of the 1965 Italian film. With a printed mimeo snipe specific to the film's German release affixed to the verso. <br /> <br /> An anthology film with three short episodes following the experiences of various women all played by Soraya directed by Antonioni Mauro Bolognini and Franco Indovina. Antonioni's contribution "Il Provino" "The Preface" features Soraya as a former Iranian princess turned actress posing for a screen test. <br /> <br /> Shot on location in Sardinia and Lazio Italy and Athens Greece. <br /> <br /> 9.5 x 7.25 inches. Very Good plus overall. N.p. unknown
1975160516N.p.: N.p. 1975. Vintage borderless double weight reference photograph of director Michelangelo Antonioni talking with actors Jack Nicholson and Maria Schneider on the set of the 1975 Italian film. Annotations in manuscript ink on the verso relating to cropping as well as the stamp of Cinema International in London. <br /> <br /> A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer following "Blowup" 1966 and "Zabriskie Point" 1970. <br /> <br /> Set in Chad shot on location in Germany Spain and England. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Rosenbaum 1000. N.p. unknown
1971157102Universal City: Universal Pictures 1971. Six vintage borderless reference photographs from the 1971 film. Printed mimeo snipes affixed to the versos and several with Rank Organization stamps. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Milo Forman's first film made in the US. A suburban couple return home one evening to find their teenage daughter has run away. While out looking for their daughter they come across other parents whose children are missing and form a self-help group only to discover they feel happier and freer with the children gone. <br /> <br /> Set and shot on location in New York City. <br /> <br /> 9 x 7.25 inches. Near Fine. Universal Pictures unknown
1967151244London: Gala Film Distributors 1967. Seven vintage reference photographs from the UK release of the 1967 Czechoslovakian film. With printed mimeo snipes affixed to the verso.<br /> <br /> From the archive of film historian and author Joel Finler. <br /> <br /> A volunteer fire department in a provincial town plans a ball in honor of the chief's retirement but the proceedings are marred with comic difficulty at every turn. The first color film directed by Milos Forman a hallmark of the Czechoslovak New Wave and the final film Forman directed in his native Czechoslovakia before relocating to the US in the late 1960s. <br /> <br /> 10 x 8 inches. Very Good plus. Gala Film Distributors unknown
