4 698 résultats
1937165097Universal City: Universal Pictures 1937. Vintage photograph of John Wayne and Louise Latimer on the set of the 1937 film with a mimeo snipe on the verso. Not to be confused with the 1925 silent film of the same name.<br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. <br /> <br /> John Wayne stars as the manager of a trucking company who pits his trucking fleet in a contest against a train to deliver aviation parts to the Pacific coast before a labor strike takes place.<br /> <br /> Shot on location in Santa Clarita and Newhall California. <br /> <br /> 10 x 8 inches. Near Fine. Universal Pictures unknown
1954131088Universal City CA: Universal Pictures 1954. Final Draft script for the 1954 film. The fifth of seven films in the popular "Francis the Talking Mules series all made in the 1950s. Copy belonging to technical advisor Major Lane Carlson with his name in manuscript blue ink on a label affixed on the front wrapper and his annotations throughout. Carlson acted as a consultant on the military aspects of the film as the film involves Francis joining the Army going to the Pentagon etc. <br /> <br /> Salmon titled wrappers noted as Final Screenplay on the front wrapper dated February 9 1954. 157 leaves Multilith duplication with blue pink and yellow revision pages throughout dated variously between 2-17-54 and 4-5-54. Pages and wrapper Very Good plus in a three ring binder used during production. Universal Pictures unknown
1966151319N.p.: N.p. 1966. Five vintage reference photographs from the 1966 film showing Herman's Hermits who appear as fictionalized versions of themselves in the film. <br /> <br /> A NASA scientist is sent to covertly gather information about Herman's Hermits after the children of US astronauts pick "Herman's Hermits" to be the name of the newest Gemini space capsule. The second US film to feature the British-based band following "When the Boys Meet the Girls" 1965. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
1965148132Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Draft script for the 1966 film here under the working title "There's No Place Like Space" from the collection of cinematographer Paul Vogel presumably his working copy with "Camera" written in manuscript pencil at the top right corner of the front wrapper.<br /> <br /> A vehicle to promote the band Herman's Hermits in much the same vein as The Beatles in Richard Lester's 1965 "A Hard Day's Night" and 1966 "Help."<br /> <br /> British pop rock band Herman's Hermits tour the US and are chosen as the "good luck name" of the next Gemini space capsule.<br /> <br /> Yellow titled wrappers rubber-stamped copy No. 73 dated August 30 1965 with credits for screenwriter James B. Gordon. Title page integral with first page. 112 leaves with last page of text numbered 112. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1952145121Universal City: Universal International Pictures 1952. Three vintage linen backed keybook photographs of members of the cast and crew on the set of the 1952 film. Mimeo snipe and manuscript annotations on the verso of each. <br /> <br /> One photo shown. Please inquire to see others.<br /> <br /> A family facing financial troubles realizes that the two trees they recently brought home from the nursery are money trees each bearing five and ten dollar bills. At first this mysterious luck is a relief but quickly the police the IRS and media outlets all get involved and the family struggles to discern the right way to handle all this new cash.<br /> <br /> 10 x 8 inches. Near Fine. Universal International Pictures unknown
1943152391Universal City: Universal Pictures 1943. Vintage keybook reference photograph of Arthur Lubin and camerman on a crane above the opera house audience from the 1943 film. Mimeo snipe on verso. <br /> <br /> Loosely based on the 1910 novel by Gaston Leroux. The second Universal film based on the story following Rupert Julian's 1925 silent film. Nominated for four Academy Awards and winning two including one for Best Cinematography.<br /> <br /> Set in Paris.<br /> <br /> 8 x 10 inches. Very Good plus with light creasing and edgewear. <br /> <br /> Weaver and Brunas Universal Horrors 1931-1946. Universal Pictures unknown
1939151805Universal City CA: Universal Pictures 1939. Post-production Continuity and Dialogue script for the 1939 film. <br /> <br /> A prison warden must decide between keeping a huge lot of stolen goods and saving a man from the electric chair.<br /> <br /> Tall yellow titled wrappers. Title page present noted as production No. 1032 with credits for director Arthur Lubin and actors Victor McLaglen and Jackie Cooper. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads at the top edge. Universal Pictures unknown
1958139786Burbank CA: National Broadcasting Company NBC 1958. Revised Final Draft script for the 1958 television episode of "The Ed Wynn Show." Copy belonging to actor Tom Irish with his name in green manuscript ink on the front wrapper and notation in green ink to a single page. Irish played an uncredited bit part named "Biff." <br /> <br /> In 1958 veteran vaudeville comedian Ed Wynn creator of the innovative live skit-based 1949 television show of the same name tried his hand at a third television series: a short-lived sitcom that would last only one season. <br /> <br /> Though Wynn was one of few beloved vaudevillians to make a successful transition to the small screen with his first show featuring high profile Hollywood guests and winning a Primetime Emmy Award for Best Live Show in 1950 his success would not last indefinitely. As television grew he would shift towards more serious dramatic roles. The 1958 iteration of "The Ed Wynn Show" would be the last series he put his name on before taking a spate of guest appearances and dramatic roles in various television shows and films. <br /> <br /> Yellow titled wrappers noted as production No. 4477 dated October 29 1958 with credits for screenwriters Laurence Marks and Milton Pascal. Title page present dated October 29 1958 noted as REVISED FINAL DRAFT with credits for screenwriters Marks and Pascal. 43 leaves with last page of text numbered 38. Mimeograph on eye-rest green stock with yellow revision pages throughout dated October 31 1958. Pages Very Good plus wrapper Very Good bound with two gold brads. National Broadcasting Company [NBC] unknown
1945156172N.p.: N.p. 1945. Vintage program for the 1945 German film. Text and titles in German.<br /> <br /> After being released from prison for murdering his first wife a factory owner remarries but lives in fear of blackmail and the secret being exposed to his second wife. <br /> <br /> 7.25 x 10.5 inches. Bifold. About Near Fine. N.p. unknown
1973164084N.p.: General Film Corporation 1973. Vintage 33 1/3 RPM microgroove vinyl record containing four radio spot announcements for the 1973 exploitation film. Rare.<br /> <br /> A pair of sisters kill their stepfather after he attempts to rape the younger sister and flee to Los Angeles after the murder where they are pulled into their uncle's money-laundering operation.<br /> <br /> 7 inches. Very Good plus with nominal surface wear housed in a Near Fine white paper sleeve.<br /> <br /> Not in Discogs. General Film Corporation unknown
1959161565N.p.: President Films 1959. Vintage studio still photograph from the US release of the 1957 German film. <br /> <br /> Ingmar Zeisberg stars as Eva a girl who illegally leaves Germany for Denmark and is forced into working as a call girl under the threat of deportation.<br /> <br /> Set in Copenhagen Denmark. <br /> <br /> 8 x 10 inches. Near Fine. President Films unknown
1970137404N.p.: N.p. 1970. Original typescript screenplay for an unproduced film called "After the Fall" based on Arthur Miller's 1964 play about a Jewish intellectual living in New York. Miller's play opened on Broadway in 1964 at the ANTA Washington Square Theatre ran for 208 performances and closed on May 29 1965. A television movie of the play was released in 1974 but Mann appears to have not been involved in the project. <br /> <br /> Abby Mann 1927-2008 wrote screenplays for "Judgment at Nuremberg" 1961 earning him an Academy Award "A Child Is Waiting" 1963 "Ship of Fools" 1965 "The Detective" 1968 "Report to the Commissioner" 1975 and "War and Love 1985. His work also extended into television for series like "Medical Story" 1975-1976 and "Kojak" 1973-1978 a show he helped create and several "Kojak" television movies. <br /> <br /> Black wrappers. Title page present undated with credits for playwright Miller and screenwriter Mann. 195 leaves with last page of text numbered 194. Typescript on white stock. Pages and wrapper Near Fine bound in a black spring binder. N.p. unknown
1980138127New York: Filmways Pictures 1980. Revised Draft script for the 1981 film. Included is a second script a revised draft in wrappers containing the latest revisions and two shooting schedules one detailing shooting dates beginning Week Three and one detailing dates beginning about Week Nine. Notations throughout both scripts in manuscript ink and pencil. <br /> <br /> Based on screenwriter Tesich's own coming-of-age in Indiana in the 1960s. Danilo Wason Georgia Thelen David Huddleston and Tom Metzler are four friends growing up in a 1960s industrial town. Told through a series of vignettes in the eyes of Danilo the film chronicles each friend as they come to accept that their lives may have become something they never thought possible. <br /> <br /> Shot on location in Indiana Illinois and Pennsylvania. One of director Penn's final and lesser known films after "The Missouri Breaks" 1976 and before "Target" 1985. <br /> <br /> First script without wrappers or title page a rainbow copy with several sets of revision pages pink yellow goldenrod blue gray green dated variously between 7/7/80 and 8/29/80. Second script in blue Studio Duplicating Service wrappers with no title page a revised draft dated 8/29/80 throughout. Shooting schedules corner-stapled. All items Very Good plus overall. Filmways Pictures unknown
1965151447N.p.: N.p. 1965. Vintage borderless reference photograph of director Arthur Penn and actress Alexandra Stewart on the set of the 1965 film.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> After angering the Mafia a stand-up comedian Warren Beatty finds himself on the run taking on an alias and heading to Chicago. The film received spotty reviews upon release but has since been reconsidered as a cult classic heavily influenced by the New Wave and presaging Penn and Beatty's collaboration in "Bonnie and Clyde" two years later. <br /> <br /> Grant US. Spicer US. N.p. unknown
1975162550Burbank CA: Warner Brothers 1975. Vintage studio still photograph from the 1975 film showing actress Melanie Griffith. Annotations in manuscript ink on the verso. <br /> <br /> One of the great and still unheralded neo-noirs of the 1970s and along with "The Conversation" 1974 one of Gene Hackman's finest performances. Arthur Penn's unusual career as a director began with "Mickey One" 1965 "The Chase" 1966 and "Bonnie and Clyde" 1967 three films that amounted to the dynamite under the bridge that was the remnants of the Hollywood studio system heralding the start of the New American Cinema. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Ebert IV. Grant US. Hardy 243. Rosenbaum 1000. Silver and Ward Neo-Noir. Spicer US Neo-Noir. Warner Brothers unknown
1966151565Culver City CA: Columbia Pictures 1966. Vintage matte-finish double weight borderless reference photograph of director Arthur Penn talking with actress Jane Fonda on the set of the 1966 film. With a Columbia Pictures stamp on the verso along with a provenance stamp. <br /> <br /> Based on the 1952 Broadway play by Horton Foote about a small-town sheriff on the lookout for an escaped prisoner he believes is innocent while the townspeople whip themselves into a vigilante frenzy. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Spicer US. Twilight Time 242. Columbia Pictures unknown
1966142660Culver City CA: Columbia Pictures 1966. Vintage photograph on Jane Fonda taking a peek through a camera during shooting on the set of the 1966 film. With a Columbia Pictures stamp on the verso. <br /> <br /> Based on the 1952 Broadway play by Horton Foote about a small town sheriff on the look out for an escaped prisoner he believes is innocent while the townspeople whip themselves into a vigilante frenzy. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Spicer US. Twilight Time 242. Columbia Pictures unknown
1966133029Culver City CA: Columbia Pictures 1966. Vintage black-and-white reference photograph from the US release of the 1966 film noir. <br /> <br /> An underrated key film for director Penn something of an intellectual thriller made between two better known films "Mickey One" 1965 and "Bonnie and Clyde" 1967. Also very much an acting tour de force with early performances by Robert Duvall Jane Fonda and Robert Redford and an exceptional turn by Brando as a town sheriff facing painful choices. The film itself was the subject of am acrimonious struggle for creative control between the director and studio coincidentally making the production mirror the themes of upheaval of the social order and the fight for freedom within the film story. <br /> <br /> A story set in Texas shot partially on location there. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Spicer US. Columbia Pictures unknown
1962137095Beverly Hills CA: United Artists 1962. Seven vintage studio photographs from the 1962 film. Winner of both Best Actress and Best Supporting Actress Academy awards for Bancroft and Duke respectively and nominated for three others including Best Director for Penn and Best Adapted Screenplay for Gibson working from his Tony Award winning play. <br /> <br /> 10 x 8 inches. Very Good plus overall. A few photographs lightly creased one with a dampstain to the top edge. United Artists unknown
1962137096Beverly Hills CA: United Artists 1962. Vintage studio photograph from the 1962 film showing director Arthur Penn in thoughtful consultation with producer Fred Coe. <br /> <br /> Winner of both Best Actress and Best Supporting Actress Academy awards for Bancroft and Duke respectively and nominated for three others including Best Director for Penn and Best Adapted Screenplay for Gibson working from his Tony Award winning play. <br /> <br /> 10 x 8 inches. Near Fine. United Artists unknown
1974161544N.p.: N.p. 1974. Vintage studio still photograph from the 1974 film with a provenance stamp on the verso. Also released as "Street Sisters."<br /> <br /> Based on the 1969 play "Don't Leave Go My Hand" by director and screenwriter Arthur Roberson. A mixed-race boy raised on a farm by his grandmother attempts to reconnect with his mother a Black prostitute. <br /> <br /> Set in and shot on location in Long Beach and Stockton California. <br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> Parish and Hill Black Action Films. N.p. unknown
1971149549Mexico: Cinematografica Jalisco 1971. Vintage poster for the 1971 Mexican Western film. <br /> <br /> 26 x 36.75 inches. Very Good with pinholes to the corners starting to the creases and light toning. Folded as issued. Cinematografica Jalisco unknown
1998143688Los Angeles: Freyda Rothstein Productions 1998. Draft script for the 1998 television film originally aired July 19 1998 on Lifetime Television. <br /> <br /> Elaine Marshall Jean Smart catches her husband John Terry with his male lover in a hotel room. Their idyllic family life is turned upside down as they are forced to confront his long kept secret. <br /> <br /> Shot on location in Portland Oregon. <br /> <br /> Green titled self-wrappers dated 3/21/98 with credits for screen writers Aaron Mendelsohn Ken Carter and Annette Haywood-Carter. 124 leaves with last page of text numbered 102. Xerographic duplication with green blue and pink revision pages throughout dated variously between 3/16/98 and 3/21/98. Pages Near Fine wrapper Very Good plus bound with three gold brads. Freyda Rothstein Productions unknown
1957165095Hollywood: Paramount Pictures 1957. Vintage borderless press photograph from the set 1957 film showing actress Audrey Hepburn posing with an oversized hat. Paris agency stamp and layout annotations in manuscript pencil on the verso.<br /> <br /> Based on the unproduced musical "Wedding Bells" by screenwriter Leonard Gershe and featuring music from George and Ira Gershwin including four songs from their 1927 musical "Funny Face" though the musical and film have nothing in common beyond the title. Nominated for four Academy Awards including Best Screenplay and nominated for the Palme d'Or at Cannes. <br /> <br /> 8 x 10 inches. Very Good or better.<br /> <br /> Hirschhorn The Hollywood Musical. Paramount Pictures unknown
1965160984Los Angeles: Twentieth Century-Fox 1965. Vintage borderless reference photograph from the 1965 film showing actress Audrey Hepburn. Twentieth Century-Fox release stamp provenance stamp and the stamp of photographer Vincent Rossell on the verso. <br /> <br /> A woman decides to steal a statue from a Parisian museum in order to keep her father's art forgery business a secret. Screenwriter Harry Kurnitz's final film credit after a career that included "What Next Corporal Hargrove" 1945 "Witness for the Prosecution" 1957 and "Hatari!" 1962. <br /> <br /> Set and shot on location in Paris. <br /> <br /> 9.5 x 8.25 inches. Very Good plus with light wear to the finish on the top right corner. Twentieth Century-Fox unknown
