4 698 résultats
1966136089Beverly Hills CA: United Artists 1966. Five vintage borderless black-and-white studio still photographs from the set of the 1966 film. All photographs show Billy Wilder giving direction including scenes in a bedroom on a football field in a cemetery and more. <br /> <br /> Walter Matthau won an Academy Award for his role in the film. <br /> <br /> 8 x 10 inches. Near Fine. United Artists unknown
1957157894Culver City CA: Metro-Goldwyn-Mayer MGM 1957. Vintage US half sheet poster for the 1957 film. <br /> <br /> Based on the 1953 play by Agatha Christie about the trial of a man accused of murder. Nominated for six Academy Awards including Best Picture Best Director Best Actor for Charles Laughton and Best Supporting Actress for Elsa Lanchester. <br /> <br /> Set in London.<br /> <br /> 28 x 22 inches. Folded twice as issued Near Fine.<br /> <br /> Penzler 101. Metro-Goldwyn-Mayer [MGM] unknown
1946159187Los Angeles: Paramount Pictures 1946. Vintage studio still photograph of Bing Crosby and Fred Astaire from the 1946 film. With provenance stamps on the verso. <br /> <br /> A man hosting a radio broadcast is telling his life story mostly about himself and a friend trying to make it big after World War I-until both men fall for the same woman. <br /> <br /> 8 x 10 inches. Very Good plus with some pin holes along the edges. Paramount Pictures unknown
1986152504Culver City CA: Columbia Pictures 1986. Archive of five original architectural blueprints for location shooting purposes relating to the 1986 comedy film. Each blueprint numbered one through five out of five labeled "Ext. Pazzo Mansion" with the Beverly Hills address of the house and credits for director Blake Edwards production designer Roger Maus and others. <br /> <br /> The blueprints detail both interiors and exteriors for sections of the house as well as indicated places where the existing house would be augmented by new set construction. The location was used as the home of Paul Servino's mob boss character Tony Pazzo and his wife Claudia Pazzo played by Maria Conchita Alonso. <br /> <br /> A remake of Laurel and Hardy's classic 1932 short "The Music Box" about two friends who overhear a plot to fix a horse race and try to capitalize on it while being pursued by both the mob fixers and the police. <br /> <br /> 36 x 24 inches. Stapled on the left edge and rolled. Very Good plus. Columbia Pictures unknown
1984140554Culver City CA: Columbia Pictures 1984. Draft script for the 1984 film. With a few annotations in manuscript ink throughout. <br /> <br /> Rob Salinger Moore works as a television reporter and his wife Micki Reinking is a lawyer who is having difficulty getting pregnant to the chagrin of Rob. While working Rob meets a cellist Maude Irving who he begins dating without mentioning his wife. She soon becomes pregnant as well as his current wife and he ends up marrying Maude as well. To hide his bigamy he uses work as an excuse to spend days with one woman and nights with another. The women eventually find out about each other as they go into labor at the same time and are at the same hospital on the same floor. <br /> <br /> Self wrappers. Title page integral with front wrapper is present dated March 7 1984 with a credit for screenwriter Jonathan Reynolds. 127 leaves with last page of text numbered 122. Later generation photocopy with revision pages throughout dated variously between March 6 1984 and March 22 1984. Pages Very Good plus wrapper missing bound with two gold brads. Columbia Pictures unknown
1957164746Universal City: Universal-International 1957. Two vintage studio still photographs from the 1957 film both showing actor Tony Curtis. Printed mimeo snipe affixed to the verso of one.<br /> <br /> An opportunistic busboy at a resort gambles his way into high society where he falls in love with a wealthy but disinterested young heiress. Director Blake Edwards' third directorial effort. <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> Set in Wisconsin shot on location at Lake Arrowhead and Lake Tahoe California. <br /> <br /> 8 x 10 inches. Very Good plus. Universal-International unknown
1957155307Universal City: Universal-International 1957. Vintage reference photograph from the 1957 film showing Blake Edwards directing actors Tony Curtis and Martha Hyer on the set. Printed mimeo snipe affixed to the verso.<br /> <br /> An opportunistic busboy at a resort gambles his way into high society where he falls in love with a wealthy but disinterested young heiress. Edwards' third directorial effort. <br /> <br /> Set in Wisconsin shot on location at Lake Arrowhead and Lake Tahoe California. <br /> <br /> 8 x 10 inches. Near Fine. Universal-International unknown
1965150160N.p.: N.p. 1965. Vintage borderless reference photograph from the 1965 film showing actor Jack Lemmon in costume as Professor Fate in turn in disguise as Crown Prince Fredrich Hapnick covered in cake and pie. With the stamp of Globe Photos dated 14 April 1965 two Italian agency stamps and a stamp noting No. 7053 on the verso. <br /> <br /> Loosely based on the 1908 race from New York to Paris billed as the "Greatest Auto Race" of its time. An homage to slapstick farces and silent film comedies following two competing daredevils at the turn of the 20th century: handsome courteous hero The Great Leslie Tony Curtis and his nemesis the dastardly Professor Fate Lemmon.<br /> <br /> Set and shot on location in Austria Paris and Kentucky Oregon and California in the United States. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
1982169091N.p.: N.p. 1982. Final Draft script for the 1983 film. <br /> <br /> Blake Edwards remake of Francois Truffaut's 1977 film about sculptor David Fowler Burt Reynolds whose obsessive love of women leads to his eventual death told from the perspective of his analyst and eventual lover Marianna Julie Andrews. <br /> <br /> Shot on location in Texas New York and California.<br /> <br /> Front wrapper integral with title page dated October 1982 noted as FINAL DRAFT with credits for screenwriters Blake Edwards Geoffrey Edwards Milton Wexler. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue and pink revision pages throughout dated 11/2/82 and 2/23/83. Pages Near Fine bound with two gold brads. N.p. unknown
1958132722London: Unviersal International Pictures 1958. Eight vintage full-color British front-of-house cards from the UK release of the 1958 US film. <br /> <br /> Based on a play by F. Hugh Herbert about a young woman who asks another guest at party to rescue her from her lecherous boss. When her rescuer suggests that she get out of her wet clothes she escapes and finds safety in the home of a retired actor. <br /> <br /> A story set in Connecticut shot at Universal Studios in California. <br /> <br /> 8 x 10 inches. Faint creasing overall else Near Fine. Unviersal International Pictures unknown
1965153069N.p.: N.p. 1965. Vintage borderless reference photograph from the 1965 film showing actors James Coburn and Dick Shawn crouching in a bush with director Blake Edwards and a camera to the right capturing the shot. <br /> <br /> During the Allied invasion of Sicily an outfit of US soldiers are assigned to capture the small town of Valerno but find the townspeople ready and willing to be captured with two stipulations: a soccer match and a wine festival. <br /> <br /> Set in Sicily shot on location in Lake Sherwood California. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
1970141401N.p.: N.p. 1970. Revised Draft script for an unproduced film. Single annotation in manuscript ink on page 106. <br /> <br /> Searching for deeper meaning in her life a single mother with three daughters decides to research and write a book on sex much to the chagrin of her friends and family.<br /> <br /> Set in Big Sur. <br /> <br /> Blue titled wrappers. Title page present noted as Revised with credit for screenwriter Blanche Hanalis. 164 leaves with last page of text numbered 161. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
BBS-2022623Robert Bloch. Very Good. From the files of Robert Bloch. Undated unproduced script by Bloch based on the novel by Spinrad and Patton. Harlan Ellison would also write an unproduced script treatment for the novel. 138 pages in a black folder with bookplates for the Witzer Rhodes & Small agency at front and inside front cover. Long metal clasp binding. Folder is very good with light edgewear; metal clasp is secure with slight rust formation. Binding sound. Pages lightly toned free of markings. Robert Bloch unknown
BBS-2022275Tri-Star Pictures. Very Good. Unproduced script by Robert Bloch based on the novel by Anderson and Dickson. In a navy folder branded with Tri-Star Pictures bound with metal button clasps. Folder is very good with light shelf-wear and edgewear. Metal clasps are secure free of rust; they have also scraped into the inside back cover a little. Binding sound. 167 pages are bound in with 9 additional revision pages laid-in. Revision pages toned; original pages bright. Free of markings. Tri-Star Pictures unknown
1984165396N.p.: N.p. 1984. Draft script for the 1984 film. Copy belonging to costume designer Jane Hamilton with her annotations in manuscript pencil throughout the first 13 leaves all relating to costuming. Included with the script are multiple gatherings of manuscript and xerographically duplicated leaves relating to costuming including measurements of actors and extras in the film details for specific scenes and lists of props and period costumes needed. <br /> <br /> In the 1920s a young woman embarks on a worldwide journey of sexual exploration determining to lose her virginity and ultimately find her ideal lover. <br /> <br /> Shot on location in Andalucía Spain and in Hampshire England. <br /> <br /> Housed in a three-ring green binder. 121 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Very Good plus. N.p. unknown
1981127468Los Angeles: Twentieth Century-Fox 1981. Vintage one sheet poster for the 1981 film.<br /> <br /> Bruce Dern a psychologically unstable tattoo artist becomes obsessed with a model at a photo shoot determined to use her body as a canvas for "his masterpiece." <br /> <br /> Shot on location in New Jersey and Pennsylvania. <br /> <br /> 27 x 41 inches. Folded as issued. Very Good with light creasing pinholes to the corners a cello-tape repair to the top center crease and a contemporary label obscuring the rating.<br /> <br /> Grant US. Twentieth Century-Fox unknown
1978156029Geneva: Septima Film 1978. Four vintage oversize double weight photographs from the Swiss release of the 1978 adult film. With the stamp of Swiss distributor Septima Film on the verso. <br /> <br /> A failing pizza restaurant in San Francisco begins to offer more than just pizza with their deliveries. Directed by noted Chinese-American adult filmmaker Bob Chinn restored and re-released by Vinegar Syndrome in 2014. <br /> <br /> Shot on location in Oakland San Francisco and Berkeley California. <br /> <br /> 10 x 8 inches. Near Fine unusually mounted on thick stock with keybook style holes at the corners for use in adult film theatres. <br /> <br /> Vinegar Syndrome 55. Septima Film unknown
161658Miami: Porky's Productions Astral 1980. Draft script for the 1981 film. Single photocopied manuscript annotation on the title page noting "Received 10/9/80" and a single annotation in manuscript ink on the same page noting copy No. 3.<br /> <br /> One of the highest grossing films of 1980 and the film that kickstarted the teen sex comedies of the 1980s about a group of high school students who decide to try to lose their virginities at the titular Porky's strip club while running afoul of the local sheriff.<br /> <br /> Set in the Florida Everglades in 1954 shot on location in Miami Hollywood and Fort Lauderdale Florida and in Santa Monica California. <br /> <br /> Orange faux leather titled wrappers. Title page present stamped Porky's Productions with credit for writer-director Bob Clark. 121 leaves with last page of text numbered 120. Xerographically reproduced rectos only. Pages Near Fine wrapper about Near Fine bound with two silver screw brads. <br /> <br /> Arrow 933. Porky's Productions (Astral) unknown
1961162050Culver City CA: Olympic International Films 1961. Vintage studio still photograph from the 1961 film. Provenance stamps on the verso. <br /> <br /> An insurance investigator who is allergic to naked women searches for a stolen painting of a nude woman.<br /> <br /> 8 x 10 inches. Very Good plus. Olympic International Films unknown
1967154003N.p.: Trans American Films 1967. Vintage studio still photograph from the 1967 documentary film showing a nurse applying seaweed to a naked woman's back and legs. Layout annotations to the verso. <br /> <br /> A mondo documentary although many scenes were staged by the filmmakers presenting unusual torture methods across the world including ritual sacrifices by Satanists and pagans Nazi concentration camps medieval torture instruments and fertility rites. <br /> <br /> 10 x 8 inches. Near Fine. Trans American Films unknown
1972162216N.p.: N.p. 1972. Vintage reference photograph from the 1972 film showing actors Fritz Wepper and Marisa Berenson. French release stamps on the verso. <br /> <br /> Based on Joe Masteroff's 1966 musical which was based on John Van Druten's 1951 Broadway play "I Am a Camera" which was in turn based on short stories by Christopher Isherwood from his collection "Goodbye to Berlin." A decadent beautiful story of cabaret life desperation and love all under the increasingly deadly presence of the Nazi Party in Weimar-era Berlin. <br /> <br /> Nominated for ten Academy Awards and winning eight including Best Picture Best Director Best Cinematography Best Adapted Screenplay Best Actress for Minnelli and Best Supporting Actor for Joel Grey.<br /> <br /> Set in Berlin and shot on location throughout Germany.<br /> <br /> 8 x 10 inches with a wide bottom margin. Near Fine. <br /> <br /> National Film Registry. N.p. unknown
1972152128Glendale CA: Allied Artists 1972. Vintage reference photograph from the 1972 film showing actress Marisa Berenson. With a printed mimeo snipe affixed to the verso. <br /> <br /> Based on Joe Masteroff's 1966 musical which was based on John Van Druten's 1951 Broadway play "I Am a Camera" which was in turn based on short stories by Christopher Isherwood from his collection "Goodbye to Berlin." A decadent beautiful story of cabaret life desperation and love all under the increasingly deadly presence of the Nazi Party in Weimar-era Berlin. <br /> <br /> Nominated for ten Academy Awards and winning eight including Best Picture Best Director Best Cinematography Best Adapted Screenplay Best Actress for Liza Minnelli and Best Supporting Actor for Joel Grey.<br /> <br /> Set in Berlin and shot on location throughout Germany.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> National Film Registry. Allied Artists unknown
1974149645Beverly Hills CA: United Artists 1974. Vintage reference photograph from the 1974 film showing actress Valerie Perrine in costume or arguably lack thereof as Lenny Bruce's wife stripper Honey Bruce. With manuscript annotations in ink and pencil on the verso regarding layout.<br /> <br /> Based on Julian Barry's 1971 play which followed the career decline and death by morphine overdose of controversial comedian Lenny Bruce. A tour de force shot in black and white with documentary-like direction interspersed with interviews. Bob Fosse's third film as director and first non-musical. Nominated for six Academy Awards and the Palme d'Or. <br /> <br /> Shot on location in Miami Beach Florida.<br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> Twilight Time. United Artists unknown
1970153149N.p.: N.p. 1970. Second Draft script for the 1974 film.<br /> <br /> In 1969 Julian Barry was hired by Columbia Pictures to write the screenplay for a dramatic biographical account of comedian Lenny Bruce's life. Shortly thereafter the project was delayed reportedly due to studios' demand for romances as a result of Arthur Hiller's successful 1970 romantic drama "Love Story" leading Barry to approach theatre director Tom O'Horgan about adapting the screenplay for the stage. The play was a success running on Broadway from May 1971 to June 1972 and earning its lead Cliff Gorman a Tony Award in 1972.<br /> <br /> The finished film completed two years later was Bob Fosse's third directorial effort and first non-musical with standout performances by Dustin Hoffman as Bruce and Valerie Perrine as his wife Honey. A tour de force shot in black and white in a documentary style interspersed with interviews jumping back and forth from Bruce's early rise to fame to his twilight days and eventual death.<br /> <br /> Nominated for six Academy Awards including Best Picture Best Director and Best Screenplay. Nominated for the Palme d'Or.<br /> <br /> Green titled wrappers noted as Second Draft and production No. 8895 on the front wrapper dated May 19 1970. Title page present dated May 19 1970 noted as Second Draft with credits for Julian Barry. 152 leaves with last page of text numbered 149. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1954159801Los Angeles: Columbia Pictures 1954. Six vintage reference photographs from the 1955 film showing actor and choreographer Bob Fosse rehearsing dance steps with Janet Leigh and others on the set. Five with mimeo snipes on the versos and all six with stamp of Columbia Pictures.<br /> <br /> Based on the 1940 play by Joseph A. Fields and Jerome Chodorov about two sisters who move from Ohio to New York City settling in a derelict basement apartment in Greenwich Village. Fosse's first film credit as choreographer. <br /> <br /> 8 x 10 inches. Near Fine to Fine. Columbia Pictures unknown
