4 698 résultats
1972157747Beverly Hills CA: Bryanston Pictures 1972. Vintage linen-backed US one sheet poster for the 1972 Hong Kong film. Seen here under its US title "Return of the Dragon." <br /> <br /> The first film produced by Bruce Lee's Concord Productions studio as well as Lee's screenwriting and directorial debuts and the film debut of Chuck Norris who battles Lee in an iconic fight scene at the film's climax. <br /> <br /> 27 x 41 inches. Linen-backed and rolled. Very Good plus overall with a few small nicks and creases. Bryanston Pictures unknown
1994160129Los Angeles: Twentieth Century-Fox 1994. Draft script for the 1995 film seen here under the working title "Simon Says: Die Hard III." <br /> <br /> The third film in the Die Hard series following "Die Hard" 1988 and "Die Hard 2" 1990 and preceding "Live Free or Die Hard" 2007 and "A Good Day to Die Hard" 2013. In this installment NYPD Lieutenant John McClane teams up with a local electrician to stop a mysterious terrorist from setting off bombs across New York city. <br /> <br /> Shot on location in New York South Carolina and Maryland. <br /> <br /> Orange titled Twentieth Century-Fox wrappers dated July 10 1994. Title page present dated July 10 1994 noted as Version 3.31 with credit for screenwriter Jonathan Hensleigh. 120 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two silver brads. Twentieth Century-Fox unknown
1985009755<p>No Place: Arrow International Pictures Inc. - Lee Group Production. Offered is the screenplay for the proposed film "The Rage of the Tiger" by screenwriter James Bruner no date circa mid-1980s. A shooting script each scene is numbered the film to my knowledge was never made at least not with this title. The screenplay contains 73 three-hole punched mimeographed loose leaf pages including the title page with title name of screenwriter and "An Arrow International Pictures Inc. - Lee Group Production". The pages measure 8-1/2" by 11" and are printed on one side. The screenplay is bound in red card covers containing the same information as the title page; the covers and internal pages are held together with three brass brads. James Bruner's works among many include Braddock: Missing in Action III 1988 Delta Force 1986 Invasion U.S.A. 1985 and Missing in Action 1984. . Fine. Soft cover. 1st Edition. 1985.</p> Arrow International Pictures Inc. - Lee Group Production paperback
1972160329N.p.: Columbia Films 1972. Vintage German program from the 1972 film. <br /> <br /> Loosely based on the set of stories by 14th century author Giovanni Boccaccio. Also based on the success of Pier Paolo Pasolini's "The Decameron" 1971. A satire about Christianity and sexuality. <br /> <br /> 8 x 11.25 inches folded along the bi-fold. 16 x 11.25 inches unfolded. Good with creasing along the right and bottom edges and some slight tearing along the right edge. Also with some rubbing at the right side of the front of the program. Columbia Films unknown
1988149439Neuilly-sur-Seine France: Gaumont 1988. Seven vintage borderless reference photographs from the 1988 French film. All with mimeo snipes and manuscript ink and pencil annotations regarding layout on the verso and two with collector labels.<br /> <br /> A dramatization of the career of talented lesser-known sculptor Camille Claudel who began as an apprentice to Auguste Rodin later became his muse and lover and struggled to differentiate herself and her work from his legacy.<br /> <br /> 9.5 x 6.25 inches. Near Fine. Gaumont unknown
1952167549Universal City: Universal-International 1952. Vintage reference photograph from the 1952 Western film. Printed mimeo snipe affixed to the verso referring to the movie using its alternate release title "The Texas Man."<br /> <br /> Two brothers return to Texas after the Civil War one becoming a sheriff and the other embarking on a life of crime. <br /> <br /> 10 x 8 inches. Very Good plus with adhesive residue on the verso corners. <br /> <br /> Pitts 1936. Universal-International unknown
1955156909Burbank CA: Warner Brothers 1955. Draft script for the 1956 revisionist Western. <br /> <br /> Near the end of Randolph Scott's career producer Harry Brown Scott and director Budd Boetticher began work on a series of intelligent films that would combine Scott's minimalist acting style with Boetticher's lean approach to filmmaking. The result was a series of films today referred to as the "Ranown" cycle a rich canon that formed a strong stylistic whole. Boetticher's approach to storytelling was traditional in the sense that it involved traditional Western characters but revisionist in that his protagonist invariably worked alone and sought his own brand of morality rather than one established by tradition government and family. Apart from ardent fans of Westerns these films went unrecognized by most until Martin Scorsese made a case for them in his 1995 BFI documentary "A Personal Journey with Martin Scorsese Through American Movies." <br /> <br /> Gray titled wrappers dated September 15 1955 with credits for screenwriter Burt Kennedy. Title page present dated September 15 1955 with credits for screenwriter Burt Kennedy. 100 leaves with last page of text numbered 99. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 9/19/55 and 9/20/55. Pages and wrapper Very Good plus with tide marks on the bottom edges of the title page and front wrapper bound internally with three gold brads. Housed in a custom brown quarter-leather clamshell box. <br /> <br /> Pitts 3788. Schrader 52. Scorsese A Personal Journey Through American Movies. Warner Brothers unknown
1959148398N.p.: United States Productions Inc 1959. Revised Estimating script for the 1960 film belonging to actor Martin Landau here under the working title "The Life and Death of Legs Diamond." Laid in are five carbon typescript pages of script with Landau's name written in manuscript ink to upper right and annotations to dialogue of lead character Legs in manuscript pencil. <br /> <br /> Landau was considered for the lead role of Jack "Legs" Diamond which from the laid in pages we can reasonably assume were for an audition for the part. Ray Danton was ultimately cast as Legs and Landau does not appear in the film. <br /> <br /> From the estate of Martin Landau.<br /> <br /> Jack "Legs" Diamond Ray Danton and his sickly brother Eddie Warren Oates move to New York City and after a brief incarceration sets their eyes on taking over kingpin mobster Arnold Rothstein's Robert Lowery criminal businesses. The film debut of Dyan Cannon. Nominated for an Academy Award.<br /> <br /> Set in New York City. <br /> <br /> Beige titled wrappers noted as REV. ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 96 dated August 21 1959. Distribution page present with receipt removed. Title page integral with the first page of text dated 8/21/59. 108 leaves with last page of text numbered 106. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads.<br /> <br /> Laid in pages 8.5 x 11 inches Near Fine with light edgewear and creasing at corners. United States Productions, Inc unknown
1953148513Universal City: Universal Pictures 1953. Vintage photograph of director Budd Boetticher and Julie Adams relaxing in a tree from the 1953 film. Mimeo snipe on verso. <br /> <br /> An early Technicolor Western from seminal American director Budd Boetticher. Gringo miner Gallager Van Heflin is caught up in the Mexican revolution of 1910-1911 when corrupt administrator Ruiz George Dolenz appropriates his mine. Gallager saves the life of guerilla leader Raquel Adams then finds there's a price on his head.<br /> <br /> Set in Mexico shot on location in the Simi Hills and the Ray Corrigan Ranch Simi Valley California. <br /> <br /> 8 x 10 inches. Near Fine with light creasing near the edges. Universal Pictures unknown
1956170491Culver City CA: Columbia Pictures 1956. Two vintage studio still photographs from the 1956 film. One with a provenance label on the verso.<br /> <br /> Humphrey Bogart's final film about a faded sportswriter facing the dissolution of his career and personal life. Released just two years after "On the Waterfront" 1954 the multi-award-winning collaboration between Elia Kazan and Budd Schulberg a film widely seen as justifying their decision to name names during the HUAC Hollywood blacklist trials. Nominated for an Academy Award. <br /> <br /> Shot on location in California Chicago and New York. <br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> Grant US. Selby US. Silver Classic Noir. Spicer US. Columbia Pictures unknown
1955145319Culver City CA: Columbia Pictures 1955. Revised Final Draft script for the 1956 film with rainbow revisions. <br /> <br /> Released just two years after "On the Waterfront" 1954 the multi-award-winning collaboration between Elia Kazan and Budd Schulberg and based on Budd Schulberg's 1947 novel about a once respected sportswriter now forced to work for a crooked promoter who is taking advantage of a promising young fighter. Nominated for an Academy Award. Humphrey Bogart's final film. <br /> <br /> Shot on location in California Chicago and New York. <br /> <br /> White studio wrappers noted as REVISED FINAL DRAFT on the front wrapper production No. 1315 dated Oct. 12 1955. Title page present dated October 12 1955 noted as REVISED FINAL DRAFT with a credit for screenwriter Yordan. 160 leaves with last page of text numbered 141. Mimeograph on eye-rest green stock with yellow blue pink and eye-rest green revision pages throughout dated variously between 11/2/55 and 12/15/55. Pages and wrapper Near Fine bound with three gold brads. <br /> <br /> Grant US. Selby US. Silver Classic Noir. Spicer US. Columbia Pictures unknown
1990142376Los Angeles: William Morris Agency 1990. First Draft script for an unproduced film. Not to be confused with the 1997 film "Face/Off" directed by John Woo.<br /> <br /> A young man who does not believe he is smart enough to attend college receives a lacrosse scholarship from Amherst. Attending college is a dream of his family's but he does not know whether going to college is right for him. <br /> <br /> Set in New Jersey. <br /> <br /> Blue untitled wrappers. Title page present dated January 2 1990 noted as FIRST DRAFT - REVISED III with credits for screenwriters Michael Buhlman and Jonathan Baker. 133 leaves with last page of text numbered 132. Xerographic duplication first generation. Pages Near Fine wrapper Very Good with some staining and a phone number written in manuscript ink on the front wrapper. Bound internally with two gold brads. William Morris Agency unknown
1964155082N.p.: Cinema Syndicate 1964. Five vintage studio still photographs from the 1964 film. Printed label crediting "Bunny Yeager Photography" affixed to photograph versos. <br /> <br /> A magazine hires photographer and erstwhile pinup model Bunny Yeager to shoot a pictorial on the showgirls of Las Vegas leading to a number of nude hijinks. <br /> <br /> Yeager was one of the first pinup photographers to work outdoors in natural light and subsequently became one of the most successful and prolific pinup photographers of the 1950s and 1960s. Yeager is perhaps best remembered today for her 1954 photographs of a then little-known Bettie Page shooting a number of images which ran in "Playboy" magazine and would lead to Page's later stardom. <br /> <br /> Set and shot on location in Las Vegas and at the Hoover Dam. <br /> <br /> 10 x 8 inches. Near Fine. Cinema Syndicate unknown
1979156737Studio City CA: EMI Television Programs 1979. Revised Shooting script for the 1979 television film here under the working title "Can You Hear the Laughter The Freddie Prinze Story." Copy belonging to sound mixer Keith A. Wester with his name in manuscript ink on the top right of the front wrapper and his annotations in manuscript ink and pencil on 20 pages. <br /> <br /> Bound in preceding the script are a six page Staff and Crew contact list a 30 page Shooting Schedule 17 pages of Call Sheets with annotations in manuscript ink and a map to the Comedy Store West. <br /> <br /> Originally aired on CBS on September 11 1979. Based on the article "Good Night Sweet Prinze" by Peter Greenberg published in the June 1977 issue of Playboy magazine. A portrayal of the sudden rise and success of the troubled Puerto Rican stand-up comedian and actor Freddie Prinze who died of a self-inflicted gunshot wound on January 29 1977.<br /> <br /> White titled wrappers rubber-stamped copy No. 60. Title page present dated March 19 1979 noted as REV. SHOOTING SCRIPT with credits for screenwriter Dalene Young. 125 leaves with last page of text numbered 119. Xerographic duplication rectos only with green and goldenrod revision pages throughout dated variously between 4/23/79 and 5/4/79. Pages Near Fine wrapper Very Good plus bound with three gold brads. EMI Television Programs unknown
1947150384Universal City: Universal-International 1947. Vintage reference photograph of actors Howard Duff Ella Raines and Burt Lancaster director Jules Dassin and producer Mark Hellinger on a lunch break on the set of the 1947 film. With a printed mimeo snipe affixed to the verso. <br /> <br /> Led by Burt Lancaster a group of prisoners at the strict Westgate Penitentiary plan an escape but fear their plans will be ruined by sadistic power-hungry guard Hume Croyn. <br /> <br /> 10 x 8 inches. Very Good plus with three hole punch impressions along the left side. <br /> <br /> Criterion Collection 383. Godard Histoires du cinema. Grant US. Selby US. Selby US Masterwork. Spicer US. Silver and Ward Classic Noir. Universal-International unknown
1976160684N.p.: N.p. 1976. Vintage reference photograph from the 1976 film showing director and actor Burt Reynolds with a camera crew on the set. Annotations in mimeograph ink and pencil on the verso.<br /> <br /> Reynolds's directorial debut about an ex-con hired to help capture a corrupt politician. Sequel to "White Lightning" 1973. <br /> <br /> Shot on location in Georgia. <br /> <br /> 8 x 10 inches. About Fine. N.p. unknown
1976140822Beverly Hills CA: Levy-Garner-Laven 1976. Draft script for the 1976 film. <br /> <br /> One of five films directed by and starring Burt Reynolds about a former convict who is unwillingly pulled into a federal agent's scheme to take down a corrupt politician. <br /> <br /> Set deep in the Okefenokee Swamp shot on location in Georgia. <br /> <br /> Blue titled wrappers. Title page present with credits for screenwriter William Norton. 136 leaves with last page of text numbered 135. Mechanical duplication on blue stock. Pages Fine wrapper Near Fine bound with two gold brads. The title has been outlined in manuscript pencil on the front wrapper. Levy-Garner-Laven unknown
1983161445Universal City CA: Universal City Studios 1983. Revised First Draft script for the 1985 film. Copy belonging to hair stylist Philip Leto with his name in manuscript ink on the front wrapper. <br /> <br /> Based on the 1983 novel by Elmore Leonard. One of only a few screenplays adapted by Leonard from one of his own novels made memorable in that it layered a surprisingly complex plot onto what by 1985 had become a pretty standard sub-genre: the Burt Reynolds revenge thriller. <br /> <br /> Shot on location in California and Florida.<br /> <br /> Green titled Universal wrappers dated August 5 1983 noted as REVISED FIRST DRAFT and production No. 02162 on the front wrapper. Title page present noted as Revised First Draft with credit for author and screenwriter Elmore Leonard. 109 leaves with last page of text numbered 106. Xerographic duplication on blue stock rectos only. Pages Fine wrapper Near Fine bound with three gold brads. Universal City Studios unknown
1983118803Universal City CA: Universal City Studios 1983. Revised First Draft for the 1985 film. Costume designer Norman Salling's copy with his name in manuscript ink at the top of the front wrapper. SIGNED by novelist-screenwriter Elmore Leonard on the title page. <br /> <br /> An ex-car thief trying to turn his life around ends up witness to his friend's murder. While he wants to find love and spend more time with his daughter the men who killed his friend kidnap his daughter sending him on a mission to save his daughter and avenge his friend. One of only a few screenplays adapted by Leonard from one of his own novels made memorable in that it layers a surprisingly complex plot onto what by 1985 had become a pretty standard sub-genre: the Burt Reynolds revenge thriller. <br /> <br /> Shot on location in California and Florida. <br /> <br /> Green titled wrappers noted as Revised First Draft on the front wrapper production No. 02162 dated August 5 1983. Title page present dated August 5 1983 noted as Revised First Draft with credits for author and screenwriter Elmore Leonard. 109 leaves with last page of text numbered 106. Xerographic duplication on blue stock rectos only with blue revision pages throughout dated 9/15/1983. Pages Near Fine wrapper Very Good plus with some wear to the corners bound with three gold brads. Universal City Studios unknown
1929164250N.p.: N.p. 1929. Vintage reference photograph from the 1929 silent film showing actors Buster Keaton and Edward Earle shaking hands. Provenance stamp on the verso.<br /> <br /> A humble dry cleaner believes he's lucked out when a famous actress agrees to marry him-unaware that he is being used to make her ex-lover jealous. The film was released in two editions: a mute print for silent-only theaters and a "synchronized" version for sound theaters accompanied by an orchestra score and sound effects.<br /> <br /> Shot on location through Los Angeles and Santa Monica. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
1928162823N.p.: N.p. 1928. Vintage borderless publicity portrait photograph of actor Buster Keaton Jr. in his shirtsleeves issued to promote the 1928 silent comedy film. Contemporary dealer stamp on the verso.<br /> <br /> The last film Keaton would make with United Artists before moving to Metro-Goldwyn-Mayer. The film was a commercial and critical failure upon release but has since been reevaluated as one of Keaton's masterpieces. <br /> <br /> From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. <br /> <br /> 6.25 x 9.5 inches archivally mounted in a white mat measuring 11 x 14 inches. Very Good with moderate wear at the bottom corners. N.p. unknown
1926157682N.p.: N.p. 1926. Vintage reference photograph from the 1926 film showing actor Buster Keaton in an elevator wearing a jaunty hat.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> During the Civil War an engineer must work to save the two loves of his life: a woman named Annabelle Lee and a train named The General. A box office disappointment upon release but long since reconsidered and now ranked among the the finest of Keaton's films. <br /> <br /> Shot on location in California and Oregon. <br /> <br /> 8 x 10 inches. About Near Fine. <br /> <br /> National Film Registry. Ebert I. Eureka Masters of Cinema 173. Godard Histoires du cinema. Rosenbaum 1000. Schrader 60. N.p. unknown
1948159336Beverly Hills CA: United Artists 1948. Vintage studio still photograph from the 1949 film. With a blindstamp for the National Screen Service on the bottom right corner. <br /> <br /> A suitcase full of money is thrown into the back seat of a moving car owned by a married couple. The couple fights about if they should keep the money or not while being pursued by its intended recipient <br /> <br /> Set in and shot on location in Los Angeles. <br /> <br /> 8 x 10 inches. Very Good. <br /> <br /> Flicker Alley 46. Grant US. Selby US. Selby US Canon. Silver and Ward Classic Noir. Spicer US. United Artists unknown
1967162229N.p.: Sonney-Friedman Pictures 1967. Two vintage still photographs from the 1967 film. One photograph with provenance stamps on the verso. <br /> <br /> An unofficial exploitation remake of the 1932 classic "Freaks" directed by Tod Browning. Claire Brennen stars as Jade Cochran a frustrated waitress who seduces carnival owner and freakshow overseer Steve St. John for his money and control over the carnival.<br /> <br /> Shot on location in Ventura Bakersfield Piru and Los Angeles California. <br /> <br /> 8 x 10 inches. Near Fine. Sonney-Friedman Pictures unknown
1979149493Burbank CA: Cougar Films LTD 1979. Draft script for the 1981 film here under the working title "Butcher Baker Candlestick Maker." Annotations on several pages in manuscript marker and pencil on all dialogue and action for the character Ross Walters played by Greg Palmer. Laid in is a Call Sheet dated for "Mon. May 12 80" with annotations in manuscript ink and pencil and a copied hand-drawn map for directions to the Paramount Ranch the location of the Western town set.<br /> <br /> Not to be confused with the 1996 film directed by Wes Craven and starring David Arquette and Neve Campbell.<br /> <br /> Twelve campers on a rafting trip down the Rio Grande decide to set up camp in an old Western ghost town when an unknown killer begins to eliminate them one by one.<br /> <br /> Set in the Rio Grande shot on location in Lake Piru and Paramount Ranch California. <br /> <br /> Yellow titled wrappers. Title page present dated 1979 with credits for screenwriter Byron Quisenberry. 80 leaves with last page of text numbered 79. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus with some creasing and edgewear bound with two gold brads.<br /> <br /> Thrower Nightmare USA. Cougar Films, LTD unknown
