8 853 résultats
1977132355London: Twentieth Century-Fox 1977. Two vintage black-and-white still photograph from the 1977 UK release of the 1976 US film. Features Jill Clayburgh with mimeograph snipes and ink annotations on the verso. <br/><br/>A book editor on a trip from Los Angeles to Chicago thinks he witnesses a murder on a train. When no one believes him he starts investigating on his own. <br/><br/>8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
1970144319Los Angeles: Paramount Pictures 1970. Vintage borderless still photograph of Ali MacGraw Ryan O'Neal and Arthur Hiller on the set of the 1970 film. With typed identifying description holograph annotations regarding layout and press agency stamps on the verso. <br/><br/>Based on screenwriter Erich Segal's novel of the same name. Oliver Barrett IV Ryan O'Neal a wealthy Harvard Law student and Jennifer Cavilleri Ali MacGraw a working class music student fall in love despite their class differences. As their love grows into a serious relationship and eventually marriage they face the disapproval of the Oliver's father despite Jenny's attempts to find common ground. Winner of the 1971 Academy Award for Best Original Score and nominated for six others. <br/><br/>Shot on location in California New York China Massachusetts and England. <br/> <br/>9.5 x 7.5 inches. Near Fine. Paramount Pictures unknown books
1970141441Hollywood: Paramount Pictures 1970. Vintage borderless studio still photograph from the 1970 film. Snipe affixed to the verso. <br/><br/>Based on Erich Segal's classic novel whose central character Oliver Barrett IV Segal states was inspired by two notable Harvard students politician and philanthropist Al Gore romantic hero aspect and actor/director Tommy Lee Jones sensitive stud aspect both attendees at the Ivy League school in 1968. Ryan O'Neal and Ali MacGraw both received numerous accolades for their performances and the film won an Academy Award 1971 for Best Original Score composed by Francis Lai. Lai's other credits include the ending credits theme song for the 1992 short blaxploitation/sci-fi satire "Gayniggers sic from Outer Space" and the soundtrack to the "Love Story" sequel "Oliver's Story" 1978. <br/><br/>Shot on location in California New York China Massachusetts and England. <br/><br/>8 x 10 inches. Fine with a red holograph notation to the snipe. Paramount Pictures unknown books
1966149376Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1966. Vintage reference photograph from the 1966 film showing director Arthur Hiller inspecting camera angles for actors Natalie Wood and Ian Bannen in between takes while filming on location in Central Park for the 1966 film. With a mimeo snipe on the verso. <br/><br/>A bored kleptomaniac housewife decides to steal 60 thousand dollars from the bank where her husband works.<br/><br/>Set and shot on location in New York.<br/><br/>10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1990140555Universal City CA: Universal Pictures 1990. Revised script for the 1992 film. <br/><br/>A biography of famed baseball legend Babe Ruth who was born in Baltimore and given to an orphanage there by his father. He soon demonstrates his amazing hitting ability and adopted by a scout who has him play for the Orioles until he is sold to the Red Sox and consequently angers the owner and is sold to the Yankees for whom he helps win the 1932 World Series. He is soon pushed out of the spotlight by Lou Gehrig and eventually sold to the Braves. At the end a boy he met at the start of his career is all grown up and reminds him that Ruth is still his hero and that he's the best. <br/><br/>Set in Baltimore New York Boston Pittsburgh Chicago shot on location in Chicago and California. <br/><br/>Title page present dated November 22 1990 noted as Revised with credits for screenwriter John Fusco. 132 leaves with last page of text numbered 131. Later generation photocopy. Pages Very Good plus wrapper missing bound with two gold brads. Universal Pictures unknown books
1967148092Culver City CA: Columbia Pictures 1967. Vintage studio still photograph of Anne Jackson and Sudie Bond from the 1967 film. <br/><br/>Based on Murray Schisgal's 1963 play "The Tiger."<br/><br/>Lonely frustrated and alienated mailman Ben Harris Eli Wallach decides he has had enough and set to get a girl Anne Jackson the only way he can by kidnapping her. <br/><br/>Set in and shot on location in New York City. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Columbia Pictures unknown books
1969139465Hollywood: Paramount Pictures 1969. Two vintage color studio still photographs from the 1969 film. <br/><br/>This goofy comedy of errors follows the story of an Ohio businessman played by Jack Lemmon who travels with his mousy wife Sandy Dennis to New York City for a game-changing job opportunity. However the couple is met by nothing but trouble on their journey and begin to regret ever leaving Ohio. <br/><br/>Set in Manhattan shot on location in New York and Massachusetts. <br/><br/>10 x 8 inches. Near Fine with a small crease to the bottom left corner. Paramount Pictures unknown books
1969128885Hollywood: Paramount Pictures 1969. Final Draft script for the 1970 film. Here under its slightly different hyphenated working title. <br/><br/>A seminal New York comedy and an Arthur Hiller high spot shot on location in the city in early 1970. A document of the times it captures the city's lovable insanity in countless ways from airports to garbage strikes to Central Park muggers to hotels. <br/><br/>Shot on location in New York City Long Island and Boston. <br/><br/>Blue green titled wrappers with die-cut window. Title page present dated March 6 1969 noted as FINAL DRAFT with credits for screenwriter Simon producer Nathan and director Hiller. 138 leaves mimeograph duplication with the last leaf of text numbered 137. Pages Near Fine wrapper Near Fine internally bound with two gold brads. Paramount Pictures unknown books
1964150636Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Collection of eight vintage studio still photographs from the 1964 film. <br/><br/>Based on William Bradford Huie's 1959 novel. A biting antiwar satire which follows a laconic US Navy officer who falls in love with a British woman shortly before being sent off on a dangerous D-Day mission. <br/><br/>Shot on location in London England and Oxnard California. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request. Metro-Goldwyn-Mayer [MGM] unknown books
1974115207Los Angeles: Cinevision Ltee 1974. Final script for the 1975 film "The Man in the Glass Booth" directed by Arthur Hiller based on the play by Robert Shaw written for the screen by Edward Anhalt and starring Maximilian Schell. In a custom quarter leather clamshell box.<br/><br/>A complex thriller built around a Jewish businessman who survived the concentration camps in World War II. Well-known for being bizarrely and viciously antisemitic he is unexpectedly put on trial for reputed war crimes. The film version was initially disowned by the playwright likely due to the near-riots and early closure of the play due to misunderstandings and misinterpretations over its meaning. Shaw changed his mind after seeing the finished film but it was by that time too late to add his name to the credits and he died a few years later. The film did quite well upon its release and Maximilian Schell was later nominated for an Academy Award for Best Actor in a Leading Role. Almost completely unavailable for viewing in any form for nearly twenty years the film has recently been remastered and released on DVD and is considered by many to be a career performance for Schell. <br/><br/>Yellow titled wrappers with titles stamped in silver on the front wrapper. Title page present with a date of 4/10/74 and credits for Anhalt and Shaw. 107 leaves mechanical duplication with non-colored revision pages throughout dated variously between 4/3/74 and 4/9/74. Pages Near Fine wrapper Very Good plus bound with two gold brads. Cinevision Ltee unknown books
1965146897N.p.: N.p. 1965. Final Draft script for the 1965 film. With a "With Compliments" card from Seven Arts Productions laid in with the script along with a set of three stapled revision pages on pink stock.<br/><br/>In order to provide a father figure for her infant son a recently widowed woman attempts to choose between two marital prospects-the grumpy child psychologist for whom she works or her hippie next-door neighbor.<br/><br/>Set in Greenwich Village NY.<br/><br/>Blue untitled wrappers with a die-cut title window in the British style. Title page present noted as Final Draft with credits for screenwriter William Peter Blatty. 124 leaves with last page of text numbered 122. Mimeographed rectos only with pink revision pages laid in dated 21.1.65. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1963158484N.p.: Advent Films / Union Films 1963. Collection of 14 vintage reference photographs from the 1963 British film. <br /> <br /> A "naturist" film about a woman who falls in love with a Korean War veteran and decides to join in with his nudist lifestyle.<br /> <br /> Shot on location in Kent.<br /> <br /> 10 x 8 inches. Very Good plus slightly age toned. Advent Films / Union Films unknown
1937165097Universal City: Universal Pictures 1937. Vintage photograph of John Wayne and Louise Latimer on the set of the 1937 film with a mimeo snipe on the verso. Not to be confused with the 1925 silent film of the same name.<br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. <br /> <br /> John Wayne stars as the manager of a trucking company who pits his trucking fleet in a contest against a train to deliver aviation parts to the Pacific coast before a labor strike takes place.<br /> <br /> Shot on location in Santa Clarita and Newhall California. <br /> <br /> 10 x 8 inches. Near Fine. Universal Pictures unknown
1954131088Universal City CA: Universal Pictures 1954. Final Draft script for the 1954 film. The fifth of seven films in the popular "Francis the Talking Mules series all made in the 1950s. Copy belonging to technical advisor Major Lane Carlson with his name in manuscript blue ink on a label affixed on the front wrapper and his annotations throughout. Carlson acted as a consultant on the military aspects of the film as the film involves Francis joining the Army going to the Pentagon etc. <br /> <br /> Salmon titled wrappers noted as Final Screenplay on the front wrapper dated February 9 1954. 157 leaves Multilith duplication with blue pink and yellow revision pages throughout dated variously between 2-17-54 and 4-5-54. Pages and wrapper Very Good plus in a three ring binder used during production. Universal Pictures unknown
1966151319N.p.: N.p. 1966. Five vintage reference photographs from the 1966 film showing Herman's Hermits who appear as fictionalized versions of themselves in the film. <br /> <br /> A NASA scientist is sent to covertly gather information about Herman's Hermits after the children of US astronauts pick "Herman's Hermits" to be the name of the newest Gemini space capsule. The second US film to feature the British-based band following "When the Boys Meet the Girls" 1965. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
1965148132Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Draft script for the 1966 film here under the working title "There's No Place Like Space" from the collection of cinematographer Paul Vogel presumably his working copy with "Camera" written in manuscript pencil at the top right corner of the front wrapper.<br /> <br /> A vehicle to promote the band Herman's Hermits in much the same vein as The Beatles in Richard Lester's 1965 "A Hard Day's Night" and 1966 "Help."<br /> <br /> British pop rock band Herman's Hermits tour the US and are chosen as the "good luck name" of the next Gemini space capsule.<br /> <br /> Yellow titled wrappers rubber-stamped copy No. 73 dated August 30 1965 with credits for screenwriter James B. Gordon. Title page integral with first page. 112 leaves with last page of text numbered 112. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1952145121Universal City: Universal International Pictures 1952. Three vintage linen backed keybook photographs of members of the cast and crew on the set of the 1952 film. Mimeo snipe and manuscript annotations on the verso of each. <br /> <br /> One photo shown. Please inquire to see others.<br /> <br /> A family facing financial troubles realizes that the two trees they recently brought home from the nursery are money trees each bearing five and ten dollar bills. At first this mysterious luck is a relief but quickly the police the IRS and media outlets all get involved and the family struggles to discern the right way to handle all this new cash.<br /> <br /> 10 x 8 inches. Near Fine. Universal International Pictures unknown
1943152391Universal City: Universal Pictures 1943. Vintage keybook reference photograph of Arthur Lubin and camerman on a crane above the opera house audience from the 1943 film. Mimeo snipe on verso. <br /> <br /> Loosely based on the 1910 novel by Gaston Leroux. The second Universal film based on the story following Rupert Julian's 1925 silent film. Nominated for four Academy Awards and winning two including one for Best Cinematography.<br /> <br /> Set in Paris.<br /> <br /> 8 x 10 inches. Very Good plus with light creasing and edgewear. <br /> <br /> Weaver and Brunas Universal Horrors 1931-1946. Universal Pictures unknown
1939151805Universal City CA: Universal Pictures 1939. Post-production Continuity and Dialogue script for the 1939 film. <br /> <br /> A prison warden must decide between keeping a huge lot of stolen goods and saving a man from the electric chair.<br /> <br /> Tall yellow titled wrappers. Title page present noted as production No. 1032 with credits for director Arthur Lubin and actors Victor McLaglen and Jackie Cooper. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads at the top edge. Universal Pictures unknown
1958139786Burbank CA: National Broadcasting Company NBC 1958. Revised Final Draft script for the 1958 television episode of "The Ed Wynn Show." Copy belonging to actor Tom Irish with his name in green manuscript ink on the front wrapper and notation in green ink to a single page. Irish played an uncredited bit part named "Biff." <br /> <br /> In 1958 veteran vaudeville comedian Ed Wynn creator of the innovative live skit-based 1949 television show of the same name tried his hand at a third television series: a short-lived sitcom that would last only one season. <br /> <br /> Though Wynn was one of few beloved vaudevillians to make a successful transition to the small screen with his first show featuring high profile Hollywood guests and winning a Primetime Emmy Award for Best Live Show in 1950 his success would not last indefinitely. As television grew he would shift towards more serious dramatic roles. The 1958 iteration of "The Ed Wynn Show" would be the last series he put his name on before taking a spate of guest appearances and dramatic roles in various television shows and films. <br /> <br /> Yellow titled wrappers noted as production No. 4477 dated October 29 1958 with credits for screenwriters Laurence Marks and Milton Pascal. Title page present dated October 29 1958 noted as REVISED FINAL DRAFT with credits for screenwriters Marks and Pascal. 43 leaves with last page of text numbered 38. Mimeograph on eye-rest green stock with yellow revision pages throughout dated October 31 1958. Pages Very Good plus wrapper Very Good bound with two gold brads. National Broadcasting Company [NBC] unknown
1943130860Universal City CA: Universal Pictures 1943. Revised Final Draft script for the 1944 film. Screenwriter Hartmann's final submission for the master mimeo with profuse holograph corrections typeovers attached text and pasted-in text throughout. <br/><br/>The second of Universal's Technicolor fantasy adventures after "Arabian Nights" 1942 and "White Savage" 1943 loosely based on the classic Arabian Nights tales with a fitting score by Edward Ward to match Lubin's directorial flair. A fun but often overlooked desert romp. <br/><br/>Tan titled wrappers noted as copy No. 110 and rubber-stamped production No. 7142 dated May 25 1943 with credit for screenwriter Hartmann. 149 leaves mimeograph duplication with blue and yellow revision pages throughout dated variously between 6-1-43 and 7-24-43. Pages Near Fine wrapper Very Good bound with three gold brads. Wrapper encapsulated in mylar. <br/><br/>Weaver p. 565. Universal Pictures unknown books
1954131088Universal City CA: Universal Pictures 1954. Final Draft script for the 1954 film. The fifth of seven films in the popular "Francis the Talking Mules series all made in the 1950s. Copy belonging to technical advisor Major Lane Carlson with his name in holograph blue ink on a label affixed to the front wrapper and his annotations throughout. Carlson acted as a consultant on the military aspects of the film as the film involves Francis joining the Army going to the Pentagon etc. <br/><br/>Salmon titled wrappers noted as Final Screenplay on the front wrapper dated February 9 1954. 157 leaves mimeograph duplication with blue pink and yellow revision pages throughout dated variously between 2-17-54 and 4-5-54. Pages and wrapper Very Good plus in a three ring binder used during production. Universal Pictures unknown books
1958139786Burbank CA: National Broadcasting Company NBC 1958. Revised Final Draft script for the 1958 television episode of "The Ed Wynn Show." Copy belonging to actor Tom Irish with his name in green holograph ink to the front wrapper and notation in green ink to a single page. Irish played an uncredited bit part named "Biff." <br/><br/>In 1958 veteran vaudeville comedian Ed Wynn creator of the innovative live skit-based 1949 television show of the same name tried his hand at a third television series: a short-lived sitcom that would last only one season. <br/><br/>Though Wynn was one of few beloved vaudevillians to make a successful transition to the small screen with his first show featuring high profile Hollywood guests and winning a Primetime Emmy Award for Best Live Show in 1950 his success would not last indefinitely. As television grew he would shift towards more serious dramatic roles. The 1958 iteration of "The Ed Wynn Show" would be the last series he put his name on before taking a spate of guest appearances and dramatic roles in various television shows and films. <br/><br/>Yellow titled wrappers noted as production No. 4477 dated October 29 1958 with credits for screenwriters Laurence Marks and Milton Pascal. Title page present dated October 29 1958 noted as REVISED FINAL DRAFT with credits for screenwriters Marks and Pascal. 43 leaves with last page of text numbered 38. Mimeograph on eye-rest green stock with yellow revision pages throughout dated October 31 1958. Pages Very Good plus wrapper Very Good bound with two gold brads. National Broadcasting Company [NBC] unknown books
1952145121Universal City: Universal International Pictures 1952. Collection of three vintage linen backed keybook photographs of members of the cast and crew on the set of the 1952 film. Mimeo snipe and holograph annotations on the verso of each. <br/><br/>One photo shown. Please inquire to see others.<br/><br/>A family facing financial troubles realizes that the two trees they recently brought home from the nursery are money trees each bearing five and ten dollar bills. At first this mysterious luck is a relief but quickly the police the IRS and media outlets all get involved and the family struggles to discern the right way to handle all this new cash.<br/><br/>10 x 8 inches. Near Fine. Universal International Pictures unknown books
1966151319N.p.: N.p. 1966. Collection of five vintage reference photographs from the 1966 film showing Herman's Hermits who appear as fictionalized versions of themselves in the film. <br/><br/>A NASA scientist is sent to covertly gather information about Herman's Hermits after the children of US astronauts pick "Herman's Hermits" to be the name of the newest Gemini space capsule. The second US film to feature the British-based band following "When the Boys Meet the Girls" 1965. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request. N.p. unknown books