8 853 résultats
1969160695Beverly Hills CA: United Artists 1969. Two vintage studio still photographs from the 1969 film both showing Tina Chen and Arlo Guthrie.<br /> <br /> Based on Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. <br /> <br /> Set and shot on location in New York and Massachusetts.<br /> <br /> 10 x 8 inches. Near Fine. United Artists unknown
1969149517Beverly Hills CA: United Artists 1969. Collection of five vintage borderless reference photographs taken on the set of the 1969 film. Included are: 1 a shot of Arlo Guthrie on a motorcycle next to Michael McLanahan 2 a shot of director Arthur Penn producer Hillard Elkins and another crew member on motorcycles 3 a shot of McLanahan Penn and actress Patricia Quinn working on a scene 4 Guthrie with Quinn and 5 Guthrie with a donkey and members of the cast.<br /> <br /> Based on Arlo Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. <br /> <br /> Set and shot on location in New York and Massachusetts.<br /> <br /> 10 x 8 inches. Near Fine. United Artists unknown
1969149517Beverly Hills CA: United Artists 1969. Collection of five vintage borderless reference photographs taken on the set of the 1969 film. Included are: 1 a shot of Arlo Guthrie on a motorcycle next to Michael McLanahan 2 a shot of director Arthur Penn producer Hillard Elkins and another crew member on motorcycles 3 a shot of McLanahan Penn and actress Patricia Quinn working on a scene 4 Guthrie with Quinn and 5 Guthrie with a donkey and members of the cast.<br/><br/>Based on Arlo Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. <br/><br/>Set and shot on location in New York and Massachusetts.<br/><br/>10 x 8 inches. Near Fine.<br/><br/>Complete collation details available on request. United Artists unknown books
1968162127N.p.: Cambist Films 1968. Three vintage studio still photographs from the 1968 US release of the 1959 Argentinian film. One photograph with a provenance stamp and layout annotations on the verso. <br /> <br /> The second film by director Armando Bó starring himself and his wife Isabel Sarl. Preceded by the 1958 film "Thunder Among the Leaves." Bó and Sarli star as lovers from rival families living in a poor Argentinian fishing village.<br /> <br /> Shot on location in Argentina. <br /> <br /> 8 x 10 inches. Near Fine. Cambist Films unknown
1962162032N.p.: N.p. 1962. Vintage studio still photograph from the US release of the 1962 British film. <br /> <br /> A group of international beauty queens convert an English estate into a nudist colony. <br /> <br /> Shot on location in East Sussex and Dorset England. <br /> <br /> 8 x 10 inches. Very Good plus with light edgewear and some creasing at the far corners. N.p. unknown
1958134797Beverly Hills CA: United Artists 1958. Original lobby card for the Quebecois release of the 1958 film "Anna Lucasta" a remake of the 1949 film directed by Irving Rapper adapted from screenwriter Yordan's 1936 play. <br/><br/>Lobby card number three in the set with the Quebec Censorship board's approval seal to the top right corner. An early Eartha Kitt film with a predominantly black cast in which Kitt plays a prostitute estranged from her family who reconciles with her father through marriage to a "respectable" college graduate. <br/><br/>14 x 11 inches. Very Good plus condition with cello tape to each corner. United Artists unknown books
1955146135Culver City CA: MGM 1955. Composite script for the 1956 film. With occasional copied handwritten annotations throughout but made from a master with machine hole punches and no hole shadows and rainbow revisions throughout.<br/><br/>A Korean War veteran returns home only to be swiftly court-martialed for collaboration with the Chinese while in captivity as a prisoner of war. One of Paul Newman's first starring film appearances and an early exploration of the horrors of psychological torture and brainwashing-a predecessor to films such as "Time Limit" 1957 "The Manchurian Candidate" 1962 and "Telefon" 1977.<br/><br/>Goldenrod titled wrappers noted as VAULT COPY / COMPOSITE SCRIPT / COMPLETE on the front wrapper rubber-stamped copy No. 173 and production No. 5630 dated 10-25-55 with credits for director Arnold Laven and screenwriter Stewart Stern. 214 leaves with last page of text numbered 108. Mimeographed rectos only with pink and white revision pages throughout dated variously between 10-24-55 and 12-15-55. Pages Near Fine wrapper Very Good plus with tidemarks to the upper edge of the rear wrapper bound with two gold brads. MGM unknown books
1999158401N.p.: N.p. 1999. Four vintage reference photographs from the 1999 film including three in color and one in black-and-white. Printed label of photographer Zade Rosenthal affixed to the versos.<br /> <br /> A New York policeman turned alcoholic security guard finds himself embroiled in a religious war culminating in Satan coming to Earth to find the woman who will bear his child the antichrist. <br /> <br /> Set and shot on location in New York.<br /> <br /> 10 x 8 inches. Near Fine with light adhesive residue on the versos. N.p. unknown
1972147422N.p.: N.p. 1972. Draft script for an unproduced film. <br /> <br /> Escaping her recent divorce and the death of her child an American woman travels to India where she experiences a variety of mystical encounters and undergoes a liberating and terrifying journey of ego death and oneness.<br /> <br /> Set in Banhasa India. <br /> <br /> Green titled wrappers with credit for screenwriter Arnold Schulman. Title page present dated January 1972 with credit for screenwriter Arnold Schulman. 102 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1972140762Dharma Productions 1972. Draft script for an unproduced film. <br/><br/>Escaping her recent divorce and death of her child Leslie an American ends up in India where Buddhism has its roots Banhasa along the banks of the Ganges. A mysterious man gives her a ring that will not come off her finger with a strange symbol on it later revealed to be the atma or that from which all emanates. She is set off on a both a liberating and terrifying journey to destroy the ego and become at peace with herself. <br/><br/>Set in Banhasa India. <br/><br/>Green titled wrappers with credits for screenwriter Arnold Schulman. Title page present dated January 1972 with credits for screenwriter Schulman. 102 leaves with last page of text numbered 101. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with two gold brads. Dharma Productions unknown books
12702Huon de Bordeaux mélodrame féerique. Préface d’André THERIVE In 8 carré broché, couverture illustrée, faux-titre, frontispice gravé sur bois, titre illustré, XIV 114 pages, 1 page de table des matières, gravures à pleine page, bandeaux, culs de lampe et couverture de Guy DOLLIAN. 22 septembre 1927. Collection l’adolescence catholique
1970139098Beverly Hills CA: United Artists 1970. Original one-sheet US poster for the 1970 UK-US film. Style B variant. <br/><br/>Based on Doyle's eponymous sleuth. Holmes Stephens eagerly takes the case to search for Gabrielle's Page missing husband. The clues somehow lead to Loch Ness and the mysterious lake monster a 30-foot model director Wilder had constructed. <br/><br/>Shot on location in Scotland notably at Loch Ness. <br/><br/>27 x 41 inches folded as issued. A few central pinholes else Near Fine. United Artists unknown books
1929121976Hollywood: Paramount Pictures 1929. Early Treatment script for the 1929 film the first Sherlock Holmes film to have been produced with sound and the first to include the Holmes utterance "Elementary my dear Watson" a phrase never used by Doyle though that statement regrettably does not appear in this draft. <br/><br/>The first known treatment was written by Oliver P. Garrett followed by this one scripted by F. Hugh Herbert and the final writing credits went to Garrett Fort and director Basil Dean. This treatment differs substantially from the finished film and is more faithful to Doyle's source material. A rare surviving artifact from the great detective's earliest days on the screen. <br/><br/>Tall side-stapled self wrappers noted as an "Outline Treatment" on the front wrapper rubber-stamped project No. 1491 and MASTER FILE dated May 21 1929 with a credit for screenwriter Herbert. 52 leaves mixed original and carbon typescript on yellow stock with a few holograph pencil annotations on the first leaf including "1st Rough Draft." Very Good condition with some wear to the first leaf at the bottom stitch. Paramount Pictures unknown books
1969161745N.p.: Distribpix 1969. Two vintage studio still photographs from the 1969 film. Provenance stamps on the versos.<br /> <br /> When middle-aged Chandler finds himself impotent due to astrological reasons his young bride finds satisfaction elsewhere. <br /> <br /> Shot on location in New York. <br /> <br /> 8 x 10 inches. Very Good plus one with a wax pencil annotation in the bottom margin. Distribpix unknown
1967159200Culver City CA: Columbia Pictures 1967. Vintage reference photograph from the 1967 film. <br /> <br /> When two students are expelled for publishing an off-campus newspaper their professor resigns to advocate for youth movements and the use of LSD. The students eventually have a change of heart about their professor. <br /> <br /> Set in and shot on location in San Francisco. <br /> <br /> 10 x 8 inches. Very Good plus. <br /> <br /> Weldon 1983. Columbia Pictures unknown
1957152537N.p.: N.p. 1957. First Draft typescript for the Season 1 Episode 3 of the 1953-1963 television series which originally aired on July 31 1957 on CBS seen here under the working title "The Transmogrification of Chester Brown." Manuscript pencil and ink annotations throughout most noting pagination and editorial revisions. <br /> <br /> Included with the script are several letters and memos between screenwriter Arthur Hailey agent Maeve Southgate and programming executive Marshall Jamison as well as several typed memos from within Jamison's office discussing revisions to the script dated variously between March 29 and July 30 1957.<br /> <br /> A meek office clerk at an advertising firm takes a "Personality Projection" course which ignites his self-confidence leading him to pursue greater opportunities at the firm. <br /> <br /> Blue titled self wrappers noted as LIMITED DISTRIBUTION / FIRST DRAFT in manuscript pencil annotation on the front wrapper along with an annotation noting the date 4/24/57 with credits for screenwriter Arthur Hailey. Title page present with credits for screenwriter Arthur Hailey. 82 leaves with last page of text numbered III-21. Typescript rectos only. Pages Near Fine wrapper Very Good plus partially bound with a single staple to the top left corner. N.p. unknown
1977167417Universal City: Universal Studios 1977. Rainbow Revision Draft script for the fifth and final episode of the 1978 mini-series which aired on NBC on May 15 1978. Laid in are three Shooting Call sheets two copies of one dated December 16 1977 and one dated December 20 1977.<br /> <br /> Based on the 1971 novel by Arthur Hailey and starring Rock Hudson and Lee Remick the five part 1978 NBC mini-series which aired on May 7-9 and 14-15 was an insider's look at the day-to-day operations of National Motors a large fictitious US automobile manufacturer and was nominated for two Primetime Emmy Awards and a Golden Globe award.<br /> <br /> Set in late 1960s Detroit. <br /> <br /> Front wrapper integral with title page dated July 15 1977 with credits for screenwriter Robert Hamilton and author Arthur Hailey. 110 leaves with last page of text numbered 106. Mimeograph duplication on pink leaves rectos only with blue yellow green pink and white revision pages throughout dated variously between 10/7/77 and 10/26/77. Pages Very Good plus with light foxing and wear to the extremities bound with two gold brads. Universal Studios unknown
1986171135N.p.: Carson Productions Group 1986. Draft script for an unproduced film. <br /> <br /> Drama about a top basketball player's struggle with drug addiction. Screenwriter Arthur Heinemann worked as a producer and writer for television between the 1950s and 1980s writing numerous episodes of "Crime Photographer" "Suspense" "Studio One" "The United States Steel Hour" "Little House on the Prairie" and many others.<br /> <br /> Gray untitled Carson Productions Group wrappers. Title page present with credits for screenwriter Arthur Heinemann and producer Jim Thebaut dated 10/15/86. Carson Productions Group unknown
1970153220Hollywood: Paramount Pictures 1970. Vintage borderless studio still photograph of director Arthur Hiller and a camera crew capturing a sidewalk scene with actors Ali MacGraw and Ryan O'Neal. With the stamp of Cinemagence to the verso. <br /> <br /> Nominated for seven Academy Awards including Best Picture Best Director Best Original Screenplay Best Actor for Ryan O'Neal Best Actress for Ali McGraw and Best Supporting Actor for John Marley and winning one for Best Original Score. <br /> <br /> 9.75 x 8 inches. Near Fine. Paramount Pictures unknown
1970144319Los Angeles: Paramount Pictures 1970. Vintage borderless still photograph of Ali MacGraw Ryan O'Neal and Arthur Hiller on the set of the 1970 film. With typed identifying description manuscript annotations regarding layout and press agency stamps on the verso. <br /> <br /> Based on screenwriter Erich Segal's novel of the same name. Oliver Barrett IV Ryan O'Neal a wealthy Harvard Law student and Jennifer Cavilleri Ali MacGraw a working class music student fall in love despite their class differences. As their love grows into a serious relationship and eventually marriage they face the disapproval of the Oliver's father despite Jenny's attempts to find common ground. Winner of the 1971 Academy Award for Best Original Score and nominated for six others. <br /> <br /> Shot on location in California New York China Massachusetts and England. <br /> <br /> 9.5 x 7.5 inches. Near Fine. Paramount Pictures unknown
1966149376Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1966. Vintage reference photograph from the 1966 film showing director Arthur Hiller inspecting camera angles for actors Natalie Wood and Ian Bannen in between takes while filming on location in Central Park for the 1966 film. With a mimeo snipe on the verso. <br /> <br /> A bored kleptomaniac housewife decides to steal 60 thousand dollars from the bank where her husband works.<br /> <br /> Set and shot on location in New York.<br /> <br /> 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1965146897N.p.: N.p. 1965. Final Draft script for the 1965 film. With a "With Compliments" card from Seven Arts Productions laid in with the script along with a set of three stapled revision pages on pink stock.<br /> <br /> In order to provide a father figure for her infant son a recently widowed woman attempts to choose between two marital prospects-the grumpy child psychologist for whom she works or her hippie next-door neighbor.<br /> <br /> Set in Greenwich Village NY.<br /> <br /> Blue untitled wrappers with a die-cut title window in the British style. Title page present noted as Final Draft with credits for screenwriter William Peter Blatty. 124 leaves with last page of text numbered 122. Mimeograph duplication rectos only with pink revision pages laid in dated 21.1.65. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1990140555Universal City CA: Universal Pictures 1990. Revised script for the 1992 film. <br /> <br /> A biography of famed baseball legend Babe Ruth who was born in Baltimore and given to an orphanage there by his father. He soon demonstrates his amazing hitting ability and adopted by a scout who has him play for the Orioles until he is sold to the Red Sox and consequently angers the owner and is sold to the Yankees for whom he helps win the 1932 World Series. He is soon pushed out of the spotlight by Lou Gehrig and eventually sold to the Braves. At the end a boy he met at the start of his career is all grown up and reminds him that Ruth is still his hero and that he's the best. <br /> <br /> Set in Baltimore New York Boston Pittsburgh Chicago shot on location in Chicago and California. <br /> <br /> Title page present dated November 22 1990 noted as Revised with credits for screenwriter John Fusco. 132 leaves with last page of text numbered 131. Later generation photocopy. Pages Very Good plus wrapper missing bound with two gold brads. Universal Pictures unknown
1979127312Burbank CA: Warner Brothers 1979. Vintage one sheet poster for the 1979 film. <br /> <br /> Alan Arkin stars as Sheldon an unassuming dentist from New Jersey who on the eve of his daughter's wedding meets the groom's father Vince played by Peter Falk a strange mysterious and volatile man who in the next 24 hours draws him into madcap misadventures from New York to Central America.<br /> <br /> Remade in 2003 directed by Andrew Flemming and starring Michael Douglas and Albert Brooks.<br /> <br /> Shot on location in Mexico New Jersey New York and California. <br /> <br /> 27 x 41 inches. Folded as issued. Near Fine. <br /> <br /> Criterion Collection 823. Warner Brothers unknown
1976145403Universal City: Universal Pictures 1976. Vintage photograph of director Arthur Hiller and actor Rod Steiger on the set of the 1976 film. Mimeo snipe on the verso. <br/><br/>A dramatization of the latter part of the famous showman's life. Based on a memoir by Carlotta Monti Fields' partner during the last fourteen years of his life. <br/><br/>Shot on location in California. <br/><br/>10 x 8 inches. Near Fine. Universal Pictures unknown books
