8 853 résultats
1965148132Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Draft script for the 1966 film here under the working title "There's No Place Like Space" from the collection of cinematographer Paul Vogel presumably his working copy with "Camera" written in holograph pencil at the top right corner of the front wrapper.<br/><br/>A vehicle to promote the band Herman's Hermits in much the same vein as The Beatles in Richard Lester's 1965 "A Hard Day's Night" and 1966 "Help."<br/><br/>British pop rock band Herman's Hermits tour the US and are chosen as the "good luck name" of the next Gemini space capsule.<br/><br/>Yellow titled wrappers rubber-stamped copy No. 73 dated August 30 1965 with credits for screenwriter James B. Gordon. Title page integral with first page. 112 leaves with last page of text numbered 112. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1943152391Universal City: Universal Pictures 1943. Vintage keybook reference photograph of Arthur Lubin and camerman on a crane above the opera house audience from the 1943 film. Mimeo snipe on verso. <br/><br/>Loosely based on the 1910 novel by Gaston Leroux. The second Universal film based on the story following Rupert Julian's 1925 silent film. Nominated for four Academy Awards and winning two including one for Best Cinematography.<br/><br/>Set in Paris.<br/><br/>8 x 10 inches. Very Good plus with light creasing and edgewear. <br/><br/>Weaver and Brunas Universal Horrors 1931-1946. Universal Pictures unknown books
1943146472N.p.: N.p. 1943. Post-production Continuity and Dialogue script for the 1943 film. With two small holograph notations to the first page.<br/><br/>Loosely based on the 1910 novel. The second Universal film based on Gaston Leroux's story following Rupert Julian's 1925 silent film. Nominated for four Academy Awards and winning two including one for Best Cinematography.<br/><br/>Set in Paris.<br/><br/>White titled self wrappers noted as CONTINUITY & DIALOGUE on the front wrapper noted as production No. 1297 with credits for director Arthur Lubin. Title page integral with the front wrapper as issued. Mimeographed rectos only. Pages Very Good plus bound with two gold brads at the top edge. N.p. unknown books
1959132749Culver City CA: National Screen Service / RKO Radio Pictures 1959. Vintage full-color still photograph from the 1959 UK release of the 1957 US film. <br/><br/>An American boy becomes lost after the plane he is on is forced to make an emergency landing off the Japanese coast. The boy befriends a fisherman's son and the two travel through the countryside while avoiding the police who they mistakenly believe are out to arrest rather than rescue the American. <br/><br/>A story set and shot on location in Japan. <br/><br/>8 x 10 inches. Very Good plus with pinholes at 2 corners and faint creases. National Screen Service / RKO Radio Pictures unknown books
1945156172N.p.: N.p. 1945. Vintage program for the 1945 German film. Text and titles in German.<br /> <br /> After being released from prison for murdering his first wife a factory owner remarries but lives in fear of blackmail and the secret being exposed to his second wife. <br /> <br /> 7.25 x 10.5 inches. Bifold. About Near Fine. N.p. unknown
1973164084N.p.: General Film Corporation 1973. Vintage 33 1/3 RPM microgroove vinyl record containing four radio spot announcements for the 1973 exploitation film. Rare.<br /> <br /> A pair of sisters kill their stepfather after he attempts to rape the younger sister and flee to Los Angeles after the murder where they are pulled into their uncle's money-laundering operation.<br /> <br /> 7 inches. Very Good plus with nominal surface wear housed in a Near Fine white paper sleeve.<br /> <br /> Not in Discogs. General Film Corporation unknown
1959161565N.p.: President Films 1959. Vintage studio still photograph from the US release of the 1957 German film. <br /> <br /> Ingmar Zeisberg stars as Eva a girl who illegally leaves Germany for Denmark and is forced into working as a call girl under the threat of deportation.<br /> <br /> Set in Copenhagen Denmark. <br /> <br /> 8 x 10 inches. Near Fine. President Films unknown
1976133392Los Angeles: American International Pictures AIP 1976. Original one sheet poster for the 1976 blaxploitation film "The Monkey Hustle."<br/><br/>A classic entry in the action comedy subset of blaxploitation films in which a neighborhood must band together in order to prevent the city from demolishing their homes to build a highway. Set in Chicago and shot there on location. <br/><br/>Largely low-budget and geared towards a young urban audience blaxploitation films often depicted African-Americans overcoming hostile authorities through cunning and violence as well as conflicts internal to the culture. Though some of the first mainstream films to feature predominantly black casts and introduce previously non-represented elements of black culture including the notable use of funk and soul music in soundtracks they were also panned for furthering stereotypes about black people. Despite the controversy that the genre instilled its motifs remain culturally relevant to this day often parodied acknowledged and imitated in modern films and music. <br/><br/>27 x 41 inches folded. Near Fine. <br/><br/>Parish and Hill 149. American International Pictures [AIP] unknown books
1970137404N.p.: N.p. 1970. Original typescript screenplay for an unproduced film called "After the Fall" based on Arthur Miller's 1964 play about a Jewish intellectual living in New York. Miller's play opened on Broadway in 1964 at the ANTA Washington Square Theatre ran for 208 performances and closed on May 29 1965. A television movie of the play was released in 1974 but Mann appears to have not been involved in the project. <br /> <br /> Abby Mann 1927-2008 wrote screenplays for "Judgment at Nuremberg" 1961 earning him an Academy Award "A Child Is Waiting" 1963 "Ship of Fools" 1965 "The Detective" 1968 "Report to the Commissioner" 1975 and "War and Love 1985. His work also extended into television for series like "Medical Story" 1975-1976 and "Kojak" 1973-1978 a show he helped create and several "Kojak" television movies. <br /> <br /> Black wrappers. Title page present undated with credits for playwright Miller and screenwriter Mann. 195 leaves with last page of text numbered 194. Typescript on white stock. Pages and wrapper Near Fine bound in a black spring binder. N.p. unknown
1947122575Universal City CA: Universal Pictures 1947. First Draft script for the 1948 film noir. The carbon typescript from which the mimeograph copies issued by the studio were made so noted in holograph pencil on the front wrapper in the hand of studio secretary Marion Pecht "Copy from which we mimeod 1st draft". Holograph pencil and ink corrections throughout mostly to formal names on the preliminary pages and page numbers which are re-numbered for the mimeo. <br/><br/>One of the most successful adaptations of a Broadway drama to film during the 1940s based on the 1947 play by Arthur Miller. Edward G. Robinson stars as a business owner who knowingly sold defective parts to the military during World War II resulting in the deaths of many pilots. A young Lancaster plays his son who discovers the truth and makes the painful decision to bring it to light. <br/><br/>Green titled wrappers stamped FIRST DRAFT CONTINUITY on the front wrapper rubber-stamped project No. 7534 and dated July 24 1947 corrected in holograph pencil from July 1 1947. Title page present with credits for playwright Miller and screenwriter Erskine. 152 leaves carbon typescript. Pages and wrapper Near Fine bound with three gold brads. <br/><br/>Selby US. Spicer US. Universal Pictures unknown books
1970137404N.p.: N.p. 1970. Original typescript screenplay for an unproduced film called "After the Fall" based on Arthur Miller's 1964 play about a Jewish intellectual living in New York. Miller's play opened on Broadway in 1964 at the ANTA Washington Square Theatre ran for 208 performances and closed on May 29 1965. A television movie of the play was released in 1974 but Mann appears to have not been involved in the project. <br/><br/>Abby Mann 1927-2008 wrote screenplays for "Judgment at Nuremberg" 1961 earning him an Academy Award "A Child Is Waiting" 1963 "Ship of Fools" 1965 "The Detective" 1968 "Report to the Commissioner" 1975 and "War and Love 1985. His work also extended into television for series like "Medical Story" 1975-1976 and "Kojak" 1973-1978 a show he helped create and several "Kojak" television movies. <br/><br/>Black wrappers. Title page present undated with credits for playwright Miller and screenwriter Mann. 195 leaves with last page of text numbered 194. Typescript on white stock. Pages and wrapper Near Fine bound in a black spring binder. N.p. unknown books
1980138127New York: Filmways Pictures 1980. Revised Draft script for the 1981 film. Included is a second script a revised draft in wrappers containing the latest revisions and two shooting schedules one detailing shooting dates beginning Week Three and one detailing dates beginning about Week Nine. Notations throughout both scripts in manuscript ink and pencil. <br /> <br /> Based on screenwriter Tesich's own coming-of-age in Indiana in the 1960s. Danilo Wason Georgia Thelen David Huddleston and Tom Metzler are four friends growing up in a 1960s industrial town. Told through a series of vignettes in the eyes of Danilo the film chronicles each friend as they come to accept that their lives may have become something they never thought possible. <br /> <br /> Shot on location in Indiana Illinois and Pennsylvania. One of director Penn's final and lesser known films after "The Missouri Breaks" 1976 and before "Target" 1985. <br /> <br /> First script without wrappers or title page a rainbow copy with several sets of revision pages pink yellow goldenrod blue gray green dated variously between 7/7/80 and 8/29/80. Second script in blue Studio Duplicating Service wrappers with no title page a revised draft dated 8/29/80 throughout. Shooting schedules corner-stapled. All items Very Good plus overall. Filmways Pictures unknown
1965151447N.p.: N.p. 1965. Vintage borderless reference photograph of director Arthur Penn and actress Alexandra Stewart on the set of the 1965 film.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> After angering the Mafia a stand-up comedian Warren Beatty finds himself on the run taking on an alias and heading to Chicago. The film received spotty reviews upon release but has since been reconsidered as a cult classic heavily influenced by the New Wave and presaging Penn and Beatty's collaboration in "Bonnie and Clyde" two years later. <br /> <br /> Grant US. Spicer US. N.p. unknown
1975162550Burbank CA: Warner Brothers 1975. Vintage studio still photograph from the 1975 film showing actress Melanie Griffith. Annotations in manuscript ink on the verso. <br /> <br /> One of the great and still unheralded neo-noirs of the 1970s and along with "The Conversation" 1974 one of Gene Hackman's finest performances. Arthur Penn's unusual career as a director began with "Mickey One" 1965 "The Chase" 1966 and "Bonnie and Clyde" 1967 three films that amounted to the dynamite under the bridge that was the remnants of the Hollywood studio system heralding the start of the New American Cinema. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Ebert IV. Grant US. Hardy 243. Rosenbaum 1000. Silver and Ward Neo-Noir. Spicer US Neo-Noir. Warner Brothers unknown
1966151565Culver City CA: Columbia Pictures 1966. Vintage matte-finish double weight borderless reference photograph of director Arthur Penn talking with actress Jane Fonda on the set of the 1966 film. With a Columbia Pictures stamp on the verso along with a provenance stamp. <br /> <br /> Based on the 1952 Broadway play by Horton Foote about a small-town sheriff on the lookout for an escaped prisoner he believes is innocent while the townspeople whip themselves into a vigilante frenzy. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Spicer US. Twilight Time 242. Columbia Pictures unknown
1966142660Culver City CA: Columbia Pictures 1966. Vintage photograph on Jane Fonda taking a peek through a camera during shooting on the set of the 1966 film. With a Columbia Pictures stamp on the verso. <br /> <br /> Based on the 1952 Broadway play by Horton Foote about a small town sheriff on the look out for an escaped prisoner he believes is innocent while the townspeople whip themselves into a vigilante frenzy. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Spicer US. Twilight Time 242. Columbia Pictures unknown
1966133029Culver City CA: Columbia Pictures 1966. Vintage black-and-white reference photograph from the US release of the 1966 film noir. <br /> <br /> An underrated key film for director Penn something of an intellectual thriller made between two better known films "Mickey One" 1965 and "Bonnie and Clyde" 1967. Also very much an acting tour de force with early performances by Robert Duvall Jane Fonda and Robert Redford and an exceptional turn by Brando as a town sheriff facing painful choices. The film itself was the subject of am acrimonious struggle for creative control between the director and studio coincidentally making the production mirror the themes of upheaval of the social order and the fight for freedom within the film story. <br /> <br /> A story set in Texas shot partially on location there. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Spicer US. Columbia Pictures unknown
1962137095Beverly Hills CA: United Artists 1962. Seven vintage studio photographs from the 1962 film. Winner of both Best Actress and Best Supporting Actress Academy awards for Bancroft and Duke respectively and nominated for three others including Best Director for Penn and Best Adapted Screenplay for Gibson working from his Tony Award winning play. <br /> <br /> 10 x 8 inches. Very Good plus overall. A few photographs lightly creased one with a dampstain to the top edge. United Artists unknown
1962137096Beverly Hills CA: United Artists 1962. Vintage studio photograph from the 1962 film showing director Arthur Penn in thoughtful consultation with producer Fred Coe. <br /> <br /> Winner of both Best Actress and Best Supporting Actress Academy awards for Bancroft and Duke respectively and nominated for three others including Best Director for Penn and Best Adapted Screenplay for Gibson working from his Tony Award winning play. <br /> <br /> 10 x 8 inches. Near Fine. United Artists unknown
1975139679Burbank CA: Warner Brothers 1975. Vintage black-and-white studio still photograph from the US release of the 1975 film. <br/><br/>One of the great and still unheralded neo-noirs of the 1970s and along with "The Conversation" 1974 one of Gene Hackman's finest performances. Arthur Penn's unusual career as a director began with "Mickey One" 1965 "The Chase" 1966 and "Bonnie and Clyde" 1967 three films that amounted to the dynamite under the bridge that was the remnants of the Hollywood studio system heralding the start of the New American Cinema. <br/><br/>Set in California and Florida shot on location in California and Florida. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request. <br/><br/>Grant p. 459. Hardy p. 243. Silver p. 432. Spicer p. 433. Warner Brothers unknown books
1975135743Burbank CA: Warner Brothers 1975. Original pressbook for the 1975 film. An overshadowed noirish thriller from the New Hollywood director Penn who's notable credits include "Bonnie and Clyde" 1967 "Little Big Man" 1970 and the existential Western "Missouri Breaks" 1976. <br/><br/>Private eye Harry Moseby Hackman an ex-pro football player is a workaholic with an unfaithful wife Clark. An aging actress hires Harry to find her daughter Delly Melanie Griffith her first starring role a runaway teen who's fled to Florida. While on the hunt Harry has an affair of his own with Paula Warren and he succeeds in locating Delly. Although his victory is not without consequences and a mysterious underwater plane wreck further complicates Harry's journey. <br/><br/>Set in Florida shot there on location. <br/><br/>11 x 14 inches saddle-stapled 12 pages plus 4-page insert black-and-white throughout. Horizontal fold at the middle else Near Fine. <br/><br/>Grant p. 459. Hardy p. 243. Silver p. 432. Spicer p. 433. Warner Brothers unknown books
1965135450Culver City CA: Florin / Columbia Pictures 1965. Collection of three vintage black-and-white studio still photographs from the 1965 film. Featuring images of Warren Beatty and Alexandra Stewart. <br/><br/>Some say that the New Hollywood era began with "Bonnie and Clyde" in 1967 others say "Mickey One" in 1965. Either way you look at it the director was Arthur Penn. Beatty was not only the muse for Penn's avant-garde tale of a comic who runs afoul of the mob but also the crazed youngster who would get Penn assigned to Bonnie and Clyde and initiate the second golden age of cinema. Stan Getz laid improvisations onto the progressive and somewhat classical score for the film against the backdrop of a full orchestra. <br/><br/>Set in Chicago and shot on location there. <br/><br/>8 x 10 inches. CONDITION. <br/><br/>Complete collation details available on request. Florin / Columbia Pictures unknown books
1965151447N.p.: N.p. 1965. Vintage borderless reference photograph of director Arthur Penn and actress Alexandra Stewart on the set of the 1965 film.<br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>After angering the Mafia a stand-up comedian Warren Beatty finds himself on the run taking on an alias and heading to Chicago. The film received spotty reviews upon release but has since been reconsidered as a cult classic heavily influenced by the New Wave and presaging Penn and Beatty's collaboration in "Bonnie and Clyde" two years later. <br/><br/>Grant US. Spicer US. N.p. unknown books
1962137096Beverly Hills CA: United Artists 1962. Vintage studio photograph from the 1962 film showing director Arthur Penn in thoughtful consultation with producer Fred Coe. <br/><br/>Winner of both Best Actress and Best Supporting Actress Academy awards for Bancroft and Duke respectively and nominated for three others including Best Director for Penn and Best Adapted Screenplay for Gibson working from his Tony Award winning play. <br/><br/>10 x 8 inches. Near Fine. United Artists unknown books
1966133029Culver City CA: Columbia Pictures 1966. Vintage black-and-white still photograph from the US release of the 1966 film. <br/><br/>An underrated key film for director Penn something of an intellectual thriller made between two better known films "Mickey One" 1965 and "Bonnie and Clyde" 1967. Also very much an acting tour de force with early performances by Robert Duvall Jane Fonda and Robert Redford and an exceptional turn by Brando as a town sheriff facing painful choices. The film itself was the subject of am acrimonious struggle for creative control between the director and studio coincidentally making the production mirror the themes of upheaval of the social order and the fight for freedom within the film story. <br/><br/>A story set in Texas shot partially on location there. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Columbia Pictures unknown books
