Tom Hartland (screenwriter)Biblio.com
4 698 résultats
147142N.p.: N.p. Unknown. Draft script for an unproduced film. <br /> <br /> A middle-aged state legislator newly out of a job decides to run for president. <br /> <br /> Set in Washington DC.<br /> <br /> Non-standard untitled Tommy's Productions wrappers. Title page present with credits for screenwriter TOM HARTLAND. 56 leaves with last page of text numbered 105. Xerographic duplication rectos and versos. Pages Very Good plus wrapper Very Good with front wrapper partially detached from the binding side stapled with three staples. N.p. unknown
1969170767N.p.: N.p. 1969. Three vintage borderless oversize reference photographs from the set of 1969 Western film all three showing Jim Brown on horseback during filming on location in Almeria Spain. Provenance stamps on the versos. <br /> <br /> A Native American man robs a bank in the US in order to buy guns for his people who are being repressed by the government. A lawman quickly sets out into Mexico to capture him but the two eventually create an alliance. <br /> <br /> Set in Sonora Mexico shot on location in Spain. <br /> <br /> 8.75 x 13 inches. Very Good plus. <br /> <br /> Pitts 2903. N.p. unknown
1969153882N.p.: N.p. 1969. Vintage oversize borderless satin-finish reference photograph of Jim Brown and Raquel Welch between takes on the set of the 1969 film. <br /> <br /> A Native American man robs a bank in the US in order to buy guns for his people who are being repressed by the government. A lawman quickly sets out into Mexico to capture him but the two eventually create an alliance. <br /> <br /> Set in Mexico shot on location in Spain. <br /> <br /> 11.5 x 9 inches. Near Fine. <br /> <br /> Pitts 2903. N.p. unknown
1980166469N.p.: N.p. 1980. Draft script for the 1983 film seen here under the working title "Tijuana!". <br /> <br /> In the summer of 1965 four teenage boys drive from Los Angeles to Tijuana in hopes of losing their virginities and getting into trouble. They find their plans waylaid however by an unexpected companion: a heartbroken woman determined to get a quickie divorce in Mexico. <br /> <br /> Shot on location in Los Angeles and Calexico California.<br /> <br /> Pink untitled wrappers. Title page present dated August 1980 noted as copy No. 14 in manuscript ink with credits for screenwriter B.W.L. Norton and story writer Bryan Gindoff. 119 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus lightly faded on the front wrapper bound with two gold brads. N.p. unknown
1991153730N.p.: N.p. 1991. First Draft script for an unproduced film. Laid in with the script is a xerographically duplicated design for the film title and a typed list of editorial notes on the script dated 7/24/91 with a manuscript ink annotation to the top right corner noting "Viacom's list."<br /> <br /> Loosely based on the nonfiction writings of Tom Clancy about the members of a special deep cover military unit as they attempt to manage a volatile hostage situation.<br /> <br /> Set in Tampa Florida and Washington DC. <br /> <br /> Self wrappers. Title page present dated 7/17/91 noted as First Draft with credits for screenwriter Michael Ahnemann. 116 leaves with last page of text numbered 111. Xerographic duplication rectos only. Pages Near Fine wrappers Near Fine bound with three gold brads. N.p. unknown
2002156814Universal City: Focus Features 2002. For Your Consideration script for the 2002 film. Laid in with the script is a letter on Focus Features letterhead presenting the script in consideration for Best Screenplay. <br /> <br /> Noted filmmaker Todd Haynes' homage to Douglas Sirk about a wealthy suburban housewife in the 1950s whose seemingly perfect life begins to unravel as she discovers her husband is a closeted gay man. Nominated for four Academy Awards.<br /> <br /> Set in Hartford Connecticut and shot on location throughout New Jersey. <br /> <br /> Salmon untitled wrappers. Title page present dated 10/5/01 with credits for director and screenwriter Todd Haynes. 149 leaves with last page of text numbered 130. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Focus Features unknown
1928148190Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1928. Vintage reference photograph from the 1928 silent film showing actress Mary Nolan. With a mimeo snipe to the verso along with manuscript pencil annotations regarding layout.<br /> <br /> A bitter magician in charge of a small outpost in Zanzibar paralyzed by the man who wooed and killed his wife seeks to exact revenge upon the philanderer and the girl that he believes is their offspring. He attempts to do so by carrying out the African tradition of burning a man's daughter at the stake after a man has died though only after killing his rival does he realize the daughter is his. One of Browning and Chaney's best joint efforts a tragically grim film depicting a lurid Africa. <br /> <br /> Set in Zanzibar. <br /> <br /> 8 x 10 inches. Very Good plus slightly wavy with light toning. Metro-Goldwyn-Mayer [MGM] unknown
1928158521Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1928. Vintage oversize reference photograph from the 1928 silent film showing actor Lon Chaney swallowing a sword. Manuscript ink annotations regarding layout on the verso along with a provenance stamp.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Having been abandoned by his wife and paralyzed by her lover a bitter magician vows to exact revenge upon the philanderer and the girl that he believes is his rival's daughter. He attempts to do so by carrying out the African tradition of burning a man's daughter at the stake after a man has died though only after killing his rival does he realize the daughter is his own. One of Tod Browning and Lon Chaney's best joint efforts a tragically grim film depicting a lurid Africa. <br /> <br /> Set in Zanzibar. <br /> <br /> 8.5 x 10.75 inches. Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown
1974163782N.p.: N.p. 1974. Vintage borderless color reference photograph from the 1974 film showing actor Gunnar Hansen in costume as Leatherface. Provenance labels on the verso.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Loosely based on the crimes of serial murderer and body snatcher Ed Gein. Shot on a shoestring budget with the cast mostly composed of unknown Texan actors Tobe Hooper's second feature film courted controversy upon release for its grisly violence and critical view of US politics and is now rightfully considered a slasher cult classic.<br /> <br /> Set and shot on location in Round Rock Watterson Austin and San Marcos Texas.<br /> <br /> 5 x 7 inches. Fine.<br /> <br /> Thrower Nightmare USA. N.p. unknown
1974170361N.p.: N.p. 1974. Vintage borderless reference photograph from the set of the 1974 film showing the Sawyer family as played by John Dugan Gunnar Hansen Edwin Neal and Jim Siedow. <br /> <br /> Loosely based on the crimes of serial murderer and body snatcher Ed Gein. Shot on a shoestring budget with the cast mostly composed of unknown Texan actors Tobe Hooper's second feature film courted controversy upon release for its grisly violence and critical view of US politics and is now rightfully considered a slasher cult classic.<br /> <br /> Set and shot on location in Round Rock Watterson Austin and San Marcos Texas.<br /> <br /> 8 x 10 inches. Fine. <br /> <br /> Thrower Nightmare USA. N.p. unknown
1986150254N.p.: Cannon Films 1986. Vintage studio still photograph of director Tobe Hooper with Dennis Hopper and Caroline Williams on the set of the 1986 film. <br /> <br /> Nearly a decade after the first installment now a slasher classic Tobe Hooper revisits his chainsaw-toting prodigy "Leatherface" but to the dismay of most critics. This feature with the great Dennis Hopper as a creepy sheriff has achieved cult status in light of its being underrated since its release. <br /> <br /> Set in and shot on location in Bastrop Prarie Dell and Austin Texas. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Arrow 1494. Glover Men Women and Chainsaws. Cannon Films unknown
1970141657N.p.: N.p. 1970. Treatment script for an unproduced film. <br /> <br /> An Arabic treatment of the tale of "Romeo and Juliet." <br /> <br /> Set in the Middle East. <br /> <br /> Title page present with credits for screenwriter Titus Leber. 7 leaves with last leaf of text numbered 6. Xerographically duplicated rectos only. Pages Near Fine lacking wrapper bound with three staples. N.p. unknown
1982153893N.p.: N.p. 1982. Draft script and treatment script for an unproduced film. Draft script incomplete as issued. <br /> <br /> A fantasy adventure about a middle-aged white man who is chosen by Hopi American Indians to ascend to interdimensional safety during a solar eclipse which will create a fourth "World Age" term used in script on Earth. <br /> <br /> Draft script:<br /> <br /> Red titled wrappers undated with credits for screenwriter Titus Leber. Title page integral with the front wrapper. 92 leaves with last page of text numbered 92. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a white comb binding. <br /> <br /> Treatment script:<br /> <br /> Self wrappers. Title page present dated 1982 with credits for screenwriter Titus Leber. 31 leaves with last page of text numbered 30. Xerographic duplication rectos only. Pages Very Good plus overall with a small splash to the top left corner of the title page bound with two gold brads. N.p. unknown
1970161504N.p.: Audubon Films 1970. Two vintage studio still photographs from the US release of the 1969 Italian film here under the US release title "The Artful Penetration of Barbara." One photograph with a provenance stamp on the verso. <br /> <br /> A married British woman explores the English psychedelic youth scene and is attracted to an African American man. Featuring music by Freedom a group formed by Bobby Harrison and Ray Royer formerly of Procol Harum.<br /> <br /> 8 x 10 inches. Very Good plus with a few faint creases. Audubon Films unknown
1985155779N.p.: N.p. 1985. Four vintage borderless studio still photographs from the 1985 Italian film.<br /> <br /> Loosely based on the 1753 comedy play "La locandiera" by Carlo Goldoni. An innkeeper whose husband is lost in World War II enjoys a series of affairs with men in the small town where she lives. Director Tinto Brass is best known for his work in the adult and erotic film genre including "Salon Kitty" 1976 "Caligula" 1979 and "Così fan tutte" 1992.<br /> <br /> Set and shot on location in the Po Valley.<br /> <br /> 7 x 5 inches. Near Fine. N.p. unknown
1976162169Hamburg: Kinothek 1976. Vintage lobby card for the German release of the 1976 Italian film. Kinothek stamp on the verso.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> Based on the real Salon Kitty a cabaret and brothel used by Nazi secret intelligence to collect information on high-ranking SS commandants and foreign dignitaries during World War II. Heavily edited for its US release with many political elements purged in order to market the film as a sexploitation production. Considered one of the progenitors of the Nazi exploitation genre. <br /> <br /> Set in Berlin. <br /> <br /> 11.5 x 9.25 inches. Very Good plus lightly edgeworn at two corners. <br /> <br /> Blue Underground. Kinothek unknown
1976149916N.p.: N.p. 1976. Seven vintage borderless reference photographs from the 1976 Italian film.<br /> <br /> Based on the real Salon Kitty a cabaret and brothel used by Nazi secret intelligence to collect information on high-ranking SS commandants and foreign dignitaries during World War II. Heavily edited for its US release with many political elements purged in order to market the film as a sexploitation production. Considered one of the progenitors of the Nazi exploitation genre. <br /> <br /> Set in Berlin. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> <br /> Blue Underground. N.p. unknown
1983160492N.p.: N.p. 1983. Six vintage reference photographs from the 1983 film. All six with photographer labels on the versos. <br /> <br /> Based on Jun'ichirô Tanizaki's 1956 novel about a married middle-aged woman who undergoes a sexual awakening through a relationship with her daughter's fiancé. Tanizaki's novel was previously adapted by Kon Ichikawa for his film "Odd Obsession" 1959. <br /> <br /> Set and shot on location in Venice. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
1970141385N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> A Native American named Red Wind attends Princeton University where he faces discrimination from his professors and fellow students.<br /> <br /> Set in Princeton NJ. <br /> <br /> Red titled wrappers. Title page present with credit for screenwriter Tim Perior. 132 leaves with last page of text numbered 131. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
1983170264N.p.: Arkoff International 1983. Final Shooting script for the 1984 comedy film seen here under the working title "Rafts." With rainbow revision pages throughout.<br /> <br /> Four undergraduates are blackmailed into competing in a collegiate raft race facing off against cheating Ivy League students military academy saboteurs and an amorous all-women team. <br /> <br /> Red untitled wrappers with the release title noted in manuscript pencil on the front wrapper. Title page present dated May 3 1983 noted as Final Shooting Script with credit for screenwriter Jim Kouf. 127 leaves with last page of text numbered 111. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between August 4 and 18 1983. Pages Very Good plus with moderate foxing throughout wrapper Very Good plus bound with two gold brads.<br /> <br /> McPadden Teen Movie Hell 335. Arkoff International unknown
1972161709N.p.: American International Pictures 1972. Vintage studio still photograph from the 1973 film with a provenance stamp on the verso. <br /> <br /> A feminist newspaper columnist Marjorie is fired for not curbing her column's libertine content and begins to organize monthly sessions with five other women to discuss sex for a future writing project.<br /> <br /> 8 x 10 inches. Near Fine. American International Pictures unknown
140667Toronto: Roy Krost Productions. Draft script for an unproduced film. <br /> <br /> A woman comes to a Vietnam vet turned private investigator to learn the truth about her dead fiance who she still believes is alive. Both are Irish and are led on a long road of Irish organizations some fighting for a United Ireland some old blood from the motherland some born in America and only know Ireland as an ideal classic Irish cops some gangsters who identify with Irish liberation and some gangsters who know no loyalties. All come together to work against this private investigator who has bitten off more than he can chew. <br /> <br /> Set in Los Angeles. <br /> <br /> Tan untitled wrappers. Title page present with credits for screenwriter Tim Kelly. 132 leaves with last page of text numbered 131. Xerographically duplicated. Pages Near fine wrapper Near Fine bound with three gold brads. Roy Krost Productions unknown
162755Los Angeles: Twentieth Century-Fox 1987. First Draft script for the 1990 film.<br /> <br /> Tim Burton's second "Modern Prometheus" film following his 1984 short "Frankenweenie" about a mad scientist who dies before he can complete his latest creation: a nearly complete human being. The creation is left with scissors for hands and doomed to live a life of solitude until a kindly mild-mannered Avon Lady welcomes him into her home.<br /> <br /> Often cited as the director's masterpiece released two years after his hilarious and creepy romp "Beetlejuice" 1988 one year after his beloved comic adaptation "Batman" 1989 and two years before his second and final contribution to the Dark Knight legend "Batman Returns" 1992. <br /> <br /> Self wrappers integral with title page dated October 21 1987. Noted as First Draft with credit for screenwriter Caroline Thompson. 117 leaves with last page of text numbered 116. Xerographic duplication circa late 1980s font rectos only. Pages about Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1985168490Burbank CA: Mainline 1985. Three vintage studio still photographs from the 1985 film.<br /> <br /> Based in part on the 1948 Italian film "The Bicycle Thief" directed by Vittorio De Sica in which Pee-wee's beloved bicycle is stolen and he must follow a goofy cross-country trail of leads in order to retrieve it. Director Tim Burton's debut feature film and the first pairing of Burton and his longtime composer Danny Elfman.<br /> <br /> Shot on location in California and Texas. <br /> <br /> 10 x 8 inches. Generally Near Fine. Mainline unknown
1998169960N.p.: N.p. 1998. Revised Draft script for the 2001 film. An agency copy printed on the rectos and versos written seven months prior to the commencement of the production with the marker annotation of "O" on the front wrapper.<br /> <br /> A modern day adaptation of Shakespeare's "Othello" set in a US high school wherein Odin James Mekhi Phifer the only black student at Palmetto Grove Academy who is the star basketball player and dating the Dean's beautiful daughter Desi Julia Stiles is the envy of his troubled friend Hugo Josh Hartnett who plots a deadly scheme to sow mistrust between Desi and Odin.<br /> <br /> Shot on location in Charleston South Carolina. <br /> <br /> Untitled International Creative Management wrappers. Title page present dated 08/12/98 noted as Revision with credits for screenwriter Brad Kaaya. 59 leaves with last page of text numbered 114. Xerographic duplication on the rectos and versos. Pages Near Fine wrapper Very Good plus with dampstaining to the rear board bound internally with two gold brads. N.p. unknown
