4 698 résultats
1964159926Tokyo: Daisan Productions 1964. Vintage studio still color photograph from the 1964 Japanese film showing actress Ky ko Aizome in an amorous moment. <br /> <br /> An art student dreams of sex with vampires and other beautiful women while under sedation in a dentist's office. <br /> <br /> 8 x 10 inches. Near Fine lightly toned. Daisan Productions unknown
1968135902Paris: Le Spectacle du Monde 1968. Vintage borderless black-and-white double weight press photograph from the set of the film in Rome. Pictured are director Christian Marquand whose faux-grim countenance is in nice contrast to the attractive innocence of the film's lead actress Ewa Aulin. With the stamp of French magazine Le Spectacle du Monde twice on the verso. <br /> <br /> 8 x 10.5 inches. Fine. Le Spectacle du Monde unknown
1964131051Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Draft script for the 1965 film based on the 1948 novel by Evelyn Waugh legendarily co-written by Terry Southern and Christopher Isherwood. Deluxe working script belonging to uncredited crew member William Todd Mason with his name and phone number in manuscript ink on the title page and some brief penciled annotations on three pages. Laid in is a corner stapled three-page Staff and Crew list with two name additions in manuscript red ink on the second page. <br /> <br /> Included is a vintage studio still photograph from the film. <br /> <br /> An early draft issued nearly two years prior to the film's October 1965 release with substantial differences from the finished film. <br /> <br /> The sister film to "Dr. Strangelove" and in the eyes of many just as much a masterpiece of exquisitely wrought black humor. Made in the US but in a dense British-American style. Ostensibly a satire on the funeral business in which a young British poet winds up in a Hollywood cemetery as part of an inheritance arrangement-but in reality a satire of Hollywood itself as well as the Western malaise of the mid 1960s. <br /> <br /> Script: Self wrappers presumably as this draft was issued. Title page present rubber stamped copy No. 70 dated July 21 1964 with credits for screenwriters Southern and Isherwood. 158 leaves mimeograph duplication with blue revision pages throughout dated 7-22-64. Pages Fine wrapper Fine bound with two gold brads. <br /> <br /> Staff and Crew listing: two leaves slightly worn with annotations on the second page. Metro-Goldwyn-Mayer [MGM] unknown
1968135672London: Grand Films 1968. Complete set of vintage double weight color reference photographs from the 1968 film. <br /> <br /> 8 x 10 inches. Near Fine. Grand Films unknown
1986140590Atlanta GA: New World Pictures 1986. Revised Draft script for the 1987 film. With a few annotations in manuscript pencil throughout. <br /> <br /> Gunnery Sergeant Burns Dryer is sent to the Middle East where he acts as a guard at the local US Embassy. However due to the pacific nature of the ambassador the marine corps detachment is severely limited in their ability to protect the base thus allowing terrorists to take over and take everyone hostage except Burns. Now Burns must act as an army of one to defeat the terrorists and save the Americans. <br /> <br /> Set in the Middle East. <br /> <br /> White titled self wrappers noted as Revised Draft on the front wrapper dated February 24 1986 with credits for screenwriter John Gatliff. 117 leaves with last page of text numbered 106. Photographically reprodcued with revision pages dated between February 18 1986 and February 24 1986. Pages Very Good plus wrapper missing bound with two gold brads. New World Pictures unknown
1985144247Universal City: Universal Pictures 1985. Vintage borderless photograph of director Terry Gilliam on the set of the 1985 film. With manuscript annotations regarding layout on the verso. <br /> <br /> Gilliam's masterpiece about a man trying to escape a bureaucratic authoritarian government in a dystopian future. Nominated for two Academy Awards including Best Screenplay. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 51. Universal Pictures unknown
1985140818Universal City CA: Embassy Pictures / Universal Pictures 1985. Vintage borderless photograph from the 1985 film showing director Gilliam and crew during a quiet moment between takes. With manuscript ink annotations on the verso. <br /> <br /> Gilliam's masterpiece about a man trying to escape a bureaucratic authoritarian government in a dystopian future. Nominated for two Academy Awards including Best Screenplay. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Criterion Collection 51. Embassy Pictures / Universal Pictures unknown
1977139845London: Cinema 5 1977. Revised Final or "Revisedish Sort of Finalish" as it's styled on the title page British script for the 1977 comedy directed by Terry Gilliam based on the poem by Lewis Carroll from "Through the Looking Glass" 1871. <br /> <br /> Terry Gilliam's first solo directorial effort after co-directing "Monty Python and the Holy Grail" with Terry Jones. A comedy in the Python style-and with much of the Python cast-owing much to "The Holy Grail" but with evidence of Gilliam's unique touch which would come into full bloom with "Time Bandits" 1981 and ultimately "Brazil" 1985. <br /> <br /> Red blank wrappers with die cut title window in the British style. Title page present noted as Revised Final with credits for screenwriters Charles Averson and Terry Gilliam. 148 leaves with last page of text numbered 145. Mechanical duplication with pink and white pages throughout undated. Pages Near Fine wrapper lightly faded and Very Good plus bound internally with two silver brads. Cinema 5 unknown
2004167768London: Recorded Picture Company 2004. Revised Shooting script for the 2005 fantasy film. Copy belonging to still photographer François Duhamel with his name in manuscript ink on the title page. <br /> <br /> Based on the 2000 novel by Mitch Cullin the third and final novel in his Texas Trilogy following "Whompyjawed" 1999 and "Branches" 2000. A young girl retreats into a vivid fantasy world during a summer spent at an isolated Texan farmhouse with her brother and their eccentric neighbors.<br /> <br /> Set in Texas shot on location in western Canada. <br /> <br /> Self wrappers. Title page present dated July 15 2004 noted as Shooting Script with credits for Cullin and screenwriters Terry Gilliam and Tony Grisoni. 128 leaves with last page of text numbered 109. Xerographic duplication rectos only with blue and pink revision pages throughout dated variously between September 22 and 28 2004. Pages about Near Fine bound with two gold brads. Recorded Picture Company unknown
1953142336London: Jack Parsons 1953. Draft script for the 1962 film. With a few annotations in manuscript pencil. <br /> <br /> A manager at a razor factory grows a beard after developing a rash due to shaving. His superiors are displeased. The manager then decides to organize a strike in order to get his point across. <br /> <br /> Green titled wrappers dated May 1953 with credits for screenwriters John O'Gorman and George Moore. Title page present dated May 1953 with credits for screenwriters John O'Gorman and George Moore. 101 leaves with last page of text numbered 100. Mimeograph duplication. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Jack Parsons unknown
1980137980Hollywood: Terri Crane Productions / Sunfire Productions 1980. Original "pre-production package and script" for an unproduced film called "Yaqui Fox and Mose" including a separate synopsis. <br /> <br /> Included in the "pre-production package" is character information: Fox half Choctaw Indian half Irish a loner in total control of his destiny; Yaqui an Indian at the end of his rope looking for redemption; and Mose half Black half Indian on the run for a crime he didn't commit. Also included: letters from various productions companies regarding possible crew members like director Ted Post cinematographer Vilmos Zsigmond Will Sampson as "Yaqui" Philip Michael Thomas as "Mose" producers Richard Kaye Jay Lovins and Carol Hughes music by Carlos Santana technical personnel stunt coordinator Bill Hart letter signed by Hart wrangle Dick Lundin letter signed by Lundin special effect director Johnny James letter signed by James. Letters are dated 1979 or 1980. Various photocopied advertisements images of scenery and animals to be used production data a shooting schedule budget detail promotional ideas and weather information where the film was to be shot is also present. <br /> <br /> Overall pre-production for the film went as far as it possibly could but for unknown reasons the film was never produced or released. <br /> <br /> Brown titled wrappers. Synopsis page with a credit for screenwriter Terri Crane. Xerographic duplication with a few full-color pages detailing scenes from the opening titles. Last leaf of text numbered 80. Very Good plus bound with a brown Vello binding. Terri Crane Productions / Sunfire Productions unknown
1973161326Burbank CA: Warner Brothers 1973. Vintage studio still photograph from the 1973 film showing actor Martin Sheen. Provenance labels on the verso. <br /> <br /> Director Terrence Malick's transcendent and ferocious debut loosely based on the 1958 murder spree of Charles Starkweather and Caril Ann Fugate starring Martin Sheen and Sissy Spacek in early outstanding performances. <br /> <br /> Kit a handsome but disaffected young garbage collector and Korean War veteran succeeds in charming Holly a shy teenage girl despite the objections of her brutish father. The two run away together after Kit murders her father initiating a killing streak that follows in their wake. <br /> <br /> Set in South Dakota shot on location in Colorado. <br /> <br /> 8 x 10 inches. Very Good plus lightly scratched and worn.<br /> <br /> National Film Registry. Criterion Collection 651. Rosenbaum 1000. Ebert IV. Spicer US Neo-Noir. Silver and Ward Neo-Noir. Grant US. Warner Brothers unknown
1983141482N.p.: N.p. 1983. Draft script for an unproduced film. <br /> <br /> A young man accidentally kills his stepfather on the day of his baptism. <br /> <br /> Gray titled wrappers. Title page present dated June 14 1983 with credit for screenwriter Terrell Tannen. 101 leaves with last page of text numbered 100. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1968152185N.p.: N.p. 1968. Revised Draft script for the 1968 film. Copy belonging to production manager Mickey Delamar with his name in manuscript ink on the front wrapper and his manuscript annotations throughout. Laid in with the screenplay are several promotional materials for the film including two programs an edition of The Daily Cinema magazine featuring a cover story on "Mayerling" and a small flyer advertising a press showing of the film at Leicester Square. <br /> <br /> Delamar worked as a producer production manager and assistant director on over 30 films and was active in the film industry for four decades. His credits include Julien Duvivier's "Anna Karenina" 1948 Charlie Chaplin's "A King in New York" 1957 and Francois Truffaut's "Fahrenheit 451" 1966.<br /> <br /> Based on the 1930 novel by Claude Anet and the 1967 book by Michael Arnold. A dramatization of the events that led to the murder-suicide of Prince Rudolf of Austria and his lover Baroness Mary Vetsera at the Mayerling hunting lodge in 1889. <br /> <br /> Blue titled wrappers. 172 leaves with last page of text numbered 158. Mimeograph duplication rectos only with blue and pink revision pages throughout dated variously between 17.12.67 and 1.3.68. Pages Very Good plus wrapper Very Good plus lightly rusted to the binding bound internally with a silver prong. N.p. unknown
1961163707N.p.: Topaz Film Corporation 1961. Vintage two-color banner poster for US release of the 1960 British film originally released in the UK as "Too Hot to Handle." Uncommon in this format.<br /> <br /> Jayne Mansfield stars as showgirl Midnight Franklin headliner at the Pink Flamingo club in Soho run by her tough guy boyfriend Johnny Solos. When Johnny starts getting threats and demands for protection money from a rival club owner he fights back. <br /> <br /> Featuring famously risqué musical numbers featuring Mansfield in see-through clothing some frames from which were published in Playboy magazine and were visually altered for the US release to meet censor requirements.<br /> <br /> 118.5 x 24 inches. Very Good plus with some rubbing to the lower left and upper right causing modest color loss. Bright and unfaded. <br /> <br /> Grant UK. Topaz Film Corporation unknown
1957150605Culver City CA: Columbia Pictures 1957. Collection of 13 vintage photographs from the 1957 US-UK co-production. Seven photographs with mimeo snipes on the verso crediting photographer Bert Cann. <br /> <br /> Very loosely based on the 1950 nonfiction book "The Story of Zarak Khan" by A.J. Bevans about an outlaw fighting against British occupation in 19th century Afghanistan pursued by a British officer with whom he develops a mutual respect. <br /> <br /> Set on the border between Afghanistan and India shot on location in England Morocco India and Burma. <br /> <br /> 8 x 10 inches. About Near Fine. Columbia Pictures unknown
1958149893N.p.: N.p. 1958. Two vintage borderless reference photographs from the 1958 film "Dracula" released as "Horror of Dracula" in the US. One photo with manuscript pencil and ink annotations regarding layout on the verso.<br /> <br /> Based on Bram Stoker's 1897 novel. Hammer Films' first adaptation of the Dracula story generally thought to be the finest of the studio's many horror films to feature the Count and simply one of the finest gothic horror films ever made. Christopher Lee introduced a more romantic debonair take on the character an approach that is still a mainstay of contemporary interpretations. <br /> <br /> Set in Klausenburg shot on location in Berkshire England. <br /> <br /> 9.5 x 7 inches. Very Good plus one with light soil to the bottom left corner. <br /> <br /> Johnson and DelVecchio Hammer Films: An Exhaustive Filmography. N.p. unknown
1961167579Universal City: Universal-International Pictures / Hammer Films 1961. Vintage studio still photograph from the US release of the 1961 British film showing Oliver Reed in costume as Leon Corledo the werewolf. <br /> <br /> Based on Guy Endore's 1933 novel "The Werewolf Of Paris." Reed's first starring role in a feature film and the first werewolf film to be shot in color. Released as a double feature with another Hammer film "Shadow of the Cat" 1961. <br /> <br /> Set in Spain and shot on location in Buckinghamshire and Surrey England. <br /> <br /> 10 x 8 inches. Very Good plus with pinholes at the margins.<br /> <br /> Johnson and Del Vecchio. Universal-International Pictures / Hammer Films unknown
1959147069N.p.: Hammer Film Productions 1959. Collection of ten vintage photographs two reference photographs and eight studio still photographs from the 1959 film.<br /> <br /> Three photos shown. Please inquire for additional images.<br /> <br /> Although an ostensible remake of the hit 1932 Universal film Hammer Film adaptation of this title borrowed its plot largely from Universal's "The Mummy's Hand" 1940 and "The Mummy's Tomb" 1942 with the climax taken directly from "The Mummy's Ghost" 1944.<br /> <br /> When British archeologists led by John Banning Peter Cushing despoil the tomb of an Egyptian high priestess Princess Anaka Yvonne Furneaux they awaken her keeper and former lover high priest Kharis Christopher Lee.<br /> <br /> The only Hammer film to feature the actor combination of Lee Cushing and Michael Ripper.<br /> <br /> 8 x 10 inches. Very Good plus to Near Fine some light creasing one with two closed tears and pinholes and one photo with top right corner clipped. Hammer Film Productions unknown
1964134845Various cities: Various studios 1964. Collection of 49 vintage still photographs from various film adaptations of Tennessee Williams plays. <br /> <br /> All stills are black and white and US issue unless otherwise noted. Included are:<br /> <br /> A STREETCAR NAMED DESIRE 1951 Elia Kazan<br /> <br /> 1 press photograph of Marlon Brando and Kim Hunter with TCF stamp and press annotations on the verso. <br /> <br /> THE ROSE TATTOO 1955 Daniel Mann. <br /> <br /> 14 US studio photographs<br /> <br /> THE LONG HOT SUMMER 1958 Martin Ritt<br /> <br /> Eight British front of house cards. Front-of-house cards are the equivalent of US lobby cards but the same size as US color stills and typically have images that do not appear on US lobby cards and stills. <br /> <br /> 8 x 10 inches. Very minor wear at the extremities about Near Fine overall. <br /> <br /> A film based on several literary sources including William Faulkner's "The Hamlet" Faulkner short stories "Barn Burning" and "Spotted Horses" as well as Tennessee Williams' "Cat on a Hot Tin Roof."<br /> <br /> SUDDENLY LAST SUMMER 1959 Joseph L. Mankiewicz<br /> <br /> 1 press photograph of Elizabeth Taylor and Montgomery Clift with press annotations on the verso. <br /> <br /> 6 British front of house cards with the rating of "X" then in use in Great Britain. <br /> <br /> SUMMER AND SMOKE 1961 Peter Glenville<br /> <br /> 12 studio still photographs 2 with press annotations on the verso and 1 on the recto at the margin. <br /> <br /> SWEET BIRD OF YOUTH 1962 Richard Brooks. <br /> <br /> 1 still photograph of Paul Newman and Geraldine Page with a mimeo ditto-style snipe describing the scene printed on the verso. <br /> <br /> NIGHT OF THE IGUANA 1964 John Huston<br /> <br /> 1 still photograph of Richard Burton grabbing a long blade. Various studios unknown
1962152380N.p.: N.p. 1962. Five vintage press photographs of actress Jane Fonda from the 1962 film. <br /> <br /> Based on the 1960 play by Tennessee Williams. On their ill-fated honeymoon George and Isabel visit George's war buddy whose wife has just walked out on him. Director George Roy Hill's directorial debut and a breakthrough role for Fonda. <br /> <br /> Set in Tennessee. <br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
1970141053N.p.: N.p. 1970. Draft script for an unproduced film. Single annotation in manuscript pencil on the title page.<br /> <br /> A motorcycle racer decides to settle down and open a motorcycle garage in a small town. He soon realizes his dangerous past has earned him the scorn of the local government which is revealed to be intent on shutting him down.<br /> <br /> Set in Freedom Arizona. <br /> <br /> Brown untitled wrappers with die cut title window in the British style. Title page present undated with credit for screenwriter Temma Kramer. 120 leaves with last page of text numbered 116. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1954137133Japan: Daiei Studios 1954. Vintage black-and-white studio still photograph from the US release of the 1953 Japanese film. Though not noted in any way this copy belonged to screenwriter director and film ephemera collector Leonard Schrader. <br /> <br /> The first Japanese color film to ever be released outside of Japan and a cornerstone Asian film. "Gate of Hell" tells the story of a samurai who wishes to marry a woman whom he has rescues only to find she is already married to another. Winner of an Academy Award for Best Costume Design as well as an honorary Academy Award for Best Foreign Language Film. <br /> <br /> 8 x 10 inches. Fine condition. <br /> <br /> Criterion Collection 653. Masters of Cinema 40. Daiei Studios unknown
1966140950N.p.: N.p. 1966. Draft script for an unproduced film. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. <br /> <br /> Based on the short story "The Skedule" by Helen H. Wilson about a prim and proper English woman and an Aussie traveling together through the Outback where an African Queen-esque romance soon develops. A pet project of Australian actor Rod Taylor who struggled from 1964 until 1974 to get this film made though he was ultimately unsuccessful. <br /> <br /> Set in Australia. <br /> <br /> Green blank wrappers with die cut title window in the British style. Title page present dated July 1966 with credits for screenwriter Ted Willis and author Helen H. Wilson. 144 leaves with last page of text numbered 131. Mechanical duplication with pink and yellow revision pages throughout dated variously between September 24 1967 and September 26 1967. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
155115Hollywood: Occult Productions 1973. Draft script for the 1973 film. Working production copy housed in a black leather binder with production materials bound in before and after the script including handwritten cast and crew contact information and call sheets. <br /> <br /> A young woman joins a black magic coven governed by a psychic witch queen with dubious and eventually murderous intentions. Considered one of the best and arguably most polished releases from noted psychotronic Z-budget horror director Ted V. Mikels heavily inspired by "Rosemary's Baby" 1968 and the occult concerns of the Age of Aquarius. <br /> <br /> Pink titled wrappers. Title page present undated with credits for director-screenwriter Ted V. Mikels. 67 leaves with last page of text numbered 64. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine. <br /> <br /> Nightmare USA. Occult Productions unknown
