4 698 résultats
1956163738N.p.: N.p. 1956. Vintage reference photograph from the 1956 Italian film showing actress Sophia Loren raising her skirt to examine her tights. French provenance stamp on the verso. <br /> <br /> A young woman decides to take a photographer to court after he takes her photograph without telling her and it turns up on the cover of a magazine.<br /> <br /> Shot on location in Rome.<br /> <br /> 10 x 8 inches. Very Good plus with pinholes at the corners. N.p. unknown
1982159782New York: Cinevista / Z Films 1982. Two vintage press kits for the 1982 film. Illustrated pocketed folders one containing over 15 copied reviews of the film and several pages of promotional material and the other containing nine copied reviews a color flyer advertising the film and several gatherings of promotional material. Both kits with Cinevista business cards stapled to the inner pockets. <br /> <br /> Aliens seeking opiates released during human sex land their UFO on top of a New York apartment building where they witness the antics of bisexual androgynous fashion model Margaret and her cocaine-addled friends. A bizarre new wave science fiction film produced on a shoestring budget now considered a cult classic broadly responsible for popularizing the electroclash club scene of the early 2000s. <br /> <br /> Set and shot in downtown New York. <br /> <br /> Folders Very Good plus lightly rubbed. Promotional material and copied reviews Fine. Cinevista / Z Films unknown
1982162551London: Tartan Video 1982. Six vintage photographs from the 1982 film including four reference photographs two borderless and matte finish two glossy and bordered and two studio still photographs. <br /> <br /> Aliens seeking opiates released during human sex land their UFO on top of a New York apartment building where they witness the antics of bisexual androgynous fashion model Margaret and her cocaine-addled friends. A bizarre new wave science fiction film produced on a shoestring budget now considered a cult classic. Broadly responsible for popularizing the electroclash club scene of the early 2000s. <br /> <br /> Set and shot in downtown New York. <br /> <br /> Four photographs 10 x 8 inches two 7 x 5 inches. Near Fine to Very Good plus. Tartan Video unknown
1933138407Germany: Kinematrade 1933. Vintage US poster for the 1932 German communist propaganda film "Kuhle Wampe oder Wem gehort die Welt" The subtitle is seen here under the English translation "Whither Germany." Circa 1933 as identified by the name of the Philadelphia theatre on the poster. <br /> <br /> The last and arguably most important communist film of the Weimar era "Kuhle Wampe oder" is according to screenwriter Brecht a "Collective Presentation" that tells the tale of a family in early 1930s Berlin. After the son is prolongedly unemployed he commits suicide and the family is forced to relocate to a shantytown known as "Kuhle Wampe" or "Empty Stomach." Created under severely limited material conditions with filming constantly being broken up by the Weimar government's paramilitary SA agency the film attempts to depict archetypes of the times including an intellectual clash on a subway between members of the bourgeoisie and the proletariat. <br /> <br /> Banned first by the failing Weimar Republic and subsequently by the Nazi Reich the film was believed to have been lost until it reappeared over 20 years later in East Germany in 1958. This poster likely originates from screenings held in November 1933 by an unknown pro-communist organization in Philadelphia at the short lived left-leaning Philkino theater. A US screening of this film dating before the film's disappearance and only just after the very beginnings of Hitler's rise to power makes this poster not only very scarce but one of significant historical value. <br /> <br /> The poster touting "Kuhle Wampe" as "The Film Hitler Burned" features an image of a man with a hammer and sickle attacking two snakes that form the Nazi swastika and touts the involvement of members of the "Labor Sports Union" in the film. <br /> <br /> 9.5 x 13 inches letterpress on pale faded pink stock. Very Good with expected moderate wear. Kinematrade unknown
1984166590N.p.: N.p. 1984. Revised Draft script for the 1986 film. Copy belonging to an unidentified crew member with their annotations in manuscript ink on the verso of the final page relating to set construction. <br /> <br /> A famous photographer takes a two-week trip to her hometown on the Maryland coast where she reconnects with her high school sweetheart who is now married and running his family's local newspaper. <br /> <br /> Set in Ocean City Maryland and Venice Italy shot on location in Baltimore and Ocean City Maryland and at Rehoboth Beach Delaware. <br /> <br /> White generic Rastar wrappers. Title page present dated July 27 1984 noted as REVISED with credit for screenwriter Naomi Foner. 125 leaves with last page of text numbered 122. Xerographic duplication rectos only with pink revision pages throughout dated July 31 1984. Pages Near Fine wrapper about Near Fine bound internally with two gold brads. N.p. unknown
1977162157N.p.: Arte 7 1977. Collection of 13 vintage borderless lobby cards for the Spanish release of the 1977 Italian film. <br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> During World War II a German Jewish woman is separated from her boyfriend and sent to live as a prostitute in a Nazi camp. Actress Renata Moar's final film. <br /> <br /> Shot on location in Rome.<br /> <br /> 13.25 x 9.25 inches. About Fine. Arte 7 unknown
1975162089West Germany: Cinerama Filmgesellschaft 1975. Vintage borderless reference photograph from the West German release of the 1974 French film showing actress Sirpa Lane. Printed mimeo snipe in German affixed to the verso.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> An adventurous young woman is determined to enjoy every sexual experience life has to offer even if the pursuit leads her into danger. <br /> <br /> 7 x 5 inches. Near Fine. Cinerama Filmgesellschaft unknown
19874TVS Limited Shepperton Studios. Dated 9 September 1986. Typed screenplay 103pp. 8vo. In good condition lightly aged and worn. Paginated to 99 but with the pagination heavily disrupted by the addition and removal of a large number of pages of revisions on pink or blue paper each amended leaf dated at the head. Held together with two metal studs in yellow card binding with windowpane for title. Title-page states 'MANDELA by Ronald Harwood 9 September 1986' without further details. Loosely inserted is a six-page 'Call Sheet No. 32' dated 17 September 1986 which names as the 'Production Base': 'TVS Limited Room 5 The Old House Shepperton Studios Studios Road Shepperton Middlesex'. The call sheet includes a page of 'Call Sheet Notes' and another page headed 'Movement Order No. 1 London'. The script was clearly used by a member of the continuity or props department as it has individual names highlighted in green and properties highlighted in orange with a few notes including dating of some scenes in blue ink. Note inside front cover: 'White Austin TJ 16721 Mandelas Sc41'. Glover was riding high on the success of 'Lethal Weapon' but 'Mandela' was not well received. It was accorded two unenthusiastic reviews in The Times: one by Peter Waymark on 24 September 1987 'A black and white tale' and the other the following day by Martin Cropper 'Nelson deserves better than this'. [ TVS Limited, Shepperton Studios. ] Dated 9 September 1986. unknown
1944164361Universal City: Universal Pictures 1944. Vintage publicity photograph from the 1944 film showing actress Louise Allbritton behind a camera. Printed mimeo snipe affixed to the verso. <br /> <br /> A teenage orphan from New England receives an inheritance for education but instead uses it to travel to New York to pursue the object of her obsession an Army surgeon. <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> 8 x 10 inches. Near Fine. Universal Pictures unknown
1955161300N.p.: N.p. 1955. Vintage reference photograph from the UK release of the 1955 French film noir. Printed mimeo snipe affixed to the verso.<br /> <br /> Based on the 1952 novel "Celle qui n'etait plus" by Pierre Boileau and Thomas Narcejac. The wife and mistress of a cruel brutish school principal orchestrate the perfect murder but their plans are thrown into confusion when his body disappears. <br /> <br /> Set in Saint-Cloud Hauts-de-Seine and shot on location in Yvelines Deux-Sevres and Hauts-de-Seine France. <br /> <br /> 10 x 8 inches. Very Good plus lightly curled. <br /> <br /> Criterion Collection 35. Grant France. Selby Masterwork. Spicer France. Vogel Film as a Subversive Art. N.p. unknown
1961162300London: Romulus 1961. Three vintage studio still photographs from the 1962 film. <br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> Based on the 1961 novel by James Barlow about an alcoholic schoolteacher who struggles to advance in his career due to his past refusal to fight in the war.<br /> <br /> Set in London shot on location in Ireland. <br /> <br /> 10 x 8 inches. About Near Fine. Romulus unknown
1968161785N.p.: RAF Industries 1968. Two vintage studio still photographs from the 1968 film one with a provenance stamp on the verso. <br /> <br /> Louie and Nick are two hoodlums who assault naive and unsuspecting women when they aren't hanging out at the local go-go bar. <br /> <br /> Set in and shot on location in New York City. <br /> <br /> 8 x 10 inches. Near Fine. RAF Industries unknown
1965153971London: Hammer Films 1965. Vintage borderless reference photograph of actress Tallulah Bankhead during filming on location for the 1965 Hammer film while to the right a camera crew captures the shot. Provenance stamp to the verso. <br /> <br /> Based on the 1961 novel "Nightmare" by Elizabeth Linington writing as Anne Blaisdell about a woman who is stalked and terrorized by her deceased fiance's mother. Bankhead's final feature film before her death in 1968 produced hot on the heels of "What Ever Happened to Baby Jane" 1962 and "Hush. Hush Sweet Charlotte" 1964. <br /> <br /> Shot on location in Hertfordshire England. <br /> <br /> 7.5 x 9.75 inches. Near Fine. <br /> <br /> Johnson and Del Vecchio Hammer Films: An Exhaustive Filmography pp. 251-254. Hammer Films unknown
1970141610N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> Based on Sigrid Undset's 1920 trilogy "Kristin Lavransdatter." The trilogy is the story of Kristin a Norwegian living during the Middle Ages the daughter of an affluent father who in difficult times often found solace in her Catholicism. The popularity as well as its accurate descriptions of Medieval life led to Undset being awarded the Nobel Prize for Literature in 1928. <br /> <br /> Set in Norway. <br /> <br /> Green titled wrappers. Title page present with credits for author Sigrid Undset and screenwriter Laurence W. Beilenson. 139 leaves with last page of text numbered 137. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
1984150510N.p.: N.p. 1984. Second Draft agency script for the 1986 film. <br /> <br /> From the collection of novelist William Hjortsberg who worked as a screenwriter in Hollywood between 1977-1985. Hjortsberg is best known for the film adaptation of "Angel Heart" 1987 based on his 1978 novel.<br /> <br /> Based on the 1984 novel "Doctor Slaughter" by Paul Theroux. An American research fellow at the Arab-Anglo Institute in London moonlights as a high-priced escort to bolster her income but soon finds herself unwittingly drawn into a dirty political scheme through one of her clients.<br /> <br /> Set and shot on location in Hertfordshire and London. <br /> <br /> Brown generic ICM wrappers. Title page present dated October 20 1984 noted as Second Draft with credits for screenwriters Bob Swaim and Edward Behr and novelist Paul Theroux. 125 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. N.p. unknown
1962152117Brussels: Pardon Films 1962. Two vintage studio still photographs from the 1962 film. With the stamp of Pardon Films on the verso.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A five-man team of astronauts is sent to the frozen planet Uranus only to discover a bizarre alien brain capable of inducing mass delusions upon its humanoid guests. <br /> <br /> Set in Uranus shot on location in Denmark. <br /> <br /> 10 x 8 inches. Very Good plus overall with pinholes to the corners. Pardon Films unknown
1973156646Buckinghamshire: Pinewood Studios 1973. Vintage borderless reference photograph from the 1973 film showing director Sidney Poitier and a camera crew filming a scene with Yvette Curtis on location in Trafalgar Square. Printed mimeo snipe affixed to the verso. <br /> <br /> A recently widowed African American doctor and his daughter spend a month-long vacation in London where he falls in love with an African ambassador's niece. <br /> <br /> Set in London. <br /> <br /> 7.5 x 9.5 inches. Near Fine. Pinewood Studios unknown
1970152555Culver City CA: Columbia Pictures 1970. Draft script for the 1971 film here under the working title "Kane." Copy belonging to actor Bradford Dillman with his stamp to the title page and his manuscript ink annotations throughout. Laid in with the script are two manuscript pages with Dillman's notes on blocking for various scenes and two gatherings of cast and crew contact information.<br /> <br /> A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor however knows the man holds a larger more meaningful purpose in the world. <br /> <br /> Set in Alabama shot on location in Marysville California. <br /> <br /> Blue titled wrappers dated January 30 1970 noted as production No. 8981. Title page present dated January 30 1970 with credits for director James Goldstone and screenwriter Ernest Kinoy. 141 leaves with last page of text numbered 140. Mimeograph duplication on eye-rest green stock rectos only with rainbow revision pages throughout dated variously between February 11 1970 and March 4 1970. Pages and wrapper Near Fine bound with two gold brads. Columbia Pictures unknown
1971157331N.p.: N.p. 1971. Vintage borderless reference photograph of director James Goldstone with a camera on the set of the 1971 film. <br /> <br /> A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor however knows the man holds a larger more meaningful purpose in the world. <br /> <br /> Set in Alabama shot on location in Marysville California. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
1986169088N.p.: N.p. 1986. Draft script for the 1988 film. Dated December 24 1986 only five days before the commencement of production on December 29 according to the AFI Catalog.<br /> <br /> Sydney Poitier stars as an FBI agent working to uncover Soviet sleeper agents posing as an all-American family living in San Diego and develops a friendship with their unsuspecting son played by River Phoenix. <br /> <br /> Shot on location in San Diego San Ysidro Monrovia and La Mesa California. <br /> <br /> Red titled wrappers. Title page present dated December 24 1986 with credits for screenwriter Bo Goldman. 129 leaves with last page of text numbered 127. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1969168503Universal City CA: Universal Pictures 1969. Vintage transparency from the 1969 film showing Sidney Poitier on the set. <br /> <br /> Loosely based on F.L. Green's 1945 novel "Odd Man Out." A Black militant intends to rob a factory payroll in order to aid his imprisoned revolutionaries but through an unexpected turn of events he is forced to rely on a young social worker to help pull off the heist.<br /> <br /> 5 x 4 inches. Fine. Universal Pictures unknown
1967163150N.p.: N.p. 1967. Vintage double weight borderless reference photograph from the set of the 1967 film showing actor Sidney Poitier. Stamp of photographer Peter Basch on the verso.<br /> <br /> Based on the 1959 autobiographical novel by E.R. Braithwaite. An unemployed middle class Guyanese immigrant takes a teaching job in the tough East End of London where he must contend with the rambunctious students. <br /> <br /> From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. <br /> <br /> 7.75 x 11 inches. Very Good plus. N.p. unknown
1955140173Los Angeles: Columbia Broadcasting System CBS 1955. Final Draft script for the Season 2 Episode 1 of the 1955 television program originally broadcast on October 15 1955 on CBS. Copy belonging to actor who played Johnny with his character's name on the front wrapper in manuscript pencil. With page numbers annotated in ink at the lower right corner of each page throughout.<br /> <br /> "The Damon Runyon Theater" presented dramatized versions of short stories by Damon Runyon. This particular episode deals with a boxing match. It was sponsored by Anheuser-Busch's beer Budweiser. <br /> <br /> Orange titled wrappers noted as Final Draft on the front wrapper rubber-stamped production No. 3924 dated June 15 1955. Title page present dated June 14 1955 noted as Final Draft with credits for screenwriter Jack Harvey. 43 leaves with last page of text numbered 41. Mechanical duplication. Pages Very Good plus wrapper Very Good bound with two gold brads. Columbia Broadcasting System [CBS] unknown
1962144636Paris: Transcontinental Film Productions 1962. Two vintage photographs of Sidney Lumet directing on the set of the 1962 film. With manuscript annotations and a rubber stamp on the versos of each. <br /> <br /> Based on the 1955 play by Arthur Miller about an unhappily married man whose obsession with his niece leads to tragedy when she falls for an immigrant who is staying with them. The first American film to feature a kiss between two men though ultimately it is an act of accusation against one of the men rather than a romantic one.<br /> <br /> Shot on location in New York City and Rome. <br /> <br /> 7.5 x 5.5 inches. Near Fine. Transcontinental Film Productions unknown
1961144704Paris: Transcontinental Film Productions 1961. Vintage borderless photograph of director Sidney Lumet playwright Arthur Miller and actors Ralf Vallone and Raymond Pellegrin on the set of the 1962 film. With the stamp of photographer Jacques Moreau a mimeo snipe and manuscript annotations on the verso. <br /> <br /> Based on the 1955 play by Arthur Miller about an unhappily married man whose obsession with his niece leads to tragedy when she falls for an immigrant who is staying with them. The first American film to feature a kiss between two men though ultimately it is an act of accusation against one of the men rather than a romantic one. <br /> <br /> Filmed in both French and English versions.<br /> <br /> Shot on location in New York City and Rome. <br /> <br /> 9.5 x 7 inches. Near Fine. Transcontinental Film Productions unknown
