4 698 résultats
1998162641Culver City CA: Adelaide Productions 1998. Two scripts for Season 1 Episode 3 of the 1999-2000 primetime animated television series including one Table Draft and one Record Draft. Scripts belonging to screenwriter Steve Sustarsic with his name on a printed label affixed to the first leaf of the Table Draft. <br /> <br /> Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode Dilbert is fired after being suspected of spying for a rival company and is hired at a surprisingly ethical company. The episode originally aired on February 8 1999 on UPN.<br /> <br /> Table Draft:<br /> <br /> Self wrappers dated May 21 1998 on the front wrapper noted as Table Draft and episode No. 103 with credit for screenwriter Ned Goldreyer. Title page integral with the front wrapper as issued. 57 leaves with last page of text numbered 55. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Record Draft:<br /> <br /> Blue titled wrappers dated May 26 1998 on the front wrapper noted as Record Draft with credit for screenwriter Ned Goldreyer. Title page integral with the front wrapper as issued. 53 leaves with last page of text numbered 52. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Adelaide Productions unknown
1959148742Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Vintage one sheet poster for the US release of the 1958 British film noir.<br /> <br /> Based on the 1956 novel by Donald MacKenzie.<br /> <br /> Con-artist Paul Gregory George Nader charms an old widow Bessie Love and steals her husbands coin collection hides it and then waits to get arrested thinking he'll get a minor sentence and retrieve it afterward. When the judge gives him a substantially longer term than expected he decides to escape from prison but his attempts at recovering the stash proves more difficult than expected.<br /> <br /> Maggie Smith's theatrical debut and the penultimate film produced by the British production company Ealing Studios.<br /> <br /> Set in and shot on location in London. <br /> <br /> 27 x 41 inches. Folded as issued. Very Good with large horizontal closed tear along top right crease and some small chips and closed tears at the extremities.<br /> <br /> Spencer UK. Selby UK. Grant UK. Lyons UK. Spicer UK. Metro-Goldwyn-Mayer [MGM] unknown
161096Los Angeles: Tse Tse Fly Productions 2001. Two Final Draft scripts for the 2002 film. Scripts belonging to costume designer Judith Brewer Curtis with her annotations in manuscript ink throughout and housed in her production binder with wardrobe test photographs and ephemera relating to costuming for the film. <br /> <br /> Binder includes an eight page shooting schedule an eight page continuity breakdown four pages of Curtis' xerographically duplicated costume design sketches and 29 Polaroid wardrobe test shots. <br /> <br /> An amnesiac wakes up in an asylum for the criminally insane discovering that he has been found guilty of murdering his girlfriend-a crime he does not recall. As his fellow inmates begin showing up dead he begins to wonder if the murder is somehow linked to the asylum's sinister director. <br /> <br /> Shot on location in Los Angeles. <br /> <br /> Final Draft no revisions:<br /> <br /> Title page present undated noted as Final Draft with credits for screenwriters Jeremy Kasten and Rogan Russell Marshall. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine.<br /> <br /> Final Draft with revisions:<br /> <br /> Title page present undated noted as Final Draft with credits for screenwriters Jeremy Kasten and Rogan Russell Marshall. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only with undated blue revision pages throughout. Pages Near Fine.<br /> <br /> Black three-ring binder Very Good plus with light soil on the extremities. Tse Tse Fly Productions unknown
1967148300N.p.: Produzioni Europee Associate PEA 1967. Collection of eleven vintage black-and-white lobby cards from the French release of the 1967 film. <br /> <br /> The second in Leone's iconic trilogy "For a Few Dollars More" is another tale of gunslingers revenge double-crossing and robbery. Starring Clint Eastwood as Manco the "man with no name" and Gian Maria Volonte as the ruthless psychopath El Indio. <br /> <br /> Set in Texas shot on location in Spain and Italy. <br /> <br /> 10.75 x 8.25 inches. Very Good with pinholes to corners. <br /> <br /> Alex Cox10000 Ways to Die. Grant Any Gun Can Play p. XXX. Pitts 572. Produzioni Europee Associate [PEA] unknown
1968168099N.p.: N.p. 1968. Two vintage oversize double weight satin-finish photographs of director Sergio Leone on the set of the 1968 Western film. Stamp of photographer Angelo Novi on the versos.<br /> <br /> The first installment in Leone's "Once Upon a Time" trilogy and a classic of the Western genre. <br /> <br /> Shot on location in Mexico Spain Italy and in Arizona and Utah. <br /> <br /> 8.25 x 10.75 inches one with a wide left margin. Very Good plus slightly wavy.<br /> <br /> National Film Registry. Pitts 2898. Schrader 49. N.p. unknown
1984137587Hollywood: The Ladd Company 1984. Original press kit for the 1984 Italian-American film. Included in the press kit are 24 black-and-white still photographs including one photograph of director Sergio Leone biographies of select cast and crew final credits production information and insight into Leone's process. <br /> <br /> Based on Harry Grey's 1952 novel "The Hoods." David Aaronson De Niro is a former Prohibition-era Jewish gangster who after thirty years of absence returns to Manhattan where he confronts the foibles of his past and the painful truth of his life to date. <br /> <br /> Actress Jennifer Connelly's film debut and director Leone's final film a film that like his similarly titled 1968 classic "One Upon a Time in the West" remains one of his few American productions. <br /> <br /> Film stills various sizes. Biographies credits and production information printed on 8 x 10 leaves corner-stapled rectos only. Stills and printed leaves Near Fine house in a Very Good plus full-color 9 x 12 studio single-pocket folder. The Ladd Company unknown
1972147273Paris: Paris-Cannes Productions 1972. Draft script for the 1972 French-Italian film. With handwritten pagination throughout. <br /> <br /> A French cosmetologist is robbed and sexually assaulted by a race car driver leading her to seek revenge.<br /> <br /> Set and shot on location in Seine-Maritime and Essonne France.<br /> <br /> Black untitled wrappers. Title page present with credits for director SERGIO GOBBI and English translator Patrick LITTLE-LEADER. 135 leaves with last page of text numbered 134. Carbon typescript with a typescript title page rectos only. Pages Very Good with light creasing to the first two leaves wrapper Very Good plus bound with a silver clasp. Paris-Cannes Productions unknown
1969152344N.p.: N.p. 1969. Two vintage borderless reference photographs taken on the set of the 1969 Western film one showing director Sergio Corbucci actors Johnny Hallyday and Gastone Moschin and various crew members between shots the other showing Corbucci and Hallyday inspecting a gun. <br /> <br /> A lone stranger named Hud arrives in a small western town in hopes of avenging his brother who was hanged after being wrongly accused of robbing a bank. The third and final film in Corbucci's "Mud and Blood" trilogy preceded by "Django" and "The Great Silence" in 1968. <br /> <br /> Shot on location in Italy in the Venetian Prealps the Dolomites and the outskirts of Rome. <br /> <br /> 9.5 x 7.25 inches. Near Fine. N.p. unknown
1925168469N.p.: N.p. 1925. Nine reference photographs from the 1925 Soviet silent film seven borderless and two bordered struck and issued by Cinémathèque Française circa 1936. <br /> <br /> All seven borderless photographs with the stamp of Archives Cinémathèque Française on the verso.<br /> <br /> A dramatization of a real-life mutiny which occurred on the Russian battleship Potemkin in 1905. The film's violence led to it being banned in West Germany and the UK until 1954 and even after that given an X rating until 1978. It was shown in a much-edited form in East Germany though the US premiere in December 1926 was shown unedited. A written introduction by Leon Trotsky at the beginning of the film was cut from later Soviet prints due to Trotsky running afoul of Stalin. <br /> <br /> The film's famous sequence showing a massacre by Tsarist soldiers of civilians on the Odessa Steps is considered the first example of a montage sequence in cinema. <br /> <br /> All photogaphs 5 x 3.5 inches. Generally Near Fine.<br /> <br /> BFI 1494. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown
1966138830Moscow: Mosfilm 1966. Three vintage borderless black-and-white reference photographs from the 1966 French release of the 1964 film. With the archival stamp of the noted cinema historian Maurice Bessy on the verso of each photo. <br /> <br /> A stunning set of battle scene photos including one three-part panoramic shot demonstrating the massive scale of the film shot on location in Dorogobuzh a region in the Smolensk province of Russia. <br /> <br /> An epic film over seven hours long and slavishly faithful to Tolstoy's novel that was for many years the most expensive European movie every made. The lengthy graphic battle scenes which killed a number of horses led to the film being boycotted in many American cities. <br /> <br /> Winner of the Academy Award for Best Foreign Language film. <br /> <br /> 8 x 10 inches. Near Fine. Mosfilm unknown
1975155637N.p.: N.p. 1975. Six vintage borderless reference photographs from the 1975 French sexploitation film including two photographs taken on location. <br /> <br /> A sexually frustrated executive assistant goes to see a psychologist and recovers his prowess proceeding to embark on a number of erotic adventures with the secretaries at his office. <br /> <br /> Shot on location in Calvados France. <br /> <br /> 7 x 9.5 inches. Very Good with light fading to two of the photographs. <br /> <br /> Bier 807. N.p. unknown
1976159153N.p.: N.p. 1976. Seven vintage borderless reference photographs from the 1976 adult film.<br /> <br /> After being kidnapped a doctor and his lover plan to shoot the pornographic film of their dreams at a remote French chateau. <br /> <br /> Four photographs 9.5 x 7 inches three photographs 7 x 5 inches. Very Good plus lightly age toned. <br /> <br /> Bier 849. N.p. unknown
1976161103N.p.: N.p. 1976. Four vintage oversize borderless double weight color reference photographs from the 1976 film. Gold labels specific to the film's French release affixed to the rectos as issued. <br /> <br /> A tomboyish waitress at a truck stop develops a crush on a gay garbage truck driver and in spite of all odds they begin a relationship. Serge Gainsbourg's directorial debut. <br /> <br /> 11.25 x 9 inches. Pinholes at the corners else about Near Fine. N.p. unknown
1976160556N.p.: N.p. 1976. Vintage oversize borderless double weight color reference photograph from the 1976 film showing a nude wet Jane Birkin.<br /> <br /> A tomboyish waitress at a truck stop develops a crush on a gay garbage truck driver and in spite of all odds they begin a relationship. Serge Gainsbourg's directorial debut. <br /> <br /> 11.25 x 9 inches. With sets of pinholes at the edges else Near Fine. N.p. unknown
1976162553Paris: Sygma 1976. Vintage oversize borderless reference photograph from the 1976 film showing Jane Birkin raising her skirt to reveal that she is not wearing underwear. Mimeo snipe and Sygma stamp on the verso. <br /> <br /> A tomboyish waitress at a truck stop develops a crush on a gay garbage truck driver and in spite of all odds they begin a relationship. Serge Gainsbourg's directorial debut. <br /> <br /> 8 x 11.75 inches. Very Good plus lightly worn at the corners. Sygma unknown
1976151965Paris: President Films 1976. Vintage borderless reference photograph of Jane Birkin from the 1976 film. "Societe Nationale" stamp on verso. <br /> <br /> Waitress Johnny works and lives in a truck stop lonely and longing for love. She develops a crush on the garbage truck driver Krassky although her sleazy boss Boris warns her that Krassky is gay. Krassky likes Johnny too perhaps because of her boyish physique. But both of them fail to notice the growing jealousy of Krassky's boyfriend Padovan and trouble sets in. <br /> <br /> Billy Stevenson of notes in the "A Film Canon" blog: "Serge Gainsbourg directed this film based on his iconic song and it plays as an extended gloss on that song an attempt to visualize what was happening during those infamous sighs and pants . It is a testament to Gainsbourg's commitment to the song and his own status as sexual outlaw that he presents us with a film that's just as confronting and titillating some 30 years later. <br /> <br /> "Set against a drifting rambling desert backdrop part New Wave part New Hollywood. Johnny and Krassky's attraction is sexually charged and yet it doesn't seem to conform to their sexual proclivities.with an audioverite that makes you wonder whether these scenes might actually involve real sex. In its yearning to experience sex in every conceivable way-as a gay man as a lesbian as a man as a woman as pleasure as pain-the film ends up virtualizing it or at least generalizing it into an undifferentiated sexual access that feels quite incorporeal a clear forerunner to both the Cinema du Look and art porn movements."<br /> <br /> 6.5 x 9 inches. Near Fine. President Films unknown
1933131892Munich / Paris: UFA / L'Alliance Cinematographique Europeenne 1933. Two vintage black-and-white still photographs from the original French release of the 1933 film. With the UFA logo at the lower left corner of each. Each still mounted on UFA / ACE boards as issued with credit for both studios and text in French. <br /> <br /> A late attempt by UFA to reach a broader European market this joint production was filmed in French shot in Spain and Germany and released to the French market. Featuring an early supporting appearance by Simone Simon shown in a still here with Jean Gabin with whom she would go on to co-star in Jean Renoir's classic "La Bete Humaine." <br /> <br /> Both photographs 10.5 x 8.5 inches Near Fine with some faint scratching. Boards 15.75 x 13.25 inches Very Good condition with multiple pinholes a few brief dampstains and minor chipping. UFA / L'Alliance Cinematographique Europeenne unknown
141442Burbank CA: Cinema Epoch 1977. Draft script for the 1977 film. Text in Japanese. <br /> <br /> A female golfer tries to perform to the very best of her abilities but must contend with the men in her life her neighbors her family and a stalker who will not leave her alone. <br /> <br /> Pink titled perfect-bound wrappers. Title page present. 118 leaves with last page of text numbered 110. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Cinema Epoch unknown
1966141426Tokyo: Nikkatsu 1966. Draft script for the 1966 film. Text in Japanese. <br /> <br /> Based on a novel by Takashi Suzuki a repressed Catholic young man living in a boardinghouse is infatuated with the landlady's daughter and when he cannot express his feelings he turns to violence. He joins a gang and begins a fighting routine exploiting the weakness of classmates. <br /> <br /> Set in Okayama shot on location in Japan. <br /> <br /> Red titled perfect-bound wrappers. Title page present. 113 leaves with last page of text numbered 19. Mechanical duplication. Pages Near Fine wrapper Near Fine. <br /> <br /> Criterion Collection 269. Nikkatsu unknown
1961141438Tokyo: Nikkatsu 1961. Treatment script for the 1961 film. Text in Japanese. <br /> <br /> A 1920s playwright meets a beautiful woman who might be the ghost of his patron's deceased wife. <br /> <br /> White titled perfect-bound wrappers. Title page present. 39 leaves with last page of text numbered 38. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Nikkatsu unknown
1958141439Tokyo: Nikkatsu 1958. Draft script for the 1958 film. Text in Japanese. <br /> <br /> The first film to be credited to Suzuki by his assumed name a man released from prison needs money and goes to retrieve diamonds sought after by fellow yakuza members. <br /> <br /> White titled perfect-bound wrappers. Title page present. 107 leaves with last page of text numbered 12. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Nikkatsu unknown
1991141425N.p.: Genjiro Amato 1991. Draft script for the 1991 film. Text in Japanese. <br /> <br /> A semi-fictional account of Japanese artists Yumeji Takehisa who falls in love with a widow and then becomes a rival with the ghost of her dead husband and her husband's murderer. <br /> <br /> Purple titled perfect-bound wrappers. Title page present. 116 leaves with last page of text numbered 101. Mechanical duplication. Pages Near Fine wrapper Near Fine. Genjiro Amato unknown
1970161698N.p.: Rond Inc 1970. Vintage studio still photograph from the 1970 film with a provenance stamp on the verso and two labels obscuring a previous provenance stamp. <br /> <br /> An innocent girl has her sexual awakening over a wild weekend. <br /> <br /> 8 x 10 inches. Very Good plus. Rond, Inc unknown
1970161495N.p.: N.p. 1970. Two vintage studio still photographs from the 1970 film. Both photographs with provenance stamps on the verso and blank labels obscuring previous provenance stamps.<br /> <br /> Early film by Sean S. Cunningham creator-director of the "Friday the 13th" franchise. A "white coater" film which utilized a doctor dressed in a white coat to introduce the graphic content which followed thus qualifying the film as "educational." Created and shot by Broadway director Sean Cunningham and a three person crew on a budget of $3500 the film a modest hit for the time grossed over $100000.<br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
1971162497N.p.: Hallmark Releasing 1971. Vintage studio still photograph from the 1971 film. Provenance stamp on the verso. <br /> <br /> Director Sean S. Cunningham's first credited feature film a mock documentary about sex in America featuring adult film star Marilyn Chambers in her first starring role and her first nude scene. Wes Craven's first film credit here as an associate producer. <br /> <br /> 8 x 10 inches. Near Fine. Hallmark Releasing unknown
