4 698 résultats
1951163823N.p.: Lippert Pictures 1951. Vintage insert poster for the 1951 film.<br /> <br /> Director Samuel Fuller's underrated and influential Korean War film wherein a group of ragtag soldiers battle against overwhelming Communist forces in an abandoned Buddhist Temple. <br /> <br /> Fuller's first of several war films with probably his most gripping and realistic depictions of life and death on the battlefield. The film was shot in ten days on a budget of $100 000 and dealt with themes of American racism bigotry and war crimes which caused Fuller as well as actor Gene Evans to be a target of an FBI investigation.<br /> <br /> 14 x 36 inches. Very Good plus.<br /> <br /> Criterion Collection Eclipse Series 5. Rosenbaum 1000. Selby Master. Spicer US. Lippert Pictures unknown
1967162219N.p.: Screen Gems 1967. Vintage reference photograph of actor Sammy Davis Jr. in the recording studio on the set of the 1966 animated musical film holding a poster with a drawing by John Tenniel and pointing to the character Davis voiced in the movie-the Cheshire cat. <br /> <br /> A modern adaptation of Lewis Carroll's classic 1865 novel with Alice falling through the "looking glass" of the television screen into Wonderland. Originally broadcast on ABC on March 30 1966 the special featured music by composer Charles Strouse and lyricist Lee Adams best known for the Broadway production "Bye Bye Birdie" 1960. <br /> <br /> 10 x 8 inches. About Near Fine. Screen Gems unknown
1962170830N.p.: N.p. 1962. Vintage reference photograph of Sammy Davis Jr. behind bars from the 1962 film. Provenance sticker and stamp on the verso.<br /> <br /> A fictionalized version of John Resko's 1959 autobiography "Reprieve" about a convict played by Ben Gazzara whose death sentence is commuted to life in prison and with the aid of a humane prison guard is rehabilitated and becomes a successful painter.<br /> <br /> 8 x 10 inches. Light edgewear else Near Fine. N.p. unknown
2022164001Santa Monica: Stalwart Productions 2022. Draft script for Season 1 Episode 3 of the 2022 anthology television series. Copy belonging to construction coordinator Chris Scher with her name as a watermark on every page. <br /> <br /> An anthology follow-up to the successful 2010-2022 horror series "The Walking Dead." In this episode set post-apocalypse a young Alpha then known as Dee tries to protect her daughter and their community steamboat home. The episode originally aired on August 28 2022 on AMC.<br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Self wrappers. Title page present dated 3/28/22 noted as Blue Draft with credits for screenwriter Channing Powell and director Michael Satrazemis. 57 leaves with last page of text numbered 45. Xerographic duplication rectos only. Pages Very Good plus bound with three gold brads. Stalwart Productions unknown
1943150216Los Angeles: Paramount Pictures 1943. Five vintage borderless double weight reference photographs taken on location in Spain for the 1943 film most showing director Sam Wood and actors Joseph Calleia Lilo Yarson Gary Cooper Katina Paxinou and Ingrid Bergman. With printed mimeo snipes affixed to the verso. <br /> <br /> From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br /> <br /> Based on Ernest Hemingway's 1940 novel which follows the experiences of an American fighting against the fascists in the Spanish Civil War and his relationship with a young guerrilla fighter. Nominated for nine Academy Awards winning one for Best Supporting Actress for Katina Paxinou. <br /> <br /> Set and shot on location in Spain.<br /> <br /> 9.5 x 7.5 inches. Near Fine. Paramount Pictures unknown
1940155765Culver City CA: RKO Radio Pictures 1940. Final script for the 1941 screwball comedy film with "286" in manuscript pencil to the top right of the front wrapper. Laid in is a ribbon copy typescript listing the five lead actors on RKO letterhead.<br /> <br /> A cantankerous tycoon goes undercover as a shoe clerk at his own New York department store in order to identify labor agitators but finds himself befriending the workers and becoming sympathetic to their needs. A key film in the American screwball comedy cycle with proletarian elements deftly woven into a hilarious and whip-smart story. Nominated for two Academy Awards for Best Screenplay and Best Supporting Actor for Charles Coburn.<br /> <br /> Pink titled wrappers rubber-stamped FINAL SCRIPT on the front wrapper rubber-stamped copy No. 60 dated November 26 1940 with credits for screenwriter Norman Krasna. Distribution page integral with title page with receipt removed dated 11/26/40 noted as FINAL. 163 leaves with last page of text numbered 158. Mimeograph duplication rectos only. Pages Very Good plus with a small amount of silverfish damage on the second and third leaves with foxing to the top edge and faint foxing to the fore-edge wrapper Very Good plus with light foxing and soiling bound with three gold brads.<br /> <br /> Byrge and Miller The Screwball Comedy Films: A History and Filmography. Olive 53203. RKO Radio Pictures unknown
1983163766Beverly Hills CA: United Artists 1983. Collection of 20 vintage color slides from the 1983 film. Annotations in manuscript ink and pencil on the slide sleeves noting the film title distributor names and file numbers. <br /> <br /> Based on Tom Wolfe's 1979 book about the first 15 years of the US space program. Winner of four Academy Awards and nominated for four others.<br /> <br /> 2 x 2 inches. Near Fine.<br /> <br /> National Film Registry. Ebert II. United Artists unknown
166560N.p.: N.p. 1972. Early Draft script for the 1974 film file copy belonging to director Sam Peckinpah. Dated July 8 1972 over a year before production commenced and notably featuring the original ending with Bennie getting away-in true Peckinpah fashion the director would later rewrite the ending to show Bennie dying in a shootout. With Peckinpah's brief annotations in manuscript ink on the title page and two leaves of the script. <br /> <br /> Warren Oates stars as Bennie a bartender who travels through the Mexican underworld accompanied by his sex worker girlfriend to collect the bounty on the head of a gigolo. The only Peckinpah film not re-cut by the studio.<br /> <br /> Shot on location in Mexico. <br /> <br /> Yellow titled wrappers. Title page present dated July 8 1972 with credits for Peckinpah and screenwriter Gordon Dawson. 128 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br /> <br /> Ebert II. Nilsen Warped and Faded. Rosenbaum 1000. Twilight Time 497. N.p. unknown
158698N.p.: N.p. 1972. Early Draft script for the 1974 film dated July 8 1972 over a year before production commenced. Script notably features the original ending with Bennie getting away-in true Peckinpah fashion Peckinpah would later rewrite the ending to show Bennie dying in a shootout. Annotations in manuscript ink and pencil on fifteen pages largely regarding spelling and grammatical corrections.<br /> <br /> Warren Oates stars as Bennie a bartender who travels through the Mexican underworld accompanied by his sex worker girlfriend to collect the bounty on the head of a gigolo. The only Peckinpah film not re-cut by the studio.<br /> <br /> Shot on location in Mexico. <br /> <br /> Yellow titled wrappers. Title page present dated 7/8/72 with credits for screenwriters Gordon Dawson and Sam Peckinpah. 128 leaves with last page of text numbered 126. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Ebert II. Nilsen Warped and Faded. Rosenbaum 1000. Twilight Time 497. N.p. unknown
1965170448N.p.: N.p. 1965. Vintage reference photograph from the 1965 film showing Charlton Heston talking with Sam Peckinpah during filming on location. Dell Publishing stamp and provenance label on the verso. <br /> <br /> During the Civil War an obsessed glory seeking Union cavalry officer leads a disparate crew of soldiers Confederate POWs and Native American scouts into Mexico to attack a group of Apaches that have been raiding towns in the US. <br /> <br /> Shot on location in Mexico. <br /> <br /> 8 x 10 inches. Very Good plus. N.p. unknown
1965143145Culver City CA: Columbia / Jerry Bresler Productions 1965. Seven vintage lobby cards for the French release of the 1965 US film. <br /> <br /> During the Civil War an obsessed glory seeking Union cavalry officer leads a disparate crew of soldiers Confederate POWs and American Indian scouts into Mexico to attack a group of Apaches that have been raiding towns in the US. <br /> <br /> 11.75 x 9.25. Very Good plus with pinholes to the corners. Columbia / Jerry Bresler Productions unknown
1973150388Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Vintage studio still photograph of director Sam Peckinpah on the set of the 1973 film.<br /> <br /> A very nearly experimental Western made by Peckinpah at his peak sufficiently strange to have remained of interest only to the most intense fans of revisionism. Comparable only to "McCabe and Mrs. Miller" 1971 and "The Shooting" 1966 in terms of sheer impressionism being laid upon the genre with iconic imagery and super-stylization in every frame. Particularly so in the case of Bob Dylan whose mysteriousness was yet again renewed by his performance as "Alias" in the film. <br /> <br /> Filmed on location in Durango Mexico. <br /> <br /> 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
166485Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Draft script for the 1975 film. Annotation in manuscript ink on the front wrapper noting "We all lost when the studio took this picture away from Peckinpah the hed" sic. <br /> <br /> A very nearly experimental Western made by Sam Peckinpah at his peak sufficiently strange to have remained of interest only to the most intense fans of Western revisionism. Comparable only to "McCabe and Mrs. Miller" 1971 and "The Shooting" 1966 in terms of sheer impressionism being laid upon the genre with iconic imagery and super-stylization in every frame. <br /> <br /> Shot on location in Durango Mexico.<br /> <br /> Beige titled Metro-Goldwyn-Mayer front wrapper dated July 7 1972 with credits for Peckinpah and screenwriter Rudolph Wurlitzer. Missing rear wrapper. Title page integral with front wrapper. 125 leaves with last page of text numbered 134. Mimeograph duplication rectos only with blue and gray revision pages throughout dated variously between July 3 and 25 1972. Pages Very Good plus wrapper Very Good bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1973170446Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Collection of 18 vintage reference photographs from the 1975 film including 17 bordered photographs and one borderless double weight photograph. Eight with mimeo snipes on the verso.<br /> <br /> A very nearly experimental Western made by Sam Peckinpah at his peak sufficiently strange to have remained of interest only to the most intense fans of Western revisionism. Comparable only to "McCabe and Mrs. Miller" 1971 and "The Shooting" 1966 in terms of sheer impressionism being laid upon the genre with iconic imagery and super-stylization in every frame. <br /> <br /> Shot on location in Durango Mexico.<br /> <br /> 10 x 8 inches. Generally Very Good plus or better. Metro-Goldwyn-Mayer [MGM] unknown
1973170447Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Vintage studio still color photograph from the 1975 film. Provenance label and annotations in manuscript pencil on the verso. <br /> <br /> A very nearly experimental Western made by Sam Peckinpah at his peak sufficiently strange to have remained of interest only to the most intense fans of Western revisionism. Comparable only to "McCabe and Mrs. Miller" 1971 and "The Shooting" 1966 in terms of sheer impressionism being laid upon the genre with iconic imagery and super-stylization in every frame. <br /> <br /> Shot on location in Durango Mexico.<br /> <br /> 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1971170449N.p.: Cinerama 1971. Vintage borderless reference photograph from the 1971 film showing director Sam Peckinpah talking with Dustin Hoffman between takes. Provenance label on the verso.<br /> <br /> Based on Gordon M. Williams's 1969 novel. An American returns with his wife to her hometown in England only to run afoul of the locals with increasingly violent consequences. Controversial in its depiction of physical and sexual violence even within Sam Peckinpah's often controversial filmography the film is also frequently considered one of the director's best. <br /> <br /> Set in Dando Cornwall and shot on location in Cornwall and Middlesex England.<br /> <br /> 9.5 x 8.25 inches. About Near Fine.<br /> <br /> Criterion Collection 182. Grant US. Cinerama unknown
1972170451Los Angeles: First Artists / National General Pictures 1972. Vintage reference photograph from the 1972 film showing director Sam Peckinpah behind the camera. Mimeo snipe on the verso. <br /> <br /> A ballet of violence and to date easily the finest adaptation of a Jim Thompson novel ever produced. Other grand alliances made this one of the great crime films of the New American Cinema including a supremely confident Steve McQueen as an antihero and a young Walter Hill-who first encountered McQueen on the set of "Bullitt" four years prior-handling the screenplay. <br /> <br /> 8 x 10 inches. Light toning to margins else Near Fine.<br /> <br /> Grant US. Silver Classic Noir. Spicer US. First Artists / National General Pictures unknown
1972158714New York: National General Pictures 1972. Vintage double weight matte-finish reference photograph from the set of the 1972 film showing director Sam Peckinpah at work on location.<br /> <br /> Peckinpah at the peak of his powers a ballet of violence and to date easily the finest adaptation of a Jim Thompson novel ever produced. Other grand alliances made this one of the great crime films of New Hollywood Cinema including a supremely confident Steve McQueen as an anti-hero and a young Walter Hill-who first encountered McQueen on the set of "Bullitt" 4 years prior-handling the screenplay. <br /> <br /> Approximately 10 x 8 inches. Near Fine. <br /> <br /> Lee The Heist Film. Spicer Neo-Noir US. Silver and Ward Neo-Noir US. Grant US. National General Pictures unknown
1972150387New York: National General Pictures 1972. Vintage reference photograph from the set of the 1972 film showing director Sam Peckinpah with actors Steve McQueen and Ali McGraw. With a mimeo snipe on the verso. <br /> <br /> Peckinpah at the peak of his powers a ballet of violence and to date easily the finest adaptation of a Jim Thompson novel ever produced. Other grand alliances made this one of the great crime films of New Hollywood Cinema including a supremely confident Steve McQueen as an anti-hero and a young Walter Hill-who first encountered McQueen on the set of "Bullitt" 4 years prior-handling the screenplay. <br /> <br /> Approximately 10 x 8 inches. Near Fine. <br /> <br /> Lee The Heist Film. Spicer Neo-Noir US. Silver and Ward Neo-Noir US. Grant US. National General Pictures unknown
1967160830Burbank CA: Warner Brothers / Seven Arts 1967. Revised Estimating script for the 1969 Western film.<br /> <br /> Sam Peckinpah's classic revisionist Western of nearly inestimable importance and violence made at the peak of his career and which-along with "Straw Dogs" 1971-remains the lasting testament to his vision. A major contributor to the "end of the West" theme so prevalent of the genre in the 1970s and one of the earliest New Hollywood Westerns. <br /> <br /> Set in Mexico shot on location in Mexico and Spain. <br /> <br /> Beige titled Warner Brothers wrappers dated November 15 1967 noted as Rev. Estimating Script and stamped copy No. 75. Title page present dated 11/15/67 with credits for screenwriters Wallen Green and Sam Peckinpah and story credit for Roy Sickner. 125 leaves with last page of text numbered 123. Mimeograph duplication rectos only. Pages about Fine wrapper Very Good plus bound internally with two gold brads. <br /> <br /> National Film Registry. Ebert I. Hardy US. Pitts 4934. Rosenbaum 1000. Schrader Canon Fodder 28. Warner Brothers / Seven Arts unknown
1951146057Hollywood: Tom Productions 1951. Draft script for the 1951 film here under the working title "Off We Go!" With manuscript pencil annotations throughout.<br /> <br /> Desperate to leave his lowly post as a tailgunner an unskilled G.I. asks his girlfriend who owns a cafe on the air base to flirt with his commanding officer in order to get him a promotion. Instead of the better position he desires however the officer finds himself roped by the base special intelligence officer into impersonating the head saboteur of a spy ring.<br /> <br /> Gray titled wrappers rubber-stamped copy No. 10 and noted as production No. 1067 dated May 5 1951. Title page present dated May 5 1951 with credits for screenwriter Orville H. Hampton. 114 leaves with last page of text numbered 110. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus with tide marks to the lower edge bound with three gold brads. Tom Productions unknown
1952135865Los Angeles: Lippert Pictures 1952. Draft script for the 1952 film. Copy belonging to an uncredited crew member with brief annotations in manuscript pencil on the verso of the last page of text and on a few pages. <br /> <br /> An unusual story for a low-budget Western: a tough woman gambler named Iron Mae McLeod Windsor runs a town where law states that men are illegal. The tough McLeod is soon caught in the lusty lasso of Woody Callaway Rober a handsome and persistent cowboy. <br /> <br /> The Poverty Row studio Lippert Pictures lasted nearly two decades 1948-1969 and would resurface as the production company for "Don't Do It" 1994. Notable films produced or distributed by Lippert include "Jungle Goddess" 1948 "I Shot Jesse James" 1949 forgotten films noir like "Radar Secret Service" and "Motor Patrol" both 1950 Samuel Fuller's "The Steel Helmet" 1951 Sam Newfield's "Lost Continent" 1951 and Terence Fisher's classic Hammer noir "Man Bait" 1952. <br /> <br /> Blue untitled wrappers. Title page integral with first page of text undated with a credit for screenwriter Hampton. 115 leaves with last page of text numbered 115. Mimeograph duplication. Pages and wrapper Near Fine bound with three gold brads. <br /> <br /> Hardy The Western p. 218. Okuda 486. Lippert Pictures unknown
1975141752Rome: Ciesi 1975. First Draft script for the 1976 Italian film here under the working title "Scandal." Text in English.<br /> <br /> From the archive of longtime producer-agent Paul Kohner.<br /> <br /> In wartime France a married pharmacist begins a passionate affair with her assistant. Their relationship sours however as he begins to demand more and more from her-including access to her daughter. <br /> <br /> Shot on location in Italy. <br /> <br /> Title page present dated 1975 noted as First Draft with credits for screenwriters Ottavio Jemma and Salvatore Samperi. 324 leaves with last page of text numbered 322. Xerographically duplicated rectos only. Pages Near Fine lacking wrapper unbound. Housed in a typewriter box. Ciesi unknown
1975141891Rome: Ciesi 1975. First Draft script for the 1976 film. Here under the working title "Scandal." <br /> <br /> Eliane is a pharmicist with a dull husband and teenage daughter. A fellow pharmacy clerk makes a pass at her one night after mistaking her for someone else and she allows it to happen ultimately becoming his complete sex slave. <br /> <br /> Set in France shot on location in Italy. <br /> <br /> Tan untitled wrappers. Title page present dated 1975 noted as First draft with credits for screenwriters Ottavio Jemma and Salvatore Samperi. 324 leaves with last page of text numbered 322. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound internally with gold brads. Ciesi unknown
194529200HBDJ 1945 1st Edition THUS IN POOR TATTERED WORN DUSTJACKET With BACK & Spine DJ MISSING MOVIE EDITION FEATURING JUDY GARLAND & MARGARET O'BRIEN on DJ Front NO INTERIOR Illustrations SCUFF & RUB BOOK COVER GOOD CONDITION WITH SOME WATER DAMAGE TO EDGES CVR DJ IS POOR Condition Only DJ Front is There The Back Flap with Rub & Wear the Rest of DJ NOT PRESENT 6" X 8 1/2" HC DJ front cover torn and frayed - repaired spine and back section missing - as is the front flap autograph note by it's author Sally Benson also included is a tiny letter invitation to a tea party found within the book. Interior is clean clear and together making it an solid 'readers copy'<br /> WORLD PUBLISHING FORUM BOOKS hardcover
