4 698 résultats
2000167120N.p.: N.p. 2000. Six vintage borderless color lobby cards from the French release of the 2000 American film. Housed in the original manila envelope with the film's logo on one side. <br /> <br /> An urban fairy tale wherein Jean-Michel Basquiat playing himself roams the streets of New York City encountering many denizens of the musical underground in the process. Shot in December of 1980 and January of 1981 the film was abandoned after completion due to budgetary constraints but was revived by producer and screenwriter Glenn O'Brien in 1999 and made its public debut at the 2000 Cannes Film Festival. <br /> <br /> 11 x 8.25 inches. Fine. N.p. unknown
1989140694Los Angeles: Twentieth Century-Fox 1989. Revised Sixth Draft script for the 1990 film. <br /> <br /> A police officer working in a rich suburb of Philadelphia pulls over a wealthy business owner and messed with the wrong guy as he is reassigned to downtown Philadelphia. Everyone is sure he will get himself and his partner killed so Sergeant Curren Whitaker is assigned to babysit him. He flails until his best friend fellow officer is killed investigating a stolen car. After that the rule book goes out the window. <br /> <br /> Set in Philadelphia shot on location there as well as Claremont and Los Angeles CA. <br /> <br /> Red titled wrappers dated March 13 1989. Title page present dated June 28 1989 noted as Revised Sixth Draft with credits for screenwriter Mauldin. 117 leaves with last page of text numbered 115. Xerographically duplicated first generation photocopy with no copied punch holes with yellow blue green pink and goldenrod revision pages throughout dated variously between March 28 1989 and June 28 1989. Pages Near Fine wrapper Very Good plus bound with two gold brads. Twentieth Century-Fox unknown
1941163566N.p.: N.p. 1941. Vintage reference photograph from the 1941 film showing actor Spencer Tracy. Annotations in manuscript pencil on the verso. <br /> <br /> Based on Robert Louis Stevenson's classic 1886 novella and a remake of the 1931 film starring Fredric March. Nominated for three Academy Awards. <br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
1970158068N.p.: N.p. 1970. Draft script for an unproduced Blaxploitation horror film. <br /> <br /> A reclusive Black music producer named Dr. Rocula lures young would-be musicians into his home where he feasts on their blood. <br /> <br /> Set in Los Angeles.<br /> <br /> Orange wrappers with a typed title label affixed to the front wrapper. Title page present undated with credits for screenwriter Edward Medard. 120 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Very Good plus with light wear on the bottom page edges wrapper Good with front wrapper detached from the binding bound with two gold brads. N.p. unknown
1976150766Los Angeles: Group 1 Films 1976. Four vintage black and white color studio still photographs from the US release of the 1973 Mexican horror film. With the stamp of a Canadian film distributor on the verso and one with a manuscript ink annotation on the bottom right corner of the recto noting production No. 77-705. <br /> <br /> Loosely based on Edgar Allen Poe's 1845 story "The System of Doctor Tarra and Professor Fether." In nineteenth century France the mentally unstable head doctor of a sanatorium secretly uses the facility's dungeon as a torture chamber for his patients. A Mexican production shot in Mexico City with a primarily Mexican cast and crew but filmed in English and subsequently dubbed into Spanish for Mexican release. The directorial debut of noted Mexican horror filmmaker Joan Lopez Moctezuma best known for "Alucarda" 1977. <br /> <br /> 10 x 8 inches. Near Fine. Group 1 Films unknown
1972160079Burbank CA: Hammer Films / Warner Brothers 1972. Two vintage reference photographs from the 1972 film. With manuscript pencil annotation on the verso identifying the film and actors Peter Cushing and Stephanie Beachum. <br /> <br /> In 1872 Dracula is killed by a professor with a stake through his heart and then buried by his servant. In present day 1972 the great grandchildren of the professor and the servant accidentally resurrect Dracula and he wants revenge. <br /> <br /> Set in London shot on location in Hertfordshire and London. <br /> <br /> 8 x 10 inches. Very Good plus with some small creasing at the corners. <br /> <br /> Weldon 1983. Hammer Films / Warner Brothers unknown
1969164374N.p.: Warner Brothers / Seven Arts 1969. Vintage French Moyenne poster for the 1968 Hammer film here under the French release title "Dracula et les femmes."<br /> <br /> The fourth entry in Hammer Film Productions' Dracula series and the third to feature Christopher Lee as the Count. Preceded by the 1966 film "Dracula: Prince of Darkness" directed by Terence Fisher and followed by the 1970 film "Taste the Blood of Dracula" directed by Peter Sasdy.<br /> <br /> A monsignor exorcises Dracula's castle unwittingly resurrecting the Count who proceeds to prey on the monsignor's beautiful niece and friends.<br /> <br /> 23 x 31.25 inches. Folded as issued. Very Good plus with a 4.25 inch closed tear to the upper right side and starting at the center and far right creases. Warner Brothers / Seven Arts unknown
1958149893N.p.: N.p. 1958. Two vintage borderless reference photographs from the 1958 film "Dracula" released as "Horror of Dracula" in the US. One photo with manuscript pencil and ink annotations regarding layout on the verso.<br /> <br /> Based on Bram Stoker's 1897 novel. Hammer Films' first adaptation of the Dracula story generally thought to be the finest of the studio's many horror films to feature the Count and simply one of the finest gothic horror films ever made. Christopher Lee introduced a more romantic debonair take on the character an approach that is still a mainstay of contemporary interpretations. <br /> <br /> Set in Klausenburg shot on location in Berkshire England. <br /> <br /> 9.5 x 7 inches. Very Good plus one with light soil to the bottom left corner. <br /> <br /> Johnson and DelVecchio Hammer Films: An Exhaustive Filmography. N.p. unknown
1978169977N.p.: N.p. 1978. Archive of 180 pages of post-production documents including Italian and English dialogue-only scripts regarding English translations and subtitles for the 1975 Italian film here under the working English title "Young Dracula."<br /> <br /> Included in the archive are:<br /> <br /> 68-page dialogue-only script in Italian with manuscript ink annotations on 28 pages checking dialog and occasionally noting timing. Attached is a carbon typescript letter signed from distributor Robert M. Phillips to a "Mr. Finder" at Titra Film Laboratories in New York regarding the English subtitling for the film dated December 18 1978. Xerographically duplicated.<br /> <br /> 46-page dialogue-only script in English with manuscript ink annotations on every page noting timing and checking dialogue.<br /> <br /> 40-page carbon typescript "English Copy Superimposed Spotted List" on "Spottted and Edited by Nat and Robert Hoffberg" onionskin forms with manuscript ink annotations on nine pages regarding dialogue and timing.<br /> <br /> 15-page carbon typescript of "Revised text" on onionskin with ink annotations on every page checking and noting dialogue.<br /> <br /> Four ribbon typescript copy pages on onionskin stock of "Changes For Spotting List" and "Additional Changes for Young Dracula."<br /> <br /> Three ribbon typescript pages on onionskin comprised of two trailer spotting list pages and a one page "Changes for Trailer Spotting List."<br /> <br /> Three-page Xerographic copy of "Trailer Dialogue" with manuscript ink annotations throughout noting timing and checking dialogue. <br /> <br /> Typed letter signed on onionskin from Phillips to Robert Hoffberg dated January 19 1979 regarding discrepancies in dialogue translations.<br /> <br /> Giallo director Lucio Fulco's vampire comedy wherein a boorish quick-tempered toothpaste factor owner finds himself thirsty for blood and re-examining his life after a curse from a gypsy aunt and a business trip to Romania where he shared a bed with a suave vampire.<br /> <br /> Shot on location in Rome Italy. <br /> <br /> Italian dialogue-only script:<br /> <br /> Front wrapper integral with cover letter. 69 leaves with last page of text numbered 68. Xerographic duplication rectos only. Pages Near Fine letter Very Good plus unbound with a large paper clip to the top left corner.<br /> <br /> English dialogue-only script:<br /> <br /> Front wrapper integral with first leaf. 46 leaves with the last page of text numbered 46. Xerographic duplication rectos only. Pages Near Fine unbound with a binder clip to the top left corner.<br /> <br /> Letter dated January 19 1979 8.5 x 11 inches. Very Good with a small closed tear to the right side and a large closed tear to the top left and light edgewear and creasing.<br /> <br /> All other documents 8.5 x 11 inches to 8.5 x 14 inches. Very Good plus to Near Fine overall. N.p. unknown
1969140527Burbank CA: National Broadcasting Company NBC 1969. Three scripts from the seminal police procedural television program from its colorful pop culture-infused revival made between 1967-1970 starring Jack Webb and Henry Morgan along with a relentless cast of hippies druggies bad parents priests and a host of substantially less hip efficient and often troubled men and women of the Los Angeles Police Department. The collection includes:<br /> <br /> "Burglary Auto: Courtroom": Revised Draft script for Season Four episode nine which originally aired on November 20 1969. With a manuscript ink notation on the front wrapper referring to LAPD Sergeant Dan Cooke who was the department's liaison to the show. Friday and Gannon testify in court about a search of suspect's car but their key witness is missing. <br /> <br /> Pink self wrappers with title page integral on the front wrapper noted as production number 30208 dated September 9 and September 12 1969 with credits for screenwriter Barrett and LAPD technical advisor Lt. Charles W. Walters. 41 leaves with last page of text numbered 39. Mechanical duplication on pink stock with revision pages throughout dated 9/12/69. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br /> <br /> "Narco: Pill Maker": Revised Draft script for Season Four episode 18 which originally aired on February 19 1970. Here under the slightly more formal working title "Narcotics: Pill Maker."<br /> <br /> Pink self wrappers with title page integral on the front wrapper noted as production No. 30237 dated November 26 and December 5 1969 with credits for screenwriter Harris and LAPD technical advisor Sgt. Ronald Garrahan. 43 leaves with last page of text numbered 41. Mechanical duplication on pink stock. Pages Near Fine wrapper Very Good plus bound with one gold brad. <br /> <br /> "Forgery: The Ranger": Revised Draft script for Season Four episode 21 which originally aired on March 12 1970. With a manuscript ink notation on the front wrapper referring to LAPD Sergeant Dan Cooke who was the department's liaison to the show. A routine traffic stop reveals a forest ranger in possession of checks and credit cards not in his name and Friday and Gannon begin to suspect him of being a con man. <br /> <br /> Blue self wrappers with title page integral on the front wrapper noted as production No. 30239 dated December 29 1969 and Janary 5 and 6 1970 with credits for screenwriter Dan Page and LAPD technical advisor Sgt. Robert L. Cameron. 42 leaves with last page of text numbered 34. Mechanical duplication on pink stock with blue revision pages bound in front dated 1/6/70. Pages Very Good plus wrapper Very Good plus bound with one silver brad. National Broadcasting Company [NBC] unknown
1957142582Burbank CA: National Broadcasting Company NBC / Mark VII 1957. Final Draft script for Season 7 Episode 17 of the 1951-1959 television series which originally aired January 16 1958 on NBC. Script belonging to Lyn Thomas who played Mona Morgan in the episode with her manuscript name in red ink on the front wrapper and her lines circled in manuscript ink throughout. <br /> <br /> Second episode in a series of four where Friday and Smith investigate a string of jade robberies. The previous year Lyn Thomas appeared in Season Six episode 19 "The Big Skip." <br /> <br /> Set in and shot on location in Los Angeles. <br /> <br /> White titled wrapper noted as Final on the front wrapper rubber-stamped production No. 4108 dated 8/2/1957. Title page present dated 8/2/57 with credits for screenwriter Frank Burt. 45 leaves with last page of text numbered 44. Mechanical duplication with blue and pink revision pages throughout dated 8/16/57. Pages and wrapper Very Fine bound with three gold brads. National Broadcasting Company [NBC] / Mark VII unknown
1954146060N.p.: N.p. 1954. Draft script for the 1954 film. With faint manuscript pencil annotations throughout.<br /> <br /> Set months before the beginning of the Korean War an American Air Force instructor is assigned to a Kungju base where he is set with the formidable task of completely transforming the South Korean pilots into unstoppable fighting machines in 25 days. Originally intended for release as a 3D film and filmed in dual 53mm Polaroid 3-D by the time the film premiered in 1954 public interest in 3D had declined and the film was shown as a flat print.<br /> <br /> Set in South Korea and shot on location in California. <br /> <br /> Blue titled wrappers with credits for screenwriter John C. Champion. Title page present with screenwriting and story credits for John C. Champion. 126 leaves with last page of text numbered 119. Typescript on onionskin rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown
1938159686Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1938. Vintage reference photograph from the 1938 film. With mimeo snipe on the verso. <br /> <br /> A young woman attending the Paris School of Drama is often late to class because she also has to work a factory job to support herself. She lies to her classmates about her life and that she has a a wonderful famous boyfriend. <br /> <br /> Set in Paris. <br /> <br /> 8 x 10 inches. Very Good plus with a crease at the bottom left of the photograph. Metro-Goldwyn-Mayer [MGM] unknown
153222N.p. Two vintage color reference photographs of director Brian De Palma and actress Angie Dickinson along with a camera crew on the set of the 1980 film.<br /> <br /> A defining De Palma film suspenseful in the vein of Alfred Hitchcock and opening with an homage to the famous shower scene in Hitchcock's "Psycho." The sixth of nine highly distinctive films De Palma made between 1973 and 1984.<br /> <br /> Set in New York shot on location in New York and Pennsylvania. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Arrow 842. Criterion Collection 770. Grant US. Spicer US Neo-Noir. unknown
1971170347Culver City CA: Columbia Pictures 1971. Vintage studio still photograph from the 1971 film showing director Jack Nicholson looking through the script with Karen Black and William Tepper. Annotations in manuscript pencil on the verso.<br /> <br /> Based on screenwriter Jeremy Larner's 1964 novel. Nicholson's directorial debut a key film in the BBS Productions cycle of the early 1970s following several college students navigating Vietnam War protests uncertain romantic relationships and their own dubious futures after graduation.<br /> <br /> Shot on location at the University of Oregon and throughout Eugene Oregon.<br /> <br /> 10 x 8 inches. Near Fine. Columbia Pictures unknown
1971150760Culver City CA: Columbia Pictures 1971. Complete set of eight studio still photographs from the 1971 film. <br /> <br /> Based on screenwriter Jeremy Larner's 1964 novel. Jack Nicholson's directorial debut a key film in the BBS Productions cycle of the early 1970s following several college students navigating Vietnam War protests uncertain romantic relationships and their own dubious futures after graduation.<br /> <br /> Shot on location at the University of Oregon and throughout Eugene Oregon.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 547. Columbia Pictures unknown
1971156265Culver City CA: Columbia Pictures 1971. Two vintage reference photographs from the 1971 film both showing William Tepper in basketball garb one in the locker room and one on the court.<br /> <br /> Based on screenwriter Jeremy Larner's 1964 novel. Jack Nicholson's directorial debut a key film in the BBS Productions cycle of the early 1970s following several college students navigating Vietnam War protests uncertain romantic relationships and their own dubious futures after graduation.<br /> <br /> Shot on location at the University of Oregon and throughout Eugene Oregon.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 547. Columbia Pictures unknown
1971139058Culver City CA: Columbia Pictures 1971. Vintage Australian insert poster for the 1971 US film. Printed by Robert Burton Pty. in Sydney. <br /> <br /> Based on screenwriter Larner's 1964 novel. Nominated for the Palme d'Or and a key film in the BBS Productions cycle of the early 1970s as well as a New Hollywood film albeit lesser-known. Hector Tepper plays college basketball superbly but his lover Olive Black has reservations about their relationship. All the while Hector's friend Gabriel Margotta contemplates and protests the Vietnam War. <br /> <br /> Nicholson's directorial debut after astonishing performances in "Easy Rider" 1969 and "Five Easy Pieces" 1970. <br /> <br /> Shot on location at the University of Oregon and throughout the state. <br /> <br /> 12.75 x 30 inches folded twice as issued. Very Good plus with light toning brief edge creasing and a few central tears. Scarce. <br /> <br /> Criterion Collection 547. Columbia Pictures unknown
1996163604Los Angeles: Neo Motion Pictures 1996. Draft script for the 1997 film seen here under the working titles "Road to Ruin" and "Driven." Working copy belonging to actor Sean Moran with his annotations in manuscript pencil on the title page front wrapper and nine pages of the script and two call sheets laid in. A then-new blend of martial arts and traditional fist-and-guns action that has become a cult classic.<br /> <br /> A Hong Kong man with an experimental implant which gives him super-strength and speed must flee from Chinese mercenaries who have been employed to steal the device.<br /> <br /> Shot on location in Santa Clarita Los Angeles and Lancaster California. <br /> <br /> Gray generic Neo Motion Pictures wrappers. Title page present dated 1.2.96 noted as Draft with credits for screenwriter Scott Phillips and storywriter Anthony Trifiletti. 104 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound with two gold brads. Neo Motion Pictures unknown
1994167932Los Angeles: Gramercy Pictures 1994. Five vintage studio still photographs from the 1994 film including four compilation photographs one showing director David Johnson on the set. <br /> <br /> A comedy produced by Spike Lee through his production company 40 Acres and a Mule about a team of African Americans who seek out and deprogram other Black Americans who they feel have betrayed their race. <br /> <br /> 8 x 10 inches. Fine. Gramercy Pictures unknown
1986160924N.p.: N.p. 1986. Shooting Revision script for the 1988 action film. Bound in preceding the script are three pages of interior and exterior set lists and cast lists.<br /> <br /> Jimmy Stathis stars as DEA Agent John Temple working undercover in Mexico to nail drug kingpin Victor Lazzaro played by Aldo Ray who killed his partner.<br /> <br /> Shot on location in Los Angeles and Mexico City. <br /> <br /> Orange titled wrappers with credits for screenwriter Allan Kuskowski. Title page present dated 7/21/86 noted as SHOOTING REVISION with credits for screenwriter Allan Kuskowski. 120 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1989156671Santa Monica: Avenue Pictures 1989. Vintage studio still photograph of Matt Dillon and William Burroughs from the 1989 film. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Director Gus Van Sant's first feature film and a breakthrough film for actors Matt Dillon and Kelly Lynch. A nihilistic answer to the onslaught of coming-of-age movies in the 1980s appropriately released at the end of that decade. The unsentimental exploits of a group of young people driven by nothing other than boredom and an obsessive need for more drugs leading inevitably to confusion and rampant lawlessness. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Spicer US Neo-Noir. Avenue Pictures unknown
1989145724Santa Monica: Avenue Pictures 1989. Vintage studio still photograph of director Gus Van Sant and actor Matt Dillon on the set of the 1989 film. <br /> <br /> Noted director Gus Van Sant's first feature film and a breakthrough film for actors Matt Dillon and Kelly Lynch. A nihilistic answer to the onslaught of coming-of-age movies in the 1980s appropriately released at the end of that decade. The unsentimental exploits of a group of young people driven by nothing other than boredom and an obsessive need for more drugs leading inevitably to confusion and rampant lawlessness. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Spicer US Neo-Noir. Avenue Pictures unknown
141676Pretoria South Africa: Emil Nofal Films N.D. Treatment script for an unproduced television series. <br /> <br /> A half-hour television series focusing on the unique cultures of Africa and how different groups interact with each other especially in the modern age. Written for South African television by Nofal an acclaimed South African director producer and screenwriter. <br /> <br /> Set in South Africa. <br /> <br /> White titled wrappers with credits for screenwriter Emil Nofal. 5 leaves with last leaf of text numbered 5. Mechanical duplication. Pages Very Good plus wrapper Very Good plus perfect-bound. Emil Nofal Films unknown
1948151633Tokyo: Toho Company 1948. Draft script for the 1948 Japanese film noir. Text and titles in Japanese.<br /> <br /> The first of sixteen film collaborations between director Akira Kurosawa and actor Toshiro Mifune. Kurosawa's seventh film saw him exploring the inter workings and motivations of the yakuza and machismo. Censorship was tight regarding the occupation forbidding criticism of Americans leading Kurosawa to slip in references to the US presence in Japan satirizing jazz "pan pan" girls unlicensed prostitutes catering to American soldiers and Western clothing and hairstyles.<br /> <br /> Set in the slums of postwar Japan.<br /> <br /> White titled wrappers. Approximately 40 leaves with last page of text numbered 79. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good plus covered in a protective plastic wrapping from when the script was used during filming side stapled. <br /> <br /> BFI 638. Criterion Collection 413. Grant Japan. Toho Company unknown
