4 698 résultats
1998162641Culver City CA: Adelaide Productions 1998. Two scripts for Season 1 Episode 3 of the 1999-2000 primetime animated television series including one Table Draft and one Record Draft. Scripts belonging to screenwriter Steve Sustarsic with his name on a printed label affixed to the first leaf of the Table Draft. <br /> <br /> Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode Dilbert is fired after being suspected of spying for a rival company and is hired at a surprisingly ethical company. The episode originally aired on February 8 1999 on UPN.<br /> <br /> Table Draft:<br /> <br /> Self wrappers dated May 21 1998 on the front wrapper noted as Table Draft and episode No. 103 with credit for screenwriter Ned Goldreyer. Title page integral with the front wrapper as issued. 57 leaves with last page of text numbered 55. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Record Draft:<br /> <br /> Blue titled wrappers dated May 26 1998 on the front wrapper noted as Record Draft with credit for screenwriter Ned Goldreyer. Title page integral with the front wrapper as issued. 53 leaves with last page of text numbered 52. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Adelaide Productions unknown
1962167657Copenhagen: Politikens Presse Foto 1962. Three vintage reference photographs from the 1962 Danish film. Printed mimeo snipes in English affixed to the versos along with the stamps of Politikens Presse Foto and Agence France-Presse. <br /> <br /> Not to be confused with the 1962 British crime thriller directed by Peter Maxwell.<br /> <br /> Based on South African writer Nadine Gordimer's 1958 novel "A World of Strangers" about a white liberal Englishman who befriends a Black man after moving to Johannesburg only to realize that their friendship carries unforeseen consequences for them both. <br /> <br /> Shot on location in Johannesburg. <br /> <br /> 9.5 x 7.25 inches. Lightly foxed on the margins and versos else about Near Fine. Politikens Presse Foto unknown
1973149494Los Angeles: American International Pictures AIP 1973. Vintage reference photograph from the 1973 film showing a side-by-side comparison of John Dillinger and actor Warren Oates in costume as Dillinger. With a printed mimeo snipe affixed to the verso. <br /> <br /> A dramatization of the crimes of folk hero midwestern bank robber and notorious mobster John Dillinger best known for killing five FBI agents during a shootout in Kansas City. Hot on the heels of Arthur Penn's "Bonnie and Clyde" 1967 a movie which reignited the US public's interest in 1930s gangster films.<br /> <br /> Set and shot on location throughout Arizona and Oklahoma.<br /> <br /> 10 x 8 inches. Very Good plus with light creases and curling. American International Pictures [AIP] unknown
1945135327New York: Noel Meadow / Monogram Pictures 1945. Original program for the 1945 film. Features ad layouts side-by-side comparison of Lawrence Tierney and the real John Dillinger and various headline suggestions. <br /> <br /> Dillinger Tierney robs a store meets fellow gangster Specs Lowe in jail and continues his heists once freed from prison this time with a moll named Helen Jeffreys who eventually rats him out to the Fuzz. <br /> <br /> Nominated for an Academy Award. Director Nosseck made good use of stock footage from previous gangster films. <br /> <br /> Illustrated wrappers saddle-stapled. 16 leaves. Very Good with light foxing faint bruising and a vertical fold at the center. <br /> <br /> Grant US. Hardy The Gangster Film US. Okuda 440. Selby US. Spicer US. Stephens pp. 85-86. Noel Meadow / Monogram Pictures unknown
1973160428Los Angeles: American International Pictures AIP 1973. Vintage oversize borderless color reference photograph from the 1973 film showing actor Warren Oates and director John Milius between takes. Stamp of Rossel Films on the verso.<br /> <br /> A dramatization of the crimes of folk hero midwestern bank robber and notorious mobster John Dillinger best known for killing five FBI agents during a shootout in Kansas City. Hot on the heels of Arthur Penn's "Bonnie and Clyde" 1967 a film that reignited the US public's interest in 1930s gangster films.<br /> <br /> Set and shot on location throughout Arizona and Oklahoma.<br /> <br /> 12 x 9.5 inches. Pinholes at the top corners else about Near Fine. American International Pictures [AIP] unknown
1973154001Los Angeles: American International Pictures AIP 1973. Vintage reference photograph from the 1973 film showing actors Warren Oates and Michelle Phillips. <br /> <br /> A dramatization of the crimes of folk hero midwestern bank robber and notorious mobster John Dillinger best known for killing five FBI agents during a shootout in Kansas City. Hot on the heels of Arthur Penn's "Bonnie and Clyde" 1967 a movie that reignited the US public's interest in 1930s gangster films.<br /> <br /> Set and shot on location throughout Arizona and Oklahoma.<br /> <br /> 8 x 10 inches. Near Fine. American International Pictures [AIP] unknown
1990162956N.p.: N.p. 1990. Draft script for an unproduced short film.<br /> <br /> A down-on-his-luck man flirts with a waitress at a run down restaurant. <br /> <br /> Set in the Bronx New York City. <br /> <br /> White titled self wrappers lacking rear wrapper with credits for screenwriter Stephen Thomas Sustarsic II. Title page integral with front self wrapper. 15 leaves with last page of text numbered 15. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine unbound. N.p. unknown
2000163920N.p.: N.p. 2000. One Revised Draft script and two script revision memorandums for the 2001 film. From the archive of crew member Chris Scher. <br /> <br /> Based on the 1998 play by Donald Margulies. A friend group of two married couples is shaken up after one of the couples decides to separate. <br /> <br /> Shot on location in New York City and Los Angeles and Malibu California.<br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> Revised Draft: <br /> <br /> White titled self wrapper noted as Toronto Revision on the front wrapper dated 9/4/00 with credits for screenwriter and playwright Donald Margulies. Title page integral with front wrapper. 120 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br /> <br /> Memorandum 1: <br /> <br /> Lacking wrappers. With internal production document notifying cast and crew of revision pages dated November 1 2000. Title page present dated 11/1/00 with credits for screenwriter and playwright Donald Margulies. 20 leaves with last page of text numbered 112. Xerographic duplication rectos only comprised solely of blue revision pages dated 10/31/00. Near Fine bound with a staple at the top left corner. <br /> <br /> Memorandum 2: <br /> <br /> lacking wrappers. With internal production document notifying the cast and crew of revision pages dated 11/9/00. Title page present dated 11/09/00 with credits for screenwriter and playwright Donald Margulies. 27 leaves with last page of text numbered 109. Xerographic duplication rectos only comprised solely of pink revision pages dated 11/09/00. Generally Near Fine production document Very Good plus bound with a staple at the top left corner. N.p. unknown
1972151872Los Angeles: American Film Institute AFI 1972. Two vintage studio still photographs one borderless with a bottom margin and one with a wide bottom margin of Peter Bogdanovich and John Ford from the 1971 film. One with a mimeo snipe on verso for the 9th New York Film Festival the film's US premiere. <br /> <br /> Bogdanovich's documentary on the life and films of he seminal director interviewing the notoriously obstinate man himself as well as some of his most famous actors notably Henry Fonda James Stewart and John Wayne. Affording the rights to the clips however exhausted the film's AFI funding resulting in the film being rarely shown and then only in non-profit venues. In 2006 Bogdanovich having been dissatisfied with the initial version re-edited and included additional interviews with actors and directors including Clint Eastwood Martin Scorsese Steven Spielberg and Walter Hill.<br /> <br /> 8 x 10 inches. Some light creasing else Near Fine. <br /> <br /> Scorsese A Personal Journey Through American Movies. American Film Institute [AFI] unknown
1985009746<p>Hollywood California: Movie Tech Studios. Offered is the probable first draft of the film screenplay entitled "Dismemberd" Dismembered by screenwriter Jack Neal. An undated draft script the scenes are not numbered circa 1980s the film was finally produced and released in 2003. Directed by Ewing Miles Brown the film starred Lee Horsley Leslie Easterbrook Gordon Jump Bernie Kopell and Judson Mills. Since the film was produced nearly 20 years after the original draft being offered in this listing it is probable that the script underwent several revisions during the ensuing years. The screenplay contains 117 mimeographed loose leaf pages including title page and photo of a glove-covered hand ready to grab a frightened woman looking in a mirror measuring 8-1/2" by 11" bound in heavy green front and rear covers with metal strip. Pasted to the upper area of the front cover is a label from Movie Tech Studios showing its name and address on 832 Seward Street in Hollywood California and typed titled author Jack Neal Reg. S.W.G.W. Property Movie Tech Studios. Light creases to outer cover overhang edges; "DISMBERD" written in black felt pen to outer left spine edges. . Near Fine. Soft cover. 1st Edition. 1985.</p> Movie Tech Studios paperback
2002146414N.p.: N.p. 2002. Draft script for an unproduced film. <br /> <br /> A young man suffers frequent blackouts often waking with strange injuries all over his body and becomes convinced he is being stalked due to his role in a nefarious unknown plot.<br /> <br /> White titled self wrappers. Title page present copyrighted 2002 to Philip S. Lyren. 74 leaves with last page of text numbered 73. Typescript rectos only. Pages Very Good plus bound with two gold brads. N.p. unknown
2017170439N.p.: N.p. 2017. A small archive of approximately 70 leaves largely regarding casting and readings for Francis Ford Coppola's ongoing experimental film project "Distant Vision" belonging to Coppola's long-time producer Fred Roos with the majority of the material written in Roos' hand 2013-2017. Found here under various working titles including "Coppola Project" "Dark Electric Vision" "Distant Vision" "D.V." "FFC" and "F. Coppola Project."<br /> <br /> Included in the archive are:<br /> <br /> Copious handwritten notes on casting considerations and recommendations from Roos including actor availability skill sets and reactions to meetings and readings. <br /> <br /> A four-page "'Men' For Discussion" and "'Women' For Discussion" on "Bright / Daniels Casting" letterhead dated March 5 2013 listing actors and their ages.<br /> <br /> A three-page email printout from "Bright / Daniels Casting" dated March 5 2013 listing "Godfather I II and III Actors for Discussion."<br /> <br /> A two-page list on "Bright / Daniels Casting" letterhead dated March 7 2013 of "'Faith' For Discussion" listing actors for the role with pencil annotations in Roos' hand.<br /> <br /> Five listings on "Bright / Daniels Casting" letterhead of actors for readings which took place from March 16 2013 to August 1 2014 which included Kate Beckinsale Vincent D'Onofrio Elle Fanning Andy Garcia Philip Seymour Hoffman Oscar Isaac Uma Thurman and Marisa Tomei among others.<br /> <br /> A three-page email printout from "Bright / Daniels Casting" dated March 19 2013 listing actors for a proposed reading the following day with the actor's headshot their character's name and their contact information or agency with ink annotations in Roos' hand. Including actors Linda Cardellini Frank Grillo Dakota Johnson Max Minghella and Imogen Poots among others.<br /> <br /> A four page handwritten draft of a letter to Coppola in Roos' hand regarding an upcoming January 15 2014 table reading with thirteen questions for Coppola largely regarding casting and actor availability.<br /> <br /> Four pages from a Draft script with the ink annotation of "Fred's Notes on June 25 2014 Draft" with notes regarding the script in Roos' hand on two pages.<br /> <br /> A four-page "Cast of Characters" listing all the characters with brief descriptions for the following timelines in the script: "1922" "1928-30" "1939" "1947" "1952" "Flashback - 1890's" "1959" "1962" and "1969."<br /> <br /> A four-page list of "Cast of Characters" with ages depicted and detailed descriptions along with "Minor Characters" with brief descriptions.<br /> <br /> A three-page list of all the characters and the script pages on which the characters appear.<br /> <br /> And a two-page list on "Bright / Daniels Casting" letterhead of actors up for discussion dated August 22 2017.<br /> <br /> All material housed in a generic orange folder with post-its with marker annotations of "Distant Vision" affixed to the front panel and tab with cello tape.<br /> <br /> Conceived by Coppola as an experimental film project in the early 2000's "Distant Vision" depicts three generations of an Italian American family during the advent and omnipresence of television intended to be filmed as "live cinema" Coppola's experimental and potentially ground-breaking concept for a live production-film hybrid. Two different versions of a "proof of concept" production were broadcast to limited audiences in June 2015 from Oklahoma City Community College and in July 2016 from the UCLA School of Theater.<br /> <br /> Coppola had planned to film more sequences financed from his 2024 film "Megalopolis" but had been thus far put on hold following the film's disappointing box office returns.<br /> <br /> All material approximately 8.5 x 11 inches. Near Fine overall housed in a Near Fine 8.5 x 11.5 generic orange folder. N.p. unknown
1974161690N.p.: Distribpix 1974. Six vintage studio still photographs from the 1974 film. Three photographs with provenance stamps on the versos. <br /> <br /> An encounter group meets to relate their sexual experiences and hangups. <br /> <br /> 8 x 10 inches. Near Fine overall. Distribpix unknown
1970149769N.p.: N.p. 1970. Vintage oversize borderless color reference photograph from the 1970 French film showing actress Marie-Christine Barrault taking a bubble bath. <br /> <br /> A drowsy absent-minded man who works at an advertising agency fills his days with fantasy to escape the problems in his life.<br /> <br /> 11.75 x 9.25 inches. About Near Fine with brief separation to a few corners. N.p. unknown
1982156076Beverly Hills CA: United Artists 1982. Five vintage studio still photographs from the US release of the 1981 French film. <br /> <br /> Based on the 1979 novel by Daniel Odier writing under the pseudonym Delacora. A stylish and influential French thriller wherein a young postman and opera enthusiast inadvertently becomes entangled with the mob and the police after a woman slips a cassette that fingers a corrupt police chief into his bag.<br /> <br /> Set and shot on location in Paris France. <br /> <br /> 8 x 10 inches. One with a small chip and tape shadow at the bottom right corner else Near Fine. United Artists unknown
1965135174N.p.: N.p. 1965. Draft script for an unproduced film. <br /> <br /> An undercover Israeli secret agent investigating war criminals turns out to be an ex-Nazi whose past has finally caught up with him. <br /> <br /> Untitled black wrappers. Title page present dated March 23 1965 with credits for screenwriter Vadnay and producer-director Weis. 97 leaves with last page of text numbered 96. Mimeograph duplication. Pages Fine wrapper Fine bound internally with a silver bar. N.p. unknown
1935160585N.p.: N.p. 1935. Three vintage reference photographs from the 1935 film. Annotations in manuscript pencil on the versos in French. <br /> <br /> A farm girl gets tangled up with a depraved Parisian after starting a new job as a performer at a seedy music hall but finds redemption in her relationship with a wholesome milkman. One of two films written by notorious French author Colette the other being Marc Allégret's "Lake of Ladies" in 1934. <br /> <br /> Shot on location in Paris and in Hyères. <br /> <br /> 9.5 x 7 inches. Very Good plus lightly creased at the corners one with faint foxing on the bottom edge of the verso. N.p. unknown
1961144353Rome: Lux Film 1961. Original Italian program for the 1961 film here under the original Italian title "Divorzio all'italiana." Illustrated throughout with black-and-white still photos from the film full-color front wrapper fold-out art and the program details a synopsis and cast and crew credits. Notations throughout in manuscript ink mostly amending certain words of the synopsis.<br /> <br /> Ferdinando Mastroianni is bored with life and his wife Rocca. He falls in love with his cousin Sandrelli and since divorce is illegal in Italy unless there is just cause like catching your spouse committing adultery he decides to find his wife another lover instead of killing her. Seems simple enough. <br /> <br /> The first of Mastoianni's four "Italian Style" films and winner of an Academy Award for Best Writing a BAFTA three Golden Globes and nominated for a host of others. <br /> <br /> 9.5 x 13.25 inches 9 leaves saddle-stapled. Very Good overall lacking staples with creases brief tears and foxing.<br /> <br /> Criterion Collection 286. Lux Film unknown
1961142921Italy: Lux Film 1961. Collection of 4 original black-and-white single weight still photographs from the 1961 Italian film. Two stills with brief annotations on the versos in manuscript ink and pencil. <br /> <br /> Ferdinando Mastroianni is bored with life and his wife Rocca. He falls in love with his cousin Sandrelli and since divorce is illegal in Italy unless there is just cause like catching your spouse committing adultery he decides to find his wife another lover instead of killing her. Seems simple enough. <br /> <br /> The first of Mastoianni's four "Italian Style" films and winner of an Academy Award for Best Writing a BAFTA three Golden Globes and nominated for a host of others. <br /> <br /> 7 x 9.25 inches. Very Good plus overall with moderate curling a few with slight discoloration. <br /> <br /> Criterion Collection 286. Lux Film unknown
1989148319Universal City: Universal Pictures 1989. Vintage studio still photograph of Spike Lee and Rosie Perez from the 1989 film. <br /> <br /> Lee's third feature a brilliant study of racial tensions over the course of one very hot day in Brooklyn's Bedford-Stuyvesant neighborhood pivoting about Sal's Pizzaria an Italian Pizzaria in a predominately African American neighborhood.<br /> <br /> The film debuts of Martin Lawrence and Rosie Perez.<br /> <br /> Nominated for two Academy Awards for Best Screenplay and Best Supporting Actor for Danny Aiello.<br /> <br /> Nominated for the Palm d'Or. Chosen for the National Film Registry in 1999.<br /> <br /> Shot on location in Brooklyn New York. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Criterion Collection 97. Rosenbaum 1000. Ebert I. Universal Pictures unknown
1989142398Los Angeles: Columbia Broadcasting System CBS 1989. Draft script for the 1989 television film originally broadcast on CBS. Copy belonging to actor Billy O'Sullivan who portrayed Teddy with his autograph on the title page. <br /> <br /> Two parents discover horrible stories of abuse coming from the daycare their children attends especially since the people running the center are moral pillars of the community. This film was released at the height of the child abuse daycare moral scare starting with a highly-publicized legal case in California. Nominated for two Primetime Emmys. <br /> <br /> Red titled wrappers. Title page present dated April 10 1989 with credits for screenwriter Stan Kensela. 114 leaves with last page of text numbered 112. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine bound with three gold brads. <br /> <br /> Reyes 46 47. Columbia Broadcasting System [CBS] unknown
1959151138London: J. Arthur Rank 1959. Final Draft script for the 1960 film. <br /> <br /> Based on Richard Gordon's 1957 novel. The fourth film in Rank's popular "Doctor" series and the first not to feature actor Dirk Bogarde as Dr. Simon Sparrow although Bogarde would return for the next film in the series "Doctor in Distress" in 1963. The series follows the frequently romantic comic antics of a group of young doctors. <br /> <br /> Set and shot on location in London.<br /> <br /> Green titled wrappers noted as Semi-final Script on the front wrapper dated 14-12-59. Title page present dated December 1959 with credits for screenwriter Nicholas Phipps and novelist Richard Gordon. 128 leaves with last page of text numbered 127. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with a silver prong. J. Arthur Rank unknown
1965159607N.p.: N.p. 1965. Vintage borderless reference photograph of cast and crew members filming on location for the 1965 film. Printed mimeo snipe affixed to the verso along with the stamp of photographer Federico Grau. <br /> <br /> Based on Boris Pasternak's controversial Nobel Prize-winning 1957 novel following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards winning five including Best Screenplay and Best Cinematography. <br /> <br /> Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior as well as the promise of snow. The film was shot over ten months in Soria and Aragon and at the Aldeadavila Dam with a large-scale Moscow set built outside of Madrid as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting in order to obtain a sufficiently wintry backdrop for landscape scenes. <br /> <br /> Shot on location throughout Spain Finland and Canada. <br /> <br /> 10 x 8 inches. Very Good plus lightly worn at the corners. N.p. unknown
1965151829N.p.: N.p. 1965. Archive of 14 original reference photographs taken on the set of the 1965 film and two original contact sheets with 24 images of cast and crew members at what appears to be a wrap party. Several photographs with manuscript ink annotations to the verso identifying figures in the images. One photograph date-stamped APR 27 1964 inscribed on the recto by uncredited location manager Howard "Dutch" Horton to production supervisor John Palmer and another photograph inscribed to Palmer from an unknown crew member in manuscript ink annotation to the verso. <br /> <br /> From the collection of John Palmer.<br /> <br /> Included with the collection is a brief typescript note signed from publicist Phil Gersdorf to Palmer gifting Palmer the contact sheets. <br /> <br /> Based on Boris Pasternak's controversial Nobel Prize-winning 1957 novel following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards winning five including Best Screenplay and Best Cinematography. <br /> <br /> Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior as well as the promise of snow. The film was shot over ten months in Soria and Aragon and at the Aldeadavila Dam with a large-scale Moscow set built outside of Madrid as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting in order to obtain a sufficiently wintry backdrop for landscape scenes. <br /> <br /> The archive includes eleven photographs of cast and crew members between takes on the Moscow set several shots featuring Palmer and director David Lean during a parade scene with crowds of extras in Soviet militia garb in the background. The Moscow photographs in particular highlight the intricate set and costume design elements which went into constructing the mock city including several striking images of parade participants holding huge portraits of Soviet officials. <br /> <br /> An unusual addition to the collection is a photograph of Palmer in conversation with noted Austrian-American director Fred Zinnemann who collaborated with actor Omar Sharif in "Behold a Pale Horse" earlier in 1964. <br /> <br /> Shot on location throughout Spain Finland and Canada. <br /> <br /> Photographs and contact sheets varying sizes. All materials generally Very Good plus several photographs with moderate toning. N.p. unknown
1968142538Culver City CA: Frankovich Productions / Columbia Pictures 1968. First Estimating script for the 1971 film. <br /> <br /> Based on the 1967 novel "Doctors' Wives" by Frank G. Slaughter a real life physician who attended Johns Hopkins medical school. One of the few feature films directed by George Schaefer known mostly for his work directing plays and musicals for television garnering seven Emmy wins and 21 total nominations. Life or death become the stakes as infidelity unfolds in the hospital ward. <br /> <br /> Red titled wrappers. Title page present dated June 28 1968 noted as First Estimating Draft with credits for screenwriter Daniel Taradash. 157 leaves with last page of text numbered 162. Xerographic duplication with yellow revision pages throughout dated 8/20/68. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Frankovich Productions / Columbia Pictures unknown
