Alain Robbe-Grillet (director, screenwriter); Jean-Louis Trintignant, Marie-France Pisier (starring)Biblio.com
4 698 résultats
1966160544N.p.: N.p. 1966. Four vintage borderless double weight reference photographs from the 1966 French film. All four with annotations in manuscript ink on the verso. <br /> <br /> An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. <br /> <br /> Set in Paris and Antwerp. <br /> <br /> 9 x 8 inches. Near Fine. <br /> <br /> BFI 2033. Grant France. N.p. unknown
1968162088New York: Trans American Films 1968. Three vintage reference photographs and one vintage studio still photograph from the US release of the 1966 French film. <br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. <br /> <br /> Set in Paris and Antwerp. <br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> BFI 2033. Grant France. Trans American Films unknown
1966153193N.p.: N.p. 1966. Vintage borderless reference photograph of director Alain Robbe-Grillet with cinematographer Willy Kurant and a cameraman on the set of the 1966 French film. <br /> <br /> An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. <br /> <br /> Set in Paris and Antwerp. <br /> <br /> 7 x 5 inches. Fine. <br /> <br /> BFI 2033. Grant France. N.p. unknown
1996170742N.p.: N.p. 1996. Vintage black-and-white borderless reference photograph from the 1996 film showing Ewan McGregor drinking with his friends. <br /> <br /> Director Danny Boyle's second and best-known film an adaptation of the acclaimed 1993 novel by Irvine Welsh a darkly comic examination of the life of a heroin addict trying desperately to extract himself from his habit and the accompanying lifestyle. McGregor rose to international stardom on the strength of his performance as the lead Mark Renton and would return for the sequel "T2 Trainspotting" released in 2017. <br /> <br /> 10 x 8 inches. Fine. N.p. unknown
1985141888Munich Munchen: Alex Tudor 1985. Treatment script for an unproduced film. <br /> <br /> An older man holds a party at his castle and attracts the attention of a young woman though no one present understands what one sees in the other. <br /> <br /> Dr. Alexe Tudor is an independent German documentarian who focuses primarily on symbols and expression spotlighting the artist's case for both. Tudor's works include profiling events and exhibitions related to the work of clergyman and artist Ivo Schaible SDS 1999-2012 Der Antifter: Freemasonry 2008 surveying the work of Otmar Alt and the documentary Die Begegnung. <br /> <br /> Set in <br /> <br /> Blue untitled wrappers with a business card for director and screenwriter Alex Tudor affixed at the lower right corner of the front wrapper. Title page present dated 17.03.85 with credits for screenwriter Tudor. 20 leaves with last page of text numbered 17. Xerographically duplicated. Pages Near Fine wrapper Very Good plus bound with four staples. Alex Tudor unknown
1971149665N.p.: N.p. 1971. Vintage oversize borderless color reference photograph from the 1971 French film.<br /> <br /> The final film to feature Jacques Tati as the iconic lovable Monsieur Hulot following "Les Vacances de Monsieur Hulot" 1953 "Mon Oncle" 1958 and "Playtime" 1967. This feature finds Hulot as a naive but intrepid Parisian automobile designer whose plan to show off his newly created camper car at an auto show in Amsterdam is waylaid by a plethora of roadway obstacles including Dutch customs a car accident and a slow-moving mechanic.<br /> <br /> Set and shot on location in Paris and the Netherlands.<br /> <br /> 11.75 x 9.5 inches. Near Fine. N.p. unknown
2000156768Los Angeles: Bedford Falls 2000. For Your Consideration script for the 2000 film.<br /> <br /> Shortly after being appointed by the president to lead America's war on drugs a conservative judge in Ohio discovers that his teenage daughter is addicted to heroin. Meanwhile the wife of a jailed drug baron attempts to continue her husband's business. Nominated for five Academy Awards winning four including Best Director for Steven Soderbergh Best Screenwriter for Stephen Gaghan and Best Supporting Actor for Benicio Del Toro.<br /> <br /> Shot on location in California New Mexico Ohio and Texas in the US and in San Ysidro and Tijuana in Mexico. <br /> <br /> Blue untitled wrappers. Title page present undated. 73 leaves with last page of text numbered 145. Xerographic duplication rectos and versos. Pages Fine wrapper Fine bound with two gold brads. Housed in a custom cloth slipcase. Bedford Falls unknown
1985152106N.p.: N.p. 1985. First Draft script for an unproduced film. With a brief handwritten note clipped to the first leaf on PanArts letterhead dated 9/7/89 addressed to actor Johnny Crawford from Robert Crawford introducing the script. <br /> <br /> Based on the nineteenth-century novel by Hayden Carruth. A young boy finds himself lost in a snowstorm in the northwestern prairie and must struggle to survive aided by his cat Pawsy and his dog Kaiser. <br /> <br /> Set in the Dakota Territory. <br /> <br /> Self wrappers. Title page present dated February 28 1985 noted as FIRST DRAFT with credits for novelist Hayden Carruth and screenwriter Eric Bercovici. 124 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Very Good plus overall bound with two gold brads. N.p. unknown
1963159215Beverly Hills CA: United Artists 1963. Two vintage studio still photographs from the 1963 film. <br /> <br /> Based on the 1960 play by Lillian Hellman. Two sisters who have always taken care of their younger brother are surprised when he returns to New Orleans married and with a large amount of money. One of the sisters suspects him of having an affair. <br /> <br /> Set and shot on location in New Orleans Louisiana. <br /> <br /> 10 x 8 inches. Near Fine one photograph with pin holes at the corners. United Artists unknown
1970162516N.p.: Maron Films 1970. Vintage studio still photograph from the US release of the French/Italian/German film.<br /> <br /> Based on the 1832 play "La Tour de Nesle" by Alexandre Dumas which was based on the fourteenth century French scandal the "Tour de Nesle affair."<br /> <br /> Captain Buridan king's swordsman and hero of the Flanders campaign returns to Paris to find the city in fear of a "vampire/witch" in the Tour de Nesle luring men to a night of sexual ecstasy followed by slaughter. <br /> <br /> Shot on location in Budapest Hungary. <br /> <br /> 8 x 10 inches. Near Fine. Maron Films unknown
1955163793N.p.: N.p. 1955. Vintage oversize reference photograph from the 1955 French film showing actors Lia Di Leo and Marcel Raine in an intimate moment. Annotations in manuscript ink and pencil on the verso. <br /> <br /> Based on the 1832 play by Alexandre Dumas and Frédéric Gaillardet about Queen Margaret of Burgundy who kills her partners after their dalliances have ended in order to leave no trace of her sexual misdeeds.<br /> <br /> Partially shot on location in Paris.<br /> <br /> 11.5 x 9.25 inches. Very Good with multiple pinholes and accompanying wear at the corners and light soil on the verso. N.p. unknown
1982170730N.p.: N.p. 1982. Three vintage borderless reference photographs from the 1982 film.<br /> <br /> An examination of romance from all angles told through almost entirely wordless vignettes following over two dozen characters in Brussels over the course of one summer night. <br /> <br /> Shot on location in Brussels.<br /> <br /> 7 x 5 inches. Near Fine. N.p. unknown
1961160356Rome: Cineriz 1961. Four vintage borderless double weight publicity photographs from the 1961 film. With stamp on verso identifying photographer H. Martin. Also with file folder with the film title in manuscript ink. <br /> <br /> A businessman wants to buy land around the village of Cabosse claiming his desire for seclusion but with intentions to sell the water from the village fountain purportedly a fountain of youth. <br /> <br /> Set in France shot on location in Lot-et-Geronne Hauts-de-Seine and Paris Fracne. <br /> <br /> Photographs 9.5 x 7.25 inches Folder 10.25 x 12.75 inches. Photographs Very Good plus Folder Very Good plus with one small tear at one of the folds. Cineriz unknown
1961140160France: N.p. 1961. Collection of 32 vintage borderless reference photographs of director René Clair with members of the cast and crew at a release party for the 1961 film. Approximately half the photographs bear the stamp of photographer Walter Limot on the verso. <br /> <br /> Clair is seen with fans giving a speech signing autographs presumably conducting a radio interview and cavorting with stars of the film like Colette Castel Alfred Adam and Annie Fratellini The festivities were located perhaps at a music hall with several musicians and traditional instruments appearing in a few photos. <br /> <br /> A businessman wants to buy land around the village of Cabosse claiming his desire for seclusion but harbors a secret desire to sell the water from the village fountain purportedly a fountain of youth. <br /> <br /> Shot on location throughout France. <br /> <br /> 7.25 x 9.25 inches. About Very Good plus or better lightly curled with some faint foxing on the verso. N.p. unknown
1961144105Nice: Gaumont-Palace 1961. Vintage French program and two invitations for the 1961 film here under the original French titles. The collection both predates and postdates November 1 1961 generally considered the original release. <br /> <br /> A small invitation "for two" doubles as a folding RSVP for the October 17 showing at the Cyrano theatre in Villeneuve-sur-Lot a Southwest France commune with the Lot River running through the middle. The invitee's RSVP is unsigned. The two remaining pieces are from a slightly later November 15 1961 showing at the Gaumont-Palace in Nice in the Southeast of France the Riviera. A folding invitation stamped in blind with the theatre's coat of arms credits the president of the Societe Nouvelle des Etablissements Gaumont Jean Le Duc suggests formal wear and the invitee has inscribed in manuscript blue ink in French "one chair." A large program accompanies printed by Havas for the Gaumont-Palace showing details film credits and synopsis greetings from the Gaumont and advertisements for businesses in Nice. Formal programs often omitted still images from the film like this example opting for candor instead of promotion. <br /> <br /> The film echoes director's Clair's early silent films interweaving separate themes of comedy and fantasy involving a well with supernatural powers that lengthens life expectancy. <br /> <br /> Cyrano invitation 4 x 5.25 inches Gaumont invitation 4 x 8.25 inches the program 8.25 x 10.75 inches. Light rubbing and foxing overall and a vertical crease to the Gaumont invitation else Near Fine. Gaumont-Palace unknown
1961144266France: Limot 1961. Archive of 86 original single weight photographs from the set of 1961 film. Members of the cast and crew are seen in action shots pinup images of actress Castel Bourvil mending fences and several images of the camera crew during filming. Sprawling landscapes gunfights in the town square and charming taproom images candidly showcase one of Clair's final films. Nearly all are rubber-stamped on the verso crediting photographer Limot and all with numerical annotations in manuscript pencil. Housed in an original French Kodak photo paper box. <br /> <br /> One photograph shown. Please inquire for others.<br /> <br /> A businessman Noiret wants to buy land around the village of Cabosse claiming his desire for seclusion but with intentions to sell the water from the village fountain purportedly a fountain of youth. <br /> <br /> Shot on location throughout France. <br /> <br /> Photos 5 x 7 inches with a few trimmed slightly smaller and box slightly larger. Photos Near Fine with light curling and faint foxing and box Very Good Plus two splits to the lid. Limot unknown
1961144660Paris: Cinedis 1961. Archive of 749 vintage keybook photographs from the 1961 French-Italian film. Over 200 are loose the remainder being affixed with cello tape on thick stock in two folio sized spiral bound notebooks with one title label present. Each photograph is numbered in manuscript pencil on the versos 13 photographs credit photographer Water Limot 18 with his name stamped on the verso and each notebook page with corresponding numerical annotations in manuscript pencil. Also included is a vintage Cinedis manila mailing envelope.<br /> <br /> Limot's action photographs are poignantly interlaced with on-the-set images including tender exchanged between actors Bourvil Annie Fratellini and Colette Castel herself seen in striking authority behind a handheld camera. A few feature Black musicians <br /> <br /> in the background surrounded by paparazzi and a few photos are slightly more candid with subjects hamming for the camera. <br /> <br /> A businessman wants to buy land around the village of Cabosse claiming his desire for seclusion but with intentions to sell the water from the village fountain purportedly a fountain of youth. <br /> <br /> 747 photos are 3.5 x 4.5 inches or slightly smaller with small white borders at the foot and 2 photos are 5 x 7 inches. Light curling and most with tape ghosts and discoloration else Near Fine. Envelope and notebooks Very Good overall. Cinedis unknown
1962139131France Italy: Cineriz 1962. Archive of press material related to the 1961 French-Italian film. Includes film production-related material like shooting schedules and synopses a cinema magazine reviewing the film and several leaves of correspondence addressed from various members of film production to Maryse Martin Martres a prolific French actress who was also involved in press relations in France. Brief annotations in manuscript ink throughout. More than 150 leaves of correspondence and notes. <br /> <br /> A glimpse inside the behind-the-scenes process of French press and the attention paid to prolific French figures of cinema notably René Clair. Maryse Martin whose film credits include "The Happy Road" 1957 "Bonjour Tristesse 1958 and several films each for directors Jacqueline Audry Maurice Labro and Jean Gourguet was a popular "B" actress who played supporting roles in over 40 films. She presumably worked for a press agency involved in publication of film reviews press kits photographs and more. Several letters are represented addressed to and from Maryse from persons like Gay-Lussac Gordon Reid A. Sergio Berrocal George L. George Monsieur Bergougnous Monsieur Lourau J.D. van Leeuwen Edmundo Duran members of UniFrance Film Alessandro Ferrau R. Betmalle Clare Simpson Pierre Lazareff Francois Timmory I. Dally and even René Clair's secretary. <br /> <br /> A businessman Noiret wants to buy land around the village of Cabosse claiming his desire for seclusion but with intentions to sell the water from the village fountain purportedly a fountain of youth. Shot on location throughout France. <br /> <br /> All material Very Good overall housed in Martin's file folder with the film title in manuscript ink. Cineriz unknown
1961140159France: N.p. 1961. Archive of 91 vintage candid photographs featuring director René Clair and members of the cast and crew at release parties for the 1961 film. Clair is seen with fans giving a speech signing autographs conducting a recorded interview and cavorting with stars of the film like Colette Castel Alfred Adam and Annie Fratellini. The festivities seem to take place in a large music hall with musicians and traditional instruments appearing in a few photos. Bourvil is also present in two contact prints seen traveling cavorting with Clair getting a shave and playing bocce. Several with brief numerical annotations in manuscript pencil and a few double weight photographs with rubberstamps crediting photographer Martin on the versos. <br /> <br /> A businessman Noiret wants to buy land around the village of Cabosse claiming his desire for seclusion but with intentions to sell the water from the village fountain purportedly a fountain of youth. <br /> <br /> Shot on location throughout France. <br /> <br /> Photos range from 4.5 x 7 inches to 8 x 10.5 inches most are 7.25 x 9.25 inches with 87 frames on 35mm and medium-format negative strips. Very Good plus overall with light curling and foxing negatives lightly rubbed. N.p. unknown
1967164229Culver City CA: Columbia Pictures 1967. Vintage 30" x 40" poster for the US release of the 1967 British anthology horror film.<br /> <br /> The second Horror anthology or "portmanteau" film from Amicus Productions following the 1965 film "Dr. Terror's House of Horrors" also directed by Freddie Francis a trademark of producer Milton Subotsky and written by "Psycho" screenwriter Robert Bloch who adapted his own work for the screenplay. <br /> <br /> A group of visitors to Dr. Diablo's Burgess Meredith sideshow are each shown their futures in the sideshow's "blow-off" which includes cannibal cats haunted pianos and the reincarnation of Edgar Allan Poe.<br /> <br /> 27 x 41 inches. Very Good plus with light creasing and edgewear and closed tears to the center right margin. Columbia Pictures unknown
1964159348Beverly Hills CA: United Artists 1964. Three vintage studio still photographs and one vintage borderless reference photograph from the 1964 film. One photograph with mimeo snipe affixed to the verso. <br /> <br /> Based on the 1962 novel "The Light of Day" by Eric Ambler. Two ex-lovers plan to steal from Topkapi Palace in Istanbul. They hire a man to drive explosives for the burglary but when the police stop him they assume he is part of an assassination attempt. Winner of one Academy Award for Peter Ustinov as Best Actor. <br /> <br /> Set in Istanbul shot on location in Istanbul Turkey Kavala Greece Paris France and Hauts-de-Seine France. <br /> <br /> Two photographs 10 x 8 inches one photograph 7 x 9 inches. Very Good plus with one photograph with pins holes at the corner and a tear at the bottom right corner. <br /> <br /> Lee The Heist Film. Penzler 101. United Artists unknown
1964143143Beverly Hills CA: Filmways Pictures / United Artists 1964. Collection of 16 vintage lobby cards from the French release of the 1964 US film. <br /> <br /> Based on the 1962 novel by Eric Ambler about a con man forced to help a group of thieves steal a jeweled dagger from an Istanbul museum. Peter Ustinov won a Best Supporting Actor Oscar for his role in the film. <br /> <br /> 9 x 11.75 inches. Near Fine. Filmways Pictures / United Artists unknown
1969171039N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 film showing Alfred Hitchcock sitting in his director's chair on the tarmac at the Paris airport Orly Val-de-Marne France. Layout annotations in manuscript pencil on the verso. <br /> <br /> Based on the 1967 novel by Leon Uris about a French agent who helps the United States uncover the presence of Russian missiles in Cuba. <br /> <br /> 9.5 x 7.25 inches. Near Fine. N.p. unknown
1972127087N.p.: Fanfare Films 1972. Vintage one sheet poster for the 1972 film.<br /> <br /> A Black cop tolerates his fellow white officers' disrespect and racism as well as disdain from his community for joining the force but is finally pushed over the edge after being passed over for a promotion. He goes on a violent personal crusade punctuated by psychedelic fever dreams including himself as a famous astronaut.<br /> <br /> Shot on location in Washington DC and Los Angeles.<br /> <br /> 27 x 41 inches. Folded as issued. Very Good with pinholes to the corners dampstaining to the left side folds with two small accompanying chips and a closed tear to the center left margin. Fanfare Films unknown
1959166066London: Beaconsfield Films 1959. Draft script for the 1959 British film copy belonging to Art Director George Provis with manuscript pencil annotations in Provis' hand on six pages. Laid in are over 50 pages of notes prop requirements and original set drawings as well as a three-page Unit List three carbon-typescript copy pages listing props and a 1959 typed letter signed to Provis from J. Crichton Slagg of Anglo-Scottish Pictures Limited regarding matte painting for the film. <br /> <br /> Provenance available upon request.<br /> <br /> George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films.<br /> <br /> Based on the 1944 play "Pick-Up Girl" by Elsa Shelley. A New York juvenile court judge Thomas MItchell hears a case of a 15 year-old girl Pauline Hehn caught with a 47 year-old man and reveals in flashback the girl's neglectful parents and her life's downward-spiral which lead to prostitution and abortion. A rather troubling time capsule of victim blaming and the social and sexual politics of the 1950s wherein the casualty of pedophelia is on trial with nary a accusation leveled at of the perpetrator of the crime. More so disturbing as the film was directed and co-written by a woman Muriel Box and based on a play by a woman Elsa Shelley.<br /> <br /> Tall maroon untitled wrappers with a die-cut window in the British style. Title page present with credits for playwright Elsa Shelley. 99 leaves with last page of text numbered 98. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three flat metal brads.<br /> <br /> Script and laid-in materials Near Fine overall. Beaconsfield Films unknown
