4 698 résultats
1995164015N.p.: N.p. 1995. Archive of three original scripts and a collection of green revision scripts for the 1996 film. From the archive of crew member Chris Scher.<br /> <br /> Archive includes:<br /> <br /> A Fourth Draft script on pink and yellow leaves copy belonging to Construction Foreman Ramsey Smith with the manuscript ink annotations of "Ramsey S." and copy number "98" on the title page. <br /> <br /> A Third Draft script on blue leaves copy belonging to Scher with the manuscript ink annotations of "Chris Scher" and copy number "88" on the title page.<br /> <br /> A Second Draft script on white leaves with a manuscript marker annotation of "1/" on the title page.<br /> <br /> And a collection of 53 green revision pages for the Fourth Draft script copy belonging to Scher with the manuscript ink annotations of "Chris" and copy number "94" on the title page.<br /> <br /> Based on the 1984 play by Michael Brady. On the second anniversary of his wife Gillian's Michelle Pfeiffer death and birthday David Peter Gallagher who spends his evenings walking the beach talking with his wife's ghost has his in-laws come to stay for the weekend with him his daughter and her friend hoping to snap him back into the present.<br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Set in Nantucket Massachusetts shot on location in Massachusetts North Carolina and California.<br /> <br /> Fourth Draft Script:<br /> Front wrapper integral with title page dated September 28 1995 noted as Fourth Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 106 leaves with last page of text numbered 101. Xerographic duplication rectos only on pink and yellow revision pages dated September 27 1995 and September 28 1995. Pages Near Fine bound with two gold brads.<br /> <br /> Third Draft Script:<br /> Front wrapper integral with title page dated September 11 1995 noted as Third Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 100 leaves with last page of text numbered 97. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads.<br /> <br /> Second Draft Script:<br /> Front wrapper integral with title page dated July 25 1995 noted as Second Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 99 leaves with last page of text numbered 96. Xerographic duplication rectos only. Pages Near Fine wrapper CONDITIONWRAPPER bound with two gold brads.<br /> <br /> Green Revision Pages:<br /> Front wrapper integral with title page dated October 4 1995 noted as Fourth Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 53 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1954166036London: Welbeck Films 1954. Revised Draft script for the 1954 film copy belonging to Art Director George Provis with his name written on the top of the front wrapper and a manuscript ink annotation of the date "9/6/54" on the bottom of the title page here under the working title "To Dorothy - A Son" released in the UK as "To Dorothy a Son" and in the US as "Cash on Delivery." With a manuscript pencil annotation on one page 12A underlining a needed prop and one page 38 with a clipping of a revision page affixed over the previous dialogue.<br /> <br /> George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films.<br /> <br /> Based on the 1950 play "To Dorothy a Son" by Roger MacDougall. Shelley Winters stars as Myrtle an American woman who stands to inherit $2 million dollars from her uncle as long as she doesn't have any male heirs. The only thing standing in her way is John Gregson as her ex-husband and his very pregnant new wife played by Peggy Cummins.<br /> <br /> Tall untitled green wrappers. Title page present with an annotated date of "9/6/54" noted as Revised Screenplay with credits for screenwriter Peter Rogers and playwright Roger MacDougall. 114 leaves with last page of text numbered 106. Mimeograph duplication rectos only with pink revision pages throughout undated. Pages Near Fine wrapper Near Fine bound internally with a prong binding. Welbeck Films unknown
1984149806Los Angeles: The Producers Group 1984. Revised First Draft script for an unproduced film. With a single manuscript ink annotation to the inside rear wrapper noting a name and phone number.<br /> <br /> Loosely based on the 1982 "Life" magazine article "To Die in Lima: a Cocaine Tragedy the Tale of an American Who Got Mixed Up in the Drug Trade" by Bertram Gabriel. An American farmer visiting Lima after a life-threatening heart attack is conned into working as a drug mule leading to his arrest and torturous detainment by the Peruvian government. <br /> <br /> Set in the Sierra Mountains California and Lima Peru.<br /> <br /> White titled wrappers. Title page present dated January 26 1984 noted as REVISED FIRST DRAFT with credits for screenwriter Bill Kerby. 132 leaves with last page of text numbered 129. Xerographic duplication rectos only with five blue revision pages at the end of the script two dated 2/21/84. Pages Near Fine wrapper Very Good plus overall bound with two gold brads. The Producers Group unknown
1967146864N.p.: N.p. 1967. Treatment script for the 1967 film seen here under its French title "Peau d'Espion." With a few small annotations in manuscript ink throughout. Incomplete as issued. Text in English.<br /> <br /> Based on screenwriter Jacques Robert's 1967 novel "Peau d'Espion" wherein an playboy writer becomes involved in a communist plot. <br /> <br /> Housed in a titled manila folder. Title page present with credits for director Edouard Molinaro and screenwriter Jacques Robert. 12 leaves with last page of text numbered 11. Typescript on onionskin stock rectos only. Pages Very Good plus lightly creased bound with a staple and a paperclip at the top left corner. N.p. unknown
1941150534Beverly Hills CA: United Artists 1941. Vintage wide reference photograph of Ernst Lubitsch playing piano on the set of the 1942 film. <br /> <br /> Remade in 1983 directed by Alan Johnson starring Mel Brooks and Anne Bancroft. Carol Lombard's final film having died in an airplane accident during post-production.<br /> <br /> Jack Benny and Carole Lombard star as Joseph and Maria Tura husband and wife thespians in Nazi occupied Warsaw who inadvertently become part of the Resistance and must utilize every acting trick in the book to retrieve a list of Polish Resistance fighters from a German spy. <br /> <br /> Set in Warsaw immediately before and during the 1939 German invasion. <br /> <br /> 10 x 8 inches image 4.5 x 3.75 inches. Near Fine. <br /> <br /> National Film Registry. Byrge and Miller The Screwball Comedy Films: A History and Filmography 1934-1942. Criterion Collection 670. United Artists unknown
1972162494N.p.: Magarac 1972. Vintage studio still photograph from the 1972 release of the 1970 film here under it's original title. Provenance stamp on the verso. <br /> <br /> Originally released as "To Be Free" the film was re-shot re-edited and re-released in 1972 as "Imago." Barbara Douglas stars as a virgin who is incapable of having sex with her boyfriend and begins seeing a psychiatrist to help. After becoming involved with the doctor's lesbian receptionist and trying marijuana she begins to experience wild nightmares and struggles to cope. <br /> <br /> Shot on location in Pittsburgh. <br /> <br /> 8 x 10 inches. Near Fine. Magarac unknown
1970159131N.p.: N.p. 1970. Vintage reference photograph from the 1970 experimental film showing actress Verity Bargate. Annotations in manuscript ink and pencil on the verso regarding cropping.<br /> <br /> Director Stephen Dwoskin was an experimental filmmaker who produced work based on themes of perception disability and sexuality. He was a cofounder of the London Film-Makers' Co-op in 1966 and the film collective Spectre in 1980. "Times For" was the first of Dwoskin's longer films and notably included a performance by performance artist and filmmaker Carolee Schneemann with a soundtrack by experimental musician Gavin Bryars. <br /> <br /> 10 x 7.25 inches. Near Fine. N.p. unknown
1942131997Los Angeles: Twentieth Century-Fox 1942. Single lobby card for the 1942 film. Based on Raymond Chandler's 1942 novel "The High Window" here re-imagined as the seventh and final entry in Twentieth Century-Fox's series of films featuring detective Michael Shayne created by Brett Halliday. <br /> <br /> 14 x 11 inches. Very Good plus with two pinholes to the center of the card a tiny closed tear to the top edge and a small chip to the lower left corner. <br /> <br /> Grant p. 651. Spicer p 420. Twentieth Century-Fox unknown
1957171057N.p.: N.p. 1957. Two vintage photographs one of director Karl Malden and uncredited camera operator Albert Myers and a vernacular photograph of Malden Myers and cinematographer Sam Leavitt from the set of the 1957 film. Photographs belonging to uncredited camera operator Myers one with a mimeo snipe on the verso. <br /> <br /> British born Albert Myers usually credited as Al Myers was a camera operator and camera crew member in Hollywood for over 50 years beginning in the late 1920s. He is credited in 30 films from 1927 to 1978 and assuredly worked on many more films uncredited during that time. His credits include "The Virginian" 1946 "Carmen Jones" 1954 "The Man with the Golden Arm" 1955 and "The Defiant Ones" 1958.<br /> <br /> Based on the 1956 Broadway play by Ralph Berkey and screenwriter Henry Denker. Richard Widmark stars an Army Colonel investigating the case of a Major played by Richard Basehart who is accused of and admits to collaborating with the enemy as a POW during the Korean War but the Colonel doubts the Major's guilt. Malden's only directing credit.<br /> <br /> Shot on location in Agoura California and Governors Island New York. <br /> <br /> 8 x 10 inches and 5 x 4 inches. Near Fine overall. N.p. unknown
1980141899Los Angeles: Sandy Howard Productions / New World Pictures 1980. Draft script for an unproduced film. Manuscript ink notation 108 on title page. <br /> <br /> Bar-Yotam is an Israeli actor and screenwriter who is best known for his roles in "You Don't Mess with the Zohan" 2008 and "Moon Over Parador" 1988 along with several television appearances dating from 1981-2016 on programs such as "Seinfeld" " Murder She Wrote" "Shameless" and "MacGyver."<br /> <br /> An angry renegade Irish police officer who plays by his own rules to come out on top in the end. <br /> <br /> Set in Southern California. <br /> <br /> White titled wrappers. Title page present with credits for screenwriter Reuven Bar-Yotam. 125 leaves with last page of text numbered 123. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Sandy Howard Productions / New World Pictures unknown
1979167218N.p.: N.p. 1979. Draft script for the 1979 film.<br /> <br /> A teenage pinball prodigy joins forces with an aspiring country music singer in order to raise money for a demo tape.<br /> <br /> Set and shot on location in West Hollywood Santa Cruz and Los Angeles California and in Corpus Christi Texas. <br /> <br /> Green titled wrappers. Title page present undated with credits for director Rudy Durand and uncredited screenwriters James Creech and Martin Zweiback. 140 leaves with last page of text numbered 151. Mimeograph duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1933131380Hollywood: Paramount Pictures 1933. Second Script for the 1933 film. Rubber-stamped on the front wrapper "FILE COPY / RETURN TO SCRIPT DEPT. / PARAMOUNT STUDIO - HOLLYWOOD" and "1837 / MASTER FILE." The film's original title "Don't Call Me Madam" is present on the front wrapper crossed through with the new title "Tillie and Gus" written in manuscript ink above it. <br /> <br /> Based on a short story entitled "Don't Call Me Madame" by Rupert Hughes about Tillie and Gus Winterbottom Alisone Skipworth and W. C. Fields and their tribulations involving a deceased family member's inheritance. Even with the ensuing events including a riverboat race and a baby-toting bathtub that floats downstream reminiscent of Moses in a basket the film is remembered as one of Fields' "sleepers" one less punchy than others. "Tillie and Gus" was one of three pairings of Skipworth and Fields the others being "Six of a Kind" 1934 and "If I Had a Million" 1932. <br /> <br /> Tall side stapled salmon self wrappers noted as SECOND SCRIPT on the front wrapper rubber-stamped copy production No. 1837 dated March 10 1933 with credits for screenwriters Jones McNutt and Harris. Title page integral with the first page of the script. 137 leaves mimeograph on salmon colored stock. Pages about Near Fine rear wrapper detached but present else wrappers Very Good plus. Paramount Pictures unknown
1966162491N.p.: Times Films 1966. Three vintage studio still photographs from the US release of the 1965 French film. With provenance stamps on the verso of each one with three labels obscuring its provenance stamps. <br /> <br /> Valeria Ciangottini stars as a 19-year-old Parisian girl who after a messy love affair openly decides to become a prostitute and signs a contract with a ruthless pimp. When her first client an old man who owns a marketing agency dies in her arms and a young handsome company executive comes to investigate the death it's love at first sight. <br /> <br /> 8 x 10 inches. Two Near Fine one Very Good plus with faint creasing and a wax pencil annotation to the bottom margin. Times Films unknown
2004167768London: Recorded Picture Company 2004. Revised Shooting script for the 2005 fantasy film. Copy belonging to still photographer François Duhamel with his name in manuscript ink on the title page. <br /> <br /> Based on the 2000 novel by Mitch Cullin the third and final novel in his Texas Trilogy following "Whompyjawed" 1999 and "Branches" 2000. A young girl retreats into a vivid fantasy world during a summer spent at an isolated Texan farmhouse with her brother and their eccentric neighbors.<br /> <br /> Set in Texas shot on location in western Canada. <br /> <br /> Self wrappers. Title page present dated July 15 2004 noted as Shooting Script with credits for Cullin and screenwriters Terry Gilliam and Tony Grisoni. 128 leaves with last page of text numbered 109. Xerographic duplication rectos only with blue and pink revision pages throughout dated variously between September 22 and 28 2004. Pages about Near Fine bound with two gold brads. Recorded Picture Company unknown
1971156330Burbank CA: American Zoetrope / Warner Brothers 1971. Two vintage borderless reference photographs from the 1971 film both showing Robert DuVall and Maggie McOmie in states of undress. <br /> <br /> Given everything that would follow "THX-1138" could easily be described as the most successful student film of all time developed by George Lucas in 1967 as a short called "Electronic Labyrinth: THX 1138 4EB" while he was attending the University of Southern California's film school. The feature film version was one of the first efforts produced under the auspices of Lucas' friend Francis Ford Coppola. <br /> <br /> 10 x 8 inches. Near Fine. American Zoetrope / Warner Brothers unknown
1971170740Burbank CA: American Zoetrope / Warner Brothers 1971. Vintage studio still photograph from the 1971 film showing George Lucas on the set. Stamp of photographer Michel Ciment and layout annotations on the verso. <br /> <br /> Given everything that would follow "THX-1138" could easily be described as the most successful student film of all time developed by George Lucas in 1967 as a short called "Electronic Labyrinth: THX 1138 4EB" while he was attending the University of Southern California's film school. The feature film version was one of the first efforts produced under the auspices of Lucas' friend Francis Ford Coppola. <br /> <br /> 10 x 8 inches. Near Fine. American Zoetrope / Warner Brothers unknown
1971134494Burbank CA: American Zoetrope / Warner Brothers 1971. Vintage black-and-white oversize double weight still photograph from the 1971 film. Shown are George Lucas and an assistant setting up a shot of Robert Duvall with Lucas placing calipers on Duvall's head. With the Warner Brothers studio stamp on the verso along with a notation regarding the shot and its reference number. <br /> <br /> Given everything that would follow "THX-1138" could easily be described as the most successful student film of all time developed by Lucas in 1967 as a short called "Electronic Labyrinth: THX 1138 4EB" while he was attending the University of Southern California's film school. The feature film version was one of the first efforts produced under the auspices of Lucas' friend Francis Ford Coppola. <br /> <br /> Written by Lucas and Walter Murch the film set a standard for dystopian stories that would inform dozens of films in its wake. Oddly Lucas did not continue down the pessimistic path choosing instead to engage in the broader appeal of "Star Wars."<br /> <br /> 14 x 10.25 inches. Near Fine. American Zoetrope / Warner Brothers unknown
1929136071Hollywood: Paramount Pictures 1929. Vintage black-and-white studio still photograph from the 1929 film. Shown is George Bancroft being pulled away from a prison cell where Richard Arlen is being held. <br /> <br /> Nominated for an Academy Award. <br /> <br /> 8 x 10 inches. Very Good plus condition with a handful of pinhole tears and a short closed tear at the extremities. Paramount Pictures unknown
1986147202N.p.: N.p. 1986. Draft script for an unproduced film. Missing page 45 likely as used or issued.<br /> <br /> Based on noted African American author John Oliver Killens' 1962 novel "And Then We Heard the Thunder" about the experiences of a group of African American draftees in a segregated unit during World War II in the South Pacific. <br /> <br /> Set in the South Pacific and South Brisbane.<br /> <br /> White untitled wrappers. Title page present dated May 1986 with credits for screenwriter ROBERT CASWELL and author JOHN OLIVER KILLENS. 122 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with a light tide mark to the top edge of the wrapper and leaves bound internally with three gold brads. N.p. unknown
1973146566N.p.: N.p. 1973. Second Draft script for an unproduced film. With a business card for talent manager and film producer Arnold Stiefel stapled on the front wrapper and a label sticker for casting agent Paul Kohner to the title page. Included with the script are two xerographically duplicated letters from Rudy Ramos the head of the Speed Classic Racing Association to screenwriter Paul Helmick expressing enthusiasm for the prospective film.<br /> <br /> After her boyfriend dies in a boat racing accident a woman begins to date two rival racers despite her belief that she is a boating jinx.<br /> <br /> Set in Long Beach CA. <br /> <br /> Blue titled wrappers. Title page present noted as Second Draft with credits for screenwriters Paul A. Helmick and Mike Crumplar. 108 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus overallbound with two gold brads. N.p. unknown
1946157114Los Angeles: Twentieth Century-Fox 1946. Shooting Final script for the 1947 film seen here under the working title "Bob Son of Battle." Copy belonging to actor Lon McCallister with his annotations in manuscript pencil throughout. Included is a photograph of the cast and crew having a meal on the set with Peggy Ann Garner at the center of attention.<br /> <br /> Based on the 1898 novel "Owd Bob" by Alfred Ollivant. An aging crotchety shepherd fights his son in a collie dog sheepherding contest. <br /> <br /> Set in Scotland shot on location in Kanab Utah. <br /> <br /> Beige titled wrappers noted as Shooting Final on the front wrapper rubber-stamped copy No. 27 and production No. 113 dated June 25 1946. Title page present dated June 25 1946 noted as Shooting Final with credits for screenwriter Jerome Cady. 150 leaves with last page of text numbered 143. Mimeograph duplication rectos only with blue revision pages dated between 7/5/46 and 10/31/46. Pages Very Good plus with faint foxing on the fore-edge of the title page wrapper Very Good with script laid into wrapper partially bound with a single gold brad. Twentieth Century-Fox unknown
1971166112N.p.: N.p. 1971. Two vintage borderless reference photographs from the 1971 Japanese Pink film both showing scenes featuring nude women. Provenance stamps and annotations in manuscript ink on the versos.<br /> <br /> An experimental film about a young man's psychosexual odyssey stemming from a dysfunctional relationship with his family and culminating in alienation.<br /> <br /> 6 x 4.5 inches. Near Fine. N.p. unknown
1976162486N.p.: Maturpix 1976. Vintage studio still photograph from the 1976 film. Provenance stamp on the verso. <br /> <br /> Catharine Burgess stars as a wealthy socialite who finds herself sexually drawn to a mirror in the attic of her family's estate where she speaks to her dead father who tries to convince her to come through the looking glass. <br /> <br /> Shot on location in Long Island New York. <br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> Thrower Nightmare USA. Maturpix unknown
1961156281Stockholm: Svensk Filmindustri 1961. Collection of 22 vintage double weight oversize reference photographs from the 1961 Swedish film. Stamps of DLS-Film Holland on the versos and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. <br /> <br /> The first entry in Ingmar Bergman's legendary and highly personal "Faith" trilogy winner of the Academy Award for Best Foreign Film. A young woman is released from a mental institution and moves to an island where her family resides to recover. But she finds little solace and no support from her father her husband or her brother. A landmark film in that it is not so much an examination into mental illness as a glimpse into a private world seen through a mind that has departed day to day concerns. <br /> <br /> 9.25 x 11.75 inches. About Very Good plus with pinholes at the corners and light edgewear. <br /> <br /> Criterion Collection 209. Ebert III. Svensk Filmindustri unknown
1961133624Stockholm: Svensk Filmindustri 1961. Vintage oversize Swedish still photograph from the 1961 film. With the Svensk Filmindustri logo at the bottom right corner. <br /> <br /> In a typically heavy moment from the film Max Von Sydow Martin and Lars Passgard Minus stand together in a moment of silence. Shot by the film's cinematographer the legendary Sven Nykvist. <br /> <br /> 11 x 9 inches. In a custom museum-quality frame archivally mounted with UV glass. Fine. <br /> <br /> Criterion Collection 209. Svensk Filmindustri unknown
