4 698 résultats
1982168493N.p.: N.p. 1982. Vintage borderless oversize reference photograph from the 1982 film showing director George Roy Hill with actor Robin Williams on the set. Mimeo snipe on the verso. <br /> <br /> Based on the 1978 novel by John Irving. One of the best literary adaptations of the 1980s a great example of a successful and uncompromised translation of a novel's idiosyncrasies directly to the screen and a triumph of ensemble acting. Nominated for two Academy Awards for Best Supporting Actor and Best Supporting Actress for John Lithgow and Glenn Close respectively.<br /> <br /> 11.75 x 8.75 inches. About Fine. N.p. unknown
1959151606New York: Metro-Goldwyn-Mayer MGM 1959. Vintage press kit for the 1959 film here called an "editor's portfolio." Full-color illustrated pocketed folder containing 16 black and white photographs and 5 gatherings of promotional reading material.<br /> <br /> Based on M.P. Shiel's 1901 novel "The Purple Cloud." A miner trapped in a cave for several days resurfaces only to realize humankind has been virtually wiped out in a nuclear holocaust. He travels to New York where he bands together with a young woman survivor but their fragile existence is soon disrupted by the arrival of another survivor. <br /> <br /> Shot on location in New York and New Jersey.<br /> <br /> Folder photographs and promotional material Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1972161899Burbank CA: New Line Cinema 1972. Vintage studio still photograph from the US release of the 1971 Italian film here under the US release title "Lulu the Tool." Provenance stamp on the verso. <br /> <br /> Director Elio Petri's socio-political drama wherein a hard working factory worker Ludovico Lulu loses a finger in a working accident and joins a faction of workers calling for a strike only to fired for agitational behavior after the workers reach an agreement with the management. Winner of the Palm d'Or.<br /> <br /> Shot on location in Piedmont Italy. <br /> <br /> 8 x 10 inches. Very Good plus with faint creasing and a wax pencil annotation on the top right of the recto. New Line Cinema unknown
1968162604N.p.: International Film Artists 1968. Three vintage studio still photographs from the 1969 film here under the release title "The Women" also released under the titles "The Vixens" and "Friends and Lovers." Two photographs with provenance stamps on the versos.<br /> <br /> Bob slips to his death off a dam bridge. His wife Betty reconstructs recent events to the police flashing back to a series of trysts and couple swapping that have nothing to do with Bob's accident.<br /> <br /> Shot on location in Connecticut and New York. <br /> <br /> 8 x 10 inches. Very Good plus one photograph with a wax pencil annotation to the top right margin and a crease and a small closed tear in the bottom margin. International Film Artists unknown
1944150383N.p.: N.p. 1944. Two vintage photographs from the set of the 1944 film noir one showing director Fritz Lang closely inspecting a filmstrip the other showing Lang in conversation with actress Joan Bennett. <br /> <br /> Based on J. H. Wallis' 1943 novel "Once Off Guard." A married psychology professor gets mixed up with a beautiful young woman who plunges him into a world of blackmail and murder. <br /> <br /> One 9.5 x 7.5 inches one 8 x 10 inches. Near Fine. <br /> <br /> Grant US. Selby US Masterwork. Silver Classic Noir. Spicer US. N.p. unknown
1947159822Culver City CA: RKO Radio Pictures 1947. Vintage reference photograph of director Jean Renoir talking with actors Joan Bennett and Robert Ryan on the set of the 1947 film. Printed mimeo snipe affixed to the verso along with a provenance stamp and the stamp of RKO photographer John Miehls.<br /> <br /> Renoir's last Hollywood film one of his most impressionistic and artistic efforts. A coast guard officer with post-traumatic stress disorder becomes involved with the beautiful wife of a blind painter. <br /> <br /> Shot on location in Malibu and Sequit Point California. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Grant US. Rosenbaum 1000. Selby US. Silver and Ward US. Spicer US. RKO Radio Pictures unknown
1978156688Universal City: Universal Pictures 1978. Vintage reference photograph from the 1978 film showing actor Ted Ross in costume as the Cowardly Lion sitting on set between takes while director Sidney Lumet and crew members work in the background. Manuscript pencil and ink annotations on the verso.<br /> <br /> Loosely based on the 1974 musical with book by William F. Brown and music and lyrics by Charlie Smalls. A contemporary African American reimagining of the 1900 L. Frank Baum children's novel "The Wonderful Wizard of Oz" as well as Victor Fleming's 1939 classic adaptation starring Judy Garland. <br /> <br /> 10 x 8 inches. Very Good plus with light wear at the corners and an annotation in manuscript pencil on the top margin of the recto. Universal Pictures unknown
1999157021Hollywood: Sony Pictures Classics 1999. Vintage program for the debut of the 1999 film. <br /> <br /> Based on the 1946 play by Terence Rattigan about a British family whose attempts to defend their teenage son from accusations of postal theft escalate into a costly and scandalous media storm. <br /> <br /> Set and shot on location in London.<br /> <br /> 6.5 x 9 inches. 22 leaves in perfect-bound wrappers. Near Fine. Sony Pictures Classics unknown
1949143500Culver City CA: Vanguard Films 1949. First Rough Draft script for an unproduced film intended for development at Vanguard Films inherited by Vanguard from Selznick International. <br /> <br /> Based on the 1902 novel by Henry James. <br /> <br /> Blue titled wrappers noted as First Rough Draft on the front wrapper dated February 3 1949 with credits for screenwriter Robert Stevenson. Title page present dated February 3 1949 noted as First Draft with credits for novelist Henry James. 127 leaves with last page of text numbered 123. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine internally bound with three silver brads. Vanguard Films unknown
1963132008New York: Louis de Rochemont Associates 1963. Third Draft script for an unproduced film about John Knox the Scottish clergyman and theologian considered to be the founder of the Presbyterian denomination in Scotland. Screenwriter Sloane credited as Sloan here was a screenwriter and wardrobe consultant whose film credits include "Martin Luther" 1953 "Stalag 17" 1953 "The Monster That Challenged the World" 1957 and a host of television movies and episodes. <br /> <br /> Presumed the only screen treatment on Knox the leader of the Protestant Reformation. <br /> <br /> Titled self wrappers noted as Third Draft on the front wrapper dated March 15 1963 with credits for screenwriter Sloane as Sloan and presenter Lothar Wolff. 109 leaves with last page of text numbered 108. Mechanical duplication. Near Fine bound with two gold brads. Louis de Rochemont Associates unknown
1962162597N.p.: N.p. 1962. Vintage studio still photograph from the US release of the 1960 French film. Provenance stamp on the verso. <br /> <br /> A group of four schoolgirls escape their destitute lives to a housing project an abandoned house on an island. When an older girl reveals their secret to the schoolmistress scandal breaks out. <br /> <br /> Shot on location in River Marne France. <br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
1967150123N.p.: N.p. 1967. Four vintage borderless photographs from the 1967 film. All with "Les Films Armon BON" stamps two with "L.F. Films" stamps stuck with manuscript marker two with "5 / 20" one with "4 / 20" and one with "15 / 20" stamps all on verso.<br /> <br /> Stock car driver Rod Tillman Steve Alaimo goes undercover as a getaway driver for the California biker gang Satan's Angels. <br /> <br /> Shot on location in Florida. <br /> <br /> 8.5 x 6.75 inches 8.5 x 6.5 inches 8.75 x 6.25 inches and 8.25 x 7 inches. Very Good with light creasing and a few tiny pinholes. N.p. unknown
1954150196N.p.: N.p. 1954. Vintage borderless reference photograph from the 1954 film showing actors Mary Murphy Bruno VeSota Will Wright and others looking on as Robert Keith and Robert Osterloh restrain a wounded Marlon Brando. <br /> <br /> Based on Frank Rooney's 1951 short story "The Cyclists' Raid." Two rival motorcycle gangs raise hell in a small town disrupting local racing events stealing and seducing the town girls. Widely considered the original outlaw motorcycle gang film firmly installing the rebel biker figure as an American cultural icon and launching Marlon Brando's career from initial stardom into infamy. <br /> <br /> Set in Carbonville and Wrightsville California and shot on location in Calabasas Thousand Oaks and Hollister California. <br /> <br /> 9 x 7.25 inches. Near Fine. <br /> <br /> Scorsese A Personal Journey Through American Movies. Selby US. Spicer US. N.p. unknown
1954158263Culver City CA: Columbia Pictures 1954. Vintage reference photograph from the 1954 film showing actors Marlon Brando and Mary Murphy. With a printed mimeo snipe affixed to the verso.<br /> <br /> Based on Frank Rooney's 1951 short story "The Cyclists' Raid." Two rival motorcycle gangs raise hell in a small town disrupting local racing events stealing and seducing the town girls. Widely considered the original outlaw motorcycle gang film firmly installing the rebel biker figure as an American cultural icon and launching Brando's career from initial stardom into infamy. <br /> <br /> Set in Carbonville and Wrightsville California and shot on location in Calabasas Thousand Oaks and Hollister California. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Scorsese A Personal Journey Through American Movies. Selby US. Spicer US. Columbia Pictures unknown
1972153131London: Avianca 1972. Second Draft script for the 1973 film here under the working title "The Fourteen." Copy belonging to producer Harvey Harrison with his name in manuscript ink annotation to the title page. <br /> <br /> The eldest children of a working class family of fourteen are forced to take care of the younger children when their mother falls ill. <br /> <br /> Set and shot on location in London.<br /> <br /> Black untitled wrappers with a die-cut title window in the British style. Title page present undated noted as Second Draft Screenplay with credits for screenwriter Roland Starke. 122 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages and wrapper Very Good with wear to the top right page corners of the first 13 pages and front wrapper bound internally with two silver brads. Avianca unknown
1970132913Paris: Les Films du Carrosse / Les Productions Artistes Associes 1970. Collection of twelve vintage reference photographs from the 1970 French film. <br /> <br /> Based on the true story of "feral child" Victor of Aveyron found living alone in the woods of France in 1800 and a doctor's attempts to educate him and introduce him to civilized society. <br /> <br /> Shot on location in Aubiat Auvergne and Paris. <br /> <br /> 8 x 10 inches. Fine. Les Films du Carrosse / Les Productions Artistes Associes unknown
1967160830Burbank CA: Warner Brothers / Seven Arts 1967. Revised Estimating script for the 1969 Western film.<br /> <br /> Sam Peckinpah's classic revisionist Western of nearly inestimable importance and violence made at the peak of his career and which-along with "Straw Dogs" 1971-remains the lasting testament to his vision. A major contributor to the "end of the West" theme so prevalent of the genre in the 1970s and one of the earliest New Hollywood Westerns. <br /> <br /> Set in Mexico shot on location in Mexico and Spain. <br /> <br /> Beige titled Warner Brothers wrappers dated November 15 1967 noted as Rev. Estimating Script and stamped copy No. 75. Title page present dated 11/15/67 with credits for screenwriters Wallen Green and Sam Peckinpah and story credit for Roy Sickner. 125 leaves with last page of text numbered 123. Mimeograph duplication rectos only. Pages about Fine wrapper Very Good plus bound internally with two gold brads. <br /> <br /> National Film Registry. Ebert I. Hardy US. Pitts 4934. Rosenbaum 1000. Schrader Canon Fodder 28. Warner Brothers / Seven Arts unknown
1950142332N.p.: N.p. 1950. Treatment script for an unproduced film. Ribbon copy typescript. <br /> <br /> A violent gang of men chaos all over the outskirts of London by beating up the daughter of an older woman they are sheltering and abducting people throughout the London countryside. <br /> <br /> Set in London. <br /> <br /> Brown titled wrappers with typescript title label affixed on the front wrapper. Title page present with credits for screenwriter G.E. Moore. 34 leaves with last leaf of text numbered 31. Ribbon copy typescript. Pages Near Fine wrapper Near Fine with string binding. N.p. unknown
1955167605Culver City CA: RKO Pathe Studios 1955. Two vintage hand-tinted color photographs from the 1955 short documentary film. <br /> <br /> A Technicolor short film about hunting focusing in particular on the whitetail deer. The first entry in RKO's Wildlife Album series of short films. <br /> <br /> Shot on location in Virginia.<br /> <br /> 10 x 8 inches. One Near Fine one Very Good plus. RKO Pathe Studios unknown
1923171351Beverly Hills CA: D.W. Griffith Productions / United Artists 1923. Vintage studio still photograph from the 1923 film showing Mae Marsh and Ivor Novello. "Made in USA" stamp on the verso.<br /> <br /> A wealthy aristocrat graduates from a seminary and decides to set out to see the world before taking charge of his parish. Traveling to New Orleans he finds himself falling in love with an impoverished orphaned woman. <br /> <br /> Shot on location in Florida and Louisiana including in New Iberia and St. Martinville. <br /> <br /> 10 x 8 inches. Very Good plus lightly toned with pinholes at the corners. D.W. Griffith Productions / United Artists unknown
2002146412N.p.: N.p. 2002. Draft script for an unproduced film.<br /> <br /> A young woman discusses her problems with her mentally ill mother her desire to save the whales and her absent fiance in therapy-but all is not as it seems.<br /> <br /> White lacking wrappers. Title page present dated 3/16/02 noted as Rough Draft with credits for screenwriter Zack Kaplan. 19 leaves with last page of text numbered 17. Typescript rectos only. Pages Very Good plus partially bound with a spring binder clip at the top left corner. N.p. unknown
1932137137Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1932. Vintage reference photograph from the set of the 1932 film with a printed snipe on the verso. Based on the novel by Upton Sinclair. <br /> <br /> Victor Fleming directs Dorothy Jordan and Lewis Stone in an early scene from his pre-Code epic about Prohibition. <br /> <br /> 10 x 8 inches. Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown
1937165057Universal City: Universal Pictures 1937. Vintage portrait photograph of Barbara Pepper from the 1937 film.<br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> Based on the 1935 novel "Headed for a Hearse" by Jonathan Latimer. A "locked door" mystery wherein Preston Foster stars as a private detective searches against the clock to find evidence to free Theodore Von Eltz awaiting the death penalty for murdering his wife who was killed in a room with all the doors and windows locked from the inside. <br /> <br /> 8 x 10 inches. Near Fine. Universal Pictures unknown
1967132098Los Angeles: Max E. Youngstein 1967. Draft script for an unproduced film. <br /> <br /> The story of two of brothers a prospector and an oceanographer who drill for oil on a offshore drilling rig in the Caribbean. Screenwriter Schweitzer would go on to work predominantly in television including writing for "The Bold Ones" "The Senator" "Mod Squad" and "Baretta" among others. <br /> <br /> Lavender titled wrappers dated July 10 1967 with credits for screenwriter Schweitzer and producer Youngstein. Title page not present. 130 leaves mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Max E. Youngstein unknown
1966147437London: David Higham Associates 1966. Draft script for the 48th episode of the British television anthology series "The Wednesday Play" which featured the adaptation of Vernon Bartlett's 1929 novel "Calf Love" by screenwriter Philip Purser which aired on January 26 1966. Script contains copied annotations on nearly every page noting passages that are to be spoken in German with much of the annotations in German as well as strikes comments and dialogue changes. Missing three pages likely as used or issued.<br /> <br /> "The Wednesday Play" is regarded as one of the most influential and successful British television programs of the 1960s and gave audience to the fledgling careers of among others Dennis Potter Nell Dunn and Jeremy Sandford Ken Loach and David Mercer.<br /> <br /> A young English exchange student stays with a German family and becomes smitten with their daughters.<br /> <br /> Wrapper integral with title page noted as Draft Screenplay with credits for screenwriter Philip Purser and novelist Vernon Bartlett. 113 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine bound with prong binding. David Higham Associates unknown
