4 698 résultats
1954142898Hollywood: Paramount Pictures 1954. Final White script for the 1956 film. Director Michael Curtiz's Specially bound copy in tan leather with gilt titles and Curtiz's name at the bottom right corner of the front board. <br /> <br /> An adaptation of the 1925 operetta of the same name by Rudolf Friml which is based on Justin Huntly McCarthy's 1901 romantic novel and play "If I Were King." <br /> <br /> Set in France in the year 1461. <br /> <br /> Brown leather covered boards titles in gilt. Title page present dated December 9 1954 with credits for producer Pat Duggan director Michael Curtiz screenwriter Ken Englund. 114 leaves with last page of text numbered 96A. Mimeograph duplication with blue and goldenrod revision pages throughout dated variously between 12-15-54 and 2-9-55. Pages Near Fine binding Very Good plus with some wear at the edges. Paramount Pictures unknown
1963132580London: National Screen Service / MGM 1963. Collection of 6 vintage full-color and 3 black-and-white still photographs from the 1963 UK film. <br /> <br /> A star-studded drama that takes place in a New York airport at the V. I. P. lounge. Taylor's jewelry in the film came mostly from her own collection and this is Taylor's and Burton's second collaborative film credit. Margaret Rutherford won an Academy Award for her supporting role. <br /> <br /> 8 x 10 inches some slightly smaller. Faint creases overall else Near Fine. National Screen Service / MGM unknown
1964162538N.p.: Cambist Films 1964. Vintage studio still photograph from the US release of the 1961 Spanish sexploitation film. Photograph with provenance stamps and a label obscuring a previous provenance stamp on the verso. <br /> <br /> A young woman Susana is stabbed to death in a bar frequented by criminals and delinquents. Susana's boyfriend the son of the police commissioner immediately becomes the prime suspect. <br /> <br /> Shot on location in Barcelona. <br /> <br /> 8 x 10 inches. Very Good plus with several pinholes and light edgewear. Cambist Films unknown
1957152537N.p.: N.p. 1957. First Draft typescript for the Season 1 Episode 3 of the 1953-1963 television series which originally aired on July 31 1957 on CBS seen here under the working title "The Transmogrification of Chester Brown." Manuscript pencil and ink annotations throughout most noting pagination and editorial revisions. <br /> <br /> Included with the script are several letters and memos between screenwriter Arthur Hailey agent Maeve Southgate and programming executive Marshall Jamison as well as several typed memos from within Jamison's office discussing revisions to the script dated variously between March 29 and July 30 1957.<br /> <br /> A meek office clerk at an advertising firm takes a "Personality Projection" course which ignites his self-confidence leading him to pursue greater opportunities at the firm. <br /> <br /> Blue titled self wrappers noted as LIMITED DISTRIBUTION / FIRST DRAFT in manuscript pencil annotation on the front wrapper along with an annotation noting the date 4/24/57 with credits for screenwriter Arthur Hailey. Title page present with credits for screenwriter Arthur Hailey. 82 leaves with last page of text numbered III-21. Typescript rectos only. Pages Near Fine wrapper Very Good plus partially bound with a single staple to the top left corner. N.p. unknown
1969162103Paris: Les Films Fernand Rivers 1969. Vintage program for the 1969 French film. Text and titles in French.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> Suspecting her husband of infidelity a woman decides to take a trip with her married boss to his holiday home on the Côte d'Azur.<br /> <br /> 8 x 9 inches folded twice and measuring 23.5 x 9 inches unfolded. Very Good plus. Les Films Fernand Rivers unknown
1968162535N.p.: Peppercorn-Wormser 1968. Vintage still photographs from the US release of the 1968 Spanish/French/Italian film. Provenance stamp on the verso. <br /> <br /> Based on the 1962 French novel "Les pianos mecaniques" by Henri-François Rey. Hardy Krüger stars as Vincent a young Parisian recovering from a nervous breakdown in a Spanish seaside village who has an affair with nightclub owner Jenny. Jenny falls for Vincent's friend Pascal an alcoholic author struggling to resume writing. Nominated for the Palme d'Or.<br /> <br /> Shot on location in Catalonia Spain. <br /> <br /> 8 x 10 inches. Very Good plus with light creasing at the extremitites. Peppercorn-Wormser unknown
2016164011Los Angeles: Emerald Way Productions 2016. Early draft script for the 2024 Western film seen here under the working title "The Salted Earth." From the archive of crew member Chris Scher.<br /> <br /> In 1870s Montana a young man returns to his remote hometown to seek revenge for his father's death. <br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Shot in Livingston and Deer Lodge Montana. <br /> <br /> Self wrappers. Title page present dated 11/01/2016 noted as MONTANA FALL DRAFT with credit for screenwriter Lee Zachariah. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Ring stain on the title page else pages Near Fine bound with two gold brads. Emerald Way Productions unknown
1972144513Los Angeles: American International Pictures AIP 1972. Draft script for the 1972 film. With actor Betty Anne Rees' first name and phone number in manuscript ink on the front wrapper.<br /> <br /> Karen Claudia Jennings quits her job at a cannery and joins a roller derby team. She quickly clashes with Mickey Betty Anne Rees the star skater and stirs jealousy amongst the whole team as she dominates the rink. Following in the wake of the successful roller derby film "Kansas City Bomber" released earlier the same year starring Raquel Welch. <br /> <br /> Shot on location in Los Angeles. <br /> <br /> Blue titled wrappers. Title page present with credits for screenwriters Howard R. Cohen and Vernon Zimmerman. 100 leaves with last page of text numbered 92. Mechanical duplication rectos only with pink revision pages throughout dated 9/17. Pages Very Good plus wrapper Near Fine bound with two gold brads. American International Pictures [AIP] unknown
1960139609Beverly Hills CA: United Artists 1960. Original conceptual artwork the 1960 film. Featuring a drawing of Burt Lancaster with Audrey Hepburn clasped against him. Based on the 1957 novel by Alan Le May. <br /> <br /> In many ways a reflection on John Ford's 1956 film "The Searchers" which was also based on an Alan Le May novel "The Unforgiven" tells the story of a woman taken from her Native American tribe and raised by a white family. She struggles with her allegiance towards her adoptive family and her feelings towards another white man and a bloody battle ensues between the two communities. An uncommon film for its time it highlights the racism Native Americans had to endure from settlers of the Old West. <br /> <br /> A difficult shoot which included a severe back injury sustained by Audrey Hepburn when she fell off a horse director John Huston was unhappy with his producer's insistence on releasing a more commercially friendly film. While<br /> Hepburn and Huston would both eventually distance themselves from the film "The Unforgiven" remains a bold powerfully raw take on the Western with arguably some of the best performances of many of the actors involved. <br /> <br /> 20 x 25.5 inches. Graphite and charcoal on illustration board. Very Good with some tape at the top and bottom edges the bottom two corners bumped and light toning to the extremities. <br /> <br /> Hardy The Western p. 277. Hitt p. 329. Pitts 4662. United Artists unknown
1971162529N.p.: Yellowbird Films 1971. Three vintage studio still photographs from the 1971 film two with stamps and labels on the verso.<br /> <br /> A "white-coater" documentary set in a college sex education class. Scripted by Ed Wood Jr. <br /> <br /> 8 x 10 inches. Very Good plus one photograph with wax pencil and pencil annotations at the bottom margin of the recto. Yellowbird Films unknown
1968156781Los Angeles: Twentieth Century-Fox 1968. Second Revised Final script for the 1969 film. Copy belonging to an unknown crew member with their annotations in manuscript ink on the front wrapper and title page. <br /> <br /> After the Civil War a Union officer and a Confederate officer are forced to band together in order to defend their respective traveling parties against bandits and revolutionaries. <br /> <br /> Shot on location in Sonora and Zacatecas Mexico and in Baton Rouge Louisiana. <br /> <br /> Cream titled Twentieth Century-Fox wrappers noted as SECOND REVISED FINAL on the front wrapper rubber-stamped copy No. 175 dated December 3 1968. Title page present dated December 3 1968 noted as SECOND REVISED FINAL with a credit for screenwriter James Lee Barrett and story credits for Stanley Hough. 168 leaves with last page of text numbered 165. Mimeograph duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Very Good plus slightly yapped at the fore-edges bound internally with three gold brads. Housed in a custom brown quarter-leather clamshell box.<br /> <br /> Pitts 4638. Twentieth Century-Fox unknown
1988166665N.p.: N.p. 1988. Six vintage borderless reference photographs from the 1988 film including three showing cast and crew members between takes on the set. <br /> <br /> Based on Milan Kundera's 1984 novel set during the Prague Spring about a womanizing brain surgeon who struggles between his childlike wife and his free-spirited lover. <br /> <br /> Set in 1960s Prague and Switzerland shot on location in Paris and Lyon France. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 55. N.p. unknown
1964159823Paris: Parc Film 1964. Vintage borderless reference photograph of actors Catherine Deneuve and Nino Castelnuovo with director Jacques Demy on the set of the 1964 film. Stamp of Parc Film on the verso.<br /> <br /> One of Demy's most beloved films about a young woman in Cherbourg who falls in love with a man who is promptly drafted into the Algerian War. A classic of French cinema with every word of dialogue sung in recitative. The first French film musical shot in color and the movie that made Catherine Deneuve a star. Winner of the Palme d'Or and two other prizes at the 1964 Cannes Film Festival and nominated for five Academy Awards<br /> <br /> Set and shot on location in Cherbourg Normandy France.<br /> <br /> 7.25 x 5 inches. Very Good plus with a small bruise and light wear to the finish on the top edge. <br /> <br /> Criterion Collection 716. Godard Histoires du cinema. Parc Film unknown
1964149367Paris: Parc Film 1964. Vintage oversize borderless reference photograph of actors Catherine Deneuve and Nino Castelnuovo on the set of the 1964 film. With the stamp of still photographer Patrick Gil Bertrand on the verso along with manuscript ink annotations identifying the actors. <br /> <br /> One of director Jacques Demy's most beloved films about a young woman in Cherbourg who falls in love with a man who is promptly drafted into the Algerian War. A classic of French cinema with every word of dialogue sung in recitative. The first French film musical shot in color and the movie that made Catherine Deneuve a star. Winner of the Palme d'Or and two other prizes at the 1964 Cannes Film Festival and nominated for five Academy Awards<br /> <br /> Set and shot on location in Cherbourg Normandy France.<br /> <br /> 10.5 x 8.5 inches. Very Good plus slightly wavy with light creasing and a few scratches to the image.<br /> <br /> Criterion Collection 716. Godard Histoires du cinema. Parc Film unknown
1964151000Paris: Parc Film 1964. Five vintage borderless photographs from the 1964 film including three reference photographs showing Jacques Demy on the set and one of Demy and composer Michel Legrand. Three with French release stamps on the verso and one with a provenance stamp on the same.<br /> <br /> One of Demy's most beloved films about a young woman in Cherbourg who falls in love with a man who is promptly drafted into the Algerian War. A classic of French cinema with every word of dialogue sung in recitative. The first French film musical shot in color and the movie that made Deneuve a star. <br /> <br /> Winner of the Palme d'Or and two other prizes at the 1964 Cannes Film Festival and nominated for five Academy Awards including Best Screenplay.<br /> <br /> Set and shot on location in Cherbourg Normandy France.<br /> <br /> Photographs range in size from 7 x 5 inches to 9.5 x 7.25 inches. Some light edgewear else Near Fine overall.<br /> <br /> Criterion Collection 716. Godard Histoires du cinema. Parc Film unknown
1964151004Paris: Parc Film 1964. Two vintage oversize borderless photographs one of Catherine Deneuve and Anne Vernon and one of Deneuve and Nino Castelnuovo from the 1964 film. Both with provenance stamp of film scholar and author "Jean-Pierre Berthome" one with layout annotations in manuscript ink on the verso.<br /> <br /> One of director Demy's most beloved films about a young woman in Cherbourg who falls in love with a man who is promptly drafted into the Algerian War. A classic of French cinema with every word of dialogue sung in recitative. The first French film musical shot in color and the movie that made Deneuve a star. <br /> <br /> Winner of the Palme d'Or and two other prizes at the 1964 Cannes Film Festival and nominated for five Academy Awards including Best Screenplay.<br /> <br /> Set and shot on location in Cherbourg Normandy France.<br /> <br /> 12 x 8.75 inches. Very Good plus with light edgewear one with three pinholes to corners and one with a single pinhole and a small piece of cello tape on recto to upper left corner.<br /> <br /> Criterion Collection 716. Godard Histoires du cinema. Parc Film unknown
1965151677Glendale CA: Allied Artists 1965. Six vintage studio still photographs from the US release of the 1964 French film. <br /> <br /> One of director Jacques Demy's most beloved films about a young woman in Cherbourg who falls in love with a man who is promptly drafted into the Algerian War. A classic of French cinema with every word of dialogue sung in recitative. The first French film musical shot in color and the movie that made Catherine Deneuve a star.<br /> <br /> Winner of the Palme d'Or and two other prizes at the 1964 Cannes Film Festival and nominated for five Academy Awards<br /> <br /> Set and shot on location in Cherbourg Normandy France.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 716. Godard Histoires du cinema. Allied Artists unknown
1970143943Hollywood: N.p. 1970. Draft script for an unproduced film. <br /> <br /> Don and Irene are a young and unhappy married couple whose lives and relationship are thrown asunder as Don gravitates toward Spiritology a spiritual organization that promises the 'Ultimate Release." <br /> <br /> Gold titled wrappers. Title page present with credits for screenwriter Aaron Nash. 101 leaves with last page of text numbered 100. Xerographically reproduced. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown
1969162531N.p.: American Film Distributing 1969. Three vintage studio still photographs from the 1969 film. Two photographs with provenance stamps on the versos. <br /> <br /> Maria answers a personal ad and is invited to a house in Vermont. The house owner Spencer places Maria and other girls under the influence of aphrodisiacs and drugs. Spencer and his assistant Boris sit back and let the good times roll.<br /> <br /> Shot on location in New York City. <br /> <br /> 8 x 10 inches. Very Good plus with light edgewear and faint creasing overall one photograph with pinholes and light dampstaining to the left side and one photograph with pinholes and a small closed tear to the bottom margin and a 1.5 inch closed tear to the right side. American Film Distributing unknown
1959129017Universal City CA: Universal Pictures 1959. First Draft screenplay for the 1963 film. <br /> <br /> Best on the best-selling 1958 novel by Burdick and Lederer about Americans in Vietnam and the struggle for the US in combating the country's Communist politics. Brando plays a scholar named Harrison MacWhite who becomes ambassador to Sarkan a southeast Asian country in the midst of civil war. He realizes that the anti-American sentiment towards Communism symbolizes his own longing for self-determination and nationalism. Released early the same year as the assassination of JFK and the escalation of the Vietnam War. <br /> <br /> Green titled wrappers noted as FIRST DRAFT SCREENPLAY on the front wrapper rubber-stamped production No. 8378 dated May 21 1959. Title page present noted as First Draft Screenplay with credits for screenwriter Stern. 160 leaves Multilith duplication. Pages about Fine wrapper about Fine bound with three gold brads. Universal Pictures unknown
1958159205Culver City CA: Columbia Pictures 1958. Two vintage studio still photographs from the 1958 film. With mimeo snipes affixed to the verso. <br /> <br /> A British man is placed in the German Army as a spy at the end of World War I. He is able to infiltrate high ranking Nazi command during the World War II eventually working his way to the top. Scripted by writers on the Hollywood blacklist. <br /> <br /> Set in Germany shot on location in Berlin Germany and London and Hertfordshire England. <br /> <br /> 8 x 10 inches. Very Good plus. <br /> <br /> Spicer UK. Columbia Pictures unknown
1976156769Los Angeles: Twentieth Century-Fox 1976. Revised Final script for the 1977 film.<br /> <br /> A portrait of the second wave of feminism at its turning point in the late 1970s about two former dancers whose lives have gone separate ways one having become a professional dancer the other a housewife and whose unexpected reunion yields dramatic consequences. Nominated for eleven Academy Awards including Best Picture Best Director and Best Screenplay.<br /> <br /> Shot on location in Oklahoma City. <br /> <br /> Green titled Twentieth Century-Fox wrappers dated July 2 1976. Title page present dated July 2 1976 noted as REVISED FINAL with credits for screenwriter Arthur Laurents. 119 leaves with last page of text numbered 118. Xerographic duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Housed in a custom cloth slipcase. Twentieth Century-Fox unknown
1977145151Los Angeles: Twentieth Century-Fox 1977. Vintage photograph of director Herbert Ross and actor Shirley Maclaine on the set of the 1977 film. Manuscript annotations on the verso. <br /> <br /> A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s in which MacLaine and Bancroft play former dance colleagues whose lives have gone separate ways one became and professional dancer the other a settled domestic life and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards including Best Picture Best Director and Best Screenplay.<br /> <br /> Shot on location in Oklahoma City. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Grant US. Selby US. Silver Classic Noir. Spicer US. Twentieth Century-Fox unknown
1976129783Los Angeles: Twentieth Century-Fox 1976. Draft script for the 1977 film. Presumed estimating script with "Budgeting" in manuscript ink on the front wrapper. Notations in manuscript blue and black ink throughout. <br /> <br /> A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s in which MacLaine and Bancroft portray former dance colleagues whose lives have gone separate ways one becomes a professional dancer the other a settled domestic woman and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards including Best Picture Best Director and Best Screenplay. <br /> <br /> Mustard titled wrappers noted as "Budgeting" on the front wrapper. Title page present dated 3/2/76 with a credit for screenwriter Laurents. 116 leaves mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1958163067N.p.: N.p. 1958. Vintage studio still photograph from the 1958 film showing uncredited actor Russell Nype. Newspaper clippings and reference library stamps on the verso.<br /> <br /> A comedy of errors about a married man who comes to believe that he has impregnated the owner of an adoption agency and that she will serve as the surrogate. <br /> <br /> From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. <br /> <br /> 8 x 10 inches archivally matted on a 11 x 14 inch mat. Very Good with annotations in manuscript ink on the recto regarding cropping and a small splash on the right edge. N.p. unknown
