4 698 résultats
1993147073Los Angeles: Orbit Entertainment 1993. Draft script for the 1993 film here under the working title "Cross Bait."<br /> <br /> After being accidentally given an invaluable coin from the age of King Herod while traveling through Jerusalem an Arabic boy and an American teenager travel across Israel to protect the treasure from a British man obsessed with procuring the coin by any means. <br /> <br /> Set and shot in Jerusalem.<br /> <br /> Pink untitled wrappers. Title page present with credits for screenwriters Dror Soref and Howard Delman. 127 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Very Good plus wrapper Good lightly dampstained and soiled bound with three gold brads. Orbit Entertainment unknown
1982138021N.p.: Self published 1982. Early Draft script for the 1993 film "The Seventh Coin" here under the working title "King Herod's Children" dated a full decade before the film's release. Credited on the title page to Kikuo Kawasaki for an original concept. <br /> <br /> An Arab boy Chowdhry meets a beautiful American tourist Powers in modern-day Jerusalem. By accident the two are entrusted to guard a valuable coin dating back to King Herod but they must defend themselves and the coin from a no-good villain O'Toole. <br /> <br /> Red titled wrappers. Title page present dated 1982 with credits for screenwriters Delman and Soref and concept person Kawasaki. 128 leaves with last page of text numbered 126. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Self published unknown
1971162479N.p.: Gulf-United Productions 1971. Vintage studio still photograph from the 1971 film here under the alternate release title "3 on a Waterbed." Provenance stamp on the verso. <br /> <br /> A famous actor hires a sex worker and locks her in a hotel room for three days as part of an "experiment." <br /> <br /> Shot on location in Florida. <br /> <br /> 8 x 10 inches. Very Good plus with wax pencil layout annotations in the margins of the recto and light creasing to the extremities. Gulf-United Productions unknown
1963146913N.p.: Estree Distributors 1963. Vintage borderless photograph of Sarah Miles and Joseph Losey on the set of the 1963 film. Crop annotations in manuscript marker on recto crop annotations in manuscript pencil and "Theo Cowan LTD" and "Paris-Presse" stamps and 1 1/4" mimeo snipe on the verso. <br /> <br /> The first of Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter a dark squeamish parable that tells a servant-becomes-master tale but goes beyond what could have been a mediocre finish and journeys into the psyche and personal problems of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema.<br /> <br /> Set in and shot on location in London. <br /> <br /> 7.5 x 9.75 inches. Very Good plus some faint creasing. Estree Distributors unknown
1963149757N.p.: N.p. 1963. Vintage reference photograph from the set of the 1963 British film showing director Joseph Losey watching a scene between actors James Fox and Wendy Craig.<br /> <br /> The first of Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter a dark squeamish parable that tells a familiar servant-becomes-master tale but surpasses mediocrity through a journey into the psyche of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema.<br /> <br /> Set and shot on location in London. <br /> <br /> 10 x 8 inches. Very Good plus with light wear to the corners.<br /> <br /> Spicer UK. N.p. unknown
1963151273N.p.: N.p. 1963. Vintage reference photograph from the 1963 film noir. A wonderful fourth wall version of the film's most classic shot only this one including cinematographer Douglas Slocombe director Joseph Losey actor James Fox not in the original scene and a crew member adjusting the chandelier all in the reverse mirror image.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> The first of director Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter a dark squeamish parable that tells a familiar servant-becomes-master tale but surpasses mediocrity through a journey into the psyche of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema.<br /> <br /> Set and shot on location in London. <br /> <br /> 8 x 10 inches. Very Good plus with light wear to the corners.<br /> <br /> Spicer UK. N.p. unknown
1977147064N.p.: N.p. 1977. First Edition. First Edition publicity manual reminiscent in content to a press kit but with much more detail. Produced by Dino De Laurentiis to advertise legendary Swedish director Ingmar Bergman and his psychological drama "The Serpent's Egg" 1976. Profusely photo-illustrated with over 60 black and white images including film stills and on the set photography of Bergman and other actors at work. <br /> <br /> Black comb bound wrappers with titles in green. Very Good plus with light rubbing and soil on the front and rear wrapper. Approximately 120 pages. N.p. unknown
1965132145Burbank CA: Warner Brothers 1965. Estimating script for an unproduced film. <br /> <br /> The story of a small contingent of militant mercenaries who attempt to stir up a conflict between Cuba and the United States by piloting a hostile decoy Navy ship into enemy waters off Key West only to be thwarted by the actual Navy and a few well-meaning American citizens taken hostage. No doubt mirroring some of the public's concerns at the time given the tenuous peace established by the Cuban Missile Crisis the film remained unproduced perhaps considered too sensationalist or close to home. Screenwriter Dozier would go on to write largely for television including episodes of "Batman" and "Harry O."<br /> <br /> Tan titled wrappers noted as ESTIMATING on the front wrapper rubber-stamped copy No. 23 dated April 2 1965. Distribution page present with receipt intact. Title page present dated 4/1/65 with credits for screenwriter Dozier. 136 leaves mimeograph on yellow stock. Pages about Fine wrapper Very Good plus bound internally with two gold brads. Warner Brothers unknown
1950160937Los Angeles: RKO 1950. Vintage mini-banner poster for the 1950 film noir.<br /> <br /> Claudette Colbert stars as a woman who is accused of bigamy by an intruder during her wedding ceremony to David McLean. The two then must travel to a small seaside village to investigate the claim where villagers claim to have remembered her previous nuptials.<br /> <br /> Shot on location in Santa Monica California.<br /> <br /> 4.75 x 28 inches. Very Good plus with light creasing at the extremities.<br /> <br /> Grant US. Selby Master List. Silver and Ward US. Spicer US. RKO unknown
158051Hollywood: Frsco Productions 1976. Archive of three draft scripts for an unproduced film including One First Draft script one Second Draft Shooting script and one Third Draft Shooting script. Annotations in manuscript pencil on the title page of the First Draft and cast pages of the Second Draft Shooting script.<br /> <br /> A musical spoof of John Huston's classic 1941 film noir "The Maltese Falcon." Screenwriter Frank Saletri a criminal defense lawyer in Los Angeles worked as a part-time screenwriter and producer primarily of exploitation especially Blaxploitation films. Saletri's screenwriting work was largely unproduced with the exception of the 1973 film "Blackenstein" and the possible exception of "Black the Ripper" a questionably apocryphal film whose existence has been debated for decades among grindhouse fans. <br /> <br /> First Draft:<br /> <br /> Blue untitled wrappers. Title page present dated 1975 noted as First Draft in manuscript pencil annotation with credits for screenwriter Frank Ritenhyde Saletri. 144 leaves with last page of text numbered 134. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Second Draft Shooting script:<br /> <br /> Green untitled wrappers. Title page present dated 1976 noted as SHOOTING SCRIPT SECOND DRAFT with credits for screenwriter Frank Ritenhyde Saletri. 179 leaves with last page of text numbered 158. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Third Draft Shooting script:<br /> <br /> Red untitled wrappers. Title page present dated 1976 noted as SHOOTING SCRIPT THIRD DRAFT with credits for screenwriter Frank Ritenhyde Saletri. 181 leaves with last page of text numbered 158. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Frsco Productions unknown
1969162207Hollywood: Global Pictures 1969. Three vintage studio still photographs from the 1969 film with one of the photographs a compilation photograph of two studio still photographs. Photographs with provenance stamps on the versos. <br /> <br /> Very loosely based on the Shakespeare play. A group of thesbians begin a production of Romeo and Juliet but everyone is in the production is incredibly randy and the play quickly descends into debauchery.<br /> <br /> 8 x 10 inches. Near Fine overall. Global Pictures unknown
1966150913N.p.: N.p. 1966. Vintage borderless reference photograph with bottom margin of director Christian-Jaque and Michele Mercier on the set of the 1966 film. Layout annotations in manuscript pencil "APIS" stamp and photographer "Jean Guyaux" stamp on verso. <br /> <br /> Based on the 1961 French novel by Jean Laborde.<br /> <br /> The married renowned lawyer Pierre Montant becomes infatuated and has an affair with the young student Nathalie a dancer in a discotheque working her way through medical school. When she breaks up with him unable to bear the clandestine affair he threatens her at gunpoint.<br /> <br /> 11 x 8.25 inches. Very Good plus with mild creasing and edgewear. N.p. unknown
1987144132Sydney: Melaleuka 1987. Draft script for the 1987 film with occasional manuscript annotations. <br /> <br /> Adapted from Morris West's novel of the same name. Just after World War II ends a British major in Austria seeks revenge on the man who killed his sergeant. <br /> <br /> Shot on location in Salzburg Austria and at Pinewood studios in Buckinghamshire England. <br /> <br /> Red untitled wrappers. Title page present with credits for screenwriter Morris L. West. 115 leaves with last page of text numbered 114. Xerographically reproduced. Pages Fine wrapper Fine bound internally with two silver brads. Melaleuka unknown
1948156004N.p.: N.p. 1948. Vintage reference photograph of William Wyler visiting the set of the 1948 film talking to director Fred Zinnemann and actress Jarmila Novotná between takes.<br /> <br /> A young Auschwitz survivor searches for his mother in the years following World War II. Actor Ivan Jandl was presented with a special juvenile Academy Award but was unable to travel to the US to receive the award due to restrictions by the communist government of his native Czechoslovakia. <br /> <br /> Shot on location in postwar Germany in Ingolstadt Munich Nuremberg and Würzburg. <br /> <br /> 8 x 10 inches. Very Good plus with light creasing at the corners and bottom edge. N.p. unknown
1995146338London: Red Rooster Film and Television Entertainment 1995. Four shooting scripts for the 1996 television film first aired in four parts on BBC on November 13 1997 complete in four volumes. With two typed leaves detailing the proposed cast list laid in. Several scripts missing pages as noted below likely as used or issued.<br /> <br /> Based on the 1993 crime novel. An author sets out to write a book about Olive Martin a young woman convicted of brutally killing her mother and sister and subsequently sentenced to life in prison. As the author delves deeper into the details of the crime she begins to uncover a conspiracy and is gradually persuaded of Olive's innocence.<br /> <br /> Set in the UK.<br /> <br /> Housed in a generic blue folder with a manuscript ink notation from screenwriter Reg Gadney on the front flap.<br /> <br /> Part One:<br /> <br /> White titled self wrappers noted as SHOOTING SCRIPT on the front wrapper dated 25th AUGUST 1995 with credits for screenwriter Reg Gadney and novelist Minette Walters. 58 leaves with last page of text numbered 51. Xerographic duplication rectos only with pink and blue revision pages throughout dated variously between 8.9.95 and 28.9.95. Pages Very Good plus wrapper Very Good plus with rusting and creasing to the binding with silver prong binding.<br /> <br /> Part Two:<br /> <br /> White titled self wrappers noted as SHOOTING SCRIPT on the front wrapper dated 25th AUGUST 1995 with credits for screenwriter Reg Gadney and novelist Minette Walters. 62 leaves with last page of text numbered 51. Xerographic duplication rectos only with pink and blue revision pages throughout dated variously between 8.9.95 and 20.9.95. Pages Very Good plus wrapper Very Good with rusting to the binding and the front wrapper partially detached with silver prong binding.<br /> <br /> Part Three:<br /> <br /> White titled self wrappers noted as SHOOTING SCRIPT on the front wrapper dated 30th AUGUST 1995 with credits for screenwriter Reg Gadney and novelist Minette Walters. 52 leaves with last page of text numbered 52. Xerographic duplication rectos only with pink revision pages throughout dated 13.9.95. Pages Very Good plus wrapper Very Good plus with rusting and creasing to the binding with silver prong binding.<br /> <br /> Part Four:<br /> <br /> White titled self wrappers noted as SHOOTING SCRIPT on the front wrapper dated 31st AUGUST 1995 with credits for screenwriter Reg Gadney and novelist Minette Walters. 65 leaves with last page of text numbered 56. Xerographic duplication rectos only with pink and blue revision pages throughout dated variously between 13.9.95 and 28.9.95. Pages Very Good plus wrapper Very Good plus with rusting and creasing to the binding with silver prong binding. Red Rooster Film and Television Entertainment unknown
1993170168Los Angeles: Twentieth Century-Fox 1993. Revised Final Draft script for the 1994 film.<br /> <br /> Loosely based on a 1976 "New Yorker" article by Roger Angell about a baseball scout who discovers a promising new player and successfully negotiates his signing with the Yankees only to realize that the man is emotionally stunted after years of childhood abuse. <br /> <br /> Shot on location in Zempoala and Veracruz in Mexico in Bracken County Kentucky and in New York.<br /> <br /> Self wrappers. Title page present dated 12/5/93 noted as FINAL DRAFT and Revised. 130 leaves with last page of text numbered 126. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 12/20/93 and 3/15/94. Pages Near Fine bound with three gold brads. Twentieth Century-Fox unknown
1934151492Los Angeles: Paramount Pictures 1934. Vintage borderless reference photographs of Josef von Sternberg on the set of the 1934 film. Mimeo snipe printed in English and Spanish on verso. <br /> <br /> Loosely based on the diary of Catherine the Great as edited by Manuel Komroff following her from childhood through her rise to Empress. Sternberg's sixth and penultimate film starring Marlene Dietrich. <br /> <br /> 7.25 x 9.5 inches. Even fading else Near Fine. <br /> <br /> Criterion Collection 109. Ebert III. Rosenbaum 1000. Scorcese A Personal Journey Through American Movies. Paramount Pictures unknown
1934137471Hollywood: Paramount Pictures 1934. Vintage sepia reference photograph from the set of the 1934 film. Shown are director Josef von Sternberg and Marlene Dietrich in full regalia visiting with noted Mexican toreador Pepe Ortiz and a member of the Mexican Counsul in Los Angeles. Typescript snipe on the verso indicating same along with an ink notation of the photo date 9/15/34 and a contemporary illustrated label for "Photofest."<br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Criterion Collection 109. Paramount Pictures unknown
1959153996Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Vintage reference photograph of novelist Daphne Du Maurier and her husband Sir Frederick Browning visiting actors Alec Guinness and Nicole Maurey on the set of the 1959 film. Printed mimeo snipe affixed to the verso. <br /> <br /> Based on the 1957 novel by Du Maurier about a lonely university professor who meets his lookalike a wealthy but discontented count while vacationing in France and finds himself unwittingly forced to swap places and assume the count's life. <br /> <br /> Shot on location in France. <br /> <br /> 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1978132533London: National Broadcasting Company NBC 1978. Eight vintage black-and-white still photographs from the 1978 release of the 1976 US television film. Mimeograph snipes affixed to the versos with distributor rubber-stamps and layout annotations. <br /> <br /> Mardi Gras is interrupted by African killer bees! Ben Johnson is cast as the local sheriff and would reprise his tenure with the bees in the 1978 follow-up "The Swarm."<br /> Of the many "killer bee" films this is regarded as one of the best. <br /> <br /> 8 x 10 inches. Near Fine. National Broadcasting Company [NBC] unknown
1968162612Los Angeles: Dick Clark Productions 1968. Second Draft script for the 1968 film seen here under the working title "Hell's Angels Ride Again." <br /> <br /> Loosely based on Akira Kurosawa's 1954 classic "Seven Samurai" about the leader of a motorcycle gang's romance with an American Indian waitress. Hot on the heels of the biker films of the same era but in particular the 1967 exploitation film "Hells Angels on Wheels" also directed by Richard Rush. <br /> <br /> Shot on location in Nipton California. <br /> <br /> Red titled wrappers undated with credit for screenwriter Michael Fisher. Title page integral with front wrapper as issued. 122 leaves with last page of text numbered 122. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Dick Clark Productions unknown
1966142627Los Angeles: Twentieth Century-Fox 1966. Vintage oversize borderless double weight photograph from the 1966 film. With the stamp of French weekly "Tele Magazine" and manuscript annotations on the verso. <br /> <br /> Based on the 1962 novel by Richard McKenna about a rebellious sailor aboard the titular US gun boat patrolling China on the brink of civil war. Nominated for eight Academy Awards including Best Picture Best Actor for Steve McQueen and Best Supporting Actor for Mako. <br /> <br /> Set in China shot in Hong Kong Taiwan and Texas. <br /> <br /> 8 x 10 inches. Near Fine with light edgewear. Twentieth Century-Fox unknown
1925151451N.p.: N.p. 1925. Vintage reference photograph from the 1925 film showing actors George K. Arthur Bruce Guerin Otto Matiesen and Georgia Hale. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> An impoverished group of dockside dwellers decide to move to the city to make their fortunes. Josef von Sternberg's directorial debut. <br /> <br /> 10 x 8 inches. Very Good plus lightly and evenly toned with light foxing to the verso. N.p. unknown
1976135482New York: AVCO Embassy Pictures 1976. Four vintage borderless black-and-white double weight studio still photographs from the 1976 film. Base on the 1965 novel by Yukio Mishima. <br /> <br /> 8 x 10 inches. About Fine with AVCO Embassy descriptions tipped on to the verso. AVCO Embassy Pictures unknown
1943129155N.p.: N.p. 1943. Typescript treatment script for an unproduced film called "The Sailor and the Girl" written by Martha Chapin whose notable film credits include "Gambling with Souls" 1936 "Slaves in Bondage" 1937 and "Lightning Strikes West" 1940. Typeovers on a few pages. <br /> <br /> Set in New York during World War II with a touch of hard-boiled attitude the story follows Bill Jones an American sailor with shore leave in New York where he meets Carol a footloose woman with dark secrets involving theft and petty crime. <br /> <br /> Blue titled wrappers noted as Treatment on the front wrapper dated January 6 1943 and 6/9/43 with credit for screenwriter Chapin. 44 leaves with last leaf of text numbered 44. Carbon typescript on onionskin stock. Pages and wrapper Near Fine bound with two small gold brads. N.p. unknown
