4 698 résultats
1956132079London: Twentieth Century-Fox 1956. Collection of 6 vintage full-color British front-of-house cards from the UK release of the 1956 US film. <br /> <br /> Based on William Bradford Huie's novel with Jane Russell portraying the down-and-out prostitute who moves to Hawaii and invests in real estate and men. Marilyn Monroe refused the role. <br /> <br /> 8 x 10 inches. Light corner creases else Near Fine. Twentieth Century-Fox unknown
1971137443Burbank CA: Cinema Center Films 1971. Revised Final Draft script for the 1972 film. <br /> <br /> Based on a story by Steven W. Carabatsos. A key Western vigilante film John Benedict Holden leads a peaceful life on his ranch until a gang of Comanche Indians led by a white man murders his family and trashes his home. He assembles his own posse of ruthless outlaws guns-for-hire to help him enact sweet revenge on the murderers. <br /> <br /> Shot on location in Mexico. <br /> <br /> Red titled wrappers noted as Final Draft on the front wrapper and production No. 5008 dated January 5 1971 with a credit for screenwriter Mayes. Title page present dated January 5 1971 noted as FINAL DRAFT with a credit for screenwriter Mayes. 143 leaves with last page of text numbered 134. Mechanical duplication with blue light blue and pink revision pages throughout dated variously between 1/18/71 and 3/16/71. Pages and wrapper Near Fine bound internally with three gold brads. <br /> <br /> Hardy p. 341. Pitts 3402. Cinema Center Films unknown
1965146683N.p.: Lippert Pictures 1965. Collection of 20 vintage studio still photographs from the 1965 film in their original brown paper sleeve stamped "THE RETURN OF MR. MOTO 25 STILLS SET A." <br /> <br /> Mr. Moto the fictional Japanese secret agent created by author John P. Marquand appearing in 6 of his novels between 1935 and 1957 and portrayed by Peter Lorre in 8 motion pictures between 1937 and 1939 as well as a 1951 radio show starring James Monks is here portrayed by Henry Silva an undercover Interpol agent investigating the bombing of Middle East oil fields assisted by Beta Oil secretary Maxine Powell Suzanne Lloyed and Police Inspector Jim Halliday Stanley Morgan.<br /> <br /> 8 x 10 inches. Near Fine. Paper sleeve Near Fine closed tear along one edge. Lippert Pictures unknown
1976139893Beverly Hills CA: United Artists 1976. Eight vintage full-color lobby cards from the 1976 film. <br /> <br /> Based on characters developed by Dorothy M. Johnson. Sequel to the cult Western "A Man Called Horse" 1970 John Morgan Harris returns to save his Native tribe from being wiped out. More self-imposed rituals and torture ensue to invigorate the tribe to save their land. <br /> <br /> 11 x 14 inches. Light bumps to a few corners else Near Fine. <br /> <br /> Pitts 3369. United Artists unknown
1970139053N.p.: Madison Productions Inc 1970. Draft script for the 1971 film. <br /> <br /> An early exploitation take on the deathless we had to say that topic of clone research which was in its infancy at the time the film was released. Leslie Nielson plays a hard-nosed reporter who witnesses a car crash involving a senator and whose subsequent investigation reveals an intricate conspiracy involving high-level blackmail and advanced medical research. <br /> <br /> Set in Alamogordo New Mexico shot on location in Albuquerque New Mexico. <br /> <br /> Red titled front wrapper green rear wrapper. Title page present dated 12/01/70 with credits for screenwriters Jay Simms and Tom Rolf. 124 leaves with last page of text numbered 123. Xerographically duplicated first generation copy with no copied punch holes with blue revision pages throughout dated 12/23/70. Pages Fine wrapper Fine bound with two gold brads. Madison Productions Inc unknown
1957146759N.p.: Edward L. Alperson Productions 1957. Collection of 22 vintage studio still photographs from the 1957 film. <br /> <br /> A classic underrated Dwan film a revenge western in which a young gunslinger Scott Brady seeks to avenge his father's killings and Anne Bancroft plays a young Native American girl who falls in love with him along the way. Written by the pulp fiction writer Steve Fisher one of few who would successfully transition from pulps to Hollywood films with credits including film noirs such as "Lady in the Lake" "Song of the Thin Man" "Johnny Angel" and many more. <br /> <br /> Set in the border town of Mission Texas shot on location in California. <br /> <br /> 8 x 10 inches. Near Fine light edgewear and some with light creasing in corner margins. <br /> <br /> Pitts 3367. Edward L. Alperson Productions unknown
1958146678Universal City: Universal International Pictures 1958. Collection of eleven vintage studio still photographs from the 1958 film. <br /> <br /> Two photographs shown. Please inquire to see the others.<br /> <br /> A high school romance wherein Melinda Sandra Dee 16 years old and rumored to be an illegitimate child is a source of contention in her small town. When Will John Saxon the son of a traveling salesman begins attending he school the pair are instantly drawn to one another. The relationship is another source of drama for the poor scandalized Melinda. <br /> <br /> Shot on location in California. <br /> <br /> 8 x 10 inches. Very Good to Near Fine some light creasing 6 with uniform fading 2 with diagonal crease along bottom. Universal International Pictures unknown
1958158455Hollywood: Revue Productions 1958. Revised Draft script for the 39th episode of season one of the 1957-1959 Western television series. Copy belonging to actor Johnny Crawford with his name on the title page and his annotations throughout. <br /> <br /> The series followed the adventures of Vint Bonner a cowboy in the Old West after the Civil War. In this installment Bonner leads a surveying team in laying the boundary between Colorado and New Mexico but deals with strong opposition from a rancher and a widowed homesteader. The episode originally aired on June 16 1958 on NBC.<br /> <br /> Self wrappers. Title page present dated 3/31/58 noted as REV. with credit for screenwriter Arnold Belgard. 38 leaves with last page of text numbered 36. Spirit duplication rectos only with pink and blue revision pages throughout dated variously between 3/31/58 and 4/2/58. Pages Very Good plus with a portion cut out of the title page partially bound at the top corner with a single staple. Revue Productions unknown
1964152144Hollywood: World Wide Pictures 1964. Draft script for the 1965 film. Copy belonging to actor Johnny Crawford with his name in manuscript ink on the front wrapper and his manuscript annotations in ink and pencil throughout. With an eight-page shooting schedule bound in before the script. <br /> <br /> The rebellious son of two television reporters forces his parents to examine their own lives leading to their conversion to born-again Christianity. <br /> <br /> Green titled wrappers noted as production No. 197. Title page present with credit for screenwriter James Collier. 124 leaves with last page of text numbered 122. Mimeograph duplication rectos only with blue and tan revision pages throughout dated Nov. 19 1964. Pages Very Good plus wrapper Very Good plus bound with a silver prong. Housed in blue wrappers with a typed title label affixed on the front wrapper dated 1964. World Wide Pictures unknown
1952141395N.p.: Artes Films 1952. Eight vintage studio still photographs from the 1952 French film. Mimeo snipe affixed to the versos of four stills. Based on Jean-Paul Sartre's 1946 play "The Respectful Prostitute." <br /> <br /> A racially charged film based on the play which caused Sartre to be deemed "anti-American" for its incisive critique of racism in America. A prostitute is compelled to testify against an innocent African American in a murder cover-up. <br /> <br /> 8 x 10 inches. Very Good plus. Light ware and curling overall scattered manuscript ink and pencil annotations to the versos. Artes Films unknown
1966158517Los Angeles: Twentieth Century-Fox 1966. Vintage studio still photograph from the US release of the 1966 film showing Jacqueline Pearce in costume as The Reptile attacking Jennifer Daniel. Provenance stamp and annotations in manuscript pencil on the verso. <br /> <br /> Newcomers in a small Cornish village discover that the locals are plagued by mysterious ailments and even deaths that resemble snakebite poisoning. <br /> <br /> Shot on location in Berkshire and Surrey.<br /> <br /> 10 x 8 inches. About Near Fine. <br /> <br /> Johnson and Del Vecchio p. 268. Twentieth Century-Fox unknown
1959146808Los Angeles: Twentieth Century-Fox 1959. Collection of 41 vintage studio still photographs from the 1959 film. <br /> <br /> Based on the 1952 play by Liam O'Brien. Set in early 1900s Pennsylvania where a freethinking man Mr. Horace Pennypacker Clifton Webb turns out to secretly have had a second family with a total of 17 children between the two. <br /> <br /> 8 x 10 inches. Very Good to Near Fine light curling nearly half uniformly faded some faint creasing a few with small closed tears in margins. Twentieth Century-Fox unknown
1941156662Culver City CA: Walt Disney 1941. Vintage studio still photograph from the 1941 film showing three animators working on designs for a number of classic Disney animated characters including Mickey and Minnie Mouse Goofy and Pluto.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Based on the 1930 short story by Kenneth Grahame. A behind-the-scenes documentary about Walt Disney's animation process including the cartoon short of the title which in later years was often exhibited separately from this film. The first Disney animated feature to include live-action footage.<br /> <br /> 10 x 8 inches. Very Good plus with moderate soil overall and wear at the corners. Walt Disney unknown
1969146615N.p.: Cinema Center Films 1969. Five vintage studio photographs from the 1969 film 2 of Steve McQueen 2 of Sharon Farrell and 1 of Mitch Vogel. <br /> <br /> Based on Faulkner's Pulitzer Prize-winning 1962 novel his last book. Boon McQueen and his buddy are reivers or thieves who steal the McCaslin family's new car a Winton Flyer. They are out on bond by the owner of the car but Boon can't help himself and steals the car again this time traveling to Memphis to see his beau Corrie Farrell. <br /> <br /> Nominated for 2 Academy Awards.<br /> <br /> Shot on location in Mississippi. <br /> <br /> 8 x 10 inches. Near Fine some light creasing. Cinema Center Films unknown
1915151537Los Angeles: Fox Film 1915. Vintage lobby card for the 1915 silent film.<br /> <br /> Based on the 1908 play by Walter C. Hackett and Owen Frawley Kildare in turn based on Kildare's 1903 memoir "My Mamie Rose." A poor Irish-American orphan rises into power as a mob leader but decides to cut his criminal ties when he falls in love with a beautiful social worker. One of the first full-length gangster films presumed to be lost until the 1970s and now preserved at the Museum of Modern Art's Department of Film. <br /> <br /> Set in New York.<br /> <br /> 14 x 11 inches. Very Good moderately toned and edgeworn with pinholes to the corners.<br /> <br /> National Film Registry. Scorsese A Personal Journey Through American Movies. Fox Film unknown
1948160687London: The Rank Organization 1948. Five vintage reference photographs from the 1948 British film showing the film's famous and impressionistic "ballet sequence." Three with printed mimeo snipes affixed to the versos and all five with stamps of The Rank Organisation on the versos. <br /> <br /> Loosely based on the 1845 fairy tale by Hans Christian Andersen following an up-and-coming prima ballerina whose personal life is strained by her ballet master's obsessive demand that she devote herself entirely to her career. Michael Powell's tenth collaboration with his longtime partner Emeric Pressburger a critical success and worthy successor to their 1947 Technicolor classic "Black Narcissus."<br /> <br /> Nominated for five Academy Awards winning two. <br /> <br /> 9.5 x 8 inches. Near Fine to Very Good plus some with light toning. <br /> <br /> Criterion Collection 44. Ebert III. Rosenbaum 1000. Schrader 41. The Rank Organization unknown
1948167643London: The Rank Organization 1948. Two vintage reference photographs from the 1948 British film. Printed mimeo snipes and J. Arthur Rank stamps on the versos. <br /> <br /> Loosely based on the 1845 fairy tale by Hans Christian Andersen following an up-and-coming prima ballerina whose personal life is strained by her ballet master's obsessive demand that she devote herself entirely to her career. Michael Powell's tenth collaboration with his longtime partner Emeric Pressburger a critical success and worthy successor to their 1947 Technicolor classic "Black Narcissus."<br /> <br /> Nominated for five Academy Awards winning two. <br /> <br /> 9.75 x 7.75 inches. About Near Fine. <br /> <br /> Criterion Collection 44. Ebert III. Rosenbaum 1000. Schrader 41. The Rank Organization unknown
1972160117Los Angeles: Omnibus Productions Inc. / National Broadcasting Company NBC 1972. Second Draft script for the 1973 television movie which originally aired on March 18 1973 on NBC. Working copy belonging to screenwriter Ron Bishop with an annotation in manuscript pencil on the title page noting "Bishop only" and 18 manuscript revision pages in Bishop's hand laid in. <br /> <br /> Based on the 1937 novella by John Steinbeck filmed once before by Lewis Milestone in 1949. Winner of two Primetime Emmy awards and nominated for seven more. <br /> <br /> Shot on location in Sonora California. <br /> <br /> Beige generic agency wrappers. Title page present undated noted as Second Draft with credits for screenwriter Ron Bishop and novelist John Steinbeck. 126 leaves with last page of text numbered 124. Xerographic duplication rectos only with 18 undated manuscript revision pages laid in. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Omnibus Productions Inc. / National Broadcasting Company [NBC] unknown
1949148867North Hollywood: Republic Pictures 1949. Four vintage photographs two studio still photographs and two publicity photographs one iconic photograph of Robert Mitchum and one headshot of Shepperd Studwick all from the 1949 film. <br /> <br /> Based on the novella by John Steinbeck who also wrote the screenplay published in full in 1937.<br /> <br /> A young boy Peter Miles is enamored with the colt he has been entrusted to raise only to find the colt has caught an illness and is dying. <br /> <br /> Steinbeck's first film assignment though other Steinbeck screenplays would end up being released prior to "The Red Pony." At the time it was the longest and costliest production in Republic history borrowing Robert Mitchum from RKO and also starring Myrna Loy. <br /> <br /> Set in and shot on location in California. <br /> <br /> 8 x 10 inches. Very Good plus with light creasing in margins and even fading on three of the photographs and a small bruise in the right margin of one. Republic Pictures unknown
1951149914N.p.: N.p. 1951. Vintage reference photograph from the 1951 film showing director John Huston in costume for his cameo as a Union veteran. With manuscript ink and pencil annotations on the verso regarding layout along with a collector label. <br /> <br /> Based on the classic 1895 novel by Stephen Crane which follows a Union soldier throughout the course of the Civil War. At the completion of shooting Huston considered the film one of his best but MGM cut over an hour from his film before releasing it to a poor reception. <br /> <br /> 8 x 10 inches. Very Good plus lightly creased and worn to the corners. N.p. unknown
1951143633Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1951. Vintage studio still photograph from the 1951 film showing director John Huston on location. <br /> <br /> Based on the classic 1895 novel by Stephen Crane. At the completion of shooting Huston considered the film one of his best but MGM cut over an hour from his film before releasing it to a poor reception. <br /> <br /> 10 x 8 inches. Very Good plus with light creasing to the corners and light toning to the margins. <br /> <br /> Godard Histoires du cinema. Metro-Goldwyn-Mayer [MGM] unknown
1967167722Budapest: Hungarofilm 1967. Collection of 23 vintage borderless reference photographs from the 1967 film including one showing director Miklós Jancsó on the set. Annotations in manuscript ink and pencil along with provenance labels on the versos. <br /> <br /> A Russian-Hungarian co-production the film was originally commissioned to celebrate the 50th anniversary of the 1917 October Revolution led by Lenin's Bolsheviks. However Jancsó chose to set the action two years later in 1919 focusing on the Hungarian soldiers supporting the Red Army in fighting the Whites. Instead of an idealized depiction of the revolution the resultant release was bleak and profoundly antiheroic and is today considered one of the masterpieces of Hungarian cinema. <br /> <br /> Generally 7 x 5 inches some with wide bottom margins. Very Good plus to Near Fine. <br /> <br /> Rosebaum 1000. Vogel Film as a Subversive Art. Hungarofilm unknown
1967141810Budapest: Mafilm 1967. Vintage Hungarian program for the 1967 film. Photo-illustrated with scenes from the film including one large image on the entirety of the verso. Text in Hungarian. <br /> <br /> One of the masterpieces of Hungarian cinema. A Russian-Hungarian co-production "The Red and the White" was originally commissioned to celebrate the 50th anniversary of the October Revolution in Russia in which the Bolsheviks seized power. However Jancso chose to set the action two years later in 1919 and showed Hungarian irregulars supporting the Communist "Reds" in fighting the Tsarist "Whites" as the two sides battled for control in the hills overlooking the Volga river. As well as deviating on the required setting Jancso also chose to use a radically different approach to the film than that expected. Rather than shooting a hagiographic account of the birth of Soviet communism Jancso produced a profoundly anti-heroic film that depicts the senseless brutality of the Russian Civil War specifically and all armed combat in general. <br /> <br /> 7.75 x 3.5 folded 15.25 x 10.75 unfolded. Near Fine. <br /> <br /> Rosebaum 1000. Vogel Film as a Subversive Art. Mafilm unknown
1979166955Universal City: Universal Studios 1979. Two original screenplays both containing both Parts I and II of the 1979 TNT television series which aired in two two-hour parts on May 13 and 14 1979. Copies belonging to actress Christina Cummings who played the "Barmaid" with a marker annotation circling her character with her name adjacent on the Cast page of the first script and an ink annotation of "Barmaid / Sc 62.63" on the title page of the second script.<br /> <br /> Both screenplays are dated November 24 1978 the first on all yellow leaves with the latest revisions dated 1/30/79 and the second on yellow leaves with blue revision pages dated 2/21/79.<br /> <br /> Based on the 1975 historical novel by John Jakes the second of Jakes' "The Kent Family Chronicles" also known as "The American Bicentennial Series" preceded by the 1974 novel "The Bastard" and followed by the 1975 novel "The Seekers" which was then followed by five additional novels in the series over the following four years. Sequel to the 1978 Universal Television mini-series "The Bastard" directed by Lee H. Katzin.<br /> <br /> The continuing saga of Philip Kent Andrew Stevens the illegitimate son of an English nobleman who renounces his birthright to become a Colonial soldier during the American Revolution and befriends the southern aristocrat Judson Fletcher Don Johnson and helps to thwart a plot to assassinate George Washington played by Peter Graves. <br /> <br /> Shot on location in Hope Valley California. <br /> <br /> First Script on all yellow leaves:<br /> Front wrapper integral with title page dated November 24 1978 with credits for screenwriter Sean Baine author John Jakes and Participating Writer R. A. Cinader. 222 leaves with last page of text numbered 218. Mimeograph duplication rectos only. Pages Very Good plus with a rough tear to the top right corner of the title page and light foxing to the first and final leaves bound with two gold brads.<br /> <br /> Second Script yellow leaves with blue revision pages:<br /> Front wrapper integral with title page dated November 24 1978 with credits for screenwriter Sean Baine author John Jakes and Participating Writer R. A. Cinader. 219 leaves with last page of text numbered 219. Mimeograph duplication rectos only with blue revision pages throughout dated 2/20/79. Pages Very Good plus with edgewear and a closed tear to left side of the title page and light foxing to the first and final leaves bound with two gold brads. Universal Studios unknown
1946148260Los Angeles: Twentieth Century-Fox 1946. Three vintage photographs from the 1946 film two studio still photographs and one on the set photograph of Tyrone Power and actor Hassan Khayyam who had a small uncredited role in the film. Photograph of Power and Khayyam has annotations on recto in manuscript marker.<br /> <br /> Based on the 1944 novel by W. Somerset Maugham. <br /> <br /> A former pilot of World War I is traumatized by his experience in the war. He eventually travels to France to clear his head and loses his high-class fiance in the process. Ten years later he returns and she finds him stopping at nothing to win him back despite already being married to another man. <br /> <br /> Winner of one Academy Award for Best Supporting Actress and nominated for an additional three including Best Actor and Best Picture. <br /> <br /> Set in America and France shot on location in Denver Colorado. <br /> <br /> 8 x 10 inches. Very Good plus one light vertical crease to left and creasing to corner margins. Twentieth Century-Fox unknown
