8 853 résultats
140157Switzerland: CVB Publishers N.d. Undated reproduction based on the design of the original French grande poster for the 1967 film. <br/><br/>A charming French musical directed by Jacques Demy and staring Catherine Deneuve directly following his 1964 film "The Umbrellas of Cherbourg" also starring Deneuve. Nominated for an Academy Award for Best Musical score. <br/><br/>Shot on location in Rochefort Charente-Maritime France. <br/><br/>20 x 27 inches. Fine. <br/><br/>BFI. Criterion Collection 717. Rosenbaum 1000. CVB Publishers unknown books
1967157108Paris: France-Soir 1967. Two vintage borderless reference photographs from the 1967 French film. Both with stamps on the verso crediting photographer André Grassart. <br /> <br /> In search of love two sisters leave their small hometown and begin working as traveling carnival singers. Director Jacques Demy's charming follow-up to his 1964 film "The Umbrellas of Cherbourg."<br /> <br /> Shot on location in Rochefort Charente-Maritime France. <br /> <br /> Both photographs approximately 12 x 8 inches. Near Fine. <br /> <br /> BFI. Criterion Collection 717. Rosenbaum 1000. France-Soir unknown
1957145156Culver City CA: RKO Radio Pictures 1957. Vintage linen backed keybook photograph from the set of the 1957 film. Mimeo snipe on the verso. <br /> <br /> Hal Ditmar James MacArthur the teenage son of a wealthy movie producer gets in a fight the manager of a theater and struggles to convince either the police or his father that he acted in self-defense. <br /> <br /> Shot on location in Los Angeles. <br /> <br /> 8 x 10 inches. Near Fine. RKO Radio Pictures unknown
1970163450Hollywood: Tempo Enterprises / Crown Pictures 1970. Revised Final Draft script for the 1971 film. Copy belonging to an unidentified crew member with annotations in manuscript ink and pencil on the title page and three leaves of the script.<br /> <br /> While waiting for the results from a pregnancy test a precocious high school senior decides to leave her family older lover and boyfriend behind and hitchhike to Big Sur California with her best friend.<br /> <br /> Red titled wrappers noted as copy No. 23 in manuscript ink on the front wrapper. Title page present undated noted as Revised Final Draft with credit for screenwriter David Allen Dixon. 125 leaves with last page of text numbered 124. Mimeograph duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. Tempo Enterprises / Crown Pictures unknown
1973162618N.p.: Cannon Group 1973. Two vintage studio still photographs from the US release of the 1972 British film originally released in the UK under the title "Au Pair Girls." Both photographs with a provenance stamp on the verso one also with a label obscuring a previous provenance stamp. <br /> <br /> Several young women from continental Europe and Asia arrive in England to begin jobs as au pairs and spend more time bedding their hosts than doing their jobs. Veteran British director Val Guest's first foray in the sex comedy genre. <br /> <br /> Shot on location in London and Berkshire England. <br /> <br /> 8 x 10 inches. Near Fine. Cannon Group unknown
1964150332N.p.: N.p. 1964. Vintage oversize borderless black and white photograph of actor Omar Sharif playfully clicking his heels in the air between takes while filming on location in Austria for the 1964 film. With holograph pencil and ink annotations on the verso along with a PIX Agency stamp crediting photographer Denis Cameron. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br/><br/>A romantic comedy anthology about the varied owners of an idiosyncratic yellow Rolls-Royce from its first owners a British aristocrat and his unfaithful wife to its last a socialite who accidentally becomes involved in the Nazi invasion of Ljubljana. <br/><br/>Set and shot on location in London and Hertfordshire in England Naples Florence and Tuscany in Italy and Austria. <br/><br/>11.25 x 14 inches. Near Fine with brief wear to the corners. N.p. unknown books
1964132696London: National Screen Service / MGM 1964. Vintage full-color still photograph from the 1964 UK film. <br/><br/>A star-studded romantic comedy about the lives and loves of those who own a certain yellow Rolls-Royce. <br/><br/>8 x 10 inches. Light creases at the extremities else Near Fine. National Screen Service / MGM unknown books
1964150332N.p.: N.p. 1964. Vintage oversize borderless black and white photograph of actor Omar Sharif playfully clicking his heels in the air between takes while filming on location in Austria for the 1964 film. With manuscript pencil and ink annotations on the verso along with a PIX Agency stamp crediting photographer Denis Cameron. <br /> <br /> From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br /> <br /> A romantic comedy anthology about the varied owners of an idiosyncratic yellow Rolls-Royce from its first owners a British aristocrat and his unfaithful wife to its last a socialite who accidentally becomes involved in the Nazi invasion of Ljubljana. <br /> <br /> Set and shot on location in London and Hertfordshire in England Naples Florence and Tuscany in Italy and Austria. <br /> <br /> 11.25 x 14 inches. Near Fine with brief wear to the corners. N.p. unknown
1991151433N.p.: N.p. 1991. Fourth Draft script for the 1992 film. <br/><br/>An international chase ensues in pursuit of the most valuable bottle of wine in history bottled in the year of the Great Comet of 1811. <br/><br/>Shot on location in France Scotland and England. <br/><br/>Self front wrapper integral with title page dated February '91 noted as Fourth draft with credits for screenwriter William Goldman. 121 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Near Fine back wrapper Very Good plus with light dampstains on bottom left bound with two gold brads. N.p. unknown books
1971162117New York: American International Pictures AIP 1971. Vintage reference photograph from the American release of the 1969 Italian film showing actor Pierre Clémenti holding a photograph of Britt Ekland. <br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> Loosely based on the classic Athenian tragedy "Antigone" set in contemporary Milan and using the play to explore the protests of 1968 the Years of Lead and the Italian countercultural movement. <br /> <br /> 10 x 7.5 inches. Very Good plus with moderate glue residue on the verso. American International Pictures [AIP] unknown
2000151190Los Angeles: Miramax 2000. Vintage reference photograph of director James Gray and Victor Arnold on the set of the 2000 film.<br/><br/>Leo Mark Wahlberg out of prison for auto theft attempts to go straight and gets a job with his uncle Frank James Caan one of the largest contractors at the rail yards which is rife with corruption and graft. <br/><br/>Nominated for the Palm d'Or.<br/><br/>Set in and shot on location in New York City. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Grant US. Spicer US. Miramax unknown books
1995163676Beverly Hills CA: Twentieth Century-Fox Television 1995. Two vintage color promotional portrait photographs of Gillian Anderson and David Duchovny in character from 1995 released during the second to third season of the beloved Fox television series which aired in its original run from September 1993 through May 2002. <br /> <br /> The show originally ran for nine seasons from 1995 through 2002 and was revived for a short six episode tenth season in 2016. Following the success of the revival the show returned for a ten episode eleventh season in 2018. In addition to the television series the show spawned two feature films "The X-Files" directed by Rob Bowman in 1998 and "The X-Files: I Want to Believe" directed by creator Chris Carter in 2008 as well as the 2001 Fox series "The Lone Gunman" and numerous comic book adaptations.<br /> <br /> Two FBI Special Agents Fox Mulder Duchovny and Dana Scully Anderson investigate the eponymous "X-Files" marginalized unsolved cases involving paranormal phenomena. Winner of 16 Primetime Emmy Awards.<br /> <br /> 8 x 10 inches. Near Fine. Twentieth Century-Fox Television unknown
1956143359Burbank CA: Warner Brothers 1956. Vintage borderless photograph of a contemplative Alfred Hitchcock on the set of the 1956 film. With the stamp of Warner Bros. Netherlands on the verso. <br/><br/>Based on the real life story of Manny Balestrero accused of a series of robberies he didn't commit as detailed in the nonfiction book "The True Story of Christopher Emmanuel Balestrero" by Maxwell Anderson who co-wrote the screenplay and the "Life" magazine article "A Case of Identity" by Herbert Brean. Hitchcock's final film for Warner Brothers and an influence on both Jean-Luc Godard and Martin Scorsese. <br/><br/>7.25 x 9.25. About Near Fine. <br/><br/>Grant US. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Warner Brothers unknown books
1956143359Burbank CA: Warner Brothers 1956. Vintage borderless photograph of a contemplative Alfred Hitchcock on the set of the 1956 film. With the stamp of Warner Brothers Netherlands on the verso. <br /> <br /> Based on the real life story of Manny Balestrero accused of a series of robberies he didn't commit as detailed in the nonfiction book "The True Story of Christopher Emmanuel Balestrero" by Maxwell Anderson who co-wrote the screenplay and the "Life" magazine article "A Case of Identity" by Herbert Brean. Hitchcock's final film for Warner Brothers and an influence on both Jean-Luc Godard and Martin Scorsese. <br /> <br /> 7.25 x 9.25. About Near Fine. <br /> <br /> Grant US. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Warner Brothers unknown
1972139738Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Two vintage studio still photographs from the 1972 film. Based on Harry Patterson's 1971 novel "The Wrath of God."<br/><br/>After nearly escaping death by firing squad Van Horne is sent to Central America on a mission to kill a local desperado. <br/><br/>Set in Central America shot on location in Mexico. <br/><br/>8 x 10 inches and 10 x 8 inches 25.5 x 20.5. Near Fine with a holograph notation to the verso. Metro-Goldwyn-Mayer [MGM] unknown books
1972139737Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Two vintage color studio still photographs from the 1972 film. Based on Harry Patterson's 1971 novel "The Wrath of God."<br/><br/>After nearly escaping death by firing squad Van Horne is sent to Central America on a mission to kill a local desperado. <br/><br/>Set in Central America shot on location in Mexico. <br/><br/>10 x 8 inches. Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1964146145N.p.: Primex Films 1964. Vintage borderless photograph of Jean-Luc Godard in Morocco from the 1964 film. French mimeo snipe on the verso. <br/><br/>An anthology film featuring five stories about swindlers around the world. Godard's segment stars Jean Seberg as a journalist accused of passing fake currency who then tracks down and interviews the counterfeiter in the segment "Le Grand escroc" "The Great Swindler". Other segments were directed by Claude Chabrol Ugo Gregoretti Hiromichi Horikawa and Roman Polanski whose segment had been removed at his request. <br/><br/>7.25 x 9.5 inches. Near Fine. <br/><br/>Olive Films 1339. Primex Films unknown books
1964142630France: Ulysse Productions 1964. Vintage borderless photograph of a playful Jean Seberg pointing her prop camera back at the real one on the set of the 1964 film. With the stamp of production company Ulysse Productions and holograph annotations on the verso. <br/><br/>An anthology film featuring five stories about swindlers around the world with Seberg appearing as a journalist accused of passing fake currency who then tracks down and interviews the counterfeiter in the segment "Le grand escroc" "The Great Swindler" directed by Jean-Luc Godard. Other segments were directed by Claude Chabrol Ugo Gregoretti Hiromichi Horikawa and Roman Polanski. <br/><br/>9.5 x 7 inches. Near Fine. <br/><br/>Olive Films 1339. Ulysse Productions unknown books
1977163609Beverly Hills CA: Twentieth Century-Fox 1977. Vintage bi-fold color program for the 1977 film. Printed on the recto and the verso. <br /> <br /> A parody of 1920s silent film and actors particularly actor Rudolph Valentino. A studio that rivals Valentino's decides to hire an actor to compete with him choosing a baker from Milwaukee. <br /> <br /> Set in Hollywood shot on location in California. <br /> <br /> Near Fine. Twentieth Century-Fox unknown
1977166312N.p.: N.p. 1977. Rainbow Revision Final Draft script for the 1977 film. Copy belonging to actor Nick Dimitri. Bound in with the script is a Typed Letter Signed on custom letterhead for the film addressed to Dimitri from Wilder's secretary Kate Kovacs dated February 22 1977. Also bound in with the script are five revision pages. <br /> <br /> The script also appears to have been used by actor Sal Viscuso with his annotations in manuscript ink on pages 80-A and 81.<br /> <br /> A parody of 1920s silent film and actors particularly actor Rudolph Valentino. A studio that rivals Valentino's decides to hire an actor to compete with him choosing a neurotic baker from Milwaukee. <br /> <br /> Shot on location in California.<br /> <br /> Tan illustrated titled wrappers. Title page present dated January 3 1977 noted as FINAL with credits for screenwriter Gene Wilder. 141 leaves with last page of text numbered 126. Mimdographic duplication rectos only with blue pink green yellow and goldenrod revision pages throughout dated variously between 1/19/77 and 4/20/77. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1964142630France: Ulysse Productions 1964. Vintage borderless photograph of a playful Jean Seberg pointing her prop camera back at the real one on the set of the 1964 film. With the stamp of production company Ulysse Productions and manuscript annotations on the verso. <br /> <br /> An anthology film featuring five stories about swindlers around the world with Seberg appearing as a journalist accused of passing fake currency who then tracks down and interviews the counterfeiter in the segment "Le grand escroc" "The Great Swindler" directed by Jean-Luc Godard. Other segments were directed by Claude Chabrol Ugo Gregoretti Hiromichi Horikawa and Roman Polanski. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Olive Films 1339. Ulysse Productions unknown
1981152765Burbank CA: Warner Brothers 1981. Final Draft script for the 1982 film. Copy belonging to an unknown crew member with their name in holograph pencil annotation to the front wrapper and a single holograph ink annotation to the title page noting copy No. 201. <br/><br/>Based on the 1978 novel by John Irving. Director George Roy Hill capped an impressive career with this film one of the best literary adaptations of the 1980s a great example of a successful and uncompromised translation of a novel's idiosyncrasies directly to the screen and a triumph of ensemble acting. Nominated for two Academy Awards for Best Supporting Actor and Best Supporting Actress for John Lithgow and Glenn Close respectively.<br/><br/>Shot on location in New York and New Jersey. <br/><br/>Blue titled wrappers. Title page present dated January 1981 noted as Final Draft with credits for screenwriter Steve Tesich and novelist John Irving. 170 leaves with last page of text numbered 139. Xerographic duplication rectos only with pink blue and yellow undated revision pages throughout. Pages Very Good plus with light foxing to the first and last leaves wrapper Very Good plus with dampstains and light soil to the binding and rear wrapper bound internally with three gold brads. Warner Brothers unknown books
1973163692Los Angeles: Wolper Productions 1973. Treatment script for the 1973 television movie originally aired on November 27 1973 on ABC. <br /> <br /> An hourlong documentary film about the Battle of Yorktown during the Revolutionary War focusing on George Washington's role in the conflict.<br /> <br /> Beige untitled Wolper Productions wrappers with a die-cut title window on the front wrapper. Title page present dated June 12 1973 with credit for screenwriter Al Ramrus. 44 leaves with last page of text numbered 43. Xerographic duplication rectos only with three white revision pages dated 6/25/73. Pages Near Fine wrapper Near Fine with a black Velo binding. Wolper Productions unknown
160216Burbank CA: Warner Brothers 1981. Final Draft script for the 1982 film. Rainbow copy with a manuscript ink annotation on the title page noting copy No. 209. <br /> <br /> Based on the 1978 novel by John Irving. One of the best literary adaptations of the 1980s a great example of a successful and uncompromised translation of a novel's idiosyncrasies directly to the screen and a triumph of ensemble acting. Nominated for two Academy Awards for Best Supporting Actor and Best Supporting Actress for John Lithgow and Glenn Close respectively.<br /> <br /> Shot on location in New York and New Jersey. <br /> <br /> Blue titled PanArts/Warner Brothers wrappers. Title page present dated January 1981 noted as Final Draft with credits for screenwriter Steve Tesich and novelist John Irving. 170 leaves with last page of text numbered 139. Xerographic duplication rectos only with pink blue and yellow undated revision pages throughout. Pages Very Good plus with soil on the fore-edge of the title page wrapper Very Good slightly yapped at the edges and lightly soiled bound internally with three gold brads. Warner Brothers unknown
1982168493N.p.: N.p. 1982. Vintage borderless oversize reference photograph from the 1982 film showing director George Roy Hill with actor Robin Williams on the set. Mimeo snipe on the verso. <br /> <br /> Based on the 1978 novel by John Irving. One of the best literary adaptations of the 1980s a great example of a successful and uncompromised translation of a novel's idiosyncrasies directly to the screen and a triumph of ensemble acting. Nominated for two Academy Awards for Best Supporting Actor and Best Supporting Actress for John Lithgow and Glenn Close respectively.<br /> <br /> 11.75 x 8.75 inches. About Fine. N.p. unknown