8 853 résultats
1959151606New York: Metro-Goldwyn-Mayer MGM 1959. Vintage press kit for the 1959 film here called an "editor's portfolio." Full-color illustrated pocketed folder containing 16 black and white photographs and 5 gatherings of promotional reading material.<br /> <br /> Based on M.P. Shiel's 1901 novel "The Purple Cloud." A miner trapped in a cave for several days resurfaces only to realize humankind has been virtually wiped out in a nuclear holocaust. He travels to New York where he bands together with a young woman survivor but their fragile existence is soon disrupted by the arrival of another survivor. <br /> <br /> Shot on location in New York and New Jersey.<br /> <br /> Folder photographs and promotional material Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1972161899Burbank CA: New Line Cinema 1972. Vintage studio still photograph from the US release of the 1971 Italian film here under the US release title "Lulu the Tool." Provenance stamp on the verso. <br /> <br /> Director Elio Petri's socio-political drama wherein a hard working factory worker Ludovico Lulu loses a finger in a working accident and joins a faction of workers calling for a strike only to fired for agitational behavior after the workers reach an agreement with the management. Winner of the Palm d'Or.<br /> <br /> Shot on location in Piedmont Italy. <br /> <br /> 8 x 10 inches. Very Good plus with faint creasing and a wax pencil annotation on the top right of the recto. New Line Cinema unknown
1980140877Burbank CA: Warner Brothers Television 1980. Vintage studio still photograph from the 1980 film. Based on Carol Sobieski's novel of the same name. <br/><br/>A married mother of two leaves her unfaithful husband in order to pursue her education. The made-for-television movie received positive reviews for its feminist message despite being produced by a predominantly male network. <br/><br/>Shot on location in California. <br/><br/>8 x 10 inches. Near Fine. Warner Brothers Television unknown books
1968162604N.p.: International Film Artists 1968. Three vintage studio still photographs from the 1969 film here under the release title "The Women" also released under the titles "The Vixens" and "Friends and Lovers." Two photographs with provenance stamps on the versos.<br /> <br /> Bob slips to his death off a dam bridge. His wife Betty reconstructs recent events to the police flashing back to a series of trysts and couple swapping that have nothing to do with Bob's accident.<br /> <br /> Shot on location in Connecticut and New York. <br /> <br /> 8 x 10 inches. Very Good plus one photograph with a wax pencil annotation to the top right margin and a crease and a small closed tear in the bottom margin. International Film Artists unknown
1948139636Burbank CA: Warner Brothers 1948. Vintage photograph from the set of the 1948 film. Featuring Eleanor Parker standing next to Sydney Greenstreet with Gig Young kneeling at the feet of Alexis Smith in front of the pair. From the private collection of Eleanor Parker. Photographer Bob Palmer's rubber stamp to the verso. Based on the 1859 Wilkie Collins novel. <br/><br/>An artist Gig Young hired to teach a wealthy woman Eleanor Parker uncovers a plot to erode her sanity. He becomes involved with one of Parker's cousins and together the pair attempt to save her and the family fortune from her conniving invalid uncle and new husband. Set on an English estate. <br/><br/>10 x 8 inches. Near Fine condition. <br/><br/>Selby US. Spicer US. Warner Brothers unknown books
1937139833Culver City CA: RKO Radio Pictures 1937. Collection of three vintage black-and-white double reference studio still photographs from the 1937 film. <br/><br/>A dramatic love triangle occurs between two fellow pilots and one pilot's wife to the backdrop of WWI. <br/><br/>10 x 8 inches. Very Good plus with light toning overall and light soiling to the verso. Blue and red holograph annotations to the verso and a stamp to the verso of image E-88. <br/><br/>Complete collation details available on request. RKO Radio Pictures unknown books
1944150383N.p.: N.p. 1944. Two vintage photographs from the set of the 1944 film noir one showing director Fritz Lang closely inspecting a filmstrip the other showing Lang in conversation with actress Joan Bennett. <br /> <br /> Based on J. H. Wallis' 1943 novel "Once Off Guard." A married psychology professor gets mixed up with a beautiful young woman who plunges him into a world of blackmail and murder. <br /> <br /> One 9.5 x 7.5 inches one 8 x 10 inches. Near Fine. <br /> <br /> Grant US. Selby US Masterwork. Silver Classic Noir. Spicer US. N.p. unknown
1947159822Culver City CA: RKO Radio Pictures 1947. Vintage reference photograph of director Jean Renoir talking with actors Joan Bennett and Robert Ryan on the set of the 1947 film. Printed mimeo snipe affixed to the verso along with a provenance stamp and the stamp of RKO photographer John Miehls.<br /> <br /> Renoir's last Hollywood film one of his most impressionistic and artistic efforts. A coast guard officer with post-traumatic stress disorder becomes involved with the beautiful wife of a blind painter. <br /> <br /> Shot on location in Malibu and Sequit Point California. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Grant US. Rosenbaum 1000. Selby US. Silver and Ward US. Spicer US. RKO Radio Pictures unknown
1941149752Universal City: Universal Pictures 1941. Vintage studio still photograph from the 1941 film showing Lon Chaney Jr. in costume as the eponymous Wolf Man getting groomed by makeup artist Jack P. Pierce. <br/><br/>A man visiting his ancestral home in Wales is bitten by a strange wolf-like creature leading to his occasional moonlit transformation into a bloodthirsty werewolf. Universal Pictures' second werewolf film preceded by the less successful "Werewolf of London" 1935 and followed by several "Wolf Man" monster mash-up sequels including "Frankenstein Meets the Wolf Man" 1943 and "House of Frankenstein" 1944. <br/><br/>Set in Llanwelly Wales.<br/><br/>10 x 8 inches. Very Good plus lightly and evenly toned. Universal Pictures unknown books
1978152304Universal City: Universal 1978. Vintage Variety Weekly advertising supplement for the 1978 film full color two-sided fold-out five double sided panels with fifth panel extending out from bottom.<br/><br/>Loosely based on the 1974 musical with book by William F. Brown and music and lyrics by Charlie Smalls a contemporary African American reimagining of the 1900 L. Frank Baum children's novel "The Wonderful Wizard of Oz" as well as the Victor Flemming's 1939 classic adaptation starring Judy Garland. Nominated for four Academy Awards including Best Cinematography.<br/><br/>10.75 x 15 inches which unfolds to 21.25 x 30 inches with an additional 10.75 x 15 leaf on bottom. Very Good with light wear and center horizontal crease running through all panels. Universal unknown books
1978156688Universal City: Universal Pictures 1978. Vintage reference photograph from the 1978 film showing actor Ted Ross in costume as the Cowardly Lion sitting on set between takes while director Sidney Lumet and crew members work in the background. Manuscript pencil and ink annotations on the verso.<br /> <br /> Loosely based on the 1974 musical with book by William F. Brown and music and lyrics by Charlie Smalls. A contemporary African American reimagining of the 1900 L. Frank Baum children's novel "The Wonderful Wizard of Oz" as well as Victor Fleming's 1939 classic adaptation starring Judy Garland. <br /> <br /> 10 x 8 inches. Very Good plus with light wear at the corners and an annotation in manuscript pencil on the top margin of the recto. Universal Pictures unknown
1999157021Hollywood: Sony Pictures Classics 1999. Vintage program for the debut of the 1999 film. <br /> <br /> Based on the 1946 play by Terence Rattigan about a British family whose attempts to defend their teenage son from accusations of postal theft escalate into a costly and scandalous media storm. <br /> <br /> Set and shot on location in London.<br /> <br /> 6.5 x 9 inches. 22 leaves in perfect-bound wrappers. Near Fine. Sony Pictures Classics unknown
1949WRCLIT67369Culver City: Selznick Studios 1949. 4123 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in stencil-printed wrappers. Upper wrapper snagged at top brad otherwise very near fine. A "First Rough" draft of this unproduced film adaptation of James's 1902 novel. Selznick brought writer/director Robert Edward Stevenson 1905-1986 to the U.S. from England in the 1930s and Stevenson's early successes often made while on loan to other studios than Selznick's included KING SOLOMON'S MINES JANE EYRE TOM BROWN'S SCHOOL DAYS etc. This script represents what would have likely been one of his last projects associated with Selznick as it coincides with his departure for RKO. His increasing prominence as a director resulted in a long string of successes for Disney. If this project had reached fruition it would have been among the earliest adaptations of James to the large screen -- ten years later it was adapted for television by other hands. Duplicate from the Selznick archives. Selznick Studios] unknown books
1939143473Culver City CA: Vanguard Films 1939. Reader's Notes script for an unproduced film intended for development at Selznick International in 1939. A document designed to summarize James' story down to two readable pages created for producers and other filmmakers to consider. <br/><br/>White wrappers title page integral with the first page of text with credit for reader Frances Millington and novelist Henry James dated July 19 1939. 45 leaves carbon typescript on onionskin stock. Very Good plus with three hole punches at the left margin but bound with just one brad in the topmost hole. Vanguard Films unknown books
1950143500Culver City CA: Vanguard Films 1950. First Rough Draft script for an unproduced film intended for development at Vanguard Films inherited by Vanguard from Selznick International. Based on the novel by Henry James. <br/><br/>Blue titled wrappers with credits for screenwriter Stevenson noted as First Rough Draft and dated February 3 1949. Title page present dated February 3 1949 noted as First Draft Screenplay with credit for novelist James. 123 leaves mimeograph duplication. Pages and wrapper Near Fine bound internally with three gold brads. Vanguard Films unknown books
1949143500Culver City CA: Vanguard Films 1949. First Rough Draft script for an unproduced film intended for development at Vanguard Films inherited by Vanguard from Selznick International. <br /> <br /> Based on the 1902 novel by Henry James. <br /> <br /> Blue titled wrappers noted as First Rough Draft on the front wrapper dated February 3 1949 with credits for screenwriter Robert Stevenson. Title page present dated February 3 1949 noted as First Draft with credits for novelist Henry James. 127 leaves with last page of text numbered 123. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine internally bound with three silver brads. Vanguard Films unknown
1963132008New York: Louis de Rochemont Associates 1963. Third Draft script for an unproduced film about John Knox the Scottish clergyman and theologian considered to be the founder of the Presbyterian denomination in Scotland. Screenwriter Sloane credited as Sloan here was a screenwriter and wardrobe consultant whose film credits include "Martin Luther" 1953 "Stalag 17" 1953 "The Monster That Challenged the World" 1957 and a host of television movies and episodes. <br/><br/>Presumed the only screen treatment on Knox the leader of the Protestant Reformation. <br/><br/>Titled self wrappers noted as Third Draft on the front wrapper dated March 15 1963 with credits for screenwriter Sloane as Sloan and presenter Lothar Wolff. 109 leaves with last page of text numbered 108. Mechanical duplication. Near Fine bound with two gold brads. Louis de Rochemont Associates unknown books
1963132008New York: Louis de Rochemont Associates 1963. Third Draft script for an unproduced film about John Knox the Scottish clergyman and theologian considered to be the founder of the Presbyterian denomination in Scotland. Screenwriter Sloane credited as Sloan here was a screenwriter and wardrobe consultant whose film credits include "Martin Luther" 1953 "Stalag 17" 1953 "The Monster That Challenged the World" 1957 and a host of television movies and episodes. <br /> <br /> Presumed the only screen treatment on Knox the leader of the Protestant Reformation. <br /> <br /> Titled self wrappers noted as Third Draft on the front wrapper dated March 15 1963 with credits for screenwriter Sloane as Sloan and presenter Lothar Wolff. 109 leaves with last page of text numbered 108. Mechanical duplication. Near Fine bound with two gold brads. Louis de Rochemont Associates unknown
1967150123N.p.: N.p. 1967. Collection of four vintage borderless photographs from the 1967 film. All with "Les Films Armon BON" stamps two with "L.F. Films" stamps stuck with holograph marker two with "5 / 20" one with "4 / 20" and one with "15 / 20" stamps all on verso.<br/><br/>Stock car driver Rod Tillman Steve Alaimo goes undercover as a getaway driver for the California biker gang Satan's Angels. <br/><br/>Shot on location in Florida. <br/><br/>8.5 x 6.75 inches 8.5 x 6.5 inches 8.75 x 6.25 inches and 8.25 x 7 inches. Very Good with light creasing and a few tiny pinholes. N.p. unknown books
1962162597N.p.: N.p. 1962. Vintage studio still photograph from the US release of the 1960 French film. Provenance stamp on the verso. <br /> <br /> A group of four schoolgirls escape their destitute lives to a housing project an abandoned house on an island. When an older girl reveals their secret to the schoolmistress scandal breaks out. <br /> <br /> Shot on location in River Marne France. <br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
1967150123N.p.: N.p. 1967. Four vintage borderless photographs from the 1967 film. All with "Les Films Armon BON" stamps two with "L.F. Films" stamps stuck with manuscript marker two with "5 / 20" one with "4 / 20" and one with "15 / 20" stamps all on verso.<br /> <br /> Stock car driver Rod Tillman Steve Alaimo goes undercover as a getaway driver for the California biker gang Satan's Angels. <br /> <br /> Shot on location in Florida. <br /> <br /> 8.5 x 6.75 inches 8.5 x 6.5 inches 8.75 x 6.25 inches and 8.25 x 7 inches. Very Good with light creasing and a few tiny pinholes. N.p. unknown
1975139699N.p.: American International Pictures AIP 1975. Three vintage black-and-white studio still photographs from the 1975 film. <br/><br/>An aging movie star pining for his lost days of fame throws a lavish Hollywood party in an attempt to pique the interest of some big shot producers. However the party flops resulting in an orgiastic and murderous free-for-all. <br/><br/>Set in Hollywood shot on location in California. <br/><br/>10 x 8 inches. Fine with a stamp to the verso of each. <br/><br/>Complete collation details available on request. American International Pictures [AIP] unknown books
1954150196N.p.: N.p. 1954. Vintage borderless reference photograph from the 1954 film showing actors Mary Murphy Bruno VeSota Will Wright and others looking on as Robert Keith and Robert Osterloh restrain a wounded Marlon Brando. <br/><br/>Based on Frank Rooney's 1951 short story "The Cyclists' Raid." Two rival motorcycle gangs raise hell in a small town disrupting local racing events stealing and seducing the town girls. Widely considered the original outlaw motorcycle gang film firmly installing the rebel biker figure as an American cultural icon and launching Marlon Brando's career from initial stardom into infamy. <br/><br/>Set in Carbonville and Wrightsville California and shot on location in Calabasas Thousand Oaks and Hollister California. <br/><br/>9 x 7.25 inches. Near Fine. <br/><br/>Scorsese A Personal Journey Through American Movies. Selby US. Spicer US. N.p. unknown books
1954150196N.p.: N.p. 1954. Vintage borderless reference photograph from the 1954 film showing actors Mary Murphy Bruno VeSota Will Wright and others looking on as Robert Keith and Robert Osterloh restrain a wounded Marlon Brando. <br /> <br /> Based on Frank Rooney's 1951 short story "The Cyclists' Raid." Two rival motorcycle gangs raise hell in a small town disrupting local racing events stealing and seducing the town girls. Widely considered the original outlaw motorcycle gang film firmly installing the rebel biker figure as an American cultural icon and launching Marlon Brando's career from initial stardom into infamy. <br /> <br /> Set in Carbonville and Wrightsville California and shot on location in Calabasas Thousand Oaks and Hollister California. <br /> <br /> 9 x 7.25 inches. Near Fine. <br /> <br /> Scorsese A Personal Journey Through American Movies. Selby US. Spicer US. N.p. unknown
1954158263Culver City CA: Columbia Pictures 1954. Vintage reference photograph from the 1954 film showing actors Marlon Brando and Mary Murphy. With a printed mimeo snipe affixed to the verso.<br /> <br /> Based on Frank Rooney's 1951 short story "The Cyclists' Raid." Two rival motorcycle gangs raise hell in a small town disrupting local racing events stealing and seducing the town girls. Widely considered the original outlaw motorcycle gang film firmly installing the rebel biker figure as an American cultural icon and launching Brando's career from initial stardom into infamy. <br /> <br /> Set in Carbonville and Wrightsville California and shot on location in Calabasas Thousand Oaks and Hollister California. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Scorsese A Personal Journey Through American Movies. Selby US. Spicer US. Columbia Pictures unknown
