4 698 résultats
1975167105N.p.: N.p. 1975. Vintage borderless reference photograph of actors Maria Schneider and Jack Nicholson on the set of the 1975 film. <br /> <br /> A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a loose trilogy as well as a three-picture contract with Metro-Goldwyn-Mayer following "Blowup" 1966 and "Zabriskie Point" 1970. <br /> <br /> Set in Chad shot on location in Germany Spain and England. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Rosenbaum 1000. N.p. unknown
1975160516N.p.: N.p. 1975. Vintage borderless double weight reference photograph of director Michelangelo Antonioni talking with actors Jack Nicholson and Maria Schneider on the set of the 1975 Italian film. Annotations in manuscript ink on the verso relating to cropping as well as the stamp of Cinema International in London. <br /> <br /> A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer following "Blowup" 1966 and "Zabriskie Point" 1970. <br /> <br /> Set in Chad shot on location in Germany Spain and England. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Rosenbaum 1000. N.p. unknown
1975152317N.p.: N.p. 1975. Vintage borderless reference photograph from the 1975 Italian film showing actors Jack Nicholson and Maria Schneider. <br /> <br /> A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer following "Blowup" 1966 and "Zabriskie Point" 1970. <br /> <br /> Set in Chad shot on location in Germany Spain and England. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Rosenbaum 1000. N.p. unknown
1979149481Beverly Hills CA: United Artists 1979. Vintage borderless black-and-white reference photograph of director J. Lee Thompson and a camera crew directing actress Patricia Neal while filming on location for the 1979 British film. With two printed mimeo snipes affixed to the verso with tape along with manuscript pencil and ink annotations regarding layout.<br /> <br /> Based on screenwriter Bruce Nicolaysen's 1976 novel "Perilous Passage" wherein a Basque farmer helps a French scientist and his family flee to neutral Spain during World War I.<br /> <br /> Set and shot on location in the Pyrenees France.<br /> <br /> 9.5 x 7.5 inches. Very Good plus slightly wavy. United Artists unknown
1971145842Gadd Productions 1971. Vintage borderless photograph from the 1971 film.<br /> <br /> Al Pacino's first starring feature role. Schatzberg's bleak and stark portrayal of heroin addiction on the streets of New York City is told through the love story between Bobby Pacino an addict and drug dealer and Helen Winn who is drawn into heroin use through her relationship with Bobby. Nominated for the Palme d'Or at Cannes and Kitty Winn received the award for Best Actress there as well.<br /> <br /> Set in and shot on location in New York City. <br /> <br /> 9.5 x 7 inches. Very Good Plus small bruise on lower right faint line rub on top right and very light wear to edges. <br /> <br /> Twilight Time 221. Grant US. Gadd Productions unknown
1942149117Los Angeles: Paramount Pictures 1942. Vintage photograph of Preston Sturges adjusting Claudette Colbert's outfit made of men's pajamas and a pullman blanket on the set of the 1942 film. Studio label affixed to bottom margin of recto with ambiguous initials and "May 30" written in manuscript ink. Mimeo snipe on verso. <br /> <br /> In the minds of some critics Sturges closed out the screwball comedy era with a bang in this breakneck venture which had dialogue flying back and forth at a speed that was radical even by Sturges' standards. <br /> <br /> 8 x 10 inches. Very Good with some creasing and edgewear. <br /> <br /> <br /> Criterion Collection 742. Rosenbaum 1000. Byrge & Miller The Screwball Comedy Films: A History and Filmography 1934-1942. Paramount Pictures unknown
1964158788N.p.: Martin Ritt Productions 1964. Four vintage studio still photographs and three vintage reference photographs from the 1964 film. Three vintage reference photographs with mimeo snipes on the verso. <br /> <br /> A remake of Kurosawa's 1950 film "Rashomon" envisioned as a Western. Four witnesses of a rape and murder case have conflicting views of the crime while at trial. Who can be trusted when all four accounts pin the blame on someone different and create different motivations for the crimes <br /> <br /> Set in the American Southwest shot on location in California and Arizona. <br /> <br /> Six photographs 10 x 8 inches one photograph 8 x 10 inches. About Very Good plus with some splashes along the left and right edges of the reference photographs and some chips and pinholes along the edges of two of the studio still photographs. Martin Ritt Productions unknown
1972135916Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Draft script for the 1973 film based on the 1963 "Parker" novel by Donald E. Westlake writing as Richard Stark. <br /> <br /> One of the great neo-noir crime films of the early 1970s today a classic New Hollywood with understated performances from Duvall Black and Baker as well as a who's-who of character actors playing out a violent story that takes place mostly in a beautifully ordinary rural setting. Shot on location in Los Angeles. <br /> <br /> Blue titled wrappers rubber-stamped copy No. 117 dated December 18 1972 with credits for producer De Haven and director/screenwriter Flynn. Title page integral with the front wrapper as issued. 131 leaves with last page of text numbered 128. Mimeograph duplication. Pages Fine wrapper Fine bound with two gold brads. <br /> <br /> Grant US. Silver Classic US Noir. Spicer US. Stephens US. Metro-Goldwyn-Mayer [MGM] unknown
1964166462N.p.: N.p. 1964. Draft script for Season 2 Episode 7 of the 1963-1965 television series. Copy belonging to an unidentified crew member with a penciled drawing with annotations on the rear wrapper laying out a set design.<br /> <br /> In the year 2024 astronauts visiting Mars are picked off one by one by mysterious "Sand-Beasts" shark-like monsters that live and travel under the planet's surface. Loosely based on a short story by screenwriter Jerry Sohl which originally appeared in "Imaginative Tales" magazine in September of 1955. <br /> <br /> Lacking front wrapper but with rear wrapper present. 54 leaves with last page of text numbered 53. Mimeograph duplication rectos only. Pages Very Good plus rear wrapper Very Good bound with two gold brads. N.p. unknown
1977138667Universal City CA: Universal Pictures 1977. Final Draft script for the 1978 film. <br /> <br /> A sequel to The Other Side of the Mountain. Jill returns to her home in California with her mother where she sparks a romance with one of the locals. <br /> <br /> Set in Bishop California shot on location in Bishop California and Victoria British Columbia. <br /> <br /> Red titled wrappers noted as Final Draft on the front wrapper production No. 00460 and sticker indicating copy No. II dated May 3 1977. Title page present noted as Final Draft with credits for screenwriter Douglas Day Stewart and skier Jill Kinmont. 126 leaves with last page of text numbered 130. Xerographic duplication rectos only with blue and yellow revision pages throughout dated variously between 5/17/77 and 5/18/77. Pages Near Fine wrapper Near Fine bound with two gold brads. Universal Pictures unknown
1966137064Los Angeles: Twentieth Century-Fox 1966. First Draft script for an unproduced film called "The Operators" written by novelist Norman Bogner and set in London in the 1960s. A crime-based drama about ex-cons and their cons. Brief notation in manuscript ink on two pages. <br /> <br /> Bogner's other credits include "Privelege" 1967 screenwriter his only film "Emerald Soup" 1963 television series story editor the "Armchair" theatre television series 1965-1966 and "Seventh Avenue" 1977 television series based on his novel. <br /> <br /> Blue titled wrappers noted as FIRST DRAFT on the front wrapper dated November 30 1966. Title page present dated November 30 1966 noted as First Draft with a credit for screenwriter Bogner. 127 leaves with last page of text numbered 126. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Twentieth Century-Fox unknown
1970151463Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage reference photograph from the 1970 film. With a mimeo snipe on the verso. <br /> <br /> Based on the 1968 play also by screenwriter Frank D. Gilroy. An aging lovelorn Las Vegas chorus girl begins an affair with a musician with a compulsive gambling habit.<br /> <br /> Set in Las Vegas and shot on location in Paris and Las Vegas Nevada.<br /> <br /> 10 x 8 inches. Very Good plus overall. Metro-Goldwyn-Mayer [MGM] unknown
1978140622N.p.: Cal-Am Artists 1978. Draft script for the 1978 film. Script belonging to assistant director John Neukum with his name inscribed on the front wrapper. <br /> <br /> A rouge cop fed up with the ineffectual justice system decides to take the law into his own hands in this 1978 exploitation thriller. Jack Palance stars as the steely Lt. Jim Wade an L.A. cop who strikes a deal with a mobster in order to uncover the identity of the notorious serial killer "The Slasher." Director Charles Martin's final film he passed away only a few years after its completion. <br /> <br /> Yellow titled wrappers dated 07/11/77 with credits for director/screenwriter Charles Martin. Title page present dated 07/11/77 with credits for director/screenwriter Charles Martin. 171 leaves with last page of text numbered 144. Xerographically duplicated with revision pages throughout dated 07/11/77. Pages Near Fine wrapper Very Good plus bound with three gold brads. <br /> <br /> Spicer US Neo-Noir. Cal-Am Artists unknown
1971148995Paris: Lira Films 1971. Draft script for the 1972 French film text in French belonging to uncredited sound engineer Gerard Dacquay with name in manuscript marker on bottom right margin of front wrapper and name and address stamped on top right of title page. Copy number "17" in manuscript ink on front wrapper. A few minor manuscript annotations in manuscript ink in script text correction and a single horizontal line. Missing two pages likely as used or issued.<br /> <br /> Middle-aged forlorn Muriel Annie Girardot is vacationing at a seaside motel when Gabriel Philippe Noiret walks in a bit of a rake who has to stay a few days while his car is repaired and Muriel's table has the only vacant seat.<br /> <br /> Shot on location in Bouches-du Rhone France. <br /> <br /> Gray titled wrappers with cloth tape binding. Title page presentwith credits for director and screenwriter Jean-Pierre Blanc. 193 leaves with last page of text numbered 198. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus front wrapper separated and lightly soiled. Lira Films unknown
1958152832Logan IA: The Perfection Form Company 1958. Complete bound set of ten literary photographic prints published in conjunction with the 1958 film made for educational use.<br /> <br /> Based on the Pulitzer Prize winning 1952 novel by Ernest Hemingway. Winner of an Academy Award and nominated for two more including Best Actor for Spencer Tracy one of nine nominations he would receive during his career. <br /> <br /> Housed in blue wrappers measuring 13 x 10 inches. Photographs 12 x 9 inches. Very Good plus lightly creased. The Perfection Form Company unknown
1958146914N.p.: Leland Hayward Productions 1958. Vintage photograph of Ernest Hemingway and Spencer Tracy on the set of the 1958 film. Mimeo snipe on the verso. <br /> <br /> Based on the Pulitzer Prize winning novel by Ernest Hemingway published in 1952. Winner of an Academy Award and nominated for two more including Best Actor for Spencer Tracy one of nine nominations he would receive during his career. <br /> <br /> 8 x 10 inches. Near Fine very light creasing. Leland Hayward Productions unknown
1958155788Burbank CA: Warner Brothers 1958. Vintage photograph of a camera crew capturing a shot of actor Spencer Tracy and child actor Felipe Pazos on the set of the 1958 film. Printed mimeo snipe affixed to the verso along with a stamp crediting Warner photographer Jack Woods. <br /> <br /> Based on the Pulitzer Prize winning 1952 novel by Ernest Hemingway. Winner of an Academy Award and nominated for two more including Best Actor for Spencer Tracy one of nine nominations he would receive during his career. <br /> <br /> 10 x 8 inches. Near Fine. Warner Brothers unknown
1947148811West Hollywood: Eagle-Lion Films 1947. Five vintage studio still photographs from the 1948 British film. One with Dion McGregor Collection stamp on the verso.<br /> <br /> After sustaining a head injury in a bus crash young scientist convalesces in a boardinghouse where a young woman is brutally murdered. Now a prime suspect with a poor memory due to the accident and no alibi he begins to wonder if he could have done it. Roy Ward Baker's directorial debut.<br /> <br /> Shot on location in Buckinghamshire and London. <br /> <br /> 8 x 10 inches. Very Good plus light corner and edgewear one with small chip to upper left corner two with pinholes and modest bruising.<br /> <br /> Selby Master. Selby UK. Grant UK. Spicer UK. Eagle-Lion Films unknown
1966160658N.p.: N.p. 1966. Two vintage borderless reference photographs of director Jacques Rivette and actress Anna Karina on the set of the 1966 film. Both with distribution stamps on the verso and one with layout annotations in manuscript pencil and the stamp of "Télé Poche."<br /> <br /> Based on Denis Diderot's eighteenth century novel following a young woman whose family forces her into a convent. A flurry of controversy surrounded the film's production and release as a result of its critical stance toward the Catholic Church leading the French Minister of Information to ban its release. A large-scale campaign was subsequently launched in its defense and the ban was lifted in 1967 when it was shown at Cannes Film Festival and nominated for the Palme d'Or.<br /> <br /> Shot on location in Villeneuve-les-Avignon Gard France. <br /> <br /> 7 x 5.25 inches. Near Fine. <br /> <br /> Vogel Film as a Subversive Art. N.p. unknown
1966151742N.p.: N.p. 1966. Three vintage oversize borderless reference photographs from the 1966 film showing an altercation between actress Anna Karina and three nuns. With the stamp of still photographer Monique Valentin on the verso and two with a stamp noting year 1966.<br /> <br /> Based on Denis Diderot's eighteenth century novel following a young woman whose family forces her into a convent. A flurry of controversy surrounded the film's production and release as a result of its critical stance toward the Catholic Church leading the French Minister of Information to ban its release. A large-scale campaign was subsequently launched in its defense and the ban was lifted in 1967 when it was shown at Cannes Film Festival and nominated for the Palme d'Or.<br /> <br /> Shot on location in Villeneuve-les-Avignon Gard France. <br /> <br /> 14.25 x 9.75 inches. Lightly creased to the edges else Near Fine. <br /> <br /> Vogel Film as a Subversive Art. N.p. unknown
1974150582Los Angeles: American International Pictures AIP 1974. Eight vintage black and white studio still photographs from the 1974 adult animated film. <br /> <br /> Based on R. Crumb's 1965-1972 comic strip. Fritz an irresponsible womanizing leftist finds himself married and drowning in domesticity and escapes through a drug-fueled fantasy about his "nine lives." The first animated feature film to receive an R rating. <br /> <br /> 10 x 8 inches. Near Fine. American International Pictures [AIP] unknown
1970162028N.p.: N.p. 1970. Two vintage studio still photographs from the US release of the 1969 British film. Each photograph with a provenance stamp on the verso. <br /> <br /> "World famous photographer of nudes" director George Harrison Marks visits a psychoanalyst bemoaning his life taking pictures of naked women leading to a series of vignettes of how his ancestors have suffered misfortune through the ages because of nude women and "the arts." <br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
1968162020N.p.: Inter-American Film Distributors 1968. Four vintage studio still photographs from the 1968 film. Provenance stamps and labels variously on the verso of each.<br /> <br /> Two vice detective trade stories of their sleazy encounters unaware that a French novelist is eavesdropping in hopes of ideas for his latest novel. <br /> <br /> Shot on location in Florida. <br /> <br /> 8 x 10 inches. About Near Fine.<br /> <br /> Vinegar Syndrome 28. Inter-American Film Distributors unknown
1955137952Beverly Hills CA: United Artists 1955. Vintage candid photograph of Robert Mitchum sharing a moment with his wife Dorothy while on the set of the 1955 film. Dressed in costume as Harry Powell the image of a smiling relaxed Mitchum is incongruous with the severe terrifying nature of the character he played one of the most iconic villains in all film history. <br /> <br /> 8 x 10 inches. Very Good plus. Shallow vertical slice to the right side of the image. United Artists unknown
1964167079N.p.: N.p. 1964. Vintage borderless reference photograph from the 1964 film showing actress Sue Lyon in a polka-dot bikini. Annotations in manuscript pencil on the verso. <br /> <br /> Based on Tennessee Williams' 1961 play. An alcoholic ex-priest finds himself caught between the attentions of three women while leading a failing tour of Puerto Vallarta. Nominated for four Academy Awards winning one. <br /> <br /> Set and shot on location in Mismaloya and Puerto Vallarta Mexico the latter becoming a popular tourist destination after the film's release. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
