4 698 résultats
1967151240N.p.: N.p. 1967. Vintage borderless reference photograph from the 1967 film showing actor Eddie Powell as The Mummy carrying actress Elizabeth Sellars. With a provenance stamp on the verso. <br /> <br /> A team of archaeologists revive an Egyptian pharaoh who subsequently seeks retribution for the violation of his tomb. The third in Hammer Films' Mummy cycle preceded by "The Mummy" 1959 and "The Curse of the Mummy's Tomb" 1964 and followed by "Blood from the Mummy's Tomb" 1971. The final Hammer film to be produced at Bray Studios before the company's 1967 relocation to Elstree and Pinewood Studios. <br /> <br /> Set in Egypt. <br /> <br /> 7 x 9.5 inches. Very Good plus. N.p. unknown
1944164457Universal City: Universal Pictures 1944. Vintage borderless publicity photograph from the 1944 film showing actress Virginia Christine. Annotations in manuscript ink and pencil on the verso. <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901. Jones worked for Paramount Pictures in the early 1930s and was the first still photographer to win an Academy Award. He went on to be the head of the still photography department at Universal Pictures where he worked well into the 1950s.<br /> <br /> After being unearthed due to an irrigation project the mummy Kharis roams the bayou searching for his lost love Princess Ananka. The fifth entry in Universal's "Mummy" series preceded by "The Mummy's Ghost." <br /> <br /> Set in the Louisiana bayou. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Weaver and Brunas Universal Horrors. Universal Pictures unknown
1980165752N.p.: N.p. 1980. Vintage borderless publicity photograph of Boris Karloff in costume as Imhotep being drawn by illustrator Willy Pogány taken by photographer Ray Jones and struck by the photographer from the original negative circa 1980.<br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> A contemporary of Edmund Dulac Harry Rountree Sarah Stilwell Weber artist Willy Pogány is perhaps best remembered today for his versatile illustrations for children's books. He also worked prolifically as a sculptor painter portraitist and muralist and even briefly as a designer of stage sets and costumes. During the 1930s Pogány moved to Los Angeles where he found employment as an art director in Hollywood.<br /> <br /> Karloff's second film after his runaway success in "Frankenstein" in which he plays an Egyptian high priest awakened from death by a British field exposition. After disguising himself as a scientist he falls in love with a woman he believes to be the latest incarnation of a priestess from his past. <br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> Weaver and Brunas Universal Horrors 1931-1946. N.p. unknown
1959147069N.p.: Hammer Film Productions 1959. Collection of ten vintage photographs two reference photographs and eight studio still photographs from the 1959 film.<br /> <br /> Three photos shown. Please inquire for additional images.<br /> <br /> Although an ostensible remake of the hit 1932 Universal film Hammer Film adaptation of this title borrowed its plot largely from Universal's "The Mummy's Hand" 1940 and "The Mummy's Tomb" 1942 with the climax taken directly from "The Mummy's Ghost" 1944.<br /> <br /> When British archeologists led by John Banning Peter Cushing despoil the tomb of an Egyptian high priestess Princess Anaka Yvonne Furneaux they awaken her keeper and former lover high priest Kharis Christopher Lee.<br /> <br /> The only Hammer film to feature the actor combination of Lee Cushing and Michael Ripper.<br /> <br /> 8 x 10 inches. Very Good plus to Near Fine some light creasing one with two closed tears and pinholes and one photo with top right corner clipped. Hammer Film Productions unknown
1980160792Santa Monica: Hermes Productions 1980. Draft script for an unproduced film. Noted as "MASTER" in manuscript ink and copy No. 8 in manuscript pencil on the title page. <br /> <br /> A military drama about a coed group of US Marine recruits in San Diego. Screenwriter Nicholas Corea better known for his work on "The Incredible Hulk" television series enlisted as a Marine during the Vietnam War and was awarded a Purple Heart. <br /> <br /> Red titled wrappers with credit for screenwriter Nicholas Corea. Title page present undated with credit for screenwriter Nicholas Corea. 131 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Hermes Productions unknown
1970167477Hollywood: Aaron Spelling Productions 1970. Final Draft script for Season 1 Episode 1 of the 1970-1971 television series. Copy belonging to actor Jack Naughton with his name in manuscript ink on the front wrapper. Laid in with the script is a xerographically duplicated shooting location map.<br /> <br /> The short-lived series followed three independent criminologists-George Maharis Yvette Mimieux and Ralph Bellamy-who took on especially dangerous high-profile cases. In this debut episode the trio attempt to solve a murder of a man found with a hole in his head that did not come from a bullet. The episode originally aired on October 10 1970 on ABC. <br /> <br /> Red titled wrappers noted as story No. 261 on the front wrapper. Title page present dated June 30 1970 noted as FINAL DRAFT with credit for screenwriter Burton Wohl. 70 leaves with last page of text numbered 62. Mimeograph duplication rectos only with rainbow revision pages throughout dated variously between August 7 and 18 1970. Pages Near Fine wrapper about Near Fine bound with two gold brads. Aaron Spelling Productions unknown
1972161989N.p.: Mature Pictures 1972. Three vintage studio still photographs from the 1972 film. Two with provenance stamps on the versos. <br /> <br /> Booking agent investigates the brutal murder of his sister Gay leading him to his best friend Parker who owns the strip club where Gay worked. <br /> <br /> Shot on location in New York City. <br /> <br /> 8 x 10 inches. Near Fine. Mature Pictures unknown
1980152417N.p.: N.p. 1980. Draft script for an unproduced film. <br /> <br /> After his sister is lured into snorting a fatal dose of heroin by a dastardly biker gang a teenage boy and his group of friends vow to take their revenge and stop the bikers forming their own "moped mob." <br /> <br /> Black untitled wrappers. Title page present undated with credits for screenwriter E.L. "Tony" Duke. 106 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with a silver clasp. N.p. unknown
1977171038N.p.: N.p. 1977. Vintage borderless reference photograph from the 1977 film showing André Dussollier and Anémone covered in wires. <br /> <br /> A slapstick satire of modernism and government control about a French couple who are chosen by the Ministry of the Future to be the country's "model couple" and used as test subjects for the creation of a new updated city by the year 2000. <br /> <br /> 5 x 7 inches. Very Good plus moderately toned. N.p. unknown
165393London: HandMade Films 1982. Archive of material from the 1982 British film including two screenplays and multiple production documents as well as a manuscript costume design book with fabric samples and notes regarding costuming. Archive belonging to assistant costume designer Jane Hamilton with her name in manuscript ink on the title page of one script. <br /> <br /> Archive includes several production documents including a list of revisions to the script call sheets a directory and location contact sheet a map a shooting schedule and production memos. <br /> <br /> After a decade of missionary work in Africa an Anglican priest returns to London and attempts to adjust to his new assignment: ministering to the city's prostitutes. <br /> <br /> Set in turn-of-the-century London and shot on location in London Hampshire and Surrey England.<br /> <br /> Script dated 2nd February 1982:<br /> <br /> Script housed in a three-ring binder. Purple untitled wrappers with die-cut title window in the British style. Title page present dated 2nd February 1982 with credit for screenwriter Michael Palin. 133 leaves with last page of text numbered 132. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine. <br /> <br /> Script dated 22nd February 1982:<br /> <br /> Script housed in a titled three-ring binder. Title page present dated 22nd February 1982 with credit for Palin. 123 leaves with last page of text numbered 122. Mimeograph duplication rectos only with white revision pages throughout dated variously between March 8 and 9 1982. Pages Near Fine.<br /> <br /> Costume design book and production documents generally Very Good plus to Near Fine. Costume design book has several fabric samples detached from leaves having been originally attached with cello tape. HandMade Films unknown
1939152229N.p.: N.p. 1939. Treatment script for the 1939 film here under the working title "The Investors." With manuscript ink annotations on the title page and throughout noting substantive and editorial revisions. <br /> <br /> Based on the 1925 short story "The Investors" by Edgar Wallace. Elderly Mr. Reeder Will Fyffe investigates the mysterious disappearances of 27 people involved in shady financial dealings. The second Wallace adaptation directed by Jack Raymond and featuring Will Fyffe and Kay Walsh preceded by "The Mind of Mr. Reeder" in 1939. <br /> <br /> Self wrappers. Title page present undated with credits for screenwriter Richard Starr and story credits to Edgar Wallace. 126 leaves with last page of text numbered 124. Typescript rectos only. Pages Very Good lightly edgeworn with soil to the first ten leaves bound with three gold brads. N.p. unknown
1961167752N.p.: N.p. 1961. Vintage double weight reference photograph from the 1961 film showing director John Huston and screenwriter Arthur Miller during filming on location with a clapperboard in the foreground. Stamp of photographer Inge Morath on the verso. <br /> <br /> A bleak haunting film exploring the loss of independence about a recent divorcée who enters into an unstable relationship with an aging cowboy whom she meets in the Nevada desert.<br /> <br /> Photographer Inge Morath who had worked with Huston on several of his earlier films first met Miller on the set of "The Misfits." Miller's relationship with his then-wife Marilyn Monroe rapidly deteriorated during the film's production largely due to Monroe's growing dependence on prescription medication and the couple would separate after filming concluded. Miller and Morath began dating and married in February of 1962 just over a year after Miller's divorce from Monroe. <br /> <br /> Shot on location in Reno and Dayton Nevada. <br /> <br /> 10 x 8 inches. About Fine lightly worn at the corners. N.p. unknown
1961161309N.p.: N.p. 1961. Vintage reference photograph from the 1961 film showing Marilyn Monroe playing paddle ball. <br /> <br /> A bleak haunting film exploring the loss of independence about a recent divorcée who enters into an unstable relationship with an aging cowboy whom she meets in the Nevada desert.<br /> <br /> The final completed feature for Gable and Marilyn Monroe before their deaths. Notoriously a trying endeavor for the actress who was struggling with her drug problem and pending divorce from Miller and would often fail to show up to the set and for Huston who would drink and occasionally fall asleep while filming. Gable performed all of his own stunts then suffered a heart attack only two days after filming ended and died ten days later. <br /> <br /> Shot on location in Nevada. <br /> <br /> 10 x 8 inches. Very Good plus with a single pinhole at each corner. N.p. unknown
1961170734N.p.: N.p. 1961. Vintage reference photograph from the 1961 film showing Marilyn Monroe Clark Gable and Montgomery Clift. Annotations in manuscript ink some white-out and a stamp on the verso. <br /> <br /> A bleak haunting film exploring the loss of independence about a recent divorcée who enters into an unstable relationship with an aging cowboy whom she meets in the Nevada desert.<br /> <br /> Shot on location in Reno and Dayton Nevada. <br /> <br /> 10 x 8 inches. Pinholes at the corners else Near Fine. N.p. unknown
1961171018Beverly Hills CA: United Artists 1961. Vintage reference photograph from the 1961 film showing Marilyn Monroe and a camera crew on the set between takes. <br /> <br /> A bleak haunting film exploring the loss of independence about a recent divorcée who enters into an unstable relationship with an aging cowboy whom she meets in the Nevada desert.<br /> <br /> Shot on location in Reno and Dayton Nevada. <br /> <br /> 10 x 8 inches. Lightly toned to the margins with some wear to the finish at the top left corner else about Near Fine. United Artists unknown
1979166653Universal City: Universal Studios 1979. Draft script for the pilot episode of the 1979-1981 NBC television series printed on yellow leaves which aired on September 18 1979. Copy belonging to actress Christina Cummings who played the character Liz with manuscript marker annotations on four leaves highlighting her character's action and dialog as well as listing several of the actors' names on the the "Cast" sheet and noting arrival times scene numbers stage number and pay on the verso of the last leaf. Laid in is a thirteen page shooting schedule dated August 1 1979 and a Universal Studios "Production Requirements" form.<br /> <br /> The series premiered with the episode found here and aired for two seasons and 38 episodes ending on May 5 1981.<br /> <br /> A spin-off of the 1979-1981 NBC television series "B.J. and the Bear" about the series' antagonist Sheriff Lobo of the corrupt and inept Orly County police department. The series was completely overhauled in season two with the title changed to "Lobo" Sheriff Lobo made less corrupt and the location changed from the fictional Orly County to Atlanta Georgia.<br /> <br /> When Sheriff Lobo attempts to make money by holding a fishing contest to catch the giant bass in Orly County lagoon an escaped convict and his girlfriend looking to get to their stashed loot attempt to scare off the public by releasing a great white shark into the lagoon.<br /> <br /> Set in the fictional Orly County Georgia. <br /> <br /> Front wrapper integral with title page dated July 17 1979 with credits for screenwriters Glen A. Larson Chris Bunch and Allan Cole. 68 leaves with last page of text numbered 61. Mimeograph duplication rectos only with green revision pages throughout dated 8/1/79. Pages Very Good plus with light foxing to the extremities on the front and rear leaves bound with two gold brads. Universal Studios unknown
1962137095Beverly Hills CA: United Artists 1962. Seven vintage studio photographs from the 1962 film. Winner of both Best Actress and Best Supporting Actress Academy awards for Bancroft and Duke respectively and nominated for three others including Best Director for Penn and Best Adapted Screenplay for Gibson working from his Tony Award winning play. <br /> <br /> 10 x 8 inches. Very Good plus overall. A few photographs lightly creased one with a dampstain to the top edge. United Artists unknown
1962137096Beverly Hills CA: United Artists 1962. Vintage studio photograph from the 1962 film showing director Arthur Penn in thoughtful consultation with producer Fred Coe. <br /> <br /> Winner of both Best Actress and Best Supporting Actress Academy awards for Bancroft and Duke respectively and nominated for three others including Best Director for Penn and Best Adapted Screenplay for Gibson working from his Tony Award winning play. <br /> <br /> 10 x 8 inches. Near Fine. United Artists unknown
1975161951N.p.: Cambist Films 1975. Vintage studio still photograph from the US release of the 1972 German film here under the alternate US title "The Minor's Wife." <br /> <br /> Anne Graf stars as Gisela the wife of miner Heiner whose infidelity and drunkeness encourages her to seek satisfaction elsewhere. <br /> <br /> Shot on location in Germany. <br /> <br /> 8 x 10 inches. Near Fine. Cambist Films unknown
1962145348United Kingdom: Pinewood Studios / American International Pictures AIP 1962. Shooting script for the 1963 film. Copy from the StudioCanal archives with a letter of provenance laid in. <br /> <br /> Based on the simultaneously-published novel "The Mindbenders" by screenwriter James Kennaway about a professor brainwashes himself to stop loving his wife in an attempt to clear the name of a colleague suspected to be a Russian double agent who killed himself after undergoing similar experiments. Released in the US as a double feature with "Operation Bikini."<br /> <br /> Shot on location in England. <br /> <br /> Tall blue titled wrappers noted as SHOOTING SCRIPT dated March 1962. Title page present dated 26.3.62 noted as SHOOTING SCRIPT with credits for screenwriter James Kennaway. 108 leaves with last page of text numbered 107. Mimeograph duplication rectos only. Pages Fine wrapper Fine internal prong binding. Pinewood Studios / American International Pictures [AIP] unknown
1969161945N.p.: Cosmos Films 1969. Two vintage studio still photographs from the 1969 film. Provenance stamps on the verso of each. <br /> <br /> Obscure late 1960s sexploitation film about "mind-swapping." <br /> <br /> Shot on location in Manhattan. <br /> <br /> 8 x 10 inches. Near Fine. Cosmos Films unknown
1957152176Hollywood: Revue Productions 1957. Draft script for the ninth episode of the fourth season of the 1955-1960 television series which originally aired on November 20 1957. Copy belonging to actor Johnny Crawford with his name in manuscript pencil to the title page and his manuscript annotations throughout.<br /> <br /> The anthology series followed the changed life experiences of people who were unexpectedly given one million dollars from an anonymous benefactor. In this installment candy store owners Norma and Frank receive the one million dollars but are promptly held up in their store by a mysterious robber.<br /> <br /> Brown titled wrappers. Title page present dated Aug. 28 1957 with credits for screenwriter Ed Adamson. 42 leaves with last page of text numbered 42. Mimeograph duplication rectos only with pink revision spirit duplication pages throughout dated 9/25/57. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Revue Productions unknown
1969164260N.p.: N.p. 1969. Three vintage borderless reference photographs taken on the set of the 1969 film two showing director Luis Buñuel fencing the third showing Buñuel standing with actor Paul Frankeur. Stamp of photographer Michel Ciment on the versos along with layout annotations in manuscript ink and pencil. <br /> <br /> A surrealist adventure about two French vagrants traveling along the Way of St. James a pilgrimage route from northern Europe to Santiago de Compostela in Galicia Spain. Buñuel would later name the film as the first part of a trilogy about "the search for truth" followed by "The Discreet Charm of the Bourgeoisie" 1972 and "The Phantom of Liberty" 1974. <br /> <br /> 9.5 x 7 inches. Near Fine. N.p. unknown
1967135079Paris: Robert et Raymond Hakim / Sud-Films Distribution 1967. Vintage black-and-white borderless press photograph of director Luis Buñuel with cinematographer Christian Matras and the cast on the set of the 1967 film. With a European press agency stamp on the verso "Photo exclusive / EUROPANEWS" a date stamp of April 8 1969 and a few other annotations. <br /> <br /> 8 x 10 inches. Very Good to Near Fine. Robert et Raymond Hakim / Sud-Films Distribution unknown
1956132370Los Angeles: Bischoff-Diamond 1956. Draft script for an unproduced film. <br /> <br /> A story set aboard the USS. Missouri "The Mighty Mo" during WWII. <br /> <br /> Presnell would also write screenplays for "Screaming Eagles" 1956 also produced by Bischoff-Diamond "Legend of the Lost" 1957 "Conspiracy of Hearts" 1960 and "The Third Day" 1965. <br /> <br /> Light blue titled wrappers noted as copy No. 47 dated January 26 1956 with a credit for screenwriter Presnell Jr. Title page present with a credit for screenwriter Presnell Jr. 129 leaves mechanical duplication with the last leaf of text numbered 128. Pages Near Fine wrapper lightly toned and creased else Near Fine bound with two gold brads. Bischoff-Diamond unknown
