8 853 résultats
1964151004Paris: Parc Film 1964. Two vintage oversize borderless photographs one of Catherine Deneuve and Anne Vernon and one of Deneuve and Nino Castelnuovo from the 1964 film. Both with provenance stamp of film scholar and author "Jean-Pierre Berthome" one with layout annotations in manuscript ink on the verso.<br /> <br /> One of director Demy's most beloved films about a young woman in Cherbourg who falls in love with a man who is promptly drafted into the Algerian War. A classic of French cinema with every word of dialogue sung in recitative. The first French film musical shot in color and the movie that made Deneuve a star. <br /> <br /> Winner of the Palme d'Or and two other prizes at the 1964 Cannes Film Festival and nominated for five Academy Awards including Best Screenplay.<br /> <br /> Set and shot on location in Cherbourg Normandy France.<br /> <br /> 12 x 8.75 inches. Very Good plus with light edgewear one with three pinholes to corners and one with a single pinhole and a small piece of cello tape on recto to upper left corner.<br /> <br /> Criterion Collection 716. Godard Histoires du cinema. Parc Film unknown
1965151677Glendale CA: Allied Artists 1965. Six vintage studio still photographs from the US release of the 1964 French film. <br /> <br /> One of director Jacques Demy's most beloved films about a young woman in Cherbourg who falls in love with a man who is promptly drafted into the Algerian War. A classic of French cinema with every word of dialogue sung in recitative. The first French film musical shot in color and the movie that made Catherine Deneuve a star.<br /> <br /> Winner of the Palme d'Or and two other prizes at the 1964 Cannes Film Festival and nominated for five Academy Awards<br /> <br /> Set and shot on location in Cherbourg Normandy France.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 716. Godard Histoires du cinema. Allied Artists unknown
1970143943Hollywood: N.p. 1970. Draft script for an unproduced film. <br/><br/>Don and Irene are a young and unhappy married couple whose lives and relationship are thrown asunder as Don gravitates toward Spiritology a spiritual organization that promises the 'Ultimate Release." <br/><br/>Gold titled wrappers. Title page present with credits for screenwriter Aaron Nash. 101 leaves with last page of text numbered 100. Xerographically reproduced. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown books
1970143943Hollywood: N.p. 1970. Draft script for an unproduced film. <br /> <br /> Don and Irene are a young and unhappy married couple whose lives and relationship are thrown asunder as Don gravitates toward Spiritology a spiritual organization that promises the 'Ultimate Release." <br /> <br /> Gold titled wrappers. Title page present with credits for screenwriter Aaron Nash. 101 leaves with last page of text numbered 100. Xerographically reproduced. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown
1969162531N.p.: American Film Distributing 1969. Three vintage studio still photographs from the 1969 film. Two photographs with provenance stamps on the versos. <br /> <br /> Maria answers a personal ad and is invited to a house in Vermont. The house owner Spencer places Maria and other girls under the influence of aphrodisiacs and drugs. Spencer and his assistant Boris sit back and let the good times roll.<br /> <br /> Shot on location in New York City. <br /> <br /> 8 x 10 inches. Very Good plus with light edgewear and faint creasing overall one photograph with pinholes and light dampstaining to the left side and one photograph with pinholes and a small closed tear to the bottom margin and a 1.5 inch closed tear to the right side. American Film Distributing unknown
1968147869Beverly Hills CA: United Artists 1968. Vintage studio still photograph from the 1968 film. "Film Buff's Center" stamp on the verso. <br/><br/>Based on the 1958 novel "The Bounty Killer" by Marvin H. Albert.<br/><br/>Spanish-Italian Spaghetti Western. Mexican fugitive Jose Gomez Tomas Milian returns to his village pursued by the notorious bounty hunter Luke Chilson Richard Wyler.<br/><br/>The debut of Milian in the Western genre.<br/><br/>Set in Mexico shot on location in Andalucia Spain. <br/><br/>8 x 10 inches. Near Fine with light creasing near edge. <br/><br/>Complete collation details available on request.<br/><br/>Cox "10000 Ways to Die. United Artists unknown books
1963129025Universal City CA: Universal Pictures 1963. Post-production Continuity and Dialogue script for the 1963 film. <br/><br/>Tall blue studio self wrappers dated February 12 1963 noting 7 reels and footage of 10797 feet. Mimeograph duplication. Good plus lacking rear wrapper. Universal Pictures unknown books
1963125583Universal City CA: Unviersal International Pictures 1963. Revised Final Draft script for the 1963 film. Studio File Copy rubber-stamped and noted in holograph pencil on the front wrapper. <br/><br/>Best on the best-selling 1958 novel by Burdick and Lederer about Americans in Vietnam and the struggle for the US in combating the country's Communist politics. Brando plays a scholar named Harrison MacWhite who becomes ambassador to Sarkan a southeast Asian country in the midst of civil war. He realizes that the anti-American sentiment towards Communism symbolizes his own longing for self-determination and nationalism. <br/><br/>Released early the same year as the assassination of JFK and the escalation of the Vietnam War. <br/><br/>Red titled wrappers noted as FINAL SCREENPLAY on the front wrapper rubber-stamped production No. 8378 dated August 10 1961. Title page present with a credit for screenwriter Stern. 119 leaves with last page of text numbered 116. Mimeograph duplication with yellow revision pages throughout dated 11/1/61. Pages and wrapper Near Fine bound with three gold brads. Unviersal International Pictures unknown books
1959129017Universal City CA: Universal Pictures 1959. First Draft screenplay for the 1963 film. <br /> <br /> Best on the best-selling 1958 novel by Burdick and Lederer about Americans in Vietnam and the struggle for the US in combating the country's Communist politics. Brando plays a scholar named Harrison MacWhite who becomes ambassador to Sarkan a southeast Asian country in the midst of civil war. He realizes that the anti-American sentiment towards Communism symbolizes his own longing for self-determination and nationalism. Released early the same year as the assassination of JFK and the escalation of the Vietnam War. <br /> <br /> Green titled wrappers noted as FIRST DRAFT SCREENPLAY on the front wrapper rubber-stamped production No. 8378 dated May 21 1959. Title page present noted as First Draft Screenplay with credits for screenwriter Stern. 160 leaves Multilith duplication. Pages about Fine wrapper about Fine bound with three gold brads. Universal Pictures unknown
1958159205Culver City CA: Columbia Pictures 1958. Two vintage studio still photographs from the 1958 film. With mimeo snipes affixed to the verso. <br /> <br /> A British man is placed in the German Army as a spy at the end of World War I. He is able to infiltrate high ranking Nazi command during the World War II eventually working his way to the top. Scripted by writers on the Hollywood blacklist. <br /> <br /> Set in Germany shot on location in Berlin Germany and London and Hertfordshire England. <br /> <br /> 8 x 10 inches. Very Good plus. <br /> <br /> Spicer UK. Columbia Pictures unknown
1976129783Los Angeles: Twentieth Century-Fox 1976. Draft script for the 1977 film. Presumed estimating script with "Budgeting" in holograph ink on the front wrapper. Notations in holograph blue and black ink throughout. <br/><br/>A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s in which MacLaine and Bancroft portray former dance colleagues whose lives have gone separate ways one becomes a professional dancer the other a settled domestic woman and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards including Best Picture Best Director and Best Screenplay. <br/><br/>Mustard titled wrappers noted as "Budgeting" on the front wrapper. Title page present dated 3/2/76 with a credit for screenwriter Laurents. 116 leaves mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. <br/><br/>Grant US. Hardy The BFI Companion to Crime. Selby US. Silver Classic Noir. Spicer US. Twentieth Century-Fox unknown books
1977145151Los Angeles: Twentieth Century-Fox 1977. Vintage photograph of director Herbert Ross and actor Shirley Maclaine on the set of the 1977 film. Holograph annotations on the verso. <br/><br/>A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s in which MacLaine and Bancroft play former dance colleagues whose lives have gone separate ways one became and professional dancer the other a settled domestic life and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards including Best Picture Best Director and Best Screenplay.<br/><br/>Shot on location in Oklahoma City. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Grant US. Hardy The BFI Companion to Crime. Selby US. Silver Classic Noir. Spicer US. Twentieth Century-Fox unknown books
1976156769Los Angeles: Twentieth Century-Fox 1976. Revised Final script for the 1977 film.<br /> <br /> A portrait of the second wave of feminism at its turning point in the late 1970s about two former dancers whose lives have gone separate ways one having become a professional dancer the other a housewife and whose unexpected reunion yields dramatic consequences. Nominated for eleven Academy Awards including Best Picture Best Director and Best Screenplay.<br /> <br /> Shot on location in Oklahoma City. <br /> <br /> Green titled Twentieth Century-Fox wrappers dated July 2 1976. Title page present dated July 2 1976 noted as REVISED FINAL with credits for screenwriter Arthur Laurents. 119 leaves with last page of text numbered 118. Xerographic duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Housed in a custom cloth slipcase. Twentieth Century-Fox unknown
1977145151Los Angeles: Twentieth Century-Fox 1977. Vintage photograph of director Herbert Ross and actor Shirley Maclaine on the set of the 1977 film. Manuscript annotations on the verso. <br /> <br /> A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s in which MacLaine and Bancroft play former dance colleagues whose lives have gone separate ways one became and professional dancer the other a settled domestic life and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards including Best Picture Best Director and Best Screenplay.<br /> <br /> Shot on location in Oklahoma City. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Grant US. Selby US. Silver Classic Noir. Spicer US. Twentieth Century-Fox unknown
1976129783Los Angeles: Twentieth Century-Fox 1976. Draft script for the 1977 film. Presumed estimating script with "Budgeting" in manuscript ink on the front wrapper. Notations in manuscript blue and black ink throughout. <br /> <br /> A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s in which MacLaine and Bancroft portray former dance colleagues whose lives have gone separate ways one becomes a professional dancer the other a settled domestic woman and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards including Best Picture Best Director and Best Screenplay. <br /> <br /> Mustard titled wrappers noted as "Budgeting" on the front wrapper. Title page present dated 3/2/76 with a credit for screenwriter Laurents. 116 leaves mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1995WRCLIT67227Los Angeles: Rosemont Productions Int'l Ltd. 1995. 1102 leaves. Quarto. Photomechanically reproduced typescript printed on rectos only. Bradbound in production company wrappers. Neat ink name on title else very near fine. A "First Draft - Revised" of this adaptation to television of James's novella. The release title of the December 1995 production was altered to THE HAUNTING OF HELEN WALKER. It was directed by Tom McCloughlin and starred Valerie Bertinelli Diana Rigg Paul Rhys et al. Rosemont Productions Int'l Ltd. unknown books
1958163067N.p.: N.p. 1958. Vintage studio still photograph from the 1958 film showing uncredited actor Russell Nype. Newspaper clippings and reference library stamps on the verso.<br /> <br /> A comedy of errors about a married man who comes to believe that he has impregnated the owner of an adoption agency and that she will serve as the surrogate. <br /> <br /> From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. <br /> <br /> 8 x 10 inches archivally matted on a 11 x 14 inch mat. Very Good with annotations in manuscript ink on the recto regarding cropping and a small splash on the right edge. N.p. unknown
1965148069Universal City: Universal Pictures 1965. Two vintage photographs from the 1965 film one studio still and one compilation photograph of headshots of the David Tomlinson Lionel Jeffries Harry Andrews Niall MacGinnis and Lionel Murton. Mimeo snipe and "Silver Screen Archive" stamp on the verso of the film still.<br/><br/>Lazy sailer Tommy Tyler John Mills and his tom-boy daughter Spring Hayley Mills search for buried treasure with the help of young Philadelphia lawyer William Ashton James MacArthur. <br/><br/>Set in the Florida Keys shot on location in Catalonia Spain. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Universal Pictures unknown books
1957166060Beaconsfield UK: Beaconsfield Films 1957. Draft script for the 1957 British film copy belonging to Art Director George Provis with manuscript pencil and ink annotations in his hand throughout and his name written on the top of revision page 85.<br /> <br /> George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films.<br /> <br /> Laurence Harvey stars as Sir Humphrey Tavistock who consoles his son-in-law Roland Culver who finds all women impossible to love with tales of found lovers and lost love.<br /> <br /> Tall maroon untitled wrappers. Title page present dated 14.1.57 with credits for screenwriter Muriel Box. 109 leaves with last page of text numbered 108. Mimeograph duplication rectos only with undated green revision pages throughout. Pages Near Fine wrapper Very Good bound internally with a prong binding. Beaconsfield Films unknown
1957150849N.p.: Continental Distributing 1957. Two vintage photographs from the US release of the 1957 UK film one studio still photograph and one reference photograph. <br /> <br /> A man recalls his past and present relationships in order to help another man understand his wife. <br /> <br /> One 10 x 8 inches one 9.75 x 7.7x inches. Near Fine. Continental Distributing unknown
1995167510Los Angeles: Twentieth Century-Fox 1995. Draft script for the 1996 film. Script incomplete ending on page 124 lacking the final pages likely as issued.<br /> <br /> Loosely based as a modern gender-reversal of Edmond Rostand's 1897 play "Cyrano de Bergerac." Janeane Garofalo stars as a veterinarian and radio show host who has her beautiful neighbor Uma Thurman impersonate her when a handsome fan of her radio show Ben Chaplin expresses interest in her. Screenwriter Audrey Wells first feature film.<br /> <br /> Set in and shot on location in Los Angeles and Santa Monica California. <br /> <br /> Blue titled wrappers. Title page present dated February 6 1995 with credits for screenwriter Audrey Wells. 129 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two metal brads. Twentieth Century-Fox unknown
1964147638New York: Janus Films 1964. Collection of five vintage studio still photographs from the 1964 film. <br/><br/>"The Troublemaker" was inspired by The Premise an improv group begun by Theodore J. Flicker in 1960 and starred all but one of the original members of the group George Segal.<br/><br/>New Jersey chicken farmer Jack Armstrong Tom Aldredge moves to Greenwich Village to open a coffee house with the help of his friend lawyer T.R. Kingston Buck Henry.<br/><br/>Set in and shot on location in New York City. <br/><br/>8 x 10 inches. Near FIne. <br/><br/>Complete collation details available on request. Janus Films unknown books
1955150634Los Angeles: Paramount Pictures 1955. Complete set of ten vintage color studio still photographs from the 1955 film. Stamped production No. 63-71 on the versos and bottom right corner of the rectos. <br/><br/>Based on Jack Trevor Story's 1950 novel. The dead body of a local man is discovered in the woods near a small New England town leading the townspeople to speculate on what should be done with the corpse and more importantly the identity of the culprit. One of director Alfred Hitchcock's few true comedies. <br/><br/>Set and shot in Craftsbury Vermont. <br/><br/>10 x 8 inches. Near Fine. <br/><br/><br/>Rosenbaum 1000. Paramount Pictures unknown books
1955150634Los Angeles: Paramount Pictures 1955. Complete set of ten vintage color studio still photographs from the 1955 film. Stamped production No. 63-71 on the versos and bottom right corner of the rectos. <br /> <br /> Based on Jack Trevor Story's 1950 novel. The dead body of a local man is discovered in the woods near a small New England town leading the townspeople to speculate on what should be done with the corpse and more importantly the identity of the culprit. One of director Alfred Hitchcock's few true comedies. <br /> <br /> Set and shot in Craftsbury Vermont. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> <br /> Rosenbaum 1000. Paramount Pictures unknown
1969147241N.p.: N.p. 1969. Revised draft script for an unproduced film carbon typescript on onionskin unbound housed in an envelope with a "Winkast Programming Limited" label with "Hadrian VII Screenplay Stage play" scratched out and "'THE TRUMPH' BY JOHN KENNETH GALBRAITH" written in in green holograph marker.<br/><br/>From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br/><br/>Canadian economist diplomat and noted author John Kenneth Galbraith's adaptation of his 1968 novel "The Triumph" a political satire of a myopic and inept U.S. foreign policy response to a revolution by a moderate liberal in a small Central American country.<br/><br/>Title page present dated 29 May 1969 noted as Revised Draft with credits for author and screenwriter John Kenneth Galbraith. 168 leaves with last page of text numbered 167. Carbon typescript on onionskin rectos only. Pages Near Fine envelope Very Good plus with some small closed tears unbound. N.p. unknown books
